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Books on the topic 'Vocal music India'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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1

Hindustani vocal music: As seen outside India. New Delhi: Abhinav Publications, 2009.

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2

Ray, Sukumar. Music of eastern India: Vocal music in Bengali, Oriya, Assamese and Manipuri with special emphasis on Bengali. 2nd ed. Calcutta: Firma K.L.M. Private, 1985.

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3

Richard, Widdess, ed. Dhrupad: Tradition and performance in Indian music. Aldershot, Hampshire, England: Ashgate, 2004.

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4

Micael, Martins, and Costa António da 1943-, eds. Song of Goa. New Delhi: Aryan Books International, 2000.

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5

Courtney, David. Elementary north Indian vocal. 5th ed. Houston, Tex: Sur Sangeet Services, 1995.

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6

Courtney, David. Elementary north Indian vocal. 3rd ed. Houston, TX: Distributed by Sur Sangeet Services, 1992.

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7

Enlightening the listener: Contemporary north Indian classical vocal music performance. New Delhi: Munshiram Manoharlal Publishers, 2000.

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8

Karnani, Chetan. Form in Indian music: A study in Gharanas. Jaipur: Rawat, 2005.

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9

Singing a Hindu nation: Marathi devotional performance and nationalism. New York: Oxford University Press, 2012.

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10

Hidden faces of ancient Indian song. Aldershot, England: Ashgate, 2005.

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11

A practical guide to North Indian classical vocal music: The ten basic of rā.gs with compositions and improvisations. New Delhi: Munshiram Manoharlal Publishers, 2008.

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12

Schultz, Anna C. Singing a Hindu nation: Marathi devotional performance and nationalism. New York: Oxford University Press, 2012.

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13

Sanyal, Ritwik, and Richard Widdess. Dhrupad: Tradition and Performance in Indian Music (Soas Musicology) (Soas Musicology) (Soas Musicology). Ashgate Publishing, 2004.

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14

Pereira, Jose, Micheal Martins, and Antonio Da Costa. Song of Goa. Aryan Books International, 2003.

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15

Pereira, Jose, and Jose Pereiar. Song of Goa, Mandos of Yearning. Aryan Books International, 2002.

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16

Wolf, Richard K. Drumming, Language, and the Voice in South Asia. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038587.003.0001.

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This book explores drumming and other instrumental traditions that are interconnected over vast regions of South and West Asia. The traditions considered here qualify broadly as functional music rather than concert music and include the public instrumental music of weddings, funerals, and religious holidays. The book examines patterns that pervade functional music of South Asia and to some extent North and South Indian classical music and how performed texts are related to their verbal or vocal models. It also considers what it means in particular contexts for musical instruments to be voicelike and carry textual messages. This chapter discusses the broad historical context in which voices and instruments have been co-constructed in the history of the Indian subcontinent and regions west. Many examples from South India are included to help create a picture that transcends the bounds of Muharram Ali's travels.
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17

Form in Indian Music. Rawat, 2006.

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18

Malawey, Victoria. A Blaze of Light in Every Word. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190052201.001.0001.

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A Blaze of Light in Every Word presents a conceptual model for analyzing vocal delivery in popular song recordings focused on three overlapping areas of inquiry: pitch, prosody, and quality. The domain of pitch, which refers to listeners’ perceptions of frequency, considers range, tessitura, intonation, and registration. Prosody, the pacing and flow of delivery, comprises phrasing, metric placement, motility, embellishment, and consonantal articulation. Qualitative elements include timbre, phonation, onset, resonance, clarity, paralinguistic effects, and loudness. Intersecting all three domains is the area of technological mediation, which considers how external technologies, such as layering, overdubbing, pitch modification, recording transmission, compression, reverb, spatial placement, delay, and other electronic effects, impact voice in recorded music. Though the book focuses primarily on the sonic and material aspects of vocal delivery, it situates these aspects among broader cultural, philosophical, and anthropological approaches to voice with the goal to better understand the relationship between sonic content and its signification. Drawing upon transcription and spectrographic analysis as the primary means of representation, as well as modes of analysis, this book features in-depth analyses of a wide array of popular song recordings spanning genres from indie rock to hip-hop to death metal, develops analytical tools for understanding how individual dimensions make singing voices both complex and unique, and synthesizes how multiple aspects interact to better understand the multidimensionality of singing voices.
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