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Relevant bibliographies by topics / Vitruve, Architecture

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Academic literature on the topic 'Vitruve, Architecture'

Author: Grafiati

Published: 4 June 2021

Last updated: 16 February 2022

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Journal articles on the topic "Vitruve, Architecture"

1

Rowland, Ingrid D. "Review: Les Annotations de Guillaume Philandrier sur le De Architectura de Vitruve, Livres I à IV by Frédérique Lemerle." Journal of the Society of Architectural Historians 60, no. 2 (June 1, 2001): 235–36. http://dx.doi.org/10.2307/991719.

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Novara, Antoniette. "Démocrite dans le De architectura de Vitruve." Helmántica 50, no. 151 (January 1, 1999): 587–610. http://dx.doi.org/10.36576/summa.3590.

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Séguin-Brault, Olivier. "Vitruve à Thélème. Rabelais lecteur du De architectura." Réforme, Humanisme, Renaissance 87, no. 2 (2018): 9. http://dx.doi.org/10.3917/rhren.087.0009.

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Whelan, Debbie. "Snippets from the north: Architects in Durban and their response to identity, common culture and resistance in the 1930s." VITRUVIO - International Journal of Architectural Technology and Sustainability 4, no. 1 (June 18, 2019): 26. http://dx.doi.org/10.4995/vitruvio-ijats.2019.11774.

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<p class="Abstracttext-VITRUVIOCxSpFirst">Previously colonized by both Holland and Britain, South Africans have always borrowed; many taking aesthetic clues from memories of ‘home’. Applied seemingly irrelevantly, these ‘clues’ often border on the pastiche. Pre and post Union in 1910, the British-controlled colonies of Natal and the Cape absorbed imported architectural influences which not only introduced an Arts and Crafts layer to Victorian Gothic and Classical revivals, but introduced vital new ideas, namely Art Deco and Modernism.</p><p class="Abstracttext-VITRUVIOCxSpFirst">Somehow this polemic embraced another revival: a melange of Tudor and Elizabethan focusing on detail, craftsmanship and nostalgia. The ‘Tudorbethan’ Revival occurred at a vital point in the inter-war era, and it is contended that this style demonstrated a calculated resistance to the hybrid ‘Union Period’ architecture and its political role in forging a common diasporic identity and culture in the 1930s, rather than a mere application of fashion.</p><p class="Abstracttext-VITRUVIOCxSpFirst">This paper situates the Tudorbethan Revival within contemporary architectural themes in Durban, South Africa, and contextualises the socio-political production of buildings between the wars before examining the works of architects who conceived this well-crafted, nostalgic and irrelevant architecture. It concludes by comparing this complex aesthetic with the contemporary architectural thread of ‘Gwelo’ Goodman’s Cape Dutch Revival suggesting the degree to which domestic architecture is able to support political positions in contested societies.</p>

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Fixler, David N. "Managing Expectations – Contemporary Design Culture, Conservation and the Transformation of The Richards Laboratories." Louis I. Kahn – The Permanence, no. 58 (2018): 20–29. http://dx.doi.org/10.52200/58.a.utpzyrhz.

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Louis I. Kahn’s Richards Laboratories at the University of Pennsylvania are a paradoxical building. At the same time that they perhaps represent the epitome of Kahn's literal expression of structure and material hierarchy, servant and served spaces and the role of mechanical systems in determining architectural form, these powerful ideas never came together programmatically to enable a fully functional, complete work of architecture. This paper describes the quest to solve the functional conundrum and technical shortcomings of Richards, to bring the architecture and program closer together. Through a synthesis combining transformation — a significant change in use that allowed the opening of the laboratory floors to the unique light and views that were always latent in the promise of Kahn’s essential architectural idea — and rehabilitation, where the best aspects of Richards — the glazed, vitrine-like facades and the beautiful logic of the building services distribution, were renovated for enhanced performance, Kahn’s original architectural vision and present function were able to be successfully reconciled.

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Baratta, Adolfo F. L., Fabrizio Finucci, and Antonio Magarò. "Regenerating Regeneration: augmented reality and new models of minor architectural heritage reuse." VITRUVIO - International Journal of Architectural Technology and Sustainability 3, no. 2 (December 26, 2018): 2. http://dx.doi.org/10.4995/vitruvio-ijats.2018.10884.

