Relevant bibliographies by topics / Vladimir Tatlin

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Vladimir Tatlin'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Vladimir Tatlin"

1

Brumfield, William C. "Review: Vladimir Tatlin: Retrospektiva." Journal of the Society of Architectural Historians 53, no. 4 (1994): 469–70. http://dx.doi.org/10.2307/990915.

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2

Starr, S. Frederick, and John Milner. "Vladimir Tatlin and the Russian Avant-Garde." Russian Review 45, no. 1 (1986): 46. http://dx.doi.org/10.2307/129403.

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3

Milner-Gulland, Robin. "Tower and Dome: Two Revolutionary Buildings." Slavic Review 47, no. 1 (1988): 39–50. http://dx.doi.org/10.2307/2498837.

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Since the 1960s much informed attention has been paid to the Russian artist Vladimir Tatlin (1885-1953), culminating in the recent appearance of John Milner's expert and sensitive study; with his centenary year one can only expect such interest, in east and west, has intensified. Though Tatlin's fields of activity were extraordinarily diverse (and by no means all conventionally “artistic“), attention has been concentrated both in his lifetime and since on what is, by common consent, the greatest (or most notorious) of his endeavors: the project, unrealized at full scale and probably unrealizab
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4

James Nisbet. "Material Propositions on the Individual/Collective: The Work of Vladimir Tatlin." Modernism/modernity 17, no. 1 (2010): 109–34. http://dx.doi.org/10.1353/mod.0.0167.

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Merewether, Charles. "Chabet: The Russian connection." Journal of Contemporary Painting 6, no. 1-2 (2020): 79–92. http://dx.doi.org/10.1386/jcp_00015_1.

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This article focuses on the Filipino artist Roberto Chabet and his Russian Paintings of 1984. It explores the influence of Russian art, especially Vladimir Tatlin on his work in the 1980s and others, notably Malevich and El Lissitzky’s Proun work. The article looks back at Chabet’s trips to Europe and his first installations and work on paper in the 1970s, prefiguring the radical nature of his subsequent Russian painting.
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Fredrickson, Laurel. "Vision and Material Practice: Vladimir Tatlin and the Design of Everyday Objects." Design Issues 15, no. 1 (1999): 49. http://dx.doi.org/10.2307/1511788.

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7

Srebnik, Anita. "Theo van Doesburg, Vladimir Tatlin en de constructivistische reis naar de vierde dimensie." Neerlandica Wratislaviensia 28 (June 26, 2019): 183–202. http://dx.doi.org/10.19195/0860-0716.28.14.

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Theo van Doesburg, Vladimir Tatlin and the constructivist journey to the fourth dimension The magazine De Stijl is considered a constructivist magazine with Theo van Doesburg at its centre, especially among writers. This article tries to find an answer to the question: which characteristics in van Doesburg’s poetry make him a literary constructivist, taking into account the premises of the original constructivism as it emerged in pre-revolutionary Russia at the beginning of the 20th century. This is done by analysing his poem entitled X-Beelden 1920 which could come close to constructivism. Fi
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8

Kurbanovsky, Alexei Alexeyevich. "Freud, Tatlin, and the Tower: How Soviet Psychoanalysts Might Have Interpreted the Monument to the Third International." Slavic Review 67, no. 4 (2008): 892–906. http://dx.doi.org/10.2307/27653029.

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The first translations of Sigmund Freud's texts into Russian appeared in the early 1900s, and by the 1920s all important works were available; in Soviet Russia they stimulated wide discussion of various medical, pedagogical, and social problems as well as of developments in creative art. Alexei Kurbanovsky argues that “Freudianism” would have seemed very tempting to those early Soviet theorists who believed that they must appropriate the relevant discoveries of western psychology and adopt them for their own revolutionary ends: creating the “new communist man.” The application of Freudian tech
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9

Gough, Maria. "Model Exhibition." October 150 (October 2014): 9–26. http://dx.doi.org/10.1162/octo_a_00198.

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Despite the fact that it was never realized at full scale, Vladimir Tatlin's long-lost model for his Monument to the Third International (1920) remains to this day the most widely known work of the Soviet avant-garde. A visionary proposal for a four-hundred-meter tower in iron and glass conceived at the height of the Russian Civil War, the monument was to house the headquarters of the Third International, or Comintern, the international organization of Communist, socialist, and other left-wing parties and workers' organizations founded in Moscow in the wake of the October Revolution with the o
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10

Taroutina, Maria. "Between East and West." Experiment 23, no. 1 (2017): 66–79. http://dx.doi.org/10.1163/2211730x-12341301.

