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Dissertations / Theses on the topic 'Visual vernacular'

Author: Grafiati

Published: 25 May 2024

Last updated: 31 July 2025

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1

Ayers, Drew R. "Vernacular Posthumanism: Visual Culture and Material Imagination." Digital Archive @ GSU, 2012. http://digitalarchive.gsu.edu/communication_diss/34.

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Vernacular Posthumanism: Visual Culture and Material Imagination uses a theory of image vernaculars in order to explore the ways in which contemporary visual culture both reflects on and constructs 21st century cultural attitudes toward the human and the nonhuman. This project argues that visual culture manifests a vernacular posthumanism that expresses a fundamental contradiction: the desire to transcend the human while at the same time reasserting the importance of the flesh and the materiality of lived experience. This contradiction is based in a biodeterminist desire, one that fantasizes a

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2

Choi, Sung Hun. "Graffiti a visual vernacular as graphic design source /." [Ames, Iowa : Iowa State University], 2007.

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3

Dones, Vera Lúcia. "A estética vernacular como retórica visual da publicidade gráfica." Pontifícia Universidade Católica do Rio Grande do Sul, 2012. http://hdl.handle.net/10923/2120.

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Made available in DSpace on 2013-08-07T18:46:19Z (GMT). No. of bitstreams: 1 000446642-Texto+Completo-0.pdf: 5868112 bytes, checksum: 2db458954ce077c130851ad9481adbca (MD5) Previous issue date: 2012<br>This thesis aims at understanding the role of the vernacular aesthetics as a rhetorical element in advertising messages. We have proposed a reflection on what we has been called 'vernacular', which is characterized as an aesthetical dimension of contemporary culture. In Chapter I, we have both gathered information that contribute to the presentation of the concept of 'vernacular', and presente

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Bainbridge, Jason. "Visual law : an exegesis of vernacular jurisprudence in popular media /." [St. Lucia, Qld.], 2005. http://www.library.uq.edu.au/pdfserve.php?image=thesisabs/absthe18608.pdf.

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PEREIRA, Natália Cristina Rodrigues. "Design vernacular: a comunicação visual informal no cotidiano da Amazônia." Universidade Federal do Pará, 2018. http://repositorio.ufpa.br/jspui/handle/2011/10019.

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Submitted by Rejane Coelho (rejanecoelho@ufpa.br) on 2018-06-14T11:40:58Z No. of bitstreams: 2 license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Dissertacao_DesignVernacularComunicacao.pdf: 21759774 bytes, checksum: f552f15fda697f52e37df3c16e72a2e6 (MD5)<br>Approved for entry into archive by Rejane Coelho (rejanecoelho@ufpa.br) on 2018-06-14T11:44:26Z (GMT) No. of bitstreams: 2 license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Dissertacao_DesignVernacularComunicacao.pdf: 21759774 bytes, checksum: f552f15fda697f52e37df3c16e72a2e6 (MD5)<br>Made avai

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Liu, Shanshan. "Visual Social Media and Vernacular Responses to Environmental Issues in China." Thesis, Curtin University, 2019. http://hdl.handle.net/20.500.11937/79905.

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This thesis investigates the role of visual social media in providing ordinary Chinese with an alternative space to articulate their opinions on environmental issues. By studying three notable environmental cases, this thesis explores how ordinary Chinese adopt visual social media practices as a response to environmental issues, and to aid in the fight for environmental justice. This thesis provides a new perspective to understand China’s visual social media practices and its networked civic engagement.

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Dones, Vera L?cia. "A est?tica vernacular como ret?rica visual da publicidade gr?fica." Pontif?cia Universidade Cat?lica do Rio Grande do Sul, 2013. http://tede2.pucrs.br/tede2/handle/tede/4522.

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Made available in DSpace on 2015-04-14T14:41:43Z (GMT). No. of bitstreams: 1 446642.pdf: 5868112 bytes, checksum: 2db458954ce077c130851ad9481adbca (MD5) Previous issue date: 2013-03-05<br>This thesis aims at understanding the role of the vernacular aesthetics as a rhetorical element in advertising messages. We have proposed a reflection on what we has been called 'vernacular', which is characterized as an aesthetical dimension of contemporary culture. In Chapter I, we have both gathered information that contribute to the presentation of the concept of 'vernacular', and presented the contexts

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James, Sule. "Tracing the Idea of African Vernacular-Rooted Art: A Critical Analysis of Selected Contemporary South African and Nigerian Artists (2007-2016)." Thesis, University of Pretoria, 2019. http://hdl.handle.net/2263/72462.

