Academic literature on the topic 'Vocale muziek'

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Journal articles on the topic "Vocale muziek"

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Rathe, Filip. "De vocaal-instrumentale muziek van Lucien Goethals, musicus poeticus in de twintigste eeuw." Revue belge de Musicologie / Belgisch Tijdschrift voor Muziekwetenschap 54 (2000): 157. http://dx.doi.org/10.2307/3686886.

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Nikšić, Naka. "Metodička primenljivost narodnih pesama novopazarskog kraja u postavci elementarne muzičke pismenosti." Inovacije u nastavi 35, no. 2 (2022): 102–16. http://dx.doi.org/10.5937/inovacije2202102n.

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Folk songs of the region where the classes are held should be the central content of teaching elementary music literacy in Serbia. However, in Novi Pazar area, as is the case with some other parts of the country, teachers usually do not use this music material because, due to the lack of interest of music pedagogues, it has not been researched from the aspect of elementary music literacy and it cannot be found easily in the methodological and textbook literature. On the other hand, teachers during their studies, despite mastering several subjects in the field of music, are not sufficiently tra
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Robinson, Belinda Jean. "Virtuosity and Dor: George Enescu and the Hora Lungă." Studia Musicologica 58, no. 2 (2017): 175–96. http://dx.doi.org/10.1556/6.2017.58.2.3.

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George Enescu’s aptitude as a virtuoso musician, developed at the conservatoires of Vienna and Paris, built on childhood experiences with Romani-Romanian musicians (the muzica lăutărească tradition), and Romanian folk music. The doina, a folk genre constructed from improvisatory repetitions of melody, and particularly associated with the concept of dor, “longing,” served as an inspiration throughout Enescu’s compositional career. This study examines virtuosity in relation to Enescu’s musical expressions of dor, specifically in his approach to the hora lungă, a sub-class of the doina. The virtu
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Gajić, Milica. "Marking the jubilee of the National Theatre in Belgrade: 150 years since its founding: Czech music and musicians on the stage of the National Theatre in Belgrade until 1914)." New Sound, no. 52-2 (2018): 149–60. http://dx.doi.org/10.5937/newso1852149g.

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This year's jubilee of the National Theatre in Belgrade is an opportunity to remind ourselves of the presence and contribution of Czech musicians at that institution. We meet them as members of the orchestra, bandleaders, authors of operas, operettas, and stage music, and, to a lesser extent, as vocal soloists in numerous works of stage music and chamber musicians. Many of them showcased their concert activities on the stage of this institution, including even some who were internationally renowned musicians at the time.
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Mohammad Wahiduzzaman, Sayed Farhan Ali Razib, Afroja Hossain, Md Idrish Ali, Md Habibur Rahman, and HM Mustafizur Rahman. "Comparison between Conventional Microdissection and CO2 Laser in the Treatment of Vocal Cord Polyp." Bangladesh Journal of Otorhinolaryngology 27, no. 1 (2021): 17–24. http://dx.doi.org/10.3329/bjo.v27i1.53201.

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Background: Vocal cord polyp usually arises from the epithelium and the lamina propria. Minimally invasive dissection procedures are employed to treat these vocal cord polyp for an effective outcome. Two types of microsurgical techniques were developed gradually and practiced namely, the conventional laryngeal microsurgery, which involves the use of cold instruments and the laryngeal laser micro-surgery.
 Objective: To compare the conventional cold dissection and CO2 laser methods in treatment of vocal cord polyp.
 Methods: A randomized prospective study was conducted at the Departme
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Dumnic, Marija. "The creation of folk music program on Radio Belgrade before World War Two: Editorial policies and performing ensembles." Muzikologija, no. 14 (2013): 9–29. http://dx.doi.org/10.2298/muz1314009d.

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This paper deals with the establishing of the organizing models, on one side, and with folk music and its aesthetic characteristics in the interwar period, on the other. This problem significantly contributed to the present meaning of the term ?folk music? (?narodna muzika?). The program of Radio Belgrade (founded in 1929) contained a number of folk music shows, often with live music. In order to develop folk music program, numerous vocal and instrumental soloists were hired, and different bands accompanied them. During that time, two official radio ensembles emerged - the Folk Radio Orchestra
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Dissertations / Theses on the topic "Vocale muziek"

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Bartels, Ulrich. "Vokale und instrumentale Aspekte im musiktheoretischen Schrifttum der 1. Hälfte des 17. Jahrhunderts Studien zur musikalischen Aufführungspraxis in Deutschland zur Zeit des Frühbarock /." Regensburg : G. Bosse, 1989. http://books.google.com/books?id=U9U4AAAAMAAJ.

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Books on the topic "Vocale muziek"

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Dame, Joke. Het zingend lichaam: Betekenissen van de stem in westerse vocale muziek. Kok Agora, 1994.

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Dame, Joke. Het zingend lichaam: Betekenissen van de stem in westerse vocale muziek. Kok Agora, 1994.

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Bossuyt, Ignace. Flemish polyphony. Davidsfonds, 1994.

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Musical stages: An autobiography. Da Capo Press, 1995.

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Dufay. Dent, 1987.

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Muzica instrumentală și vocală de cameră din Moldova. [Business-Elita], 2007.

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Vokalna muzika roma u Jugoslaviji =: Vocal Romas music in Yugoslavia. Rrominterpress, 1999.

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Music cultures of the Pacific, the Near East, and Asia. 3rd ed. Prentice Hall, 1996.

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9

Ricardo, Pessanha, ed. The Brazilian sound: Samba, bossa nova, and the popular music of Brazil. Temple University Press, 1998.

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McGowan, Chris. The Brazilian sound: Samba, bossa nova, and the popular music of Brazil. Temple University Press, 1998.

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Conference papers on the topic "Vocale muziek"

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Ćalić, Maja R., and Jelena R. Grkić Ginić. "Odlike i funkcionalnost pesama u udžbenicima za muzičku kulturu za treći razred osnovne škole." In Nauka i obrazovanje – izazovi i perspektive. University of Kragujevac, Faculty of Edaucatin in Uzice, 2022. http://dx.doi.org/10.46793/noip.415c.

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Given the fact that a song represents the basis, the primary content as well as the central topic in teaching Music Education in primary school, this paper aims to clarify the functionality and features of songs by analyzing a selection of music textbooks for the third grade of primary school, that is, by identifying and determining this effective musical content, its role and effectiveness in the musical development of students. The aim of the paper is to theoretically analyze the melodic-rhythmic and thematic features of songs, determine their functionality as well as their interplay in the
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