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Journal articles on the topic 'Vladimir Mayakovsky'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Lahti, Katherine. "Ideophones in Vladimir Mayakovsky’s work." Pragmatics and Society 5, no. 3 (2014): 419–30. http://dx.doi.org/10.1075/ps.5.3.06lah.

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The Russian poet Vladimir Mayakovsky used ideophones to create meaning. In fact Mayakovsky constantly used ideophones in his poetic expression, part and parcel of the emphasis on sound in his poetry. In the 1910s he worked alongside the Moscow Linguistic Circle. To the end of his life in 1930 (due to suicide) the poet remained close friends with the important linguist Roman Jakobson. There is no doubt that his association with linguists led to Mayakovsky’s paying more attention to verbal form in his work; in particular, his use of ideophones is remarkable.

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2

Stephan, Halina, and Victor Terras. "Vladimir Mayakovsky." Slavic and East European Journal 30, no. 1 (1986): 113. http://dx.doi.org/10.2307/307291.

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3

Terekhina, Vera N., and Aleksei P. Zimenkov. "Vladimir Mayakovsky’s Mexican Notebook: Facts and Hypotheses." Literature of the Americas, no. 12 (2022): 236–60. http://dx.doi.org/10.22455/2541-7894-2022-12-236-260.

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The article deals with the history of the so-called Mexican notebook of Mayakovsky, he traveled with from Europe to America and back in 1925. The notebook preserves one record in Spanish made by José Manuel Puig Casauranc, Minister of Public Education in Mexico, and traces of torn pages. According to Mayakovsky's testimony, Casauranc’s record was followed by a brief appeal to the working people of Soviet Russia, written in Spanish by the deputy F. Moreno, which the poet destroyed when crossing the US border, fearing political complications. It was suggested that two separate pages from Mayakov

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4

Αμπατζόγλου, Ά. "Vladimir Mayakovsky’s Futurism through Ritsos’ Translative, Critical and Poetic View." Kathedra, no. 15(2) (July 21, 2023): 54–72. http://dx.doi.org/10.52607/26587157_2023_15_54.

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Θεματικός πυρήνας της μελέτης μας είναι η μεταφραστική απόδοση και ο κριτικός σχολιασμός του έργου του Vladimir Mayakovsky από τον Γιάννη Ρίτσο. Διαγράφουμε, επομένως, δύο άξονες εστίασης, ο πρώτος εκ των οποίων αφορά την μεταφραστική και ερμηνευτική προσέγγιση του Ρίτσου σε ορισμένα ποιήματα του Mayakovsky, ενώ ο δεύτερος, την συγκριτική θεώρηση παραδειγμάτων από το έργο των δύο ποιητών. Στόχος μας είναι η σκιαγράφηση των ουσιωδών χαρακτηριστικών της ποιητικής του Mayakovsky όπως τα διέκρινε ο Ρίτσος, αλλά και η διερεύνηση των υφολογικών και θεματολογικών επιδράσεων του Mayakovsky στο έργο το

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5

Loshchilov, Igor Evgenjevich. "Vladimir Mayakovsky in the journalistic writings of the Harbin poet Vasily Loginov." Philology. Issues of Theory and Practice 16, no. 12 (2023): 4139–44. http://dx.doi.org/10.30853/phil20230629.

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The aim of the study is to find an answer to the question of how the poetry, personality and fate of Vladimir Mayakovsky reflected in the journalistic heritage of the Harbin poet, prose writer and journalist Vasily Stepanovich Loginov (1891 – 1945/1946?). The study is novel in that it introduces into scientific use four pieces of correspondence by Loginov in the Harbin newspaper “Gong-Bao” containing references or detailed judgments about Mayakovsky. The perception and assessment of Vladimir Mayakovsky among first-generation emigrants from the countries of the Asia-Pacific region have not been

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6

Vroon, Ronald. "Vladimir Mayakovsky and Frank O’Hara: a Reappraisal." Studia Litterarum 5, no. 3 (2020): 144–85. http://dx.doi.org/10.22455/2500-4247-2020-5-3-144-185.