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<p>The paper presents the first results of an interdisciplinary research conducted by the Department of Architecture of Roma Tre University aimed at developing guidelines for enhancement of minor architectural heritage, urban and suburban. The research evaluates the creation of a widespread museum that exploit cultural dissemination technologies in augmented reality. The economic crisis, not yet overcome, leads to rethink urban development and heritage conservation, reorienting design towards techniques and practices of reuse. These strategies represent one of the most effective ways to enhance and protect the minor architectural heritage, often protagonist of degradation and abandonment. It seems necessary that the architectural heritage protection has been articulated through contemporaneity, adapting itself to the age of Information Communication Technology. In addition to the architectural heritage, strictly intended as a monument, Italy has a complex system of goods well explained, in the broadest sense, as "minor architectural heritage ". This approach makes possible to identify the Italian Historical Cities as a new category of widespread heritage to be protected. Consequently, it emerges the need to put aside the discretization in punctual assets, approaching an entire system of architectural goods, characterized by a high degree of complexity. Valuing the latter in a sustainable way also passes through new technologies as augmented reality.</p>

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Courrent, Mireille. "Le corps humain, référence et modèle dans le De Architectura de Vitruve." Revue des Études Anciennes 99, no. 1 (1997): 101–8. http://dx.doi.org/10.3406/rea.1997.4679.

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Ardizzola, Paola. "Architectural practice and theory: the case of Bruno Taut's house in Berlin-Dahlewitz." VITRUVIO - International Journal of Architectural Technology and Sustainability 2, no. 1 (June 13, 2017): 45. http://dx.doi.org/10.4995/vitruvio-ijats.2017.7496.

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<p>In 1926 Bruno Taut built his own house in Berlin-Dahlewitz. The German architect had already declared his ideas of housing in the book Die neue Whonung (1924) exemplifying the new concept of modern living-style, according to Neues Bauen. In other theoretical writings he defines the Neues Bauen in relation with new needs, tendencies and aesthetics of architecture, referring to important issues as climate, topography and tradition. The book Ein Whonhaus (1927) stigmatizes the coeval construction process of his house: the thirteen chapters are a detailed analysis which give evidence to every technological and morphological choice. Taut focuses on the relationship between architecture and landscape, type of furniture, functional plan layout, use of glass; especially he enlightens the reader as to the use of colour as a construction material. The house has an unconventional shape, it is a quarter of a circle; in his writings the architect painstakingly explains the impressive plan. With the book Ein Whonhaus Taut delivers to memory his home design, transforming process and ideas related to the modern house. He breaks through conventions and changes the notions of what Modernism could produce. The paper highlights the theoretical production related to the architect’s own house as praxis for doing architecture, emphasizing Taut’s contribution to a dialectic mutual relationship between theoretical and architectural practice, in order to achieve a more conscious and effective design process.</p>

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Rociola, Giuseppe Francesco. "Matter, material, architecture. The tectonic conception between spontaneous consciousness and critical consciousness." VITRUVIO - International Journal of Architectural Technology and Sustainability 2, no. 2 (December 21, 2017): 35. http://dx.doi.org/10.4995/vitruvio-ijats.2017.8745.

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<p>Talking about of place and matter as indissoluble terms of architectural practice could at first appear tautological, because of the essential link that makes them participating in the construction of anthropic structures. But nowadays it has become of utmost importance to emphasize it, in the light of the profound changes that concern the architecture in the last decades, during which the importance of technology as a value in itself that summarizes all the meanings of the project has questioned the link always existed among materials, building and language, as expression of a type-morphological world in which to recognize themselves collectively. In this sense it may be useful to analyze some nodal points characterizing developments and discontinuities of this relationship, to investigate the role of memory as a "working theme" of architecture, performed above all through materials, and to highlight the importance to seek a critical link between place and type read in the ontological dimension of the building, that has no nostalgic or historiographical purpose, but on the contrary it is necessary to root the project into a cultural palimpsest that allows the present of construction to be dense of social meanings.</p>

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Cellauro, Louis. "Daniele Barbaro and Vitruvius: the architectural theory of a Renaissance humanist and patron." Papers of the British School at Rome 72 (November 2004): 293–329. http://dx.doi.org/10.1017/s0068246200002749.

