Relevant bibliographies by topics / VKhUTEMAS (Art school)

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Academic literature on the topic 'VKhUTEMAS (Art school)'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2025

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Journal articles on the topic "VKhUTEMAS (Art school)"

1

Ovsyannikova, Elena, and Vladimir Shukhov. "Phenomenon of the Russian Avant-garde. Moscow Architectural School of the 1920s." For an Architect’s Training, no. 49 (2013): 22–27. http://dx.doi.org/10.52200/49.a.hm02emc3.

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he phenomenon of the Russian Avant–garde architecture formed under the influence of the Moscow Higher School of Architecture and Art is today widely known by the name of VKHUTEMAS. This school is mentioned in the context of professional activity of the artists and architects who also worked in other institutes, but who had creative links. In the limelight is Nikolai Ladovsky, creator of the introductory course on architectural composition, lecturing along with many authoritative Moscow utilitarian architects, such as Alexander Kuznetsov, Vesnin brothers and others.
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2

Dobrolyubov, Peter V. "Unforgotten Names. Mikhail Belashov and Georgy Kranz." Scientific and analytical journal Burganov House. The space of culture 18, no. 6 (2022): 37–63. http://dx.doi.org/10.36340/2071-6818-2022-18-6-37-63.

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The article “Unforgotten Names. Mikhail Belashov and Georgy Kranz” is the first in the cycle “VKHUTEIN, VKHUTEMAS. Sculptors. Teachers and Students”, dedicated to the unique creative and educational project, VKHUTEMAS - VKHUTEIN, which laid the foundation and within the framework of which a galaxy of outstanding Russian sculptors, who brought fame to our Fatherland in the fine arts immediately after the end of the Civil War in the country, was prepared. The author analyzes the work of outstanding sculptors. These masters of plastic art had a profound positive impact on the development of Russi
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3

Maulén de los Reyes, David. "1972: Una formulación sudamericana del concepto de interfaz." Márgenes. Espacio Arte y Sociedad 15, no. 22 (2022): 7–14. http://dx.doi.org/10.22370/margenes.2022.15.22.3510.

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From the educational Chilean national design school reform in 1928 under Vkhutemas, Poland and vernacular indigenous geometric art influence, with an abrupt interruption in 1929, up to Gui Bonsiepe’s design development for the Production Development Corporation (CORFO), interrupted in September 1973, we can distinguish a period in both Chilean and Latin American history, where different design definitions emerged as the main axis for a possible and effective self-determination.
 This meant that various public policies, with greater or lesser continuity, were gradually consolidating develo
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4

Budnyk, Andriy. "The Importance of Meller's Model Workshop Experience for Modern Design Education." Demiurge: Ideas, Technologies, Perspectives of Design 3, no. 1 (2020): 69–84. https://doi.org/10.31866/2617-7951.3.1.2020.207544.

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Research aim. To analyze the activities of the model workshop of the Berezil Artistic Association under the leadership of V. Meller, to establish the influence on modern graphic design. Research methods. Historical-comparative, study of art analysis. Scientific novelty. For the first time, attention is focused on the activities of the model workshop in the field of design of printed products with the provision of relevant visual evidence. The analysis revealed features that relate the design activities of the workshop with the modern advertising paradigm. An attempt is made
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5

Nikitina, Natalia P. "The Relevance of Traditional Technologies in the Professional Training of Architects in a Technical University." Bulletin of Nizhnevartovsk State University, no. 2 (June 15, 2025): 102–12. https://doi.org/10.36906/2311-4444/25-2/10.

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The training for the profession of an architect or engineer-architect includes in the program of professional education at the propaeutic level, disciplines that inherit the experience of Bauhaus and VKhutemas institutions of the 1920s. Analytical methodology for studying patterns of composition in these schools is based on the prospect of adaptation to changing conditions of socio-cultural and historical development. As part of studying foreign and domestic experience in training architects at a technical university, the features of training of students in architecture are considered, includi
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6

Admink, Admink. "ВХУТЕМАС У ПРОЦЕСІ СТАНОВЛЕННЯ ДИЗАЙНУ НА ПОСТРАДЯНСЬКОМУ ПРОСТОРІ". УКРАЇНСЬКА КУЛЬТУРА : МИНУЛЕ, СУЧАСНЕ, ШЛЯХИ РОЗВИТКУ (НАПРЯМ: КУЛЬТУРОЛОГІЯ), № 30 (9 березня 2020). http://dx.doi.org/10.35619/ucpmk.vi30.183.

