Relevant bibliographies by topics / Vocaloidy

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Vocaloidy'

Author: Grafiati
Published: 24 April 2022
Last updated: 30 July 2025

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Journal articles on the topic "Vocaloidy"

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Fatsyal, Sabina, Nurfitri Nurfitri, and Cica Nur Azizah. "Perbandingan Vocaloid Karakter Hatsune Miku dengan Karakter Mirror Images Produksi Crypton Future Media." NAWA: Journal of Japanese Studies 2, no. 2 (2025): 1–13. https://doi.org/10.69908/nawa.v2i2.44893.

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Vocaloid is not just a music production tool, but a pop culture phenomenon that combines technology, visual art, and fan creativity. The Vocaloid phenomenon began with the launch of Hatsune Miku in 2007 by Crypton Future Media in collaboration with Yamaha. Shortly thereafter, another character known as Mirror Image was released, namely Kagamine Rin and Len. The emergence of these two Vocaloids has revolutionized the Japanese music landscape. Through voice synthesis software, Vocaloid enables individuals to create music without the limitations of human vocalists. The Vocaloid fan community supp
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Roussel, Lila S. "The animation medium in the realm of Vocaloid: a multidimensional semiotic overview on the functional circle." Punctum. International Journal of Semiotics 10, no. 1 (2024): 177–203. https://doi.org/10.18680/hss.2024.0010.

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The digital voicebanks/virtual idols known as ‘Vocaloids’ are associated with a vast and diverse repertoire of artifacts, most of which are not industry-sourced but rather the product of self-published hobbyist labor. Among the diverse media through which Vocaloid culture has developed and spread, the animation medium stands out for its variety of uses and the multiplicity of affordances it provides. Not only have the animation practices surrounding Vocaloid impacted the objectual consumption of these entities both as musical instruments and as virtual idol personas, but they have also given r
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ARENDT, MELISSA-LILI, and NATALIA NOWACK. "THE VIRTUAL ARTIST. VOCALOID AND AN EXPERIMENT ON ITS PERCEPTION." ART AND SCIENCE OF TELEVISION 17, no. 1 (2021): 173–213. http://dx.doi.org/10.30628/1994-9529-2021-17.1-173-213.

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Over the past decade the voice synthesiser Vocaloid has gained great popularity in Japan. Critics debate on whether Vocaloid can be called a new musical instrument and if its creation marks a new era in (Japanese) popular music. The unique characteristic of a Vocaloid is its Alter Ego, its “virtual shape”, which is illustrated like common anime or manga characters such as Sailor Moon or Kamikaze Kaito Jeanne, thus owning not just a name but also human-like features. It was due to the use of avatar images that Vocaloid managed to spread across the world via the internet. The most famous anthrop
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Rosner, Krisztina. "Layers of the Traditional in Popular Performing Arts: Object and Voice as Character: Vocaloid Opera AOI." Mutual Images Journal, no. 6 (June 20, 2019): 7–20. http://dx.doi.org/10.32926/2018.6.ros.layer.

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The paper analyzes how the concept of presence is put into play in connection to disappearance, contemporary popular media technology and objects in the 2014 production of Vocaloid Opera Aoi, composed by Hiroshi Tamawari. In the traditional noh theatre version of the famous story, the character Aoi does not appear “in person,” she is represented by a kimono. In the 2014 production the modified story is performed with bunraku puppets and sung by a Vocaloid singer, a software. By analyzing this, I elaborate on the connection between the recent studies on object dramaturgy and the questions of no
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Yin, Yiyi. "Vocaloid in China: Cosmopolitan music, cultural expression, and multilayer identity." Global Media and China 3, no. 1 (2018): 51–66. http://dx.doi.org/10.1177/2059436418778600.

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Addressing the notion of user-centered research, this study examines how Vocaloid, the Japan-developed voice synthesis software and its personified virtual singer were contextualized in China. It explores how the Chinese Vocaloid character LUO Tianyi, who was initially introduced as a girl from outer space, has been reconstituted into figures that were both locally and nationally converged into Chinese culture. In relation to broader theoretical discourse regarding the cultural impact of globalization on local identity, this study also attempts to unpack the Vocaloid practices in China in term
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LimChanSoo and 이윤지. "Change of Otaku culture in Vocaloid." Journal of Japanese Language and Literature 82, no. 2 (2012): 277–99. http://dx.doi.org/10.17003/jllak.2012.82.2.277.

