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Relevant bibliographies by topics / Vocal quality

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Academic literature on the topic 'Vocal quality'

Author: Grafiati

Published: 4 June 2021

Last updated: 20 February 2023

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Journal articles on the topic "Vocal quality"

1

Watterson, Thomas, Stephen C. McFarlane, and Kari L. Diamond. "Phoneme Effects on Vocal Effort and Vocal Quality." American Journal of Speech-Language Pathology 2, no. 2 (1993): 74–78. http://dx.doi.org/10.1044/1058-0360.0202.74.

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This study demonstrated that "vocal effort" is a legitimate laryngeal perception that can be detected by many subjects who have voice disorders and by some normal control subjects. Further, subjects with voice disorders found that the degree of vocal effort in speech was greatest for voiceless obstruent consonants, followed by voiced obstruents; sonorants and nasals required the least effort. A panel of listeners, however, could not detect differences in roughness, breathiness, intonation, or overall vocal quality as the perceived vocal effort varied.

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Eskenazi, L., D. G. Childers, and D. M. Hicks. "Acoustic Correlates of Vocal Quality." Journal of Speech, Language, and Hearing Research 33, no. 2 (1990): 298–306. http://dx.doi.org/10.1044/jshr.3302.298.

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We have investigated the relationship between various voice qualities and several acoustic measures made from the vowel /i/ phonated by subjects with normal voices and patients with vocal disorders. Among the patients (pathological voices), five qualities were investigated: overall severity, hoarseness, breathiness, roughness, and vocal fry. Six acoustic measures were examined. With one exception, all measures were extracted from the residue signal obtained by inverse filtering the speech signal using the linear predictive coding (LPC) technique. A formal listening test was implemented to rate

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Krecicki, Tomasz, Marcin Just, Michal H. Tyc, Mateusz Kolator, and Monika Morawska-Kochman. "Vocal quality in postmenopausal women." Maturitas 81, no. 1 (2015): 180. http://dx.doi.org/10.1016/j.maturitas.2015.02.234.

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D'haeseleer, Evelien, Iris Meerschman, Sofie Claeys, Clara Leyns, Julie Daelman, and Kristiane Van Lierde. "Vocal Quality in Theater Actors." Journal of Voice 31, no. 4 (2017): 510.e7–510.e14. http://dx.doi.org/10.1016/j.jvoice.2016.11.008.

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Suire, Alexandre, Michel Raymond, and Melissa Barkat-Defradas. "Male Vocal Quality and Its Relation to Females’ Preferences." Evolutionary Psychology 17, no. 3 (2019): 147470491987467. http://dx.doi.org/10.1177/1474704919874675.

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In both correlational and experimental settings, studies on women’s vocal preferences have reported negative relationships between perceived attractiveness and men’s vocal pitch, emphasizing the idea of an adaptive preference. However, such consensus on vocal attractiveness has been mostly conducted with native English speakers, but a few evidence suggest that it may be culture-dependent. Moreover, other overlooked acoustic components of vocal quality, such as intonation, perceived breathiness and roughness, may influence vocal attractiveness. In this context, the present study aims to contrib

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Mencke, Thomas, Mathias Echternach, Stefan Kleinschmidt, et al. "Laryngeal Morbidity and Quality of Tracheal Intubation." Anesthesiology 98, no. 5 (2003): 1049–56. http://dx.doi.org/10.1097/00000542-200305000-00005.

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Background Vocal cord sequelae and postoperative hoarseness during general anesthesia are a significant source of morbidity for patients and a source of liability for anesthesiologists. Several risk factors leading to laryngeal injury have been identified in the past. However, whether the quality of tracheal intubation affects their incidence or severity is still unclear. Methods Eighty patients were randomized in two groups (n = 40 for each) to receive a propofol-fentanyl induction regimen with or without atracurium. Intubation conditions were evaluated with the Copenhagen Score; postoperativ

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Venkatraman, Anumitha, and M. Preeti Sivasankar. "Continuous Vocal Fry Simulated in Laboratory Subjects: A Preliminary Report on Voice Production and Listener Ratings." American Journal of Speech-Language Pathology 27, no. 4 (2018): 1539–45. http://dx.doi.org/10.1044/2018_ajslp-17-0212.

