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Dissertations / Theses on the topic 'Vocal trios with orchestra'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

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1

Normand, Daniel. "Grâce à trois, Revue de presse : 9 septembre 1996 ; Transformations vernales : oeuvres musicales." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/mq33726.pdf.

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2

Gunduz, Esin. ""BOZ" for jazz orchestra and vocal /." [Huntington, WV : Marshall University Libraries], 2009. http://www.marshall.edu/etd/descript.asp?ref=963.

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3

Rainbolt, Steven Robert. "Vocal chamber duets, trios, and quartets an examination of the genre /." College Park, Md. : University of Maryland, 2005. http://hdl.handle.net/1903/3163.

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4

Nabors, Brian R. "Concerto for Hammond Organ, Orchestra, Vocal Quartet, and Chorus." University of Cincinnati / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1554212818814569.

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5

Chen, Carolyn Chen Carolyn Chen Carolyn Chen Carolyn. "Pieces." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2008. http://wwwlib.umi.com/cr/ucsd/fullcit?p1453651.

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Thesis (M.A.)--University of California, San Diego, 2008.<br>Accompanying disc is DVD-ROM, and contains sounds files for recordings of the works. Title from first page of PDF file (viewed June 25, 2008). Available via ProQuest Digital Dissertations. Performance instructions precede each score.

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6

Colwell, Clayton P. "BLACK WATERS." University of Cincinnati / OhioLINK, 2001. http://rave.ohiolink.edu/etdc/view?acc_num=ucin998332260.

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7

Clay, William Rudy Paul. "Incarnation for soprano duo and chamber ensemble /." Diss., UMK access, 2008.

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Thesis (M.M.)--Conservatory of Music and Dance. University of Missouri--Kansas City, 2008.<br>"A thesis in music composition." Advisor: Paul Rudy. Typescript. Vita. Title from "catalog record" of the print edition Description based on contents viewed Apr. 14, 2009 Online version of the print edition.

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8

Fricker, Simon Ronald Ashley. "Portfolio of compositions with commentary." Thesis, University of Sussex, 2013. http://sro.sussex.ac.uk/id/eprint/45847/.

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The 'Portfolio of Compositions' comprises three works, 'Contretemps', 'Awaken' and 'The Pit and the Pendulum', all of which share a common origin, a point of conception. The circumstances of their inception and subsequent development are explained in the commentary, a document which also sets out in an attempt to contextualise the relationship, diversity and scope of their respective content, through reference to both the commonality of the compositional stimulus and the precepts of my research plan. The main focus of the portfolio, 'The Pit and the Pendulum', is a work of operatic stature, in

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9

Kim, Youngkyong Kim Youngkyong. "Volume I. Reconciliation a study of words and music in Schoenberg's Pierrot lunaire, Stravinsky's Symphony of psalms and Requiem canticles, and Britten's War requiem ; Volume II. Eo-meo-ni = (Mother) (o̳-mo̳-ni) : for medium voice and string orchestra /." Diss., Restricted to subscribing institutions, 2009. http://proquest.umi.com/pqdweb?did=1835512491&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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10

Spaniola, Joseph T. "Thomas Jefferson: Life lines." Thesis, University of North Texas, 2000. https://digital.library.unt.edu/ark:/67531/metadc2599/.

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Thomas Jefferson: Life Lines is a five movement composition based on excerpts from Thomas Jefferson's personal letters. The material presented focuses on the intimate, human qualities of the man. The musical treatment of this material illuminates and amplifies different aspects of the inner Jefferson. The music is as diverse and varied as Jefferson's interests. The style, tone and form of the music are directly tied to Jefferson's words. Two fundamental components of Jefferson's being, the rational mind and the emotional heart, are musically portrayed in the introduction of the first movement.

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11

Estacio, John Anthony. "Composition recital." Thesis, University of British Columbia, 1991. http://hdl.handle.net/2429/42040.

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This is a compilation of the music performed at the graduation recital of John Estacio on April 11,1991, at 2.30 p.m. in the U.B.C. Recital Hall. There were four pieces performed that afternoon including Azimuth for viola, clarinet and marimba, written in 1989. Ode on the Death of A Favourite Cat, Drowned in a Tub of Goldfishes for S.A.T.B. choir was written in 1989 and uses the text of Thomas Gray. Moments is a set of three pieces for woodwind quintet written in 1990. Viola Concerto is in three movements and was written in 1991 for Reg Quiring, a former U.B.C. student. The concerto is

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12

Kittaweepitak, Boonyarit. "The Evolving Role of the Solo Euphonium in Orchestral Music: An Analysis of Lorin Maazel's "Music for Flute and Orchestra with Tenor Tuba Obbligato" and Karl Jenkins' "Cantata Memoria"." Thesis, University of North Texas, 2020. https://digital.library.unt.edu/ark:/67531/metadc1707374/.

