Relevant bibliographies by topics / Visual perception. Optical illusions. Anisotropy

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Visual perception. Optical illusions. Anisotropy'

Author: Grafiati
Published: 4 June 2021
Last updated: 11 February 2022

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Journal articles on the topic "Visual perception. Optical illusions. Anisotropy"

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Bertulis, A., and A. Bulatov. "Distortions in length perception: Visual field anisotropy and geometrical illusions." Neuroscience and Behavioral Physiology 35, no. 4 (2005): 423–34. http://dx.doi.org/10.1007/s11055-005-0043-z.

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Giusberti, Fiorella, Cesare Cornoldi, Rossana De Beni, and Manfredo Massironi. "Perceptual Illusions in Imagery." European Psychologist 3, no. 4 (1998): 281–88. http://dx.doi.org/10.1027/1016-9040.3.4.281.

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A mental image is in many ways analogous to a percept but it is not completely identical to it. In some respects, visual perception and visual imagery work in different ways. One area which is worth examining with regard to similarities and asymmetries between perception and imagery is the initial phases of visual information processing. The literature includes some references to the equivalence of imagery and perception in optical illusions, but data are contradictory. In our view, a mental image should not be particularly sensitive to variables which are critical in producing an optical illu
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Witabora, Jonata. "Ilusi Optis dalam Dunia Seni dan Desain." Humaniora 3, no. 2 (2012): 645. http://dx.doi.org/10.21512/humaniora.v3i2.3409.

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Visual is everything to do with vision. The ability of our brain to interpret visual is what we call visual perception. In the development of art and design, many artists and designers study visual perception and embody it in their works. One part of visual perception which attracts artists and made as the base on their work is optical illusion. This, in turn creates new streams in the world of art and design. Optical illusion is an anomaly in visual perception, a deceiving experience occurs beyond the control of the observer. Article maps out what optical illusions is, and identify a variety
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VORONTSOVA, Yulia Sergeevna. "SEMIOTICS OF OPTICAL ILLUSIONS IN COMMUNICATION AND RECREATION PUBLIC SPACES." Urban construction and architecture 5, no. 2 (2015): 15–18. http://dx.doi.org/10.17673/vestnik.2015.02.2.

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The purpose of this article is to examine the optical illusions as visual metaphors in architecture and design of public spaces. Metaphor, in this case, is defined as a key element in the interpretation of meaning and visual images. In the article the semiotic significance of optical illusions in the context of contemporary architecture and design is examined and the correlation between the optical illusions classification by resources and the interpretation of signs and symbols of perception optical effects is revealed. The article gives examples of use of optical illusions in communicative f
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Михальчи, Екатерина, Ekaterina Mihal'chi, Елена Михальчи, and Elena Mikhalchi. "Overview of methods for estimating visual perception in persons with disabilities or with restricted posibilities of the helth." Applied psychology and pedagogy 4, no. 2 (2019): 100–112. http://dx.doi.org/10.12737/article_5d15225c46f4a8.83367863.

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The article provides an overview of the methods used to assess visual perception in persons with disabilities. The authors divided visual techniques and optical illusions from the “Visual Phenomena and Illusions” catalog into groups according to the main properties of a person’s visual perception. The main types of disorders occurring in persons with disabilities in case of affection and / or insufficient development of the visual, cognitive and psycho-emotional systems are also considered. These methods for assessing visual perception can be used in the framework of psychological and pedagogi
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Shim, Jaeho, and John van der Kamp. "The Effects of Optical Illusions in Perception and Action in Peripersonal and Extrapersonal Space." Perception 46, no. 9 (2017): 1118–26. http://dx.doi.org/10.1177/0301006617707697.