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Permana, Muhammad Yogi, Budi Rukhyana, and Yelni Rahmawati. "Perkembangan Kabuki Menjadi Choukabuki Sebagai Kolaborasi Budaya Dengan Pengaruh Modernisasi." IDEA : Jurnal Studi Jepang 1, no. 1 (2019): 12–23. http://dx.doi.org/10.33751/idea.v1i1.1099.

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Abstrak Dalam penelitian ini penulis akan membahas perkembangan kabuki menjadi choukabuki sebagai kolaborasi budaya dengan pengaruh modernisasi. Kabuki merupukan salah satu seni teater tradisional Jepang yang menggabungkan beberapa seni tari, seni peran, dan seni musik. Sedangkan, Choukabuki merupakan pertunjukan teater yang tercipta dari hasil kolaborasi antara budaya tradisional Jepang yaitu kabuki yang menyuguhkan kolaborasi antara aktor kabuki dengan salah satu diva vocaloid yaitu Hatsune Miku dan dipertunjukan secara hologram 4D. Objek penelitian ini adalah mengenai perkembangan kabuki da
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Choi, Joo-Ho. "The Concept and Cultural Characteristics of VOCALOID." Korean Journal of animation 21, no. 1 (2025): 181–203. https://doi.org/10.51467/asko.2025.3.21.1.181.

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Haffter, Christoph. "THE SHALLOWS OF THE VOCALOID: REFLECTIONS ON OLGA NEUWIRTH’S LE ENCANTADAS O LE AVVENTURE NEL MARE DELLE MERAVIGLIE (2014-15)." Tempo 79, no. 312 (2025): 26–36. https://doi.org/10.1017/s0040298224001049.

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AbstractThis article sketches an interpretation of Olga Neuwirth’s Le Encantadas o le avventure nel mare delle meraviglie by focusing on the song by the Vocaloid Hatsune Miku in the last section of the composition. This Vocaloid song is disturbing because it expresses a conflicted form of subjectivity that is typical of our time. The article considers four different ways to read this expression: as pop-cultural negation of subjectivity, as postmodern celebration of singularity, as post-revolutionary longing for collectivity or as the contemporary mythical counterpart of the capitalist subject
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Vargas López, Julio Enrique. "Hologramas políticos: Vocaloid, políticas japonesas y juventudes mexicanas." VOCES Y SABERES, no. 13 (March 15, 2025): 52–67. https://doi.org/10.22201/fesa.vocesysaberes.2025.13.111.

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Este artículo analiza la circulación del fenómeno cultural Vocaloid desde Japón hasta México, explorando su papel dentro del soft power japonés y su relación con la estrategia política Cool Japan. Se examinan algunos de los factores históricos, políticos y económicos que han favorecido su difusión en el contexto de la globalización neoliberal, así como el papel de la industria cultural japonesa en la proyección de valores nacionales a nivel internacional. Más allá de ser un software de síntesis vocal, Vocaloid ha sido resignificado por jóvenes mexicanos a través de prácticas artísticas y comun
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Dissertations / Theses on the topic "Vocaloidy"

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Stark, Alicia. "Virtual pop : gender, ethnicity, and identity in virtual bands and vocaloid." Thesis, Cardiff University, 2018. http://orca.cf.ac.uk/110112/.

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Virtual bands have been present in popular culture for decades, and they have become the topic of increased scholarly interest over the past few years. Despite this new work, however, there remains a need for more indepth critical studies into gender and ethnicity in virtual phenomena, as this approach promises to open up new areas of enquiry. Focussing on questions of gender and ethnicity, my thesis will investigate the mechanics through which identity is constructed in animated, puppet, and hologram virtual band characters. My thesis will draw on a range of empirical, theoretical, and ethnog
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Nadal, Magnum C. "Real Virtuality| An Examination of Digital Identity and the Ethical Boundaries and Benefits of Appropriation in "Real"| Concerto for Vocaloid." Thesis, California State University, Long Beach, 2018. http://pqdtopen.proquest.com/#viewpdf?dispub=10785362.