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The “New York School” refers to a group of poets and painters, mostly of the Abstract Expressionist movement, who congregated in New York in the first two decades following the end of the Second World War. They constitute a coterie that has been characterized as America’s “last avant-garde”. Among its most prominent members was Frank O’Hara (1926–1966). Like other members of the New York School of poets, he was strongly influenced by the French and Russian avant-garde movements of the early twentieth century. He was particularly drawn to the works of Vladimir Mayakovsky, whose persona and poet

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7

Roberts, Luke. "Vladimir Mayakovsky: A Biography." Textual Practice 29, no. 7 (2015): 1403–7. http://dx.doi.org/10.1080/0950236x.2015.1106181.

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8

Lahti, Katherine. "Vladimir Mayakovsky: A Dithyramb." Slavic and East European Journal 40, no. 2 (1996): 251. http://dx.doi.org/10.2307/309469.

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9

Mikhalenko, Natalia V. "On the Work of Vladimir Mayakovsky with Poster Texts (According to his Notebooks)." Literary Fact, no. 24 (2022): 37–53. http://dx.doi.org/10.22455/2541-8297-2022-24-37-53.

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The article deals with Mayakovsky's notebook no. 8 (January –May 1921), provided by the State Museum of Vladimir Mayakovsky. It demonstrates his work on the inscriptions for twelve Glavpolitprosvet Posters: “Look!,” “Hey you, the Urals mining worker! Without the help from your mine, it is impossible to put an end to the havoc in the economy!”, “Let’s get to work, comrades!”, “On my May-Day meeting…”, etc. Some of these posters, covering the important social and economic topics, have not survived to today, so the notebook becomes an important source of information about the principles of Mayako

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10

Liu, Jingling, and Irina V. Monisova. "Meng Jinghui’s adaptations of Vladimir Mayakovsky’s plays." RUDN Journal of Studies in Literature and Journalism 28, no. 4 (2023): 693–703. http://dx.doi.org/10.22363/2312-9220-2023-28-4-693-703.

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Vladimir Mayakovsky’s dramatic heritage has had a great impact on Chinese avant-garde director and playwright Meng Jinghui. The study traces the stages of Mayakovsky’s presence in Chinese theater art to focus on Meng Jinghui’s three productions of “The Bedbug” (2000-2017). The dramatists share the same desire for theatrical innovation and a similar understanding of theater art. However, they have different worldviews and aesthetic approaches. Meng Jinghui modernized the original Russian pretext and turned to some theatrical principles, first stipulated by Vsevolod Meyerhold. His remakes are st

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11

Terekhina, Vera N., and Elena I. Pogorelskaia. "“Vladimir Ilyich Lenin.” Fragment (The First Publication of an Autograph in a Notebook)." Literary Fact, no. 4 (30) (2023): 8–61. http://dx.doi.org/10.22455/2541-8297-2023-30-8-61.

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The recently discovered V.V. Mayakovsky’s notebook with an autographed fragment of the poem “Vladimir Ilyich Lenin” is being published for the first time. This is approximately half of the first part and the whole second part of the poem, which restores the complete draft manuscript of the work with variants to the printed text, rhyme gaps and lines that were not included in it. The text is recorded in the form of a dynamic transcription. The introductory article preceding the publication deals with the place of Mayakovsky’s notebooks in the poet’s creative heritage, textual work on them and a

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12

Pronin, Alexander Alexeevich. "Time - Backwards: Mayakovsky Quotes Vertov." Journal of Flm Arts and Film Studies 6, no. 4 (2014): 26–32. http://dx.doi.org/10.17816/vgik6426-32.

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The article is devoted to the problem of creative interaction of such significant figures of Russian revolutionary avant-garde of the 1920's, as Vladimir Mayakovsky and Dziga Vertov. The relevance of the study is determined by everlasting public interest in one of the most significant pages in the history of Russian cinema, and its novelty stems from the fact that the author has discovered and analyzed previously unnoticed evidence of citing of Vertov's Kino-eye (1924) in the screenplays by Mayakovsky How are you? (1927). In his article the mechanism of Vertovs cinema texts incorporation into

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13

Goncharov, Vitaly Viktorovich, Marina R. Zheltukhina, Gennady G. Slyshkin, Zaineta R. Khachmafova, and Susanna R. Makerova. "Semantic of color in the poetics of Vladimir Mayakovsky." LAPLAGE EM REVISTA 7, Extra-B (2021): 88–96. http://dx.doi.org/10.24115/s2446-622020217extra-b887p.88-96.