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In this study, I seek to explore how contemporary art created by Nigerian and South African artists can be described to be rooted in an African vernacular. To this end, I conducted a comparative analysis of the cultural imageries and symbolisms of four Nigerian and four South African artists. For each of the artists, five of their works produced between 2007 and 2016 were purposively sampled. Thus, the study investigates forty works within the ten year period. The comparative analysis focuses on visual hermeneutics theory and art historical methodologies (formal analysis). Accordingly, the ana

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Edwards, Jamie Lee. "Netherlandish vernacular narrative painting in the age of Bruegel : 'entangling the eyes' & 'enlightening the mind'." Thesis, University of Birmingham, 2017. http://etheses.bham.ac.uk//id/eprint/7703/.

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This thesis sheds new light on the origins and significance of ‘compositional inversion’ in sixteenth-century Netherlandish art. Taking Pieter Bruegel’s inverted religious narratives as primary examples of a wider phenomenon, it seeks to account for the seemingly paradoxical method of narrative obfuscation evident in these works. It does so by situating them in art theoretical, iconographic, social, political and spiritual contexts. Chapter 1 turns to the art theories of Karel van Mander, contained in the first book of Het Schilder-Boeck (1604): ‘Den Grondt … ’. Here I suggest that Bruegel’s i

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10

Ardinghi, Maria Beatriz. "Glossário visual popular paulista: artefatos memoráveis presentes em residências de famílias de origem rural no estado de São Paulo." Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/16/16134/tde-07032016-190553/.

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O propósito desta pesquisa é contribuir para os estudos da cultura material popular brasileira em relação à possibilidade da existência de identidades regionais do artefato brasileiro popular, sob a ótica do design. Para tanto, foram identificados e analisados, do ponto de vista da percepção, uso e significado, determinados artefatos domésticos considerados memoráveis e notáveis em residências de famílias de origem rural no estado de São Paulo. Tendo em vista o pressuposto de que esses artefatos correspondem à materialidade presente nas memórias afetivas de uma parte significativa da população

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Bernd, Mariana. "Pinturas de paisagem amazônica e a construção de um imaginário da cultura popular." Universidade de São Paulo, 2011. http://www.teses.usp.br/teses/disponiveis/16/16134/tde-20012012-142416/.

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A Dissertação de Mestrado Pinturas de paisagem amazônica e a construção de um imaginário da cultura popular trata de documentar e analisar as pinturas populares que representam a floresta amazônica, produzidas nos séculos xx e xxi, utilizadas na comunicação visual e na decoração dos interiores e das fachadas de estabelecimentos comerciais e residenciais, localizados no centro de Manaus, capital do Amazonas. É possível encontrar diversos significados nessas pinturas, que se destacam em meio à poluição visual e à agitação da cidade. Evocando reiteradamente o repertório imagético da Amazônia, mis

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Scammell, Jennifer F. "Domesticating the Virgin : vernacular depictions of Mary and their reception in late medieval society." Thesis, University of Glasgow, 2010. http://theses.gla.ac.uk/1894/.

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This thesis is concerned with the didactic function of fourteenth- and fifteenth-century vernacular religious literature and art in contemporary medieval English society, and particularly the ways in which texts and images participate in emergent lay religious culture and inform social practices of the time. The focus is on apocryphal and legendary depictions of episodes in the Life of the Virgin Mary in vernacular works of the later Middle Ages and special consideration is given to the ways in which certain female audiences in England may have received and responded to Mary narratives. An int

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Malysz, Simone Cristina. "Sistemas de identidade visual como recurso para valorização de produtos artesanais do Brique da Redenção." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2013. http://hdl.handle.net/10183/96331.

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Tendo como campo de estudo o Brique da Redenção, um dos mais importantes pontos de comercialização de artesanato em Porto Alegre-RS, esta pesquisa teve como objetivo geral mapear o contexto atual da utilização de identidades visuais por artesãos que ali expõem seus produtos e a possibilidade de inserção do design gráfico junto ao artesanato em ações de comunicação visual. A base teórica aborda o design gráfico vernacular e o institucionalizado, o artesanato, a identidade visual e sua importância para a atividade artesanal. Junto aos artesãos, foram coletados materiais gráficos, nos quais se re

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Yoo, Sirah. "Ineffable: Latency in Symbolic Languages." VCU Scholars Compass, 2017. http://scholarscompass.vcu.edu/etd/4814.