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<p> This paper examines the capabilities of Vocaloid synthesis software as a featured solo instrument in an original composition entitled <i>&ldquo;Real&rdquo;: Concerto for Vocaloid</i>, scored for an ensemble of vocalists, chamber orchestra, laptop performers who trigger Vocaloid playback and process electronic audio live, and multimedia elements that include video, staging, and lighting design. This paper discusses the inherent compositional issues of implementing Vocaloid within a concerto and multimedia setting through an examination of identity (reality vs. virtuality), the process of co
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To, Kit Yan. "The voice of the future : seeking freedom of expression through VOCALOID fandom." Thesis, 2014. http://hdl.handle.net/2152/26476.

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Hatsune Miku is a celebrity; she is also a virtual singer with no real entity. The phenomenon of her success in Japan and abroad provides the starting point for this report, which examines the different forms of collaborative creativity that grow out of social energy arising from a collective interest in the dazzling Vocaloid characters and VOCALOID singing synthesis technology. From an outside observer's perspective, the feverish reception of this anime character may be found to be uncanny. How can this "unreal" thing possess such affective power? By attaching themselves to a non-real object,
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ZENG, YUHANG, and 曾宇航. "Creative Motivation of Taiwanese Doujin Music Teams — A Case Study of “ VVV! Productions ” with VOCALOID Music." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/jmp674.

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碩士<br>國立臺南藝術大學<br>民族音樂學研究所<br>104<br>Simply speaking, Doujin（どうじん）means non-commercial amateur creative community. Among various kinds of Doujin in Taiwan, I’m interested in those who compose music by using VOCALOID, and in their creative motivation. VOCALOID is a singing voice synthesizer software designed by YAMAHA Company, including different voice packets such as “Hatsune Miku” and “Megurine Luka”. Today, “Hatsune Miku” becomes the general appellation of this software thanks to this role’s popularity. In comparison with Japan, VOCALOID composition Doujin in Taiwan started relatively la
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Books on the topic "Vocaloidy"

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Jude, Gretchen. How Vocaloid Works. Springer Nature Switzerland, 2025. https://doi.org/10.1007/978-3-031-92727-0.

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translator, McKeon Jenny, Scoble Rebecca, Sentar Lianne, Mapa Rina, and Lim Nicky, eds. Hachune Miku's Everyday vocaloid paradise! Seven Seas Entertainment, LLC, 2017.

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Jackson, Louise, and Mike Dines. Vocaloids and Japanese Virtual Vocal Performance. Edited by Sheila Whiteley and Shara Rambarran. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199321285.013.6.

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Fujitani, Touko. VOCALOID Novels　HoneyWorks "Kokuhaku Yokou Rensyu". ToÌ„kyoÌ„ : Kadokawa, 2014., 2014.

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Hatsune Miku Graphics : Vocaloid Comic and Art Volume 1: Vocaloid Comic and Art Volume 1. UDON Entertainment Corporation, 2014.

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Comptiq. Hatsune Miku Graphics : Vocaloid Comic and Art Volume 2: Vocaloid Comic and Art Volume 2. UDON Entertainment Corporation, 2014.

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Black, Johny. Miku Hatsune - Vocaloid V2 : Personalized Notebook: Miku Hatsune. Independently Published, 2020.

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Ontama. Hatsune Miku Presents: Hachune Miku's Everyday Vocaloid Paradise Vol. 4. Seven Seas, 2018.

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Hatsune Miku Presents: Hachune Miku's Everyday Vocaloid Paradise Vol. 3. Seven Seas, 2018.

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Hatsune Miku Presents: Hachune Miku's Everyday Vocaloid Paradise Vol. 2. Seven Seas, 2018.

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Book chapters on the topic "Vocaloidy"

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Jude, Gretchen. "Hearing Voices: Human Sound, Aural Perception, and Early Voice Synthesis." In How Vocaloid Works. Springer Nature Switzerland, 2025. https://doi.org/10.1007/978-3-031-92727-0_1.