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DANIELE BARBARO E VITRUVIO: LA TEORIA ARCHITETTONICA DI UN UMANISTA E PATRONO DEL RINASCIMENTOL'aristocratico veneziano Daniele Barbaro (1514–70), collezionista d'arte, di libri e di strumenti matematici, fu un importante patrono delle artie delle scienze della Venezia del XVI secolo. La sua pubblicazione più imponente e significativa fu la traduzione commentata del De Architectura Libri Decem di Vitruvio. Lo scopo di questo articolo è quello di fornire un'analisi della teoria architettonica di Daniele Barbaro, cosi come emerge dai suoi commentari e di stabilire il suo rapporto con Vitruvio nel contesto del Rinascimento. Mi focalizzo sui principi teoretici rilevanti per la pratica architettonica, inclusi l'atteggiamento di Barbaro verso Vitruvio, la sua teoria del progresso dell'architettura classica, i rapporti nella sua teoria tra le retorica e l'architettura, le sue opinioni sul ruolo delle proporzioni armoniche nel disegno architettonico e sui sei concetti vitruviani del disegno architettonico. Ilprincipale contributo di Barbaro alla comprensione di Vitruvio nel Rinascimento consiste nell'enfasi posta sulla flessibilità con cui egli credeva che le regole di Vitruvio dovessero essere comprese e sull'importanza delle correzioni ottiche per il disegno architettonico nella teoria dell'autore antico.

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Dissertations / Theses on the topic "Vitruve, Architecture"

1

Schuler, Stefan. "Vitruv im Mittelalter : die Rezeption von "De architectura" von der Antike bis in die frühe Neuzeit /." Köln ; Wien : Böhlau, 1999. http://catalogue.bnf.fr/ark:/12148/cb37195342b.

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Cam, Marie-Thérèse. "Commentaire du livre 7 du "de architectura" de vitruve." Caen, 1991. http://www.theses.fr/1991CAEN1087.

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Le commentaire du livre 7 du de architectura de vitruve, consacre aux revetements (pavements, enduits muraux, motifs picturaux et fourniture des couleurs), fait apparaitre des convergences entre les donnees archeologiques et les recommandations vitruviennes, de sources empiriques et livresques. L'etude du vocabulaire permet d'apprehender la specificite des mots techniques d'un corps de metiers aux competences tres larges
The commentary on vitruv's de architectura, book 7, devoted to covering (pavements, mural platering, paintings, colors), shows convergences between arhceological data and vitruvian advice, coming from personal experience and book learning. The study of vocabulary inables us to comprehend the specificity of technical words used by a corporation having large abilities

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Davidovits, Frédéric. "Géologie et construction dans le de architectura de Vitruve." Caen, 2007. http://www.theses.fr/2007CAEN1475.

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Cette thèse est une étude du vocabulaire des matériaux géologiques et des produits issus de ces matières premières mentionnés dans le De Architectura de Vitruve, oeuvre rédigé aux environs de 25 av. J. -C. Chaque terme est étudié en fonction des données techniques et archéologiques. Ce corpus constitue un champ lexico-notionnel des matières minérales et de leurs produits dérivés utilisés dans l’architecture romaine: pierre, moellon, sable, pouzzolane, brique crue et cuite, chaux, mortiers, enduits, pigments, opus caementicium, opus signinum, etc. La méthode d’étude sémantique pour chaque terme est de type sémasiologique. Après un rappel étymologique, il est effectué une brève synthèse diachronique et sémique du terme dans la littérature latine avant Vitruve. Il est procédé ensuite à une analyse sémantique et technique dans une perspective synchronique. Après avoir rappelé les occurrences et la monosémie ou la polysémie du terme chez Vitruve, ses différentes acceptions sont regroupées selon leur contexte. Si le terme désigne un produit manufacturé, l’étude des contextes révèle les lexies complexes ou les syntagmes verbaux de sens technique (fabrication ou utilisation) concernant ce produit. De plus, les lacunes vitruviennes de description de ce produit sont relevées et elles sont complétées au moyen de données techniques ou archéologiques. Si l’unité lexicale est usitée dans un discours technico-savant, l’analyse des contextes permet d’établir les conceptions scientifiques (physique, chimie, géologie) de Vitruve

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Viola, Antonio. "Architecture et connaissances : ou l'architecture comme "encyclios disciplina" : le traité "De architectura" de Vitruve : une enquête d'ordre historique et herméneutique." Paris 1, 2003. http://www.theses.fr/2003PA010544.