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The design process demands comprehensive knowledge of visual signs and symbols with a focus on visual literacy; it is related to visual syntax, semantics, and the pragmatics of contexts. My work is an interdisciplinary investigation into how designers integrate polysemantic signs into their design process for particular and highly individualized audiences. By analyzing the role of signs in specific contexts across the spectrum of arts, society, literature, and semiotics, a designer's understanding of the cyclical nature of interpretation and reinterpretation in complex environments creates an

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Harrington-Watt, Kathleen. "Vernacular Photographs as Privileged Objects:The Social Relationships of Photographs in the Homes of Gujarati/New Zealanders." Thesis, University of Canterbury. Social and Political Sciences, 2011. http://hdl.handle.net/10092/6208.

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Photographs traverse the world in many forms and for many purposes. They follow and trace movements and networks of people, and have become essential objects in linking the past, present, and future of migrating communities. Vernacular photographs found in the home, encompass a substantial field of neglected knowledge and should be accorded greater attention and analysis in social science research. Vernacular images in academic research are often described as ordinary and mundane, their representational aspects are perceived to be repetitive and unremarkable (portraits, family snapshots etc.).

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Batool, Ayesha. "Quantifying Environmental Performance of Jali Screen Façades for Contemporary Buildings in Lahore Pakistan." Thesis, University of Oregon, 2014. http://hdl.handle.net/1794/17931.

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Jali screens are traditional window treatments in vernacular buildings throughout South Asia and the Middle East. Contemporary builders are starting to incorporate Jali screens as decorative façade elements; however, architects and scholars have largely ignored the impact of Jali screens on overall building energy and day-lighting performance. This research evaluates the effect of Jali screens, across a range of perforation ratios, on energy utilization and day-lighting quality in contemporary office buildings. The data collection and analysis is through fieldwork in Lahore, Pakistan, as well

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17

Fougère-Danezan, Barbara. "Surdité et cinéma : un choc qui fait empreinte." Electronic Thesis or Diss., Paris 1, 2023. http://www.theses.fr/2023PA01H302.

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Seuls deux ouvrages abordent la question de la surdité au cinéma. Il ne faudrait cependant pas croire que ce sujet manque d'intérêt. Nous postulons même que ce thème offre une richesse insoupçonnée. Notre thèse s'engage ainsi dans l'exploration de la relation complexe et dynamique entre le cinéma et la surdité, en l’observant sous différents angles. En nous appuyant sur les Deaf et disability Studies, nous examinerons les diverses empreintes que la surdité a pu laisser dans l'art cinématographique, ainsi que celles laissées par le cinéma dans la culture sourde. Pour cela, nous chercherons à co

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18

Gaydos, Benjamin. "[ethno]graphic design." VCU Scholars Compass, 2007. http://scholarscompass.vcu.edu/etd_retro/98.

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Visual communication is a part of everyone's daily existence. It is a ubiquitous mode that shapes not only the environment that individuals inhabit, but the very identity of the individual. Graphic designers, who create the vast majority of the visual communication encountered, play a crucial role in the production of cultural identity. It is a necessity that designers understand that role, as agents of cultural production.[ethno]graphic design is an ever-evolving approach to graphic design which utilizes anthropological methods in the creative process. This document presents a collection of p

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Venter, Schalk (Dawid Schalk Willem). "The people's typography : a social semiotic account on the relationship between 'township typography' and South African mainstream cultural production." Thesis, Stellenbosch : Stellenbosch University, 2012. http://hdl.handle.net/10019.1/20278.

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Thesis (MPhil)--Stellenbosch University, 2012.<br>ENGLISH ABSTRACT: This thesis presents an analysis of ‘township typography’ as a complex visual dialect generated by various economic and historical factors within the South African social landscape. A combination of specific tools, skills-sets and applications has produced a body of typographic letterforms that can be visually distinguished from standardised letterforms found in mainstream typography. Due to the origin of these letterforms, as well as their distinct appearance, ‘township typography’ has the capacity to evoke specific soc

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Deas, Megan Elizabeth. "Imagining Australia: Community, participation and the 'Australian Way of Life' in the photography of the Australian Women's Weekly, 1945-1956." Phd thesis, Canberra, ACT : The Australian National University, 2018. http://hdl.handle.net/1885/148424.