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This article analyzes the use of color in the poetic works of Vladimir Mayakovsky as a symbolic actualization of the most important aspects of both the reality surrounding the poet and the world of his inner experienceshe authors note that the poet's choice of a particular color palette in his literary works is often determined by a number of objective and subjective factors: personal sensual love experiences, including complicated and fairly long relationships within the love triangle "Lilya Brik - Osip Brik - Vladimir Mayakovsky"; events of the early twentieth century, rapidly replacing each

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14

Parafianowicz, Halina. "Vladimir Mayakovsky and his “discovery” of America." Studia Wschodniosłowiańskie 14 (2014): 89–103. http://dx.doi.org/10.15290/sw.2014.14.07.

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15

Tyurina, Elena, and Alexey Zimenkov. "Mayakovsky — Money — Personal Brand: Vladimir Mayakovsky’s Publishing Contracts as Financial and Creative Documents." Philosophical Literary Journal Logos 35, no. 1 (2025): 105–36. https://doi.org/10.17323/0869-5377-2025-1-105-136.

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The article is devoted to the analysis of the economic component of Vladimir Mayakovsky’s life. For the first time, as an important source of creative and economic activity of the poet, his publishing contracts are introduced into scientific circulation. A general description of the surviving treaties is given and some of the most revealing and characteristic of them are published. The poet’s contracts of 1925 are considered separately. A comparative analysis of Mayakovsky’s publishing contracts with Sergey Yesenin’s contracts is carried out. Special attention is paid to Mayakovsky’s marketing

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16

Bezrukov, Andrey Nikolaevich. "Metacriticism of an artistic writing style: Venedikt Yerofeyev on Vladimir Mayakovsky." Филология: научные исследования, no. 10 (October 2020): 65–74. http://dx.doi.org/10.7256/2454-0749.2020.10.32003.

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Venedikt Yerofeyev is a remarkable and complex figure in Russian literature of the second half of the XX century. He is one of the first to expresses a different perspective on the realities of life and propose a new type of assessment of being. The object of this research is the introductory composition of Venedikt Yerofeyev written in 1961, at the time of joining Vladimir State Pedagogical Institute. The main subject of the analysis is the objectification of V. Yerofeyev&rsquo;s metacritical assessment of &ldquo;All Right!&rdquo; Research methodology is at the edge of conceptual

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17

Strelnikova, Ekaterina Sergeevna. "Initiatory nature of the opposition “child – adult” opposition in the mythopoetic paradigm of Vladimir Mayakovsky's works of the early period." Litera, no. 8 (August 2021): 20–29. http://dx.doi.org/10.25136/2409-8698.2021.8.36174.

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This research analyzes Vladimir Mayakovsky&rsquo;s works of the early period (1912-1916) within the framework of a neo-mythological approach, which allows reconstructing the individual authorial mythopoetic discourse. The article substantiates the inclusion of the literary works of Mayakovsky into the philosophical-culturological context, the importance of their consideration as a poetic and peacebuilding whole with its own patterns of transformation of the archetypal and mythological. The object of this research is the individual mythopoesis of the writer. The described &ldquo;Dionysi

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18

Klementyev, Ruslan E. "“...To a Gray Proletarian Monastery Under the Ringing of RAPP’s Bells ...ˮ: Poet Vladimir Lugovskoy: from “Fellow Travelersˮ to RAPP-Member". Izvestiia Rossiiskoi akademii nauk. Seriia literatury i iazyka 81, № 4 (2022): 33. http://dx.doi.org/10.31857/s160578800021454-5.

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Based on archival documents and periodicals, the article traces the path of the constructivist poet Vladimir Lugovsky from the eve of his entry into the RAPP in 1930, together with Vladimir Mayakovsky and Eduard Bagritsky, to the party resolution of 1932 “On the restructuring of literary and artistic organizations&amp;8j1;. Against the backdrop of the tragic death of Mayakovsky just two months after joining the RAPP and the attitude of the Rapp leadership towards him, the story of Lugovskoy appears, on the one hand, as a successful version of the “perestroika” of the former fellow traveler

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19

Markasov, M. Yu. "Persona of Modern Media: Mayakovsky through the Eyes of “Post-Science” and Mass Culture." Vestnik NSU. Series: History and Philology 21, no. 6 (2022): 99–108. http://dx.doi.org/10.25205/1818-7919-2022-21-6-99-108.