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La recherche formalise le lien possible entre deux univers cognitifs: l'organisation des savoirs de l'architecture et le modèle encyclopédique. Ce vaste champ de réflexion s'articule autour de la comparaison entre deux formes cognitives spécifiques: d'une part, l'organisation des connaissances employée par Vitruve dans son De Architectura ; d'autre part, le nouveau modèle encyclopédique. Modèle qui trouve ses marques au sein d'une famille d'expériences toutes héritières du modèle de l'Encyclopédie de Diderot et d'Alembert. Au travers d'un travail historique et herméneutique, nous avons interprété les objets du De Architectura en tant que formes (catégorielles, syntactiques et sémantiques) de la connaissance ; nous avons décrit les modèles de leur transmission ( disciplinaires, d'enseignement, encyclopédiques) de manière à formaliser un modèle de connaissance comparable à celui de l'Encyclopédie.

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Wulfram, Hartmut. "Literarische Vitruvrezeption in Leon Battista Albertis "De re aedificatoria" /." München : K. G. Saur, 2001. http://catalogue.bnf.fr/ark:/12148/cb38963958s.

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6

Guzzo, Eleonora. "Le tombeau de Jean-Jacques Rousseau au Panthéon : du mythe de la cabane rustique de Vitruve à sa fortune dans l'iconographie des traités d'architecture entre XVe et XVIIIe siècle." Paris, EPHE, 2014. http://www.theses.fr/2014EPHE4027.

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La thèse porte sur l'étude du tombeau de Jean-Jacques Rousseau dans la crypte du Panthéon français. Le sujet du tombeau de Rousseau au Panthéon n'avait pas été exploité du point de vue de l'historiographie et nous n'avions pas encore conscience de l'importance que ce monument détient au sein de la théorie architecturale en concernant l'iconographie de la capanna magistra. L'enquête clarifie les motivations et les vicissitudes de la translation de l'Ile de Peupliers, où le corps du philosophe avait été enterré en 1778, au Panthéon des Grands hommes en 1794. Cet épisode s'inscrit dans le panorama des fêtes nationales des premières années de la République. Dans le cas de la cérémonie dédiée à Rousseau, grâce aux témoignages de l'époque, aux rapports officiels, aux reportages de presse et aux documents iconographiques, nous examinons les détails des étapes de l'itinéraire, des cortèges, des mises en scène villageoises et urbaines, des apparats éphémères. Etant constaté le manque de dessin originaire, cette étude avance, pour la première fois, des hypothèses argumentées sur les rôles d'Auguste Cheval de Saint-Hubert, de Jean-Thomas Thibault et sur la possible colonnes en forme d'arbres qui caractérisent le temple rustique, dont le tombeau prend l'apparence, évoquent les illustrations des traités d'architecture de la tradition italienne et française du XVe au XVIIIe siècle. Elles rappellent les premières demeures de l'homme qui vient juste de sortir de l'état de nature et la première révolution théorisée par Rousseau. Au modèle de la cabane originaire sont dédiées trois anthologies d'images et textes qui analysent ce concept à partir du De architectura de Vitruve jusqu'aux interprétations de la Renaissance et à leurs filiations françaises au siècle des Lumières. De l'examen systématique de ce recueil, nous mettons en évidence les points de contact mais aussi la distance entre architectes et philosophes, entre époques et contextes culturels différents
The thesis concerns the study of Jean-Jacques Rousseau's tombeau in the crypt of Pantheon in Paris, a subject still unexploited. The formal characteristics of the wooden monument, a small scale rustic temple, are observed and framed within the context of the iconographic tradition of the origins of architecture with te Vitruvian Hut as its archetype. The role played by architects Auguste Cheval de Saint-Hubert and Jean-Thomas Thibault in the conception of the tomb has been analysed, based on original documents uncovered in french archives and supported by a punctual analysis of many types of resources. The possible participation of Antoine-Chrysostome Quatremère de Quincy for the development of the concept of the monument is also included as part of the debate about the organisation, in octobre 1794, of the ceremony in honour of Rousseau. Morever, an architectural survey has been executed in the context of this work, in order to study the proportions of the monuments that strongly resembles a wooden rustic temple. This survey reveals several interesting connections with the Classical Order System (specifically the Tuscan Order) theorised upon within the literature. The tree-shaped wooden columns of the tombeau recall directly Vitruvius' description of the first human-built structure, so similar to the one Laugier tries to illustrate in the frontispiece of his treatise and very near to the primitive house after the first revolution theorised by Rousseau himself

