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Dissertations / Theses on the topic 'Vj'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 August 2024

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1

Tordino, Daniela Mantovani. "Vjing - relações híbridas das imagens ao vivo na cultura contemporânea." Universidade de São Paulo, 2008. http://www.teses.usp.br/teses/disponiveis/27/27159/tde-31052008-180808/.

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Este trabalho analisa a projeção e manipulação de imagens ao vivo no contexto da arte e tecnologia. As performances dos VJs - visual jockeys - têm sido cada vez mais requisitadas nos eventos direcionados à cultura eletrônica e as imagens geradas estabelecem relações híbridas com a música, o cinema, a videoarte e outras linguagens artísticas contemporâneas. A rápida expansão e ação desta forma de manifestação propulsionou a realização desta dissertação, que objetiva compreender essas relações com base na observação das apresentações, entrevistas estruturadas com agentes do meio e na leitura dos

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2

Albert, J. G. "Attlee, the Chiefs of Staff and the restructuring of 'Commonwealth defence' between VJ day and the outbreak of the Korean War." Thesis, University of Oxford, 1986. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.234262.

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3

COCEA, LAURENTIU. "Recherche et etude des elements regulateurs de rearrangement dans la region v-j du locus de la chaine legere d'immunoglobuline." Paris 5, 1999. http://www.theses.fr/1999PA05N037.

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4

Szyber, Carl-Jonathan. "Video- och Projektions-design : En fallstudie i videoscenografi." Thesis, Högskolan Dalarna, Ljud- och musikproduktion, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:du-21336.

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Denna uppsats har för avsikt att beskriva och redogöra för området videoscenografi och hur en videoscenograf arbetar. Videoscenografer har 90- och 00-talets snabba utveckling av prestanda inom datakraften att tacka för sin funktion, i en värld som kräver alltmer av kreatören frågar jag mig hur videoscenografen ser på sin omvärld. Videoscenografen verkar i området mellan det konstnärliga, scentekniska och grafiska. Deras position är fortfarande under förvirring just eftersom deras arbetsfält är så brett. Uppsatsen klargör för läsaren vad det är de sysslar med inom en scenkonstproduktion och var

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5

Jansson, Fredrik. "Att stärka innovation i mjukvaruföretag." Thesis, Mälardalen University, School of Innovation, Design and Engineering, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:mdh:diva-9988.

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<p>Detta examensarbete har två huvudsakliga mål. Det ena är att utöka funktionaliteten i mjukvaran C3Loops för att underlätta för musiker som producerar elektronisk musik som vill använda mjukvaran i liveframträdanden. Det andra är att titta närmre på hur processmodeller för mjukvaruutveckling stödjer innovation. Denna rapport ger läsaren ett tvärvetenskapligt perspektiv. Tre för ämnet relevanta teoretiska områden, innovation, software-engineering och design tas upp. C3Loops projektet används som ett exempel på ett innovativt mjukvaruprojekt och det är arbetet inom detta projekt som står som m

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6

Malmström, Marcus. "Development of Artistic Concepts for Vjing." Thesis, Högskolan i Gävle, Avdelningen för Industriell utveckling, IT och Samhällsbyggnad, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:hig:diva-12250.

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The aim of this research is describe the development of artistic concepts for visual artists and to evaluate aspects which augments the art experience for audiences. Competition and increased attention for the art form demands greater art to be produced, studying psychological aspects increases the probability of the art being perceived in line with the visions of artists. This research project uses a review of literature for its theoretical research, which is then used to underline decisions within practical experiments in order to give examples of the development of concepts. Findings includ

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7

Wolf, David Peter, and dpwolf@mac com. "Vidgets: The Development and Use of Interactive, Network Based Video Works." RMIT University. Applied Communication, 2007. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20080617.144959.

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This exegesis looks at interactive, network based video through the development and use of experimental works. The works are described in terms of the concepts, techniques and theories explored and their implications for future works and theory. It documents the formal and technical experiments which were used to investigate the affordances of network based video for real time interaction, and tracks the development of vidgets as audio-visual tools and instruments as they increased in complexity and function, finally being specifically designed for use in live audiovisual (VJ) performances. It

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8

Campos, Cláudio Henrique Brant. "A imaginação da música: das imagens técnicas às estéticas do audiovisual digital." Pontifícia Universidade Católica de São Paulo, 2014. https://tede2.pucsp.br/handle/handle/4664.

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Made available in DSpace on 2016-04-26T18:14:47Z (GMT). No. of bitstreams: 1 Claudio Henrique Brant Campos.pdf: 4570903 bytes, checksum: 7c39a789b22ebd7dbf1a62278f299758 (MD5) Previous issue date: 2014-12-12<br>The imagination of music: from the technical images until the aesthetics of the digital audiovisual. Based on the observation that computer images produced today approach the dimension of time-based media, such as music, this research investigates the relationship between the audiovisual synesthesia, analyzing an example in digital processing, in the figure of the VJ (video-jockey in

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9

Oliveira, Júnior Jarbas Jácome de. "Sistemas Interativos de Tempo Real para Processamento Audiovisual Integrado." Universidade Federal de Pernambuco, 2007. https://repositorio.ufpe.br/handle/123456789/2636.

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Made available in DSpace on 2014-06-12T15:59:49Z (GMT). No. of bitstreams: 2 arquivo5641_1.pdf: 8861232 bytes, checksum: 06bc13c415ab89ab54528cc9a26b9d6b (MD5) license.txt: 1748 bytes, checksum: 8a4605be74aa9ea9d79846c1fba20a33 (MD5) Previous issue date: 2007<br>A popularização das artes mediadas por computador e, em especial, do visual-jóquei (VJ), estimula o desenvolvimento de novos sistemas multimídia de tempo real. Esta demanda vem sendo atendida por programas específicos para o controle de exibição de vídeos e efeitos como Resolume, ArKaos e diversas variantes; e com linguagens de pr

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10

Gray, Michael Alan. "Experiencing Music." VCU Scholars Compass, 2005. http://scholarscompass.vcu.edu/etd/1307.