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Purpose Vocal fry is prevalent in everyday speech. However, whether the use of vocal fry is detrimental to voice production is unclear. This preliminary study assessed the effects of using continuous vocal fry on voice production measures and listener ratings. Method Ten healthy individuals (equal male and female, mean age = 22.4 years) completed 2 counterbalanced sessions. In each session, participants read in continuous vocal fry or habitual voice quality for 30 min at a comfortable intensity. Continuous vocal fry was simulated. Phonation threshold pressure (PTP 10 and PTP 20 ), cepstral pea

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Niimi, Seiji, and Mamiko Miyaji. "Vocal Fold Vibration and Voice Quality." Folia Phoniatrica et Logopaedica 52, no. 1-3 (1999): 32–38. http://dx.doi.org/10.1159/000021510.

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Hillenbrand, James, Ronald A. Cleveland, and Robert L. Erickson. "Acoustic Correlates of Breathy Vocal Quality." Journal of Speech, Language, and Hearing Research 37, no. 4 (1994): 769–78. http://dx.doi.org/10.1044/jshr.3704.769.

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The purpose of this study was to evaluate the effectiveness of several acoustic measures in predicting breathiness ratings. Recordings were made of eight normal men and seven normal women producing normally phonated, moderately breathy, and very breathy sustained vowels. Twenty listeners rated the degree of breathiness using a direct magnitude estimation procedure. Acoustic measures were made of: (a) signal periodicity, (b) first harmonic amplitude, and (c) spectral tilt. Periodicity measures provided the most accurate predictions of perceived breathiness, accounting for approximately 80% of t

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Gerratt, Bruce R., and Jody Kreiman. "Measuring vocal quality with speech synthesis." Journal of the Acoustical Society of America 110, no. 5 (2001): 2560–66. http://dx.doi.org/10.1121/1.1409969.

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Dissertations / Theses on the topic "Vocal quality"

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Eadie, Tanya L. "A perceptual investigation of vocal quality using backward speech." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0004/MQ42063.pdf.

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Beck, J. M. "Organic variation and voice quality." Thesis, University of Edinburgh, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.382921.

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Chan, Mei-mei Rainy. "The effect of hydration and vocal rest on vocal quality and function after Karaoke singing among people." Click to view the E-thesis via HKUTO, 2000. http://sunzi.lib.hku.hk/hkuto/record/B36207457.

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Thesis (B.Sc)--University of Hong Kong, 2000.<br>"A dissertation submitted in partial fulfilment of the requirements for the Bachelor of Science (Speech and Hearing Sciences), The University of Hong Kong, May 10, 2000." Also available in print.

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Samlan, Robin Amy. "Kinematic Modeling of Asymmetric Vocal Fold Vibration." Diss., The University of Arizona, 2012. http://hdl.handle.net/10150/232456.

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Asymmetries of the vocal folds and vocal fold vibration are key features underlying unilateral vocal fold motion impairment (VFMI). The knowledge of what particular asymmetries contribute to breathy voice and which asymmetries must be eliminated to re-establish normal voice will be important to improving evaluation and treatment of VFMI. It was hypothesized that several structural and vibratory asymmetries should lead to predictable changes in the glottal area, flow, and acoustic waveforms, and subsequently a perceived breathy voice quality. The purpose of this project was threefold: 1) to det

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Manickam, Kathiresan. "Objective voice quality modelling and analysis of vocal fold functionality in radiotherapy." Thesis, Liverpool John Moores University, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.421413.

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Malandraki, Georgia. "Persisting Effects of Aspiration and Penetration on Voice Quality and Vocal Pitch." Ohio University / OhioLINK, 2004. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1103140461.

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Malandraki, Georgia A. "Persisting effects of aspiration and penetration on voice quality and vocal pitch." Ohio : Ohio University, 2004. http://www.ohiolink.edu/etd/view.cgi?ohiou1103140461.

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Mitchell, Helen Frances. "Defining vocal quality in female classical singers: pedagogical, acoustical and perceptual studies." Thesis, The University of Sydney, 2005. http://hdl.handle.net/2123/710.