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Abstract Taking cue from Dmitry Sarabyanov’s seminal publications on the Stil Modern and turn-of-the-century Russian visual culture, the present article resituates Mikhail Vrubel’s œuvre “between East and West” by demonstrating that the artist moved beyond the narrowly circumscribed nationalist agenda typically attributed to the work he produced at the Abramtsevo and Talashkino artistic colonies. In addition to indigenous sources, Vrubel also assimilated a number of external artistic influences such as Jugendstil, medieval Gothic and Renaissance ceramics, Japanese and Chinese porcelain, and Eg
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Dissertations / Theses on the topic "Vladimir Tatlin"

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Siukonen, Jyrki. "Uplifted spirits, earthbound machines studies on artists and the dream of flight, 1900-1935 /." Helsinki : Suomalaisen Kirjallisuuden Seura, 2001. http://catalog.hathitrust.org/api/volumes/oclc/48162692.html.

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Leach, Martin. ""Even the thing I am ..." : Tadeusz Kantor and the poetics of being." Thesis, De Montfort University, 2012. http://hdl.handle.net/2086/7332.

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This thesis explores ways in which the reality of Kantor’s existence at a key moment in occupied Kraków may be read as directly informing the genesis and development of his artistic strategies. It argues for a particular ontological understanding of human being that resonates strongly with that implied by Kantor in his work and writings. Most approaches to Kantor have either operated from within a native perspective that assumes familiarity with Polish culture and its influences, or, from an Anglo-American theatre-history perspective that has tended to focus on his larger-scale performance wor
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3

Jung, Eun Young. "The legacies of Marcel Duchamp and Vladimir Tatlin in Dan Flavin's fluorescent light installations of the 1960s /." 2006. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3242884.

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Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 2006.<br>Source: Dissertation Abstracts International, Volume: 67-11, Section: A, page: 4015. Adviser: Jonathan Fineberg. Includes bibliographical references (leaves 257-284) Available on microfilm from Pro Quest Information and Learning.
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Gonçalves, Diogo Pereira da Silva 1990. "A espacialidade na escultura do séc. XX : do espaço fechado ao espaço negativo." Master's thesis, 2018. http://hdl.handle.net/10451/33691.

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In this Master in Sculpture Studies we try to expose and analyze the question of space in sculpture, from the beginning of modernism to the present day, mentioning some close previous situations and following R. Krauss logic of expanded space in sculpture. In this sense, we look to a better understanding of how to transit from a closed space to a negative one, through the history of sculpture of the 20th century. Enunciating these same changes, focusing on the different approaches made before, from analyses of both artists thoughts, as well as artist’s deposition on writings and interviews amo
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Books on the topic "Vladimir Tatlin"

1

Tatlin, Vladimir Evgrafovich. Vladimir Tatlin, Retrospektive. DuMont, 1993.

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2

John, Milner. Vladimir Tatlin and the Russian avant-garde. UMI, Books on Demand, 1999.

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3

John, Milner. Vladimir Tatlin and the Russian avant-garde. Yale University Press, 1985.

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4

German, Mikhail I︠U︡rʹevich. Impressionizm i russkai︠a︡ zhivopisʹ: Ilʹi︠a︡ Repin, Valentin Serov, Konstantin Korovin, Sergeĭ Vinogradov, Stanislav Zhukovskiĭ, Igorʹ Grabarʹ, Kazimir Malevich, Mikhail Larionov, Vasiliĭ Kandinskiĭ, David Burli︠u︡k, Abram Arkhipov, Konstantin I︠U︡on, Vladimir Tatlin, Alekseĭ I︠A︡vlenskiĭ. Izd-vo "Avrora,", 2005.

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5

Jürgen, Harten, ed. Vladimir Tatlin: Leben, Werk, Wirkung : ein internationales Symposium = Tatlin. DuMont, 1993.

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Book chapters on the topic "Vladimir Tatlin"

1

"5 Toward a New Icon: Kazimir Malevich, Vladimir Tatlin, and the Cult of Nonobjectivity." In The Icon and the Square. Penn State University Press, 2018. http://dx.doi.org/10.1515/9780271082578-009.

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2

Broeckmann, Andreas. "Introduction: The Phantom of “Machine Art”." In Machine Art in the Twentieth Century. The MIT Press, 2017. http://dx.doi.org/10.7551/mitpress/9780262035064.003.0002.

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This introductory chapter maps the conceptual context for the treatment of machine art that follows in the other chapters of the book. The chapter first presents the most important, partly conflicting definitions of the term “machine art” that have been deployed by different authors in the twentieth century, including Vladimir Tatlin, Alfred Barr, Bruno Munari, and the Berlin Dadaists. The chapter then outlines the most important concepts of the “machine”, a notion that has been used to denote technical, sociopolitical as well as psychological phenomena. The author proposes a general conception of the “machine” as a particular type of relation between individuals and the structures, or apparatuses, that bring about human subjectivities. The introduction concludes with a section on the gender aspect of human relations with technology, using the myths of the bachelor machine and the cyborg to describe supposedly gender-specific forms of access to the construction and usage of technical systems.
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