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Books on the topic 'Visuell identitet'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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1

Jochims, Reimer. Kunst und Identität: Visuelle Erkenntnis als Lebens-Erfahrung. Ostfildern: Edition Tertium, 1996.

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2

Warsono, Nano. Jogja agropop: Negosiasi identitas kultural dalam seni visual. [Yogyakarta]: Langgeng Gallery, 2012.

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3

Fotografie und "Identität": Visuelle Repräsentationspolitiken in künstlerischen Arbeiten der 1980er und 1990er Jahre. Bielefeld: Transcript, 2010.

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4

Colored pictures: Race and visual representation. Chapel Hill: University of North Carolina Press, 2003.

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5

Kleinspehn, Thomas. Der flüchtige Blick: Sehen und Identität in der Kultur der Neuzeit. Reinbeck bei Hamburg: Rowohlt, 1989.

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6

Der europäische Ernst: Identität im Zeitalter populärkultureller Dislozierung : ein Beitrag zur audiovisuellen Anthropologie. Wien: Passagen, 2009.

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7

Den visuella texten: Multimodal analys i praktiken. Stockholm: Hallgren & Fallgren, 2009.

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8

Farber, Leora. Imaging ourselves: Visual identities in representation. Johannesburg: University of Johannesburg, Faculty of Art Design and Architecture, 2009.

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9

Visual stimulation: Shaping teen identities. Oxford, United kingdom: Inter-Disciplinary Press, 2015.

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10

United in visual diversity: Images and counter-images of Europe. Innsbruck: StudienVerlag, 2010.

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11

La modernité à l'épreuve de l'image: L'obsession visuelle de l'Occident. Paris: L'Harmattan, 2012.

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12

Pang, Laikwan. The distorting mirror: Visual modernity in China. Honolulu: University of Hawai'i Press, 2007.

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13

Stephanie, Geise, and Lobinger Katharina, eds. Bilder, Kulturen, Identitäten: Analysen zu einem Spannungsfeld visueller Kommunikationsforschung. Köln: Herbert von Halem Verlag, 2012.

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14

Black arts in Britain: Literary, visual, performative. Roma: Aracne, 2011.

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15

Toti, Anna Maria Paola. Eccentricità e nomadismo: Pratiche e rappresentazione verbale e visuale della donna. Roma: CieRre, 2005.

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16

Sight unseen: Whiteness and American visual culture. Berkeley: University of California Press, 2005.

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17

Monstrosity: The human monster in visual culture. London: I.B. Tauris, 2013.

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18

Visual culture and gender: Critical concepts in media and cultural studies. New York: Routledge, 2014.

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19

Psychosocial spaces: Verbal and visual readings of British culture, 1750-1820. Detroit, Mich: Wayne State University Press, 2000.

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20

Pornotopische Techniken des Betrachtens: Raumwahrnehmung und Geschlechterordnung in visuellen Apparaten der Moderne. Marburg: Jonas, 2001.

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21

Trimble, Jennifer. Women and visual replication in Roman imperial art and culture: Visual replication and urban elites. Cambridge: Cambridge University Press, 2011.

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22

Seeing differently: Identification, contemporary art, and visual culture. Abingdon, Oxon [England]: Routledge, 2012.

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23

Art and identity: Visual culture, politics and religion in the Middle Ages and the Renaissance. Newcastle upon Tyne: Cambridge Scholars, 2012.

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24

Gender in real time: Power and transcience in a visual age. New York: Routledge, 2002.

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25

Woods-Marsden, Joanna. Renaissance self-portraiture: The visual construction of identity and the social status of the artist. New Haven: Yale University Press, 1998.

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26

Africa in the American imagination: Popular culture, racialized identities, and African visual culture. Jackson [Miss.]: University Press of Mississippi, 2012.

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27

Indigenous aesthetics: Native art, media, and identity. Austin: University of Texas Press, 1998.

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28

missing], [name. Imagining the self, imagining the other: Visual representation and Jewish-Christian dynamics in the Middle Ages and early modern period. Leiden: Brill, 2002.

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29

American visual memoirs after the 1970s: Studies on gender, sexuality, and visibility in the post-civil rights age. București: Editura Universității din București, 2010.

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30

Rhodes, Kimberly. Ophelia and Victorian visual culture: Representing body politics in the nineteenth century. Burlington, Vt: Ashgate, 2008.