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Tybout, Rolf Albert. "Aedificiorum figurae : Untersuchungen zu den Architekturdarstellungen des frühen zweiten Stils /." Amsterdam : J. C. Gieben, 1989. http://catalogue.bnf.fr/ark:/12148/cb35504018z.

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8

Cache, Bernard. ". . . Fortuito supra acanthi radicem… : …par hasard sur une racine d'acanthe… : essai de lecture contemporaine du "De architectura" de Vitruve." Grenoble 2, 2009. http://www.theses.fr/2009GRE29050.

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Notre lecture du De Architectura procède en trois blocs : l'encyclopédie, son noyau et ses franges. 1- L'architectonique des connaissances que Vitruve articule à la pratique concrète de l'architecture fait l'objet d’une généalogie qui montre comment le projet encyclopédique, proprement romain, s'inscrit cependant dans un questionnement philosophique plus ancien où la mêtis vient prendre le relais du logos, termes grecs que traduisent à leur façon les mots latins avancés dès la fin du tout premier paragraphe : ratio et sollertia. Questionnement grec, donc, qui n'empêche nullement Vitruve de s'alimenter également à la réflexion des philosophes latins de son temps Cicéron, Varron ou Lucrèce, dont nous avons tenté de préciser comment l'architecte avait su tirer parti. 2- La ratio qui donne corps au noyau de cette encyclopédie consiste dans la notion composite de summetria laquelle recouvre plusieurs concepts : commensurabilité, proportions, symétrie, et moyennes proportionnelles. C'est ce caractère composite qui permet à Vitruve, conformément à la science de son temps, d'appliquer cette notion de summetria à une multitude domaines, dont l'architecture elle-même qui comprend la construction tout aussi bien d'édifices aedificatio que de cadrans solaires gnomonica ou de machines machinatio. 3- Néanmoins l'application de la summetria à l'ensemble de l'encyclopédie ne va pas sans requérir des corrections propres à chacune des disciplines, corrections qui s'avèrent finalement insuffisantes lorsque le projet touche à ses limites et que l'architecte nous recommande de triompher de la machine sans machine avec une certaine habileté sollertia. Recommandation à résonance très contemporaine, tout comme le projet d'articuler un mode de production numérique de l'architecture à une encyclopédie organisée autour de la notion d'invariance par variation, projet dont nous sommes allés chercher les balbutiements dans certains des textes de Platon
Our reading of Vitruvius' De Architectura consists in three blocks dealing successively with: the encyclopedia, its kernel and its margins. 1- The genealogy of the architectonics of knowledge that Vitruvius articulates with architectural practice shows how its encyclopedical project, though typically roman, takes roots within an antique philosophical problematic where the metis comes to supplement the logos, greek notions that translate in their own way the latins words that we find at the end of the very first paragraph of the De Architectura: ratio and sollertia. Greek problematic, thus, which doesn't prevent Vitruvius from taking advantages of the roman thinkers of his time: Cicero, Lucretius and, last but not least, Varro. 2- The ratio that embodies the kernel of Vitruvius' encyclopedia consists in the composite notion of summetria, notion that encompasses several concepts: commensurability, proportions, symmetry and means proportional. It is the composite character of summetria that allows Vitruvius, in accordance with the science of its times, to apply this notion to many fields, among which architecture that consists into the construction of buildings aedificatio as well as of solar clocks gnomonica and machines machinatio. 3- Nevertheless summetria cannot be applied to the whole of the encyclopedia without requiring a series of corrections that are specific to each of the disciplines, corrections that appear finally insufficient at the margins of the project when the architects teaches us to triumph over the machine with no machine, thanks to a certain skilfulness sollertia. Recommandation that rings contemporary bells, just as the project to articulate a digital mode of production of architecture with an encyclopedia organized around the notion of invariance by variation, project the beginnings of which we already trace in certain texts of Plato