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The article studies the issue of popularization of scientific knowledge that forms its own media sphere, and their transmedia “mutation”. The article examines Vladimir Mayakovsky’s characters and related myths: “lover”, “suicide”, “propagandist”, “rebel”, etc. It is noted that a historical or literary persona, depending on the era or political situation, freely changes its axiological status. Currently, Mayakovsky is a meme, a template, a sign that expresses modern stereotypes of mass consciousness. The article talks about such media and media platforms as “Arzamas”, “Russian Seven”, “Yandex.Z

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20

Neplokhov, Aleksandr Ivanovich, Andrey Aleksandrovich Neplokhov, and Dmitriy Aleksandrovich Kryazhev. "Vladimir Mayakovsky — the founder of the first social advertising aimed at preserving the health of the population." Sanitarnyj vrač (Sanitary Doctor), no. 2 (February 1, 2021): 64–71. http://dx.doi.org/10.33920/med-08-2102-07.

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The purpose of this work is to analyze the creativity of V.V. Mayakovsky and an assessment of his contribution to health education of the population, disease prevention, and maintaining a healthy lifestyle in connection with the celebration of the approaching 100th anniversary of the formation of the state sanitary and epidemiological service of Russia, and the 130th anniversary of the poet’s birth. The article presents the work of Mayakovsky in the «Windows of satire ROSTA» and «Windows» of the Glavpolitprosvet, shows the conditions and organization of work on the production of propaganda pos

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21

Osis, Nataliе A. "Meyerhold and Mayakovsky — mutual influence in Mystery-Bouffe." ТЕАТР. ЖИВОПИСЬ. КИНО. МУЗЫКА 3 (September 2024): 43–55. http://dx.doi.org/10.35852/2588-0144-2024-3-43-55.

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In his numerous commentaries and revisions to Mystery-Bouffe, Vladimir Mayakovsky inserts into his text the possibility of variation, much as if it were the basic scenario (canovaccio) used for improvisation in the commedia dell’arte. Reliable information about how familiar he was with the principles of commedia dell'arte has not been preserved, but it is quite possible that he absorbed some of the vast creative experience that Vsevolod Meyerhold had accumulated in the commedia alla maschera by 1918, when he and Mayakovsky co-directed the first theatrical production of Mystery-Bouffe. Accordin

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22

Donkin, Hazel. "André Breton and Vladimir Mayakovsky: Poeticizing Politics and Politicizing Poetry." Dada/Surrealism 21 (July 17, 2017): 1–19. http://dx.doi.org/10.17077/0084-9537.1319.

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23

Katsell, Jerome H., and Andrey Kneller. "The Golden-Mouthed: Poetry from Vladimir Mayakovsky and Boris Pasternak." Slavic and East European Journal 49, no. 4 (2005): 685. http://dx.doi.org/10.2307/20058366.

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24

Steinberg, Mark D. "Vladimir Mayakovsky and the Utopian Imagination in the Russian Revolution." Vestnik of Saint Petersburg University. History 63, no. 1 (2018): 83–91. http://dx.doi.org/10.21638/11701/spbu02.2018.105.

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25

Pronin, Alexander A. "Vladimir Mayakovsky as a Film Actor: a “Star” or an Amateur?" Journal of Flm Arts and Film Studies 10, no. 3 (2018): 7–18. http://dx.doi.org/10.17816/vgik1037-18.

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The article investigates Vladimir Mayakovskys activity as an actor. The author defines the characteristic features of the poets acting and assesses his artistic capabilities based on the analysis of the film The Lady and the Hooligan and accounts of his contemporaries.

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26

Guseynov, Vagif N. "ON HUMANITARIANISM AND HUMANISM: LINGUISTIC AND STYLISTIC FEATURES OF THE STATEMENTS OF THE LEADERS OF LITERARY GROUPS IN THE EARLY 1930S (based on the responses of Leopold Averbakh, Maxim Gorky, Viktor Shklovsky to the death of Vladimir Mayakovsky)." Vestnik of Kostroma State University, no. 2 (2020): 179–84. http://dx.doi.org/10.34216/1998-0817-2020-26-2-179-184.