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I am exploring the way music alters or enhances the perception of our environment. This creative project allows me to explore and visualize several issues that intrigue me: music (sound), emotion, and visual imagery (film). My goal in developing this topic is to allow others to have an experience related to sound and image, where image is altered and enhanced by the use of music.

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11

Cassany, Viladomat Roger. "Especificitats de la narrativa audiovisual informativa a internet: anàlisi dels vídeos produïts per cibermitjans catalans." Doctoral thesis, Universitat Pompeu Fabra, 2016. http://hdl.handle.net/10803/385358.

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Aquesta tesi doctoral neix de la inquietud d’estudiar l’ús que fan del vídeo els cibermitjans catalans i les diferències que la producció audiovisual a internet presenta respecte del periodisme audiovisual de les cadenes de televisió tradicionals. Analitzem com són els vídeos que publiquen els cibermitjans catalans i n’estudiem les especificitats. També avaluem els canvis que aquesta producció audiovisual ha viscut amb el pas del temps, entre 2012 i 2014. Tot plegat, en un context líquid i canviant propiciat pels incontestables avenços tecnològics, la consolidació d’internet com a palataforma

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12

Röthig, Sabine. "Windowlicker." Doctoral thesis, Humboldt-Universität zu Berlin, Kultur-, Sozial- und Bildungswissenschaftliche Fakultät, 2016. http://dx.doi.org/10.18452/17491.

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In der Arbeit wird das Zusammentreffen der aus dem Club kommenden Electronic Dance Music (EDM) mit dem massenmedial konsolidierten Musikvideo untersucht. Diskutiert wird die These eines ästhetischen Paradigmenwechsels, der sich dadurch im Musikvideo vollzieht. Dieser beruht vor allem auf der musikalischen Figur des instrumentalen, modularen Tracks, die sich signifikant von der des Songs unterscheidet. Der originäre Zweck des Musikvideos, den Auftritt des Interpreten auf dem Monitor zu visualisieren, steht also mit dem Track zur Disposition oder wird gar obsolet; das erfordert neue Strategien d

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13

Júnior, Jair Sanches Molina. "Cinema ao vivo e experiências audiovisuais em tempo real." Universidade de São Paulo, 2017. http://www.teses.usp.br/teses/disponiveis/27/27161/tde-07112017-152733/.

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Refletir sobre as experiências com imagens e sons em tempo real é pensar em uma ampla gama de possibilidades e experiências pela humanidade, desde os tempos mais remotos. Pelo fato dessas experiências audiovisuais em tempo real serem numerosas no tempo e no espaço, e já amplamente citada em diferentes estudos, esta apresentação tem por objetivo realizar um recorte mais restrito às experiências audiovisuais em tempo real no campo cinematográfico contemporâneo: uma arte, meio e processo em expansão que culmina na existência de um fenômeno semiótico, realizado principalmente através de modos expe

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14

Tsai, Pei-Yi, and 蔡佩宜. "“Rethink” The Creation and Research of Interdisciplinary Art with VJ." Thesis, 2017. http://ndltd.ncl.edu.tw/handle/235b7j.

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碩士<br>國立臺灣藝術大學<br>多媒體動畫藝術學系新媒體藝術碩士班<br>105<br>The "Rethink" features real-time, VJ projection mapping performance and installation, through images of the female face, female body, body measurements, slogans and scissors to interpret how women should break throught the patriarchal frameworks of beauty standard. The first chapter illustrates the creative background of the work and the research motive, the second chapter discusses the VJ performance development characteristic and category, In the third chapter elaborates on "Rethink" performance and installation concepts, as well as scenes, conte

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15

羅晧耘. "Analyzing the Paradox of the autonomy by the Audience in Interactive VJ Performance." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/81779188750605656354.

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16

Gieren, Birgit. "Die Landpflanzenevolution im Phanerozoikum aus petrographischer und geochemischer Sicht." Doctoral thesis, 2006. http://hdl.handle.net/11858/00-1735-0000-0006-B32A-3.

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17

Hillebrecht, Jens. "Experimentelle Untersuchung zur Auflösungskinetik von Kaolinit und Montmorillonit in Anwesenheit von Sulfat, Phosphat, Amino- und Carbonsäuren sowie Harnstoff im offenen und geschlossenen System." Doctoral thesis, 2005. http://hdl.handle.net/11858/00-1735-0000-0006-B327-9.

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18

Eusterhues, Karin. "Die Sedimente des Steißlinger Sees (Hegau, Süddeutschland)." Doctoral thesis, 2000. http://hdl.handle.net/11858/00-1735-0000-0006-B353-3.

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19

Sánchez, Beristain Juan Francisco. "Paläoökologische und geochemische Studien auf Schwamm-Mikroinkrustrierer- Gemeinschaften ausgewählter Cipit Kalke aus der St. Cassian Formation (Unterkarn, Obertrias) von der Dolomiten, Nordostitalien." Doctoral thesis, 2010. http://hdl.handle.net/11858/00-1735-0000-0006-B2F1-9.

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20

Wegner, Wencke. "History and geochemical evolution of igneous rocks forming the Panama land bridge since Late Cretaceous." Doctoral thesis, 2011. http://hdl.handle.net/11858/00-1735-0000-0006-B301-E.

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21

Spießl, Sabine Maria. "Development and evaluation of a reactive hybrid transport model (RUMT3D)." Doctoral thesis, 2004. http://hdl.handle.net/11858/00-1735-0000-0006-B309-D.

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