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Benzineb, Baya. "La triade vitruvienne revisitée à travers l'exemple de l'architecture d'Hervé Tordjman : la place de l'art et de la technique dans le processus de conception." Thesis, Université Grenoble Alpes (ComUE), 2016. http://www.theses.fr/2016GREAH005/document.

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La triade de Vitruve revisitée à travers l’exemple de l’architecture d’Hervé Tordjman. La place de l’art et de la technique dans le processus de conception. Aujourd’hui, la conception de l’architecture demeure comme à son origine, dépendante de l’interaction des trois qualités indissociables de Vitruve : firmitas, utilitas et venustas, considérées autrefois indispensables à l’acte de concevoir. L’incarnation de cette triade dans le processus créatif des concepteurs contemporains que nous avons étudiés dans le cadre de cette thèse, qu’ils soient architectes-ingénieurs-artistes, architectes-artistes ou architectes-ingénieurs, est assujettie d’une part, aux mécanismes cognitifs : le modèle et la pensée analogique ; et d’autre part aux compétences et postures de chacun.Toutefois, en dépit de ce caractère personnel du processus conceptuel, ces trois qualités qui jadis devaient être articulées par une seule personne (l’architecte), se trouvent aujourd’hui menées à l’unisson selon un processus collectif.En effet, grâce aux nouvelles technologies numériques actuelles, l’architecte et les ingénieurs sont mobilisés dans un processus dit collaboratif abolissant ainsi les frontières entre « parti » architectural et « idée constructive », architecture et construction. A travers l’analyse de l’œuvre de l’architecte parisien Hervé Tordjman (1975), il faut souligner l’importance qu’acquiert la « firmitas » dans le processus de création en s’intégrant harmonieusement avec les autres composantes (utilitas et venustas). Ainsi, le point de vue de l’auteur et de chaque acteur de la chaine de conception devient partie intégrante dans le processus. Une telle articulation collective de la trinité vitruvienne dans la pratique contemporaine du projet marque une évolution dans la façon de concevoir l’acte architectural et non une rupture
Vitruvian triad revisited through the example of the architecture of Hervé Tordjman. The place of art and technique in the design process. Today, the design of architecture remains as to its origin, dependent on the interaction of three inseparable qualities stated by Vitruvius: firmitas, utilitas and venustas, once considered essential to the act of conceiving. The embodiment of this triad in the creative process of contemporary designers that is the concern of this thesis, both artists-architects-engineers, architects or artists-architects-engineers, is subject on the one hand, to cognitive mechanisms: the model and analogical thinking; and secondly to individual skills and postures.However, despite this personal character of the design process, these three qualities which once had to be articulated by one person (i.e. the architect), are now conducted in unison as a collective process.Indeed, thanks to new existing digital technologies, the architect and engineers are mobilized in a process said collaborative that abolishes the boundaries between the architectural part and the constructive system that is architecture and construction. Through the analysis of the work of the Parisian architect Hervé Tordjman (1975), we must emphasize the importance acquired by the "firmitas" in the creation process by being harmoniously integrated with other components (utilitas and venustas). Thus, the author’s view as well as that of each player in the design chain becomes part in the process. Such a collective articulation of the Vitruvian trinity in the contemporary practice project marks an evolution in how to design the architectural act, not a rupture

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10

Courrént, Mireille. "L'idee de nature dans le de architectura de vitruve." Caen, 1995. http://www.theses.fr/1995CAEN1178.