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While the two visual system hypothesis tells a fairly compelling story about perception and action in peripersonal space (i.e., within arm’s reach), its validity for extrapersonal space is very limited and highly controversial. Hence, the present purpose was to assess whether perception and action differences in peripersonal space hold in extrapersonal space and are modulated by the same factors. To this end, the effects of an optic illusion in perception and action in both peripersonal and extrapersonal space were compared in three groups that threw balls toward a target at a distance under d
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Adelson, E. H., and D. C. Somers. "Atmospheric Boundaries in Lightness Perception." Perception 26, no. 1_suppl (1997): 60. http://dx.doi.org/10.1068/v970079.

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In judging the lightness of a surface, an observer must estimate and discount the optical viewing conditions: these include illumination level, haze, and interposed filters. The physical effects can be captured in terms of additive and multiplicative factors, which we call ‘atmosphere’. Local atmosphere can be estimated by gathering gray-level statistics over a local window. If the window is too small, the statistics will be impoverished. If the window is too large, it may encompass multiple atmospheres, making the statistics unreliable. We find evidence that the visual system imposes limits o
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Koch, C., H. T. Wang, and B. Mathur. "Computing motion in the primate's visual system." Journal of Experimental Biology 146, no. 1 (1989): 115–39. http://dx.doi.org/10.1242/jeb.146.1.115.

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Computing motion on the basis of the time-varying image intensity is a difficult problem for both artificial and biological vision systems. We will show how one well-known gradient-based computer algorithm for estimating visual motion can be implemented within the primate's visual system. This relaxation algorithm computes the optical flow field by minimizing a variational functional of a form commonly encountered in early vision, and is performed in two steps. In the first stage, local motion is computed, while in the second stage spatial integration occurs. Neurons in the second stage repres
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Myroslav, Yatsiv. "THE PHENOMENON OF LIGHT IN SCENOGRAPHIC SOLUTIONS YEVHENA LYSYKA." Vìsnik Nacìonalʹnogo unìversitetu "Lʹvìvsʹka polìtehnìka". Serìâ Arhìtektura 3, no. 1 (2021): 140–54. http://dx.doi.org/10.23939/sa2021.01.140.

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Scenography is a special kind of fine art and a visual aspect of a theatrical spectacle. Its task is to form the space of the stage with the help of plastic, painting and light-colour effects, which are inextricably linked with each other and theatrical action. In a theatrical performance, it is a way to immerse the spectator in something special - the atmosphere conceived by the director, created by the theatrical artist, director of light and actors. The purpose of the publication is to try to reveal the role of light and colour in the stage decisions of Yevhen Lysyk, to establish how these
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Banks, Joe. "Rorschach Audio: Ghost Voices and Perceptual Creativity." Leonardo Music Journal 11 (December 2001): 77–83. http://dx.doi.org/10.1162/09611210152780728.

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The author considers research into allegedly supernatural “Electronic Voice Phenomena” (EVP) in light of both anecdotal reports and formal experimental studies of related aspects of human auditory perception. He offers the primary hypothesis that an understanding of the relevant aspects of psychoacoustics provides a complete explanation for most EVP recordings, and a secondary hypothesis that an informed understanding of these processes is as relevant to the emergent field of sound art as studies of optical illusions have been to the study of visual art.
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Dissertations / Theses on the topic "Visual perception. Optical illusions. Anisotropy"

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Elliott, David B., Anna Vale, David J. Whitaker, and John G. Buckley. "Does my step look big in this? A visual illusion leads to safer stepping behaviour." Public Library of Science, 2009. http://hdl.handle.net/10454/3265.

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Background. Tripping is a common factor in falls and a typical safety strategy to avoid tripping on steps or stairs is to increase foot clearance over the step edge. In the present study we asked whether the perceived height of a step could be increased using a visual illusion and whether this would lead to the adoption of a safer stepping strategy, in terms of greater foot clearance over the step edge. The study also addressed the controversial question of whether motor actions are dissociated from visual perception. Methodology/Principal Findings. 21 young, healthy subjects perceived t
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Li, Xingshan. "Perception of Kanizsa subjective contour requires attention." 2005. https://scholarworks.umass.edu/theses/2435.