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The suicide of Vladimir Mayakovsky, the prophet of the revolution, its «agitator, bawler ringleader», which occurred in 1930, when the fate of the fi rst fi ve-year plan was being decided, coincided with a turning point in the Soviet Union’s sociopolitical life. This death, as well as the former suicide of Sergei Yesenin, impressed the society dramatically – it rocked the social optimism of the builders of socialism, besmirching the prospects. The responses of Leopold Averbakh, Maxim Gorky and Viktor Shklovsky to the tragic event reveal their assessment of Vladimir Mayakovsky’s work and their

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27

Angelucci, Malcolm, and Stephen Kolsky. "Vladimir Mayakovsky as Exemplary Character: Two Interpretations by Dario Fo and Carmelo Bene." Quaderni d'italianistica 38, no. 1 (2018): 195–216. http://dx.doi.org/10.33137/q.i..v38i1.31161.

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This article contributes to the mapping of the role played by the Russian poet, playwright, artist and performer Vladimir Mayakovsky (1893-1930) in the Italian context of the 60s and 70s, concentrating on Dario Fo’s L’operaio conosce 300 parole, il padrone 1000, per questo lui è il padrone (1969), and Carmelo Bene’s TV production of Bene! Quattro modi di morire in versi (1974, broadcast in 1978). Mayakovsky appears here as a character, constructed as an exemplary figure for the role of the artist. After framing exemplarity theoretically as a strategy that effaces the intrinsic discrepancy betw

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28

Silaeva, Marina. "PECULIAR REFERENCE TO WRITERS’ NAMES IN EARLY WORKS OF VLADIMIR MAYAKOVSKY." Bulletin of the Moscow State Regional University (Russian philology), no. 2 (2017): 116–23. http://dx.doi.org/10.18384/2310-7278-2017-2-116-123.

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29

Zavodnova, M. V. "The English translation specificity of the poem "Lilichka!" by Vladimir Mayakovsky." Youth Science Forum Journal 1, no. 2 (2020): 123–29. http://dx.doi.org/10.35599/forummn/01.02.17.

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30

Krylova, D. P. "Urban space in the poetry of Vladimir Mayakovsky and Emile Verhaeren." Philological Sciences. Scientific Essays of Higher Education, no. 1 (January 2017): 82–87. http://dx.doi.org/10.20339/phs.1-17.082.

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31

Rykunina, Yulia A. "Vladimir Gippius on Mandelstam, Akhmatova and Literary Generations." Literary Fact, no. 18 (2020): 326–40. http://dx.doi.org/10.22455/2541-8297-2020-18-326-340.

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The paper presents a fragment from Vladimir Gippius’s manuscript of the early 1930s, in which he evaluates his junior literary contemporaries: Osip Mandelstam, Anna Akhmatova, Vladimir Mayakovsky. This evaluation corresponds with the opinion Gippius expressed in the 1910s: Acmeists for him are indifferent esthetes that lack strong qualities of their predecessors. Gippius evaluates negatively his literary portrait by Mandelstam, his pupil in the Tenishev School, in the autobiographic book “Shum vremeni” (“The Noise of the Time”, 1925). This fragment presents Gippius’s reaction on the correspond

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32

Gribonosova-Grebneva, Elena V. "THE BOOK REALITY: ILLUSTRATOR VLADIMIR SALNIKOV (1948-2015)." Articult, no. 2 (June 2024): 41–49. http://dx.doi.org/10.28995/2227-6165-2024-2-41-49.

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Moscow artist Vladimir Salnikov, who would have been 75 in 2023, had a reputation of a remarkably versatile artist known not only for his works in easel painting and graphic art but also as a book designer and illustrator. From the early 1980s he had actively worked with such major publishing houses as Khudozhestvennaya Literatura (Literary Fiction), Sovetsky Pisatel (Soviet Writer), Detskaya Literatura (Children’s Literature), Progress, Kniga (Book), Malysh (Tiny Tot), to name a few. All in all, he had designed and illustrated some twenty books by Russian and foreign authors, including Saltyk

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33

Akbarzadeh, Nahid. "FEATURES OF THE TRANSLATION OF V. MAYAKOVSKY'S POEMS INTO PERSIAN." RSUH/RGGU Bulletin. "Literary Theory. Linguistics. Cultural Studies" Series, no. 9 (2020): 53–61. http://dx.doi.org/10.28995/2686-7249-2020-9-53-61.

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This article is dedicated to the translation of poems written by the popular and famous Russian poet Vladimir Mayakovsky into Persian, as well as to their features and general trends of the translation of Futurist poems. The work was performed in the technique of comparative research, where one of the most acute issues is formulated as the degree of translatability / untranslatability of the text. The purpose is to find appropriate approaches for its solution and consider the issue of semantic matching.