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The euphonium has been an integral part of wind bands and brass bands for more than a century. During this time the instrument has grown in stature in both types of band, as an ensemble member and a solo instrument. Until recently, however, the instrument has been underrepresented in orchestral literature, although a growing number of composers are beginning to appreciate the characteristics of the instrument. The purpose of this research is to explore the perceived rise of the euphonium in an orchestral environment through analyzing the significance of the role it plays within Lorin Maazel's

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13

McIntyre, Scott. "Folio of compositions 2008-2009." Connect to thesis, 2009. http://repository.unimelb.edu.au/10187/7046.

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14

Wu, Man-Mei. "Three Voices for voices, woodwind, percussion, and string instruments." Thesis, University of North Texas, 2000. https://digital.library.unt.edu/ark:/67531/metadc2684/.

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Composed for soprano, tenor, and baritone voices, woodwind, percussion, and string instruments, Three Voices is a polyglotic work that includes German, Chinese, and Spanish texts. The texts are chosen from Brecht Bertolt's Das Schiff, Po Chu I's Lang T'ao Sha, and Frederico Garcia Lorcá's Mar. Significant features of the piece are 1) application of Chinese operatic singing methods to vocal material in the sections that use Chinese text, 2) use of western instruments to emulate the sound of certain Chinese instruments, and 3) employment of Sprechstimme and dramatically inflected speech to crea

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15

Grant, Quentin Stuart David. "Portfolio of original compositions." Thesis, 2008. http://hdl.handle.net/2440/51095.

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This submission comprises a portfolio of fifteen original musical works and an exegesis that comments on five of these works. Recordings of twelve of the fifteen compositions are included. These pieces demonstrate an ongoing investigation into structure, and the discussion will provide an insight into the constant process of experimentation and consolidation involved in developing such a body of work. In the exegesis I open with a general conversation on the compositional process and then focus on the formal problems inherent in this process. I then discuss the five scores included in the ma

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Grant, Quentin Stuart David. "Portfolio of original compositions." 2008. http://hdl.handle.net/2440/51095.

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This submission comprises a portfolio of fifteen original musical works and an exegesis that comments on five of these works. Recordings of twelve of the fifteen compositions are included. These pieces demonstrate an ongoing investigation into structure, and the discussion will provide an insight into the constant process of experimentation and consolidation involved in developing such a body of work. In the exegesis I open with a general conversation on the compositional process and then focus on the formal problems inherent in this process. I then discuss the five scores included in the main

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17

Cawrse, Anne Rebecca Goldsworthy Peter Rossetti Christina Georgina. "Portfolio of original compositions and exegesis a personal exploration of modal processes /." 2007. http://digital.library.adelaide.edu.au/dspace/handle/2440/49470.

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18

Cawrse, Anne Rebecca. "Portfolio of original compositions and exegesis: a personal exploration of modal processes." Thesis, 2008. http://hdl.handle.net/2440/49470.

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This submission consists of three parts, found in two volumes. Volume 1 consists of a folio of eight original compositions, composed during the tenure of my PhD candidature at the University of Adelaide. These works cover a range of media, including symphony orchestra with soloist, large chamber ensemble, string quartet with soprano solo, guitar quintet, mixed choir and vocal trio. Volume 2 presents an exegesis that contains commentary on the genesis and analysis of the submitted works, together with an explanation of certain modal processes that have been explored and applied. Volume 2 also c

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Cawrse, Anne Rebecca. "Portfolio of original compositions and exegesis: a personal exploration of modal processes." 2008. http://hdl.handle.net/2440/49470.

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This submission consists of three parts, found in two volumes. Volume 1 consists of a folio of eight original compositions, composed during the tenure of my PhD candidature at the University of Adelaide. These works cover a range of media, including symphony orchestra with soloist, large chamber ensemble, string quartet with soprano solo, guitar quintet, mixed choir and vocal trio. Volume 2 presents an exegesis that contains commentary on the genesis and analysis of the submitted works, together with an explanation of certain modal processes that have been explored and applied. Volume 2 also c

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20

Trinastic, Michael Kenneth. "The Yellow Wallpaper." Diss., 2011. http://hdl.handle.net/10161/4983.