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The technique of 'open throat' is a pedagogical concept transmitted through the oral tradition of singing. This thesis explored the pedagogical perceptions and practices of 'open throat' using empirical methodologies to assess technical skill and associated vocal quality. In the first study (Mitchell, Kenny, Ryan, & Davis, 2003), we assessed the degree of consensus amongst singing pedagogues regarding the definition of, and use in the singing studio of the technique called 'open throat.' Results indicated that all fifteen pedagogues described 'open throat' technique as fundamental to singing t

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Mitchell, Helen Frances. "Defining vocal quality in female classical singers: pedagogical, acoustical and perceptual studies." University of Sydney. Australian Centre for Applied Research in Music Performance, 2005. http://hdl.handle.net/2123/710.

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The technique of �open throat� is a pedagogical concept transmitted through the oral tradition of singing. This thesis explored the pedagogical perceptions and practices of �open throat� using empirical methodologies to assess technical skill and associated vocal quality. In the first study (Mitchell, Kenny, Ryan, & Davis, 2003), we assessed the degree of consensus amongst singing pedagogues regarding the definition of, and use in the singing studio of the technique called �open throat.� Results indicated that all fifteen pedagogues described �open throat� technique as fundamental to singing t

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Calaf, Neus. "Adaptació i validació d'una versió blingüe (català/castellà) del protocol consensus auditory-perceptual evaluation of voice (CAPE-V) per a l'avaluació clínica de la qualitat vocal." Doctoral thesis, Universitat Autònoma de Barcelona, 2017. http://hdl.handle.net/10803/457560.

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Les alteracions de la veu afecten un percentatge significatiu de la població. Les persones amb alteracions vocals expressen patir efectes adversos en la seva qualitat de vida a conseqüència de la seva veu. L’avaluació de la qualitat vocal és un dels pilars clau de l’avaluació clínica de la veu. El Consensus Auditory-Perceptual Evaluation of Voice (CAPE-V), desenvolupat i avalat per l’American Speech-Language-Hearing Association, és l’instrument d’avaluació clínica perceptiva de la qualitat vocal més avançat disponible actualment. La seva utilització, però, exigeix ser adaptat a la llengua i cu

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Books on the topic "Vocal quality"

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KEMPSTER. Perceptual Analysis Of Vocal Quality. Singular Publishing Group, 1998.

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Japan) Vocal Fold Physiology Conference 1994 (Kurume-Shi. Vocal Fold Physiology: Voice Quality Control (Vocal Fold Physiology). Singular Publishing Group, 1995.

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1927-, Fujimura Osamu, Hirano Minoru 1932-, and Vocal Fold Physiology Conference (8th : 1994 : Kurume-shi, Japan), eds. Vocal fold physiology: Voice quality control. Singular Pub. Group, 1995.

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Tsur, Reuven. 'Kubla Khan' Poetic Structure, Hypnotic Quality And Cognitive Style: A Study in Mental, Vocal And Critical Performance (Human Cognitive Processing). John Benjamins Publishing Co, 2006.

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Owens, Matthew, and Graham F. Welch. Choral Pedagogy and the Construction of Identity. Edited by Frank Abrahams and Paul D. Head. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199373369.013.9.

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Following an initiative of the early 1990s, the majority of United Kingdom cathedrals now have girl as well as boy cathedral choristers, often alternating in the singing of the daily services. One of the original political challenges in this musico-cultural initiative was whether or not it was possible for girl choristers to attain the same vocal quality as their male counterparts. Empirical studies, however, suggest that there is considerable overlap between the psycho-acoustic vocal features of girls’ and boys’ singing, such that it is often difficult perceptually to distinguish between the

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Day-O'Connell, Sarah. The Singing Style. Edited by Danuta Mirka. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780199841578.013.0010.