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Vuorre, Matti. "Using Visual Illusions to Examine Action-Related Perceptual Changes." Thesis, 2018. https://doi.org/10.7916/D8W39CRZ.

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Action has many influences on how and what we perceive. One robust example of the relationship between action and subsequent perception, which has recently received great attention in the cognitive sciences, is the “intentional binding” effect: When people estimate the timing of their actions and those actions’ effects, they judge the actions and effects as having occurred closer together in time than two events that do not involve voluntary action (Haggard, Clark, & Kalogeras, 2002). This dissertation examines the possible mechanisms and consequences of the intentional binding effect. First,
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Hui, Min. "Illusory contour processing in early visual areas a modeling approach /." Diss., 2007. http://etd.library.vanderbilt.edu/ETD-db/available/etd-09062007-082426/.

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Bonfante, Mariana Costa. "Princípios de ilusão de ótica em medicina dentária." Master's thesis, 2017. http://hdl.handle.net/10284/6552.

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O rosto humano é um segmento extremamente importante na composição estética de um individuo e a dentição assume um papel fundamental na estética da face. Segundo Pilkington, a estética dentária é definida como “a ciência de copiar ou harmonizar o nosso trabalho com a natureza tornando a nossa arte inconspícua.” Recentemente os pacientes e mesmo os profissionais tem vindo a dar um maior destaque ao ramo da estética em medicina dentária, em função da supervalorização da aparência do individuo na sociedade, da influencia do sorriso na estética facial e como um todo, e também da mudança de
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Books on the topic "Visual perception. Optical illusions. Anisotropy"

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Sarcone, Gianni A. Dazzling optical illusions. Sterling Publishing, 2002.

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L, Gregory R. Seeing through illusions. Oxford University Press, 2009.

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Gregory, R. L. Seeing through illusions. Oxford University Press, 2009.

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L, Gregory R. Seeing through illusions. Oxford University Press, 2009.

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Eye illusions. Modern Pub., 1994.

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Seckel, Al. Supervisions: Stereo optical illusions. Sterling Pub., 2006.

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Gregory, R. L. Illusion: Making sense of the senses. Oxford University Press, 2002.

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E, Yuker Harold, ed. Can you believe your eyes?: Over 250 illusions and other visual oddities. Brunner/Mazel Publishers, 1992.

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Block, J. R. Can you believe your eyes?: Over 250 illusions and other visual oddities. Gardner Press, 1989.

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Kersten, Bernd. Geometrisch-optische Täuschungen: Modelltheoretische Analysen und experimentelle Untersuchungen der Drei-Strecken-, Müller-Lyer-, und Baldwin-Figuren. Verlag Dr. Kovac, 1991.

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Book chapters on the topic "Visual perception. Optical illusions. Anisotropy"

1

Franceschiello, Benedetta, Alessandro Sarti, and Giovanna Citti. "Mathematical Models of Visual Perception for the Analysis of Geometrical Optical Illusions." In Mathematical and Theoretical Neuroscience. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-68297-6_9.

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Hutto, Daniel D., and Erik Myin. "Perceiving." In Evolving Enactivism. The MIT Press, 2017. http://dx.doi.org/10.7551/mitpress/9780262036115.003.0007.

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Chapter 7 begins to puts REC positive story into action. It opens by questioning the value of appealing to a priori intuitions in trying to understand the character of perceiving. Focusing on explanatory concerns, it revisits Predictive Processing or PPC proposals about perceiving and defuses arguments that the explanatory punch of PPC requires characterizing perceptual processes and products in representational terms. Instead the chapter shows how REC can successfully appropriate the main apparatus of PPC to explain perception. It demonstrates that mental representations are not needed to explain how intramodal and intermodal forms of perceiving integrate. The chapter concludes by showing how contentless forms of perceiving can connect with contentful attitudes, enabling us to make sense of a range of perceptual phenomena – including our capacity to attune to optical effects and the ways in which we respond to visual illusions.
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