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While the cultural history and practices of press photography in Australia have gained scholarly attention in recent years, the contribution of other forms of photography published in magazines—including editorial, advertising and readers’ photographs—to burgeoning concepts of nationhood has been largely overlooked. This thesis examines the role of photography in visualising a post-war ‘imagined community’ in a study of The Australian Women’s Weekly magazine, the highest-circulating weekly publication in the country, between the end of the Second World War in 1945 and the introduction of telev

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Dion, Élisée. "Penser le monde en langue vulgaire et en images : enjeux sociaux et dimensions visuelles de la transmission du savoir dans l’Image du monde (XIIIe-XVe siècles)." Thesis, Reims, 2018. http://www.theses.fr/2018REIML013.

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Rédigée en 1246 par un clerc nommé Gossuin de Metz, l’Image du monde est considérée comme la première encyclo-pédie de langue française. Elle constitue à ce titre l’une des premières entreprises de transmission écrite d’un ensemble de savoirs sur le monde d’origine cléricale et latine à destination d’un public laïc et aristocratique. Trois versions furent produites, deux en vers et une en prose, dont il n’est pas certain qu’elles soient le travail d’une seule et même personne. Signe de son très grand succès, l’Image du monde est conservée dans 110 manuscrits. Elle constitue donc un objet de re

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Larcher, Jonathan. "Des arts filmiques en anthropologie. Enquête, expérience et écologie des images en "tsiganie"." Thesis, Paris Sciences et Lettres (ComUE), 2018. http://www.theses.fr/2018PSLEH045/document.

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Cette recherche s’est initialement constituée autour de la réalisation de films documentaires et d’une collecte d’images vernaculaires produites dans le « quartier tsigane » (une « ţigănie ») du village de Dițești, au sud de la Roumanie. Dès le début de l’enquête, mes interlocuteurs m’indiquent que leur tsiganie est peuplée d’images ; des telenovelas, des images domestiques, des « films de commande familiaux », etc. Chaque situation filmée fait ainsi l’objet d’intenses négociations entre des pratiques et des expériences filmiques contrastées. Ce travail de description et de reconstitution de l

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Córdova, Manzor Manuel. "Recopilación y reinterpresentación visual de la gráfica funcional vernacula de Santiago de Chile : libro modesto estupendo." Tesis, Universidad de Chile, 2004. http://www.repositorio.uchile.cl/handle/2250/111685.

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Riboni, Ulrike Lune. ""Juste un peu de vidéo" : la vidéo partagée comme langage vernaculaire de la contestation : Tunisie 2008-2014." Electronic Thesis or Diss., Paris 8, 2016. http://www.theses.fr/2016PA080074.

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Du soulèvement survenu en Birmanie en 2007 aux révoltes qui ont traversé les pays de la Méditerranée en 2011, les usages de la vidéo partagée sur internet n’ont cessé de se développer au cœur des manifestations et des émeutes. À partir d’observations menées sur internet et d’une enquête de terrain en Tunisie, la thèse s’attache à décrire l’évolution des usages de l’image animée sur le temps long du processus révolutionnaire tunisien entre 2008 et 2014, et à questionner la place et le rôle de ces pratiques dans un monde social en ébullition. L’analyse des contenus mais aussi des tensions socio-

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Riboni, Ulrike Lune. ""Juste un peu de vidéo" : la vidéo partagée comme langage vernaculaire de la contestation : Tunisie 2008-2014." Thesis, Paris 8, 2016. http://www.theses.fr/2016PA080074.

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Du soulèvement survenu en Birmanie en 2007 aux révoltes qui ont traversé les pays de la Méditerranée en 2011, les usages de la vidéo partagée sur internet n’ont cessé de se développer au cœur des manifestations et des émeutes. À partir d’observations menées sur internet et d’une enquête de terrain en Tunisie, la thèse s’attache à décrire l’évolution des usages de l’image animée sur le temps long du processus révolutionnaire tunisien entre 2008 et 2014, et à questionner la place et le rôle de ces pratiques dans un monde social en ébullition. L’analyse des contenus mais aussi des tensions socio-

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Drimmer, Sonja. "The Visual Language of Vernacular Manuscript Illumination: John Gower's Confessio Amantis (Pierpont Morgan MS M.126)." Thesis, 2011. https://doi.org/10.7916/D8FN1BZP.