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Despite its cursory description by Leonard Ratner and its outright dismissal by Raymond Monelle, the “singing style” is frequently evoked by analysts referring loosely (and often contradictorily) to song-like qualities. This chapter presents the singing style within the wider discourse, culture, and practice surrounding eighteenth-century songs and singing. Contemporary discussions of vocal composition (Johann Mattheson, Heinrich Christoph Koch) and vocal performance (Pier Francesco Tosi, in translations with commentaries by John Ernest Galliard and Johann Friedrich Agricola) involve a range o

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Provenzano, Catherine. Auto-Tune, Labor, and the Pop-Music Voice. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199985227.003.0008.

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Long used in popular music to smooth vocal imperfections, Auto-Tune has become a much-discussed production tool since the early 2000s through artists including Cher, Daft Punk, and Kanye West. This chapter examines the relationship among artist skill, Auto-Tune, and reception. Artist T-Pain overtly used Auto-Tune to give his voice a synthetic, often robotic quality. Through T-Pain, overt use of Auto-Tune became associated with black music and was often reviled by the general public. T-Pain’s acoustic performance on NPR’s Tiny Desk Concert series redeemed him in the eyes of many listeners whose

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Malawey, Victoria. A Blaze of Light in Every Word. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190052201.001.0001.

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A Blaze of Light in Every Word presents a conceptual model for analyzing vocal delivery in popular song recordings focused on three overlapping areas of inquiry: pitch, prosody, and quality. The domain of pitch, which refers to listeners’ perceptions of frequency, considers range, tessitura, intonation, and registration. Prosody, the pacing and flow of delivery, comprises phrasing, metric placement, motility, embellishment, and consonantal articulation. Qualitative elements include timbre, phonation, onset, resonance, clarity, paralinguistic effects, and loudness. Intersecting all three domain

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Clay, Zanna, and Emilie Genty. Natural communication in bonobos: Insights into social awareness and the evolution of language. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198728511.003.0008.

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Our capacity for language is a central aspect of what it means to be human and sets us apart from the rest of the animal kingdom. Given that language does not fossilize, one way to understand how and when it first evolved is to examine the communicative capacities of our closest living relatives, the great apes. This chapter reviews recent research exploring natural communication in our least understood but closest living relative, the bonobo (Pan paniscus). It primarily focuses on what natural bonobo communication can tell us about their underlying social awareness and how this relates to the

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Wolf, Richard K. Drumming, Language, and the Voice in South Asia. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038587.003.0001.

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This book explores drumming and other instrumental traditions that are interconnected over vast regions of South and West Asia. The traditions considered here qualify broadly as functional music rather than concert music and include the public instrumental music of weddings, funerals, and religious holidays. The book examines patterns that pervade functional music of South Asia and to some extent North and South Indian classical music and how performed texts are related to their verbal or vocal models. It also considers what it means in particular contexts for musical instruments to be voiceli

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Book chapters on the topic "Vocal quality"

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Bunch, Meribeth A. "Resonation and vocal quality." In Dynamics of the Singing Voice. Springer Vienna, 1995. http://dx.doi.org/10.1007/978-3-7091-2065-1_5.

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Bunch, Meribeth A. "Resonation and vocal quality." In Dynamics of the Singing Voice. Springer Vienna, 1997. http://dx.doi.org/10.1007/978-3-7091-3691-1_5.

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Sutcliffe, Bianca, Lindzi Wiggins, David M. Rubin, and Vered Aharonson. "Enhancing Voice Quality in Vocal Tract Rehabilitation Device." In Advances in Usability, User Experience and Assistive Technology. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-94947-5_99.

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Jelassi, Sofiene, Habib Youssef, Lingfen Sun, and Guy Pujolle. "NIDA: A Parametric Vocal Quality Assessment Algorithm over Transient Connections." In Lecture Notes in Computer Science. Springer Berlin Heidelberg, 2009. http://dx.doi.org/10.1007/978-3-642-04994-1_9.

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Place, Frank. "Sustaining Natural Resources in African Agriculture: What Have We Learned in the Past Two Decades?" In Emerging-Economy State and International Policy Studies. Springer Nature Singapore, 2022. http://dx.doi.org/10.1007/978-981-19-5542-6_11.

