Log in

Relevant bibliographies by topics / Visual object recognition / Books

To see the other types of publications on this topic, follow the link: Visual object recognition.

Books on the topic 'Visual object recognition'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2023

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 41 books for your research on the topic 'Visual object recognition.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse books on a wide variety of disciplines and organise your bibliography correctly.

1

Grauman, Kristen, and Bastian Leibe. Visual Object Recognition. Cham: Springer International Publishing, 2011. http://dx.doi.org/10.1007/978-3-031-01553-3.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Bastian, Leibe, ed. Visual object recognition. San Rafael, Calif. (1537 Fourth Street, San Rafael, CA 94901 USA): Morgan & Claypool, 2011.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

3

Ullman, Shimon. High-level vision: Object recognition and visual cognition. Cambridge, Mass: MIT Press, 1996.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

4

Ullman, Shimon. High-level vision: Object recognition and visual cognition. Cambridge, Mass: MIT Press, 2000.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

5

Poth, Christian H. Episodic visual cognition: Implications for object and short-term recognition. Bielefeld: Universitätsbibliothek Bielefeld, 2017.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

6

Farah, Martha J. Visual agnosia: Disorders of object recognition and what they tell us about normal vision. Cambridge, Mass: MIT Press, 1990.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

7

Visual agnosia: Disorders of object recognition and what they tell us about normal vision. Cambridge, Mass: MIT Press, 1990.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

8

Visual agnosia: Disorders of object recognition and what they tell us about normal vision. Cambridge, Mass: MIT Press, 1999.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

9

Farah, Martha J. Visual agnosia: Disorders of object recognition and what they tell us about normal vision. Cambridge, Mass: MIT Press, 1995.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

10

Information routing, correspondence finding, and object recognition in the brain. Berlin: Springer-Verlag, 2010.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

11

1950-, Peterson Mary A., and Rhodes Gillian, eds. Perception of faces, objects, and scenes: Analytic and holistic processes. Oxford: Oxford University Press, 2003.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

12

Spehr, Jens. On Hierarchical Models for Visual Recognition and Learning of Objects, Scenes, and Activities. Cham: Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-11325-8.

Full text

APA, Harvard, Vancouver, ISO, and other styles

13

Madar, Heather, ed. Prints as Agents of Global Exchange. NL Amsterdam: Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789462987906.

Full text

Abstract:

The significance of the media and communications revolution occasioned by printmaking was profound. Less a part of the standard narrative of printmaking’s significance is recognition of the frequency with which the widespread dissemination of printed works also occurred beyond the borders of Europe and consideration of the impact of this broader movement of printed objects. Within a decade of the invention of the printing press, European prints began to move globally. Over the course of the fifteenth to the eighteenth centuries, numerous prints produced in Europe traveled to areas as varied as Turkey, India, Persia, Ethiopia, China, Japan and the Americas, where they were taken by missionaries, artists, travelers, merchants and diplomats. This collection of essays explores the transmission of knowledge, both written and visual, between Europe and the rest of the world by means of prints in the early modern period.

APA, Harvard, Vancouver, ISO, and other styles

14

Thielscher, Kristen, and Bastian Chernova. Visual Object Recognition. Springer International Publishing AG, 2011.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

15

Ennaceur, Abdel, and Maria A. de Souza Silva. Handbook of Object Novelty Recognition. Elsevier Science & Technology Books, 2018.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

16

Ennaceur, Abdel, and Maria A. de Souza Silva. Handbook of Object Novelty Recognition. Elsevier Science & Technology, 2018.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

17

Osaka, Naoyuki, Ingo Rentschler, and Irving Biederman. Object Recognition, Attention, and Action. Springer London, Limited, 2009.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

18

Osaka, Naoyuki, Ingo Rentschler, and Irving Biederman. Object Recognition, Attention, and Action. Springer, 2010.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

19

(Editor), Naoyuki Osaka, Ingo Rentschler (Editor), and Irving Biederman (Editor), eds. Object Recognition, Attention, and Action. Springer, 2007.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