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34

Krusanov, А. V., та T. V. Misnikevich. "Sources for Vadim Bayan’s Biography: Letters to Fyodor Sologub and An. N. Chebotarevskaya (Introduction, Editing and Comments by А. V. Krusanov, T. V. Misnikevich)". Russkaya literatura 1 (2020): 161–82. http://dx.doi.org/10.31860/0131-6095-2020-1-161-182.

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The article presents the letters of the poet Vadim Bayan (Vladimir Ivanovich Sidorov; 1888–1966), remembered mostly in connection with the literary biography of V. V. Mayakovsky, to the prominent symbolist writer Fyodor Sologub and his wife An. N. Chebotarevskaya. The letters outline the psychological portrait of a provincial amateur writer, who tries to penetrate the circle of the metropolitan literary elite, as well as document the nuances of the relationships between the various lite rary groups in 1913–1914.

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35

Zivkovic, Dusan. "Avant-garde tendencies in the poetry of Vladimir Mayakovsky and Milos Crnjanski." Nasledje, Kragujevac 14, no. 37-2 (2017): 27–41. http://dx.doi.org/10.5937/naslkg1702027z.

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36

Vanchu, Anthony J., and Alexander Ushakov. "Vladimir Mayakovsky, Selected Works in Three Volumes. Volume Three: Plays, Articles, Essays." Theatre Journal 43, no. 3 (1991): 414. http://dx.doi.org/10.2307/3207611.

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37

Molodiakov, Vassili E. "“They Both had their own Pontius Pilate:” Leonid Dolgopolov and Miron Petrovsky Discussing on Bulgakov and Mayakovsky." Literary Fact, no. 23 (2022): 243–49. http://dx.doi.org/10.22455/2541-8297-2022-23-243-249.

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Russian Modernism scholar Leonid Konstantinovich Dolgolopov (1928–1995) in the late 1980s and early 1990s wrote several research articles on life and works of Vladimir Mayakovsky whom he considered one of the greatest Russian poets of the 20th century. Dolgopolov also highly appreciated works of Mikhail Bulgakov; he wrote no papers on him but closely watched other scholars’ research, especially during “Bulgakov’s boom” of the Perestroika years. Dolgopolov carefully read the article about Bulgakov vs. Mayakovsky confrontation by a literary critic and scholar Miron Semenovich Petrovsky (1932–202

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38

Reinhardt, R. O. "Russia – Mexico: 130 years of relations through the lens of diplomacy and Russian poetry." Cuadernos Iberoamericanos 8, no. 1 (2020): 84–96. http://dx.doi.org/10.46272/2409-3416-2020-8-1-84-96.

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The article dedicated to the 130th anniversary of diplomatic relations establishment between Russia and Mexico casts a light upon the key turning points of their evolution within the context of foreign policy, history and culture of both countries. The author focuses on diplomatic contacts and intercultural communication. Alongside Heads of States’ visits and exchange of diplomatic representatives, he elaborates on Russian literature classics, i.e. Konstantin Balmont, Vladimir Mayakovsky and Joseph Brodsky, visiting Mexico. It is implied in the conclusion that ‘proximity’ of the countries’ cul

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39

Khachaturian, Lyubov V. "The Communicative Paradox: Notebooks and Workbooks of the Russian Avant-garde “Big Three”." Studia Litterarum 10, no. 2 (2025): 358–81. https://doi.org/10.22455/2500-4247-2025-10-2-358-381.

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The article provides a comparative analysis of the workbooks and notebooks of Vladimir Mayakovsky, Velimir Khlebnikov, and Alexey Kruchenykh. The analysis of draft recordings, most of which are hitherto unpublished, demonstrates a commonality of techniques for creating a literary text far beyond the boundaries of the documented co-authorship of 1912–1914. The study explains this phenomenon by returning to the classical model of the communicative structure of the text. The article demonstrates correlations between the theoretical positions of the Tartu-Moscow semiotic school and various sources

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40

Fomenko, Andrei N. "MOUNTING AND DISMOUNTING. ABOUT THE SERIES OF ILLUSTRATIONS BY YURI ROZHKOV FOR THE POEM BY VLADIMIR MAYAKOVSKY “TO THE WORKERS OF KURSK WHO MINED THE FIRST ORE”." RSUH/RGGU Bulletin. Series Philosophy. Social Studies. Art Studies, no. 2 (2024): 108–20. http://dx.doi.org/10.28995/2073-6401-2024-2-108-120.