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AbstractCalls for increased attention to natural resource management (NRM) in African agriculture have been around for many decades. They became more vocal around the turn of the century following decades of poor yield growth and emerging data showing concerns about land quality and productivity. In recent years, these intensified further with the specter of climate change and continuing rural population growth challenging agricultural systems on the continent. Researchers have responded to these challenges, advancing research frameworks and hypotheses, deploying more research tools, and conducting more studies. However, it is unclear that all this response has significantly advanced our state of knowledge on the extent and nature of land degradation in agricultural land, the particular practices that work in different socioeconomic contexts, and how best to induce their uptake by households facing different priorities and constraints. This chapter will motivate this conclusion and offer options for moving forward in some of these topical areas.

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"Resonation and vocal quality." In Dynamics of the Singing Voice. Springer Vienna, 2009. http://dx.doi.org/10.1007/978-3-211-88729-5_8.

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Malawey, Victoria. "Quality." In A Blaze of Light in Every Word. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190052201.003.0004.

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Similar to what several researchers in the early 1980s dubbed “sonance,” quality comprises more than just timbre, including also intensity, harmonic spectrum, phonation, and changes in sound. Multiple dimensions—including timbre, phonation, onset, resonance, clarity, paralinguistic effects, and loudness—create a singer’s individual vocal quality. Songs recorded and re-recorded by Lucas Silveira demonstrate the dynamic aspects associated with an ever-evolving vocal quality due to the artist’s having undergone hormone replacement therapy. The concept of quality is framed in terms of three different orientations—the physiological, acoustic, and perceptual—all of which are essential to understanding qualitative aspects of vocal delivery, more so than aspects in the domains of pitch and prosody. While sonic markers of identities are fluid social constructions rather than static essential attributes, this chapter considers how qualitative elements may signify artists’ identities and genre.

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"Vocal Displays and Emotion." In Encyclopedia of Quality of Life and Well-Being Research. Springer Netherlands, 2014. http://dx.doi.org/10.1007/978-94-007-0753-5_104437.

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Chapman, Con. "The Quality of Song." In Rabbit's Blues. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190653903.003.0018.

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The chapter discusses the way many contemporary singers compared Johnny Hodges’s sound to human song. Top singers of his day including Bing Crosby, Frank Sinatra, and Tony Bennett all thought of his playing in terms of song, and said as much. This was both a blessing and a curse; his tone stood out from ensemble sections and was a luscious vehicle for a solo, but it sometimes would overshadow rather than complement a singer who performed with him. Hodges recorded albums with Ella Fitzgerald, Rosemary Clooney, Ellington vocalist Al Hibbler, and Jo Stafford. Hodges not only enhanced the performance of vocalists, but he also influenced vocal styles, as reflected in the singing of Ivie Anderson, Ellington’s long-time vocalist, and singers such as Sinatra, as evidenced by the ensembles that arranger Billy May created in imitation of Hodges’s style.

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Jelassi, Sofiene, Habib Youssef, and Guy Pujolle. "Perceptual Quality Assessment of Packet-Based Vocal Conversations over Wireless Networks." In Wireless Technologies. IGI Global, 2012. http://dx.doi.org/10.4018/978-1-61350-101-6.ch204.

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In this chapter, the authors describe the intrinsic needs to effectively integrate interactive vocal conversations over heterogeneous networks including packet- and circuit- based networks. The requirement to harmonize transport networks is discussed and a foreseen architecture multi -operators and -services is presented. Moreover, envisaged remedies to the ever increasing network complexity are also summarized. Subjective and objective methodologies to evaluate voice quality under listening and conversational conditions are thoroughly described. In addition, software- and emulation- based frameworks developed in order to evaluate and improve voice quality are rigorously described. This chapter stresses parametric model-based assessment algorithms due to their ability to be useful for on-line network management. In particular, the authors describe parametric assessment algorithms over last-hop wireless Telecom networks and packet-based networks. The last part of this chapter describes several management applications which consider users’ preferences and providers’ needs.

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Conference papers on the topic "Vocal quality"

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Sutcliffe, Bianca, Lindzi Wiggins, David Rubin, and Vered Aharonson. "Voice quality enhancement for vocal tract rehabilitation." In 2018 3rd Biennial South African Biomedical Engineering Conference (SAIBMEC). IEEE, 2018. http://dx.doi.org/10.1109/saibmec.2018.8363197.