20

Hayward, William. Structure View: The Psychology of Object Recognition. Psychology Press, 2009.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

21

Ullman, Shimon. High-Level Vision: Object Recognition and Visual Cognition. MIT Press, 1996.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

22

Ullman, Shimon. High-Level Vision: Object Recognition and Visual Cognition. MIT Press, 2019.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

23

West, Rebecca. Object recognition across multiple viewpoints in 3-month-old infants. 2002.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

24

Taylor, Geoffrey, and Lindsay Kleeman. Visual Perception and Robotic Manipulation: 3D Object Recognition, Tracking and Hand-Eye Coordination. Springer, 2014.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

25

Taylor, Geoffrey, and Lindsay Kleeman. Visual Perception and Robotic Manipulation: 3D Object Recognition, Tracking and Hand-Eye Coordination. Springer London, Limited, 2008.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

26

Recognizing Objects from Dynamic Visual Experiences. Berlin, Germany: Logos-Verlag Berlin, 2011.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

27

Funnell, Humphre. Peripheral Agnosia: Early Disorders Of Visual Object Recognition PAL (Teaching Programmes in Cognitive Neuropsychology). Psychology Press, 1991.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

28

Wolfrum, Philipp. Information Routing, Correspondence Finding, and Object Recognition in the Brain. Springer, 2011.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

29

Wolfrum, Philipp. Information Routing, Correspondence Finding, and Object Recognition in the Brain. Springer, 2010.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

30

Wolfrum, Philipp. Information Routing, Correspondence Finding, and Object Recognition in the Brain. Springer, 2014.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

31

Visual Perception and Robotic Manipulation: 3D Object Recognition, Tracking and Hand-Eye Coordination (Springer Tracts in Advanced Robotics). Springer, 2006.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

32

Chalupa, Leo M., and John S. Werner, eds. The Visual Neurosciences, 2-vol. set. The MIT Press, 2003. http://dx.doi.org/10.7551/mitpress/7131.001.0001.

Full text

Abstract:

An essential reference book for visual science. Visual science is the model system for neuroscience, its findings relevant to all other areas. This massive collection of papers by leading researchers in the field will become an essential reference for researchers and students in visual neuroscience, and will be of importance to researchers and professionals in other disciplines, including molecular and cellular biology, cognitive science, ophthalmology, psychology, computer science, optometry, and education. Over 100 chapters cover the entire field of visual neuroscience, from its historical foundations to the latest research and findings in molecular mechanisms and network modeling. The book is organized by topic—different sections cover such subjects as the history of vision science; developmental processes; retinal mechanisms and processes; organization of visual pathways; subcortical processing; processing in the primary visual cortex; detection and sampling; brightness and color; form, shape, and object recognition; motion, depth, and spatial relationships; eye movements; attention and cognition; and theoretical and computational perspectives. The list of contributors includes leading international researchers in visual science. Bradford Books imprint

APA, Harvard, Vancouver, ISO, and other styles

33

Bart, Evgeniy, ed. Invariant Recognition of Visual Objects. Frontiers Media SA, 2013. http://dx.doi.org/10.3389/978-2-88919-076-8.

Full text

APA, Harvard, Vancouver, ISO, and other styles

34

Fujimoto, Kiyoshi. Backscroll Illusion. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780199794607.003.0065.

Full text

Abstract:

Human vision recognizes the direction of a human, an animal, and objects in translational motion, even when they are displayed in a still position on a screen as filmed by a panning camera and with the background erased. Because there is no clue to relative motion between the object and the background, the recognition relies on a facing direction and/or movements of its internal parts like limbs. Such high-level object-based motion representation is capable of affecting lower-level motion perception. An ambiguous motion pattern is inserted to the screen behind the translating object. Then the pattern appears moving in a direction opposite to that which the object implies. This is called the backscroll illusion, and psychophysical studies were conducted to investigate phenomenal aspects with the hypothesis that the illusion reflects a strategy the visual system adopts in everyday circumstances. The backscroll illusion convincingly demonstrates that natural images contain visual illusions.