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In 1924 the artist Yuri Rozhkov created a series of illustrations for Vladimir Mayakovsky’s poem To the workers of Kursk who mined the first ore, dedicated to the discovery of iron ore in the area of the Kursk magnetic anomaly. Rozhkov’s illustrations, made using the technique of photomontage, are among the earliest examples of turning to such technique, which played a key role in the development of avant-garde art in the 1920s. However, they did not become widely known, unlike, for example, the works of Klutsis and especially Rodchenko, whose photomontages for Mayakovsky’s poem About That (19

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Соколова, О. В. "Idiomatics of V. Khlebnikov and V. Mayakovsky in translation: decoding vs. encoding idioms (lexicographic aspect)." Иностранные языки в высшей школе, no. 3(54) (December 18, 2020): 52–66. http://dx.doi.org/10.37724/rsu.2020.54.3.005.

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В статье исследуется проблема перевода авангардной литературы, ориентированной на создание нового художественного языка и языковой эксперимент. Отмеченные черты обусловливают особую сложность перевода авангардных текстов и необходимость поиска оригинальных стратегий при их переводе. Один из подходов к поставленной проблеме предлагается в словаре нового типа «Идиоматика русского авангарда (кубофутуризм)». Микроструктура словаря включает зону форм идиомы на разных языках и зону межъязыкового перевода, где русскоязычные авангардные идиомы сопровождаются переводами. В статье проводится сопоставите

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Dudareva, Marianna A. "FOLKLORE BEGINNING OF A POEM “AN EXTRAORDINARY ADVENTURE THAT HAPPENED WITH VLADIMIR MAYAKOVSKI IN SUMMER AT THE DACHA”: SEARCH FOR “ANOTHER KINGDOM”." Proceedings of Southern Federal University. Philology 27, no. 3 (2023): 146–54. http://dx.doi.org/10.18522/1995-0640-2023-3-146-154.

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The article raises the question of the folklorism of V.V. Mayakovsky, whose artistic heritage in literary criticism from these positions has been little studied. The latent forms of penetration of the folk tradition into the poetics of the author of the beginning of the 20th century are considered. Folklore in the study is understood comprehensively, culturally and philologically expanded, taking into account the forms of myth, ritual, that is pre-genre formations. The material for the hermeneutic analysis was the poem &quot;An extraordinary adventure that happened with Vladimir Mayakovsky

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Miranda, Carolina Izabela Dutra de. "Diálogos a partir de Walter Benjamim: a figura de Maiakovski como elo de ligação entre o cubofuturismo e o formalismo russo." Cadernos Benjaminianos 14, no. 1 (2019): 51. http://dx.doi.org/10.17851/2179-8478.14.1.51-72.

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Resumo: O presente trabalho aborda as especificidades do futurismo russo, nomeado cubofuturismo, a partir das colocações de Walter Benjamim, presentes nos textos “A nova literatura Russa” (1927) e “O agrupamento político dos escritores na União Soviética” (1927). Embasando-se na discussão desses textos, pretende-se esclarecer a relação deles com o formalismo russo, importante movimento crítico que ocorreu contemporaneamente ao cubofuturismo. Para tanto, pretende-se explicitar como a figura de Vladimir Maiakovski estabeleceu um elo de ligação entre esses dois movimentos – o crítico e o literári

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Stańczyk, Xawery. "„Dzisiaj ma głos towarzysz Mauzer”. Rewolucyjna strategia literacka Majakowskiego." Studia Litteraria et Historica, no. 2 (June 30, 2014): 331–75. http://dx.doi.org/10.11649/slh.2013.014.

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‘You have the floor, Comrade Mauser’. Literature and engagement: Mayakovsky’s revolutionary poetry as a case studyThe Russian futurist poet Vladimir Mayakovsky was criticised not only by conservative or moderate critics and writers, but also by Bolshevik ideologists and activists. While moderate authors criticised Mayakovsky’s engagement in the communist movement and worried about the waste of his genius, the left-wing writers refused him the place among proletarians due to his improper social background. The article shows the similarities between these two strands of criticism and analyses wh

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Urbaszewski, Laura Shear. "Canonizing the "Best, Most Talented" Soviet Poet: Vladimir Mayakovsky and the Soviet Literary Celebration." Modernism/modernity 9, no. 4 (2002): 635–65. http://dx.doi.org/10.1353/mod.2002.0080.