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<p><italic>The Yellow Wallpaper</italic> is a one-act opera (in three scenes) for dramatic soprano and chamber orchestra (eleven instruments). The libretto is a free adaptation by the composer of the short story "The Yellow Wallpaper" by Charlotte Perkins Gilman. The instrumentation required is: flute (doubling piccolo), oboe (doubling english horn), clarinet (doubling bass clarinet and E-flat clarinet), bassoon, horn, soprano, piano (doubling celesta), violin I, violin II, viola, cello, and contrabass. The approximate duration is one hour. The work is dedicated to soprano Aimee Marcoux.</p><

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21

Sutherland, Richard Benjamin Kinnell Galway. ""--Not the songs of light /." 2001. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:3019973.

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Thesis (Ph. D.)--University of Chicago, Department of Music, August 2001.<br>For mezzo-soprano and baritone with chamber orchestra. Text excerpted from Under the maud moon (from The book of nightmares) by Galway Kinnell. Includes performance notes. Also available on the Internet.

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22

Weekes, Diana K. "Twistonality [music] : a personal exploration : portfolio of original compositions and exegesis." 2007. http://hdl.handle.net/2440/57119.

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Title page, table of contents and abstract; v.2: table of contents; v.3: table of contents only. The complete thesis in print form is available from the University of Adelaide Library.<br>This doctoral submission comprises three volumes and is entitled Twistonality: A Personal Exploration. Volume One consists of a portfolio of eleven original compositions, Volume Two is an exegesis and Volume Three contains live and/or computer-generated recordings of the music. The works are scored for a variety of instrumental and vocal combinations. The compositions explore the use of tonality as a basis fo

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23

Wilson, Eric C. "Eighteen sonnets by Henry Wadsworth Longfellow for soprano, mezzo-soprano, tenor and baritone solo voices and orchestra." 2011. http://liblink.bsu.edu/uhtbin/catkey/1660967.

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This dissertation is a tonal modular work for soprano, mezzo-soprano, tenor, and baritone solo voices and large orchestra (3343, 4331, Timp.+4, Hp., Pno., Strings) with an accompanying narrative. The text is drawn from eighteen of Henry Wadsworth Longfellow’s sonnets. This work consists of four interlocking song cycles, one for each solo voice, and two added songs for the combination of two or more of the solo voices. There are shared tonal and thematic relationships across the work as a whole as well as within and among the individual song cycles. The unique modular nature of the work allows

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24

"Three compositions." Chinese University of Hong Kong, 1994. http://library.cuhk.edu.hk/record=b5895456.

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by Lee Chui Ling.<br>Thesis (M.Mus.)--Chinese University of Hong Kong, 1994.<br>Preface --- p.1<br>Chapter I. --- Twinkling --- p.3<br>Chapter i) --- Analysis-----Introduction --- p.4<br>Chapter ----- --- Formal structure<br>Chapter ----- --- Musical elements<br>Chapter ii) --- Score (with performance notes) --- p.8<br>Chapter II. --- Emancipation --- p.14<br>Chapter i) --- Analysis 226}0ؤ Introduction --- p.15<br>Chapter ----- --- First movement ~ Formal structure<br>Chapter ~ --- Orchestration<br>Chapter ----- --- Second movement ~Formal structure<br>Chapter ~ --- Harmony<br>Chapter --

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25

Andrew, Ian Gregory. "Singing a new story: a composer's exploration of textual synthesis through composition." Thesis, 2016. http://hdl.handle.net/2440/99571.

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This submission for the degree of PhD at the Elder Conservatorium of Music, University of Adelaide, is a portfolio of nineteen original compositions supported by an explanatory exegesis. These compositions are grouped into three major works: 1. Winds and Waters – a 53-minute song cycle for four singers and orchestra, comprising 13 individual songs, including solos, duets and a central quartet. 2. Nor the Storms That Pass – a 16-minute collection of five overlapping works for advanced a capella S.A.T.B vocal ensemble or choir. 3. Vespers – a 30-minute large-scale, non-liturgical setting of the

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26

Spaulding, Penka. "The development of and relationship between vocal sight reading and instrumental sight reading of seventh, ninth, and eleventh grade orchestra students." Thesis, 2015. https://hdl.handle.net/2144/15635.

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Developing the music cognition competencies of both singers and instrumentalists is one of the goals of school music programs. Vocal and instrumental sight reading are used to indicate the level of development of cognitive skills in music. In this study, vocal and instrumental sight reading served as a basis for determining public school orchestra students' cognitive development in music. Vocal sight-reading and instrumental sight-reading performances of 143 orchestra students in 7th, 9th, and 11th grades were examined. Students' vocal sight-singing accuracy was tested using the Vocal S

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27

Hart, Hilary Brain Dennis Conlon Frank Sato Erika Rakers Michelle A. "Dedications for Dennis Brain a musical exploration of his additions to the repertoire of the French horn." 2007. http://hdl.handle.net/1903/9734.