APA, Harvard, Vancouver, ISO, and other styles

35

Ruxton, Graeme D., William L. Allen, Thomas N. Sherratt, and Michael P. Speed. Disruptive camouflage. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199688678.003.0003.

Full text

Abstract:

Disruptive camouflage involves using coloration to hinder detection or recognition of an object’s outline, or other conspicuous features of its body. This involves using coloration to create ‘false’ edges that make the ‘true’ interior and exterior edges used by visual predators to find and recognize prey less apparent. Disruptive camouflage can therefore be thought of as a manipulation of the signal-to-noise ratio that depends on features of the perceptual processing of receivers. This chapter discusses the multiple mechanisms via which disruptive camouflage is thought to influence visual processing, from edge detection, through perceptual grouping, and then on to object recognition processing. This receiver-centred approach—rather than a prey-phenotype-centred approach—aims to integrate disruption within the sensory ecology of predator–prey interactions. We then discuss the taxonomic, ecological, and behavioural correlates of disruptive camouflage strategies, work on the relationship between disruption and other forms of protective coloration, and review the development of approaches to quantifying disruption in animals.

APA, Harvard, Vancouver, ISO, and other styles

36

Spehr, Jens. On Hierarchical Models for Visual Recognition and Learning of Objects, Scenes, and Activities. Springer, 2016.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

37

Spehr, Jens. On Hierarchical Models for Visual Recognition and Learning of Objects, Scenes, and Activities. Springer, 2014.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

38

Spehr, Jens. On Hierarchical Models for Visual Recognition and Learning of Objects, Scenes, and Activities. Springer, 2014.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

39

Dean, Andrew Mark. Image processing for robotic manipulation: Visual detection, recognition and orientation of objects for robotic manipulation using microprocessor control. Bradford, 1985.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

40

Gover, K. E. Art and Authority. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198768692.001.0001.

Full text

Abstract:

Art and Authority is a philosophical essay on artistic authority and freedom: its sources, nature, and limits. It draws upon real-world cases and controversies in contemporary visual art and connects them to significant theories in the philosophical literature on art and aesthetics. Artworks, it is widely agreed, are the products of intentional human activity. And yet they are different from other kinds of artifacts; for one thing, they are meaningful. It is often presumed that artworks are an extension of their makers’ personality in ways that other kinds of artifacts are not. This is clear from our recognition that an artist continues to own his or her creation even once the art object, in which the artwork inheres, belongs to another. But it is far from clear how or why artists acquire this authority, and whether it originates from a special, intimate bond between artist and artwork. In response to these questions, the book argues for a ‘dual-intention theory’ of artistic authorship, in which it is claimed that authorship entails two orders of intention. The first, ‘generative’ moment, names the intentions that lead to the production of an artwork. The second, ‘evaluative’ moment, names the decision in which the artist decides whether or not to accept the artwork as part of their corpus.

APA, Harvard, Vancouver, ISO, and other styles

41

Madar, Heather, ed. Prints as Agents of Global Exchange. Amsterdam University Press, 2021. http://dx.doi.org/10.1017/9789048540013.

Full text

Abstract:

The significance of the media and communications revolution occasioned by printmaking was profound. Less a part of the standard narrative of printmaking's significance is recognition of the frequency with which the widespread dissemination of printed works also occurred beyond the borders of Europe and consideration of the impact of this broader movement of printed objects. Within a decade of the invention of the printing press, European prints began to move globally. Over the course of the fifteenth to the eighteenth centuries, numerous prints produced in Europe traveled to areas as varied as Turkey, India, Persia, Ethiopia, China, Japan and the Americas, where they were taken by missionaries, artists, travelers, merchants and diplomats. This collection of essays explores the transmission of knowledge, both written and visual, between Europe and the rest of the world by means of prints in the Early Modern period.

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!