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31

Intégral Ruedi Baur & associés., ed. 00 00 01: Identité visuelle du centre Pompidou. Paris: Jean Michel Place, 2001.

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32

00 00 01: Identite visuelle du centre Pompidou (Signaletique). Jean Michel Place, 2001.

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33

Cemeti, Yayasan Seni, ed. Identitas dan budaya massa: Aspek-aspek seni visual Indonesia. Yogyakarta: Yayasan Seni Cemeti, 2002.

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34

Tarango, Angela. Hunting Buffalo in Oklahoma. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190280192.003.0008.

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This chapter examines the visual aesthetics of three Native American casinos in Oklahoma to explore how the Cherokee, Quapaw, and Choctaw grapple with their public identities and choose to portray their cultures. The chapter argues that by including specific material objects, visuals, pictures, and design in their casinos, each tribe publicly creates its own identity, one that is rooted in the history of removal as well as the adoption of Oklahoma as a new homeland.
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35

Harris, Michael D. Colored Pictures: Race and Visual Representation. The University of North Carolina Press, 2006.

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36

Johanne, Lamoureux, Ross Christine 1958-, and Asselin Olivier, eds. Precarious visualities: New perspectives on identification in contemporary art and visual culture. Montrâeal: McGill-Queen's University Press, 2008.

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37

Visual Genders, Visual Histories (Gender and History Special Issues). Blackwell Publishing, Incorporated, 2006.

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38

Barbara, Paul, and Schaffer Johanna, eds. Mehr(wert) queer: Visuelle Kultur, Kunst und Gender-Politiken = Queer added (value) : visual culture, art, and gender politics. Bielefeld: Transcript, 2009.

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39

Barbara, Paul, and Schaffer Johanna, eds. Mehr(wert) queer: Visuelle Kultur, Kunst und Gender-Politiken = Queer added (value) : visual culture, art, and gender politics. Bielefeld: Transcript, 2009.

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40

Barbara, Paul, and Schaffer Johanna, eds. Mehr(wert) queer: Visuelle Kultur, Kunst und Gender-Politiken = Queer added (value) : visual culture, art, and gender politics. Bielefeld: Transcript, 2009.

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41

Luyt, Russell, Christina Welch, and Rosemary Lobban. Diversity in Gender and Visual Representation. Taylor & Francis Group, 2017.

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42

Baker, David, and Lucy Green. Disability Arts and Visually Impaired Musicians in the Community. Edited by Brydie-Leigh Bartleet and Lee Higgins. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780190219505.013.1.

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This chapter reports on a multifaceted ‘disability arts scene’ in music worldwide that comprises visually impaired (i.e., blind and partially sighted) instrumentalists, singers, composers, producers, and others across a range of musical styles and genres. Some such musicians work alone but are usually deeply involved in networks. Others join community music ensembles that can be made up of musicians with a range of disabilities including visual impairments, or that consist entirely of visually impaired people. When promoting their community music participation, some visually impaired musicians draw on the history and traditions of the blind in music across the world, and thus exists the lore concerning special dispensations in the absence of sight. Yet there are also visually impaired musicians who distance themselves from that self-identity. The chapter explores how members of this unique socio-musical group consider the aforesaid ‘scene’ and its integral community music, and how their interpretations correspond or clash; it introduces key matters of accessibility, independent mobility, identity, musical approach and media, notions of discrimination, and social inclusion.
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43

(Editor), Ann Shteir, and Bernard Lightman (Editor), eds. Figuring It Out: Science, Gender, and Visual Culture (Interfaces: Studies in Visual Culture). Dartmouth College Press, 2006.

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44

(Editor), Ann Shteir, and Bernard Lightman (Editor), eds. Figuring It Out: Science, Gender, and Visual Culture (Interfaces: Studies in Visual Culture). Dartmouth College Press, 2006.

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45

Pang, Laikwan. Distorting Mirror: Visual Modernity in China. University of Hawaii Press, 2007.

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46

Identity Designed: The Definitive Guide to Visual Branding. Quarto Publishing Group USA, 2019.

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47

Fiona, Carson, and Pajaczkowska Claire, eds. Feminist visual culture. New York: Routledge, 2001.

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48

Outlooks: Lesbian and Gay Sexualities and Visual Cultures. Routledge, 1996.

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49

Outlooks: Lesbian and Gay Sexualities and Visual Cultures. Routledge, 1996.

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50

The Distorting Mirror: Visual Modernity in China. University of Hawaii Press, 2007.

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