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Kózka, Michał. "Nieudana rewolucja (?) O dwóch poematach Władimira Majakowskiego." Dyskretny urok władzy. Idealiści, kolaboranci, oportuniści 19, no. 2 (2022): 277–93. http://dx.doi.org/10.4467/23531991kk.22.021.16255.

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Celem niniejszego artykułu jest próba szczegółowej analizy oraz interpretacji dwóch poematów: Obłok w spodniach (1915) oraz Pełnym głosem (1930). Pierwszy za pomocą rozbudowanej metafory zapowiada konieczność redefinicji polityczno-społecznej rzeczywistości, drugi natomiast rozlicza sowieckie realia. W lirycznych (postfuturystycznych) próbach poety często doszukać się można żywej apologii idei budowanego systemu: poparcia ruchów rewolucyjnych, propozycji stworzenia ogólnodostępnej, ogólnozrozumiałej sztuki dla mas. W dużo późniejszym poemacie z lat trzydziestych Majakowski raz po raz, nierzadk

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Yudina, Ekaterina. "To Duel or Not to Duel? That Is a [Futuristic] Question." Experiment 23, no. 1 (2017): 186–202. http://dx.doi.org/10.1163/2211730x-12341310.

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Abstract The Russian futurists were masters of scandal and provocation as ways of promoting their ideas, and their exhibitions, disputes, and performances often caused public outrage. One of the little-known scandals took place on the opening night of Pink Lantern cabaret in Moscow on October 19, 1913. Following Vladimir Mayakovsky’s taunting declamation of his poetry and Konstantin Balmont’s improvised speech honoring the futurists, Mikhail Larionov and Natalia Goncharova engaged in a confrontation with the public already irritated by the provocative performances and alcohol. As a result, Gon

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Leontiev, Yaroslav Viktorovich. "JACOB BROWN’S POLITICAL BIOGRAPHY (1889–1937)." LOMONOSOV HISTORY JOURNAL 65, no. 2024, №1 (2024): 41–69. http://dx.doi.org/10.55959/msu0130-0083-8-2024-65-1-41-69.

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Th e article concerns the little-studied aspects of the biography of the prominent political fi gure, literary critic, publicist and prose writer Yakov Veniaminovich Braun in order to reconstruct in its entirety the social and politi-cal activity of this multifaceted personality. Th e author examines the unrealized literary projects connected with the left -wing Socialist Revolutionary movement and repressions against Braun. Th e study is based on the archival and investiga-tive materials, publications in newspapers and magazines, documents of the Russian State Archive of Socio-Political Histo

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Guimarães Ustimenko, Helena, and Yana Baryshnikova Marques. "Futurismo russo e Cubo-Futurismo." Diacrítica 35, no. 2 (2021): 130–45. http://dx.doi.org/10.21814/diacritica.647.

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O presente artigo centra-se num estudo comparativo das poéticas da vanguarda russa que incluem variações literárias e artísticas desenvolvidas na primeira metade do século XX. Nele analisa-se o aparecimento do Futurismo e Cubo-futurismo russos e apontam-se as características que os distinguem dos movimentos artísticos europeus que estiveram na sua génese, refletindo-se ainda sobre os primeiros poetas destes movimentos e a sua reconceptualizacão da arte. O case study deste trabalho apoia-se no legado de Vladimir Mayakovsky, mais precisamente no seu contributo como artista e poeta de vanguarda n

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Barany, Zoltan. "The Tragedy of the Kursk: Crisis Management in Putin's Russia." Government and Opposition 39, no. 3 (2004): 476–503. http://dx.doi.org/10.1111/j.1477-7053.2004.00131.x.

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AbstractThe objective of this paper is to reconstruct both the Kursk incident and especially the reaction to it by Russian military and political authorities with the aim of gauging the extent of continuity and change of Soviet-era practices in three key areas of contemporary Russia's public institutional life: (1) the organizational behaviour and institutional culture of the Russian military; (2) the behaviour of Russia's executive political leadership, i.e. President Vladimir Putin; and (3) the media of mass communication. Reaction to such crises, the author argues, can shed much light on th

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