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Amato, Federica, Irene Rechichi, Luigi Borzi, and Gabriella Olmo. "Sleep Quality through Vocal Analysis: a Telemedicine Application." In 2022 IEEE International Conference on Pervasive Computing and Communications Workshops and other Affiliated Events (PerCom Workshops). IEEE, 2022. http://dx.doi.org/10.1109/percomworkshops53856.2022.9767372.

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Fu qi and Tigang Jiang. "Quality evaluation standard research of vowel singing in vocal music." In 2010 International Conference on Computer Application and System Modeling (ICCASM 2010). IEEE, 2010. http://dx.doi.org/10.1109/iccasm.2010.5620041.

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Manfredi, Claudia, Giorgio Peretti, Laura Magnoni, Fabrizio Dori, and Ernesto Iadanza. "Thyroplastic medialisation in unilateral vocal fold paralysis: assessing voice quality recovering." In Interspeech 2004. ISCA, 2004. http://dx.doi.org/10.21437/interspeech.2004-89.

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Ning Xu and Zhen Yang. "A precise estimation of vocal tract parameters for high quality voice morphing." In 2008 9th International Conference on Signal Processing (ICSP 2008). IEEE, 2008. http://dx.doi.org/10.1109/icosp.2008.4697223.

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Deguchi, Shinji, and Kazutaka Kawashima. "Noncontact Determination of the Mechanical Properties of the Human Vocal Folds." In ASME 2008 Summer Bioengineering Conference. American Society of Mechanical Engineers, 2008. http://dx.doi.org/10.1115/sbc2008-193072.

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Mechanical properties of the vocal folds (such as stiffness or viscoelastic properties) play an essential role in phonation. They affect not only voice quality but also onset threshold of vocal fold self-excited oscillation, a sound source of voice [1]. Many experimental data on the mechanical properties have been reported so far, in which in vitro [2] or in vivo measurement techniques [3] were employed. In vitro measurements give us detailed information on the mechanical properties, yet it would be required to consider possible loss of freshness of the specimen. Meanwhile, current in vivo mea

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Palko, Joel, Steven Abramowitch, and Thomas W. Gilbert. "An Experimental Methodology for the Determination of the Viscoelastic Properties of the Vocal Fold at Human Phonation Frequencies." In ASME 2008 Summer Bioengineering Conference. American Society of Mechanical Engineers, 2008. http://dx.doi.org/10.1115/sbc2008-192803.

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The vocal folds are subjected to some of the largest magnitudes and frequencies of deformation of any tissue in the human body during normal voice production. Vocal fold scarring creates a functional deficit in this highly specific tissue that compromises the integrity of an individual’s voice. Scarring is the leading cause of dysphonia which often leads to a decreased quality of life, especially to those whose voice is an integral part of their profession.

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Liu, Shanshan, Nan Yan, Manwa L. Ng, Lan Wang, and Zhijian Wang. "Multidimensional acoustic analysis for evaluation of voice quality of unilateral vocal fold paralysis." In 2014 4th IEEE International Conference on Information Science and Technology (ICIST). IEEE, 2014. http://dx.doi.org/10.1109/icist.2014.6920575.

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JELASSI, Sofiene, and Habib YOUSSEF. "Connectivity Aware Instrumental Approach for Measuring Vocal Transmission Quality over a Wireless Ad hoc Network." In 5th International ICST Conference on Heterogeneous Networking for Quality, Reliability, Security and Robustness. ICST, 2008. http://dx.doi.org/10.4108/icst.qshine2008.4090.

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Uchimura, Yoshinori, Hideki Banno, Fumitada Itakura, and Hideki Kawahara. "Study on manipulation method of voice quality based on the vocal tract area function." In Interspeech 2008. ISCA, 2008. http://dx.doi.org/10.21437/interspeech.2008-334.

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Reports on the topic "Vocal quality"

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Mann, Eric, and Jeffrey Paffrath. Vocal Cord Function and Voice Quality Evaluation of Active Duty U.S. Army Drill Instructors. Defense Technical Information Center, 1994. http://dx.doi.org/10.21236/ada303155.

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