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L'IDEE DE NATURE JOUE UN ROLE FONDAMENTAL DANS L'IDEE DE L'ARCHITECTURE DEVELOPPEE PAR VITRUVE. ELLE APPARAIT CERTES SOUS UNE FORME ECLA TEE, CONSTITUEE D'ELEMENTS DIVERS APPARTENANT A PLUSIEURS SOURCES PHILISOPHIQUES OU SCIENTIFIQUES; MAIS L'ORGANISATION QUE VITRUVE LEUR DONNE FAIT DE L'UNIVERS UN ENSEMBLE REGI PAR DES LOIS MECANIQUES ET DES PRINCIPES PhYSIQUES (DONT LES FONDEMENTS SONT LES QUATRE ELEMENTS ET LA NOTION DE CHANGEMENT). CETTE IDEE DE NATURE, QUI DONNE UN CADRE A LA PRATIQUE DE L'ARCHITECTURE, INTERESSE AUSSI LA THEORIE DE CET ART, PUISQUE NON SEULEMENT ELLE EN CONSTITUE L'ORIGINE ET LE MODELE, MAIS JUSTIFIE EGALEMENT L'EXISTENCE D'UNE REFLEXION ABSTRAITE PROPRE A L'ARCHITECTURE ( QUI PEUT REVENDIQUER AINSI LE STATUT DE SCIENTIA) ET PERMET A L'ARCHITECTE DE PROPOSER UNE APPROCHE ORIGINALE DU BONHEUR DANS LE CADRE DE LA CITE.

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Books on the topic "Vitruve, Architecture"

1

Frédérique, Lemerle, ed. Les annotations sur l'architecture de Vitruve. Paris: Classiques Garnier, 2011.

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2

Dalmas, André. Pour mieux lire Vitruve: Les Dix livres d'architecture. [Paris]: Nouveau Commerce, 1996.

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3

Philippe, Fleury, and Vitruvius Pollio, eds. Dictionnaire des termes techniques du De architectura de Vitruve. Hildesheim: Olms-Weidmann, 1995.

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4

Vitruve et la tradition des traités d'architecture: Fabrica et ratiocinatio : recueil d'études. [Rome, Italy]: École française de Rome, 2006.

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Philandrier, Guillaume. Les Annotations de Guillaume Philandrier sur le De architectura de Vitruve, livres I à IV. Paris: Picard, 2000.

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Auctor in bibliotheca: Essai sur les textes préfaciels de Vitruve et une philosophie latine du livre. Louvain: Peeters, 2005.

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Tijs, Rutger J. Architecture renaissance et baroque en Belgique: L'héritage de Vitruve et l'évolution de l'architecture dans les Pays-Bas mérionaux, de la Renaissance au Baroque. Bruxelles: Éditions Racine, 1999.

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Cesariano, Cesare. Vitruvio De architectura. Milano: V & P Università, 2002.

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Vitruvs Architekturtheorie: Versuch einer Interpretation. Darmstadt: Wissenschaftliche Buchgesellschaft, 1985.

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Vitruvio e l'archeologia. Venezia: Marsilio, 2014.

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More sources

Book chapters on the topic "Vitruve, Architecture"

1

Philipp, Klaus Jan. "Vitruv: De architectura libri decem." In Kindlers Literatur Lexikon (KLL), 1–3. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_21848-1.

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Lemerle, Frédérique. "Vitruve, Vignole, Palladio au xviie siècle : traductions, abrégés et augmentations." In Architecture et théorie. L’héritage de la Renaissance. Publications de l’Institut national d’histoire de l’art, 2012. http://dx.doi.org/10.4000/books.inha.3328.

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"IV. Die Ars Mechanica Architectura Im 'Doctrinale'." In Vitruv im Mittelalter, 265–98. Köln: Böhlau Verlag, 1999. http://dx.doi.org/10.7788/boehlau.9783412322038.265.

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Caye, Pierre. "Alberti « traducteur » du De architectura de Vitruve." In Commenter et philosopher à la Renaissance, 179–88. Presses universitaires du Septentrion, 2014. http://dx.doi.org/10.4000/books.septentrion.5961.

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Monin, Éric, and Nathalie Simonnot. "Le jouet architectural en vitrine : des possibilités constructives du jeu à sa mise en scène." In L’urbanisme, l’architecture et le jeu, 101–16. Presses universitaires du Septentrion, 2020. http://dx.doi.org/10.4000/books.septentrion.91898.

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