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The Confessio Amantis, a poem completed in 1393, opens with its author's pledge to: wryte of newe som matiere essampled of these olde wyse [write anew some matter modeled on these old wise books]. Expressing a commonplace among writers of vernacular literature in late medieval England, John Gower describes authorial activity as the process of translating and assimilating pre-existing narratives. This dissertation argues that such conceptualizations of authorship were embraced by illuminators of vernacular literature in their burgeoning notion of invention before the ascendance of print: as tra

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Moreira, Eugenio Paccelli Paiva. "Vistas do Oriente – Território imaginado: Fotografia vernacular e mediação do orientalismo no Séc. XIX." Master's thesis, 2021. http://hdl.handle.net/10362/134980.

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– Esta pesquisa busca refletir sobre fotografias vernaculares do século XIX, com o propósito de explorar questões suscitadas pela sua mediação na construção do olhar ocidental sobre o Oriente Médio. Procura também descrever o impacto cultural que a prática fotográfica e essas imagens produziram nas relações sociais e culturais entre as duas civilizações. Apoia-se na análise conjunta das 181 imagens dos álbuns Vistas do Oriente I e II, encontrados na Fazenda Santa Maria do Monjolinho, interior do estado de São Paulo/Brasil, empregando fundamentos teóricos e metodológicos da antropologia visual.

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Bullen, Leah Louise. "Virtual Nature: A practice-led enquiry into the relationship between painting and vernacular photography through the process of the painted monotype." Phd thesis, 2018. http://hdl.handle.net/1885/157027.

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My practice-led research explores the relationship between painting and vernacular photography through the process of painted monotypes. This project has developed from an ongoing fascination with the visual qualities of photography and what happens when you translate photographs into other material forms, such as painting. The aim of this project is to develop images that interrogate how painted monotypes provide a distinctive interpretation of embodied experience through their visual, material and sensory qualities. Today, like no other time in history, photography is embedded in our daily l

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HUANG, HSIU-HUI, and 黃修慧. "A study on the vernacular art applying in the primary school's high grade visual art course - Taking the local temple colored drawing as examples." Thesis, 2006. http://ndltd.ncl.edu.tw/handle/41018040167977936473.

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碩士<br>國立臺北大學<br>民俗藝術研究所<br>94<br>The building colored drawing or pattern in the temple contains compatriot's traditional aesthetics , space , religion view, far different with the building of western culture, we should value this culture resource , from to seek by unique view not aesthstic not such Chinese. To now in the past, the temple was closely linked with the people's life, the ornament thing in the temple is revealing the psychology that people earnestly hope everywhere. The dense integral folk art of these and people, should be known very well by people, but like this , on primary scho

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Oldfield, Christina. "Picturing home : home as represented in vernacular image making : written component presented in partial fulfilment of the requirements for the degree of Master of Fine Arts at Massey University, Wellington." 2010. http://hdl.handle.net/10179/1536.

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This project grew out of an interest in notions of ‘home’, what ‘home’ is and its relationship to the ‘house’ as a physical place of dwelling. Specifically, this project explores how the home is represented in vernacular image-making, such as the photographs in the family album and craft methods such as cross-stitch. This lead to an investigation into vernacular photography, collections and archives, and contemporary craft methods. An archive of photographs collected follows the text, as well as drawings and embroideries made during the project. The final work consists of a large-scale project

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McLeod, Heather Skye. "The art of the everyday: experiences of a house." Thesis, 2009. http://hdl.handle.net/1828/1552.

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The purpose of this study was to document and understand the meanings associated with the visual elaboration (Painter, 2002a), of a particular house i.e. what was done to it after it was built and why, in Victoria, British Columbia, Canada, by successive occupants, including myself, over a period of nine decades. I used a case study, involving documents and artefacts and interviews with key informants. Taking an interpretive epistemological stance, I employed a narrative approach to inquiry (Kramp, 2004, Johnson-Bailey, 2004). The individual narratives resonated with recent anthropologic

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Mashigo, Kgomotso. "Interrogating rapid design ethnography : a strategy for exploring the indigenous visual vernaculars of the Ghanaian Adinkra symbols." Diss., 2016. http://hdl.handle.net/2263/51379.

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This study introduces rapid design ethnography as a research strategy that may be used in design as an alternative to conventional ethnography. It interrogates this strategy by means of a study of the Ghanaian Adinkra symbols. Adinkra is an indigenous graphic language that carries specific cultural narratives that embody proverbs and or poetic messages. In view of this, this study discusses how a collaboration between ethnography (and rapid ethnography) and design can be merged to create appropriate visual communication with specific reference to this indigenous visual vernacular. The study al

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