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28

Kim, Yeong Su Ko Eunae. "20th century French oboe repertoire from two groups of composers "Le triton" and "Le jeune France"." 2006. http://hdl.handle.net/1903/9756.

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29

Hall, Philip Jeremy. "Portfolio of compositions and exegesis: Leitmotifs and their development." Thesis, 2009. http://hdl.handle.net/2440/56830.

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This submission for the degree of Master of Music at the Elder Conservatorium of Music, University of Adelaide, consists of a portfolio of original compositions supported by an explanatory exegesis. The portfolio consists of six works: The Gingerbread Man, for a sinfonietta ensemble (woodwind quintet, two violins, viola, cello, double bass and percussion); a Jazz Quintet (alto saxophone, fluegel horn, vibraphone, tambourine and double bass); a Horn Quintet and String Quartet (violin, two violas and cello); Alone (for solo horn and 3 female voices – SSA); and Sonata for Horn (or Tuba) and Pian

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30

Hall, Philip Jeremy. "Portfolio of compositions and exegesis: Leitmotifs and their development." 2009. http://hdl.handle.net/2440/56830.

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This submission for the degree of Master of Music at the Elder Conservatorium of Music, University of Adelaide, consists of a portfolio of original compositions supported by an explanatory exegesis. The portfolio consists of six works: The Gingerbread Man, for a sinfonietta ensemble (woodwind quintet, two violins, viola, cello, double bass and percussion); a Jazz Quintet (alto saxophone, fluegel horn, vibraphone, tambourine and double bass); a Horn Quintet and String Quartet (violin, two violas and cello); Alone (for solo horn and 3 female voices – SSA); and Sonata for Horn (or Tuba) and Piano

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31

Bazala, Alison Andrist Audrey Vadala Kathleen Newman Edward Boyle Tara. "Bohuslav Martinů's chamber music for violoncello and piano." 2005. http://hdl.handle.net/1903/9747.

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32

Berger, Steven. "Compositions [Instrumental music. Selections]." Thesis, 1992. http://hdl.handle.net/2429/2425.

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Compositions include Sightings : for clarinet and marimba (ca. 14:00), Proboscis maximus : bass trombone solo (ca. 11:00), Pathways : for violin, ’cello and piano, Impulses : for marimba duet, and Gleaned from the wind : for chamber orchestra (ca. 13:00).

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33

Bolden, Benjamin. "Opus 25." Thesis, 1997. http://hdl.handle.net/2429/5905.

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Opus 25 is a collection of compositions which I created between September 1995 and April 1997. Instrumentation varies; there are works for choirs, chamber ensembles, solo voice, solo harp, solo piano, and orchestra. All the works included in this collection have been performed at some point during this same period, and recordings of these performances can be found on the accompanying cassette.

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34

Kraftová, Nikol. "Estetické postoje Rafaela Kubelíka ve světle mnichovských pramenů." Master's thesis, 2014. http://www.nusl.cz/ntk/nusl-338175.

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This dissertation deals with the aesthetic opinions of conductor Rafael Kubelík as evidenced in the materials available in archives and cultural institutions in Munich as well as in the recollections of Bavarian Radio Symphony Orchestra members from the time of Kubelík's direction of that ensemble. The study includes an overview with commentary of the repertoire performed by Kubelík in subscription concerts by the Bavarian Radio Symphony Orchestra, which along with Kubelík's comments and in comparison with the programme of other guest conductors indicates Kubelík's programming activities and p

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35

"A portfolio of music compositions." 2006. http://library.cuhk.edu.hk/record=b5896515.

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The giving tree : for soprano, tenor, violin, cello and piano / text by Shel Silverstein -- Duo 《琴笙曲》 : for 2 harmonicas -- Clarinet duet : for clarinet and live electronics -- Playing game : for orchestra -- Sculpture II 《浮塑二》 : for pipa and Chinese orchestra -- Volcanicity 《原・始》 : for sheng and Chinese orchestra.<br>The giving tree : for soprano, tenor, violin, cello and piano / text by Shel Silverstein -- Duo "Qin sheng qu" : for 2 harmonicas -- Clarinet duet : for clarinet and live electronics -- Playing game : for orchestra -- Sculpture II "Fu su er" : for pipa and Chinese orchestra -- Vo

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