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Розглянуто питання про вплив першої в країні «дизайнерської школи» – Вищих державних художньо-технічних майстерень (ВХУТЕМАС) на формування дизайну на пострадянському просторі. Охарактеризовано структурне розділення ВХУТЕМАСу, розглянуто смислове наповнення його підготовчої та виховної концепції з точки зору деяких теоретиків того часу, а також їх спроби у пошуку синтезу між мистецтвом, працею і виробленою продукцією. Всі ці процеси знаходять відображення у «виробничому мистецтві», що може вважатися своєрідним протодизайном ХХI століття.Ключові слова: вищі державні художньо-технічні майстерні,
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7

Guseva, Ksenia L. "AVANT-GARDE RECEPTIONS IN SOVIET MASS TEXTILES OF THE 1930S." HSE University Journal of Art & Design 1, no. 1 (2024). http://dx.doi.org/10.17323/3034-2031-2024-1-1-78-99.

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The article describes how the basic principles and approaches of the avant-­garde synthetic thought were applied and reinterpreted in the art of mass production textiles in the 1930s. The situation in textile industries in the first revolutionary years is briefly outlined, as well as the reasons that forced both avant-­gardists and government representatives to pay attention to the issue of systematic education of textile artists. This article examines how the textile faculty of Vkhutemas-­Vkhutein became the place of formation of a new type of artist, who fully manifested himself after gradua
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Books on the topic "VKhUTEMAS (Art school)"

1

Guseva, Ksenii︠a︡, and Aleksandra Selivanova. VKhUTEMAS 100: Shkola avangarda. ABCdesign, 2021.

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2

institut, Moskovskiĭ arkhitekturnyĭ, ed. VKhUTEMAS-VKhUTEIN: Moskva-Leningrad : 1920-1930. [Izdatelʹskiĭ dom "Art Kom Media"], 2010.

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3

R.S.F.S.R.) Nauchnai︠a︡ konferent︠s︡ii︠a︡ posvi︠a︡shchennai︠a︡ 60-letii︠u︡ podpisanii︠a︡ V.I. Leninym postanovlenii︠a︡ Soveta Narodnykh Komissarov o VKHUTEMASe (1980 Moscow. VKHUTEMAS--MARKHI 1920-1980: Tradit︠s︡ii i novatorstvo : materialy nauchnoĭ konferent︠s︡ii, posvi︠a︡shchennoĭ 60-letii︠u︡ podpisanii︠a︡ V.I. Leninym postanovlenii︠a︡ Soveta Narodnykh Komissarov o VKHUTEMASe : katalog vystavky "VKHUTEMAS--MARKHI". [s.n.], 1986.

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4

Khan-Magomedov, S. O. VHUTEMAS: Moscou, 1920-1930. Editions du Regard, 1990.

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5

Elia, Marco. VChUTEMAS: Design e avanguardie nella Russia dei Soviet. Lupetti, 2008.

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6

Elia, Marco. VChUTEMAS: Design e avanguardie nella Russia dei Soviet. Lupetti, 2008.

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7

Khan-Magomedov, S. O. Psikhoanaliticheskiĭ metod N. Ladovskogo vo VKhUTEMASe-VKhUTEINe: Obʺedinennye levye masterskie, Psikhotekhnicheskai͡a︡ laboratorii͡a︡. Architectura, 1993.

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8

Fischer, Oksana. WChUTEMAS: Ein russisches Labor der Moderne : Architekturentwürfe 1920-1930. Martin-Gropius-Bau, 2014.

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9

Lavrentʹev, A. N. (Aleksandr Nikolaevich), author, ред. Tkanʹ avangarda. RIP-kholding, 2020.

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10

VKhUTEMAS: Myslʹ materialʹna katalog kollekt︠s︡ii studencheskikh rabot VKhUTEMAS iz sobranii︠a︡ Gosudarstvennogo muzei︠a︡ arkhitektury im. A.V. Shchuseva. Gos. muzeĭ arkhitektury im A.V. Shchuseva, 2011.

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