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Jude, Gretchen. "Future Voices to Come: AI Singing After Miku." In How Vocaloid Works. Springer Nature Switzerland, 2025. https://doi.org/10.1007/978-3-031-92727-0_4.

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Jude, Gretchen. "From Daisy to Miku: Digital Voices in the Information Age." In How Vocaloid Works. Springer Nature Switzerland, 2025. https://doi.org/10.1007/978-3-031-92727-0_3.

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Jude, Gretchen. "Out of the Analog Age: Singing Robots and the Uncanny Valley." In How Vocaloid Works. Springer Nature Switzerland, 2025. https://doi.org/10.1007/978-3-031-92727-0_2.

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Kärki, Kimi. "Vocaloid liveness? Hatsune Miku and the live production of Japanese virtual idol concerts." In Researching Live Music. Focal Press, 2021. http://dx.doi.org/10.4324/9780367405038-10.

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"Appendix I. Rosapelly’s vocaloid." In Current Issues in Linguistic Theory. John Benjamins Publishing Company, 2010. https://doi.org/10.1075/cilt.312.11app.

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Prior, Nick. "STS confronts the Vocaloid." In Rethinking Music through Science and Technology Studies. Routledge, 2021. http://dx.doi.org/10.4324/9780429268830-14.

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ANNETT, SANDRA. "What Can a Vocaloid Do?" In Mechademia 10. University of Minnesota Press, 2015. http://dx.doi.org/10.5749/j.ctv1rdv223.15.

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Matsue, Jennifer Milioto. "The Ideal Idol." In Vamping the Stage. University of Hawai'i Press, 2017. http://dx.doi.org/10.21313/hawaii/9780824869861.003.0015.

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Hatsune Miku is immensely popular. Since debuting in 2007 over 10,000 songs have been produced for her and she has appeared in 250,000 videos on-line. 4000 professional recordings have been released of her songs and numerous dolls, games, and other seemingly unlimited forms of merchandise feature her big violet eyes, floor-grazing blue pigtails and futuristic schoolgirl uniform. Hatsune Miku is actually a type of vocal synthesizer software produced by Yamaha and marketed by Crypton known as “Vocaloid 2.” Other vocal synthesizer softwares with associated characters have come before, but none ha
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Katz, Mark. "2. Bodies and senses." In Music and Technology: A Very Short Introduction. Oxford University PressNew York, 2022. http://dx.doi.org/10.1093/actrade/9780199946983.003.0002.

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Abstract Starting from the premise that our bodies are the primary and constant mediators of the music we experience, this chapter investigates how technology mediates the relationship between music and the human body. Often technologies offer a compromise: in providing new ways to experience music, they limit access to some of our senses. Radio, recordings, and streaming audio, for example, expand our access to music while removing or reducing the visual element of musical listening. Other technologies are designed to enhance our embodied experience of music, whether by providing visual eleme
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Conference papers on the topic "Vocaloidy"

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Almeida, Felipe V. de, and Victor T. Hayashi. "Identificação de Áudio Vocaloid com Support Vector Machines: um Estudo de Caso da Hatsune Miku." In Simpósio Brasileiro de Computação Musical. Sociedade Brasileira de Computação - SBC, 2021. http://dx.doi.org/10.5753/sbcm.2021.19451.

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O processamento de sinais de áudio em conjunto com modelos de aprendizado de máquina tem aplicações em diversas áreas: música, análise forense e análise de fala humana e ruído ambiente. Analisar música de diferentes gêneros pode encorajar investigações interessantes pela comunidade científica, como a investigação de tendências culturais. Este trabalho apresenta uma iniciativa para o processamento de canções vocaloides que ganharam grande popularidade nas redes sociais. Os classificadores Support Vector Machine (SVM) foram treinados em dois experimentos para distinguir cançõe
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Isfiaty, Tiara. "Study of Cultural Transformation Based on the Hatsune Miku–Vocaloid Phenomenon." In Proceedings of the International Conference on Business, Economic, Social Science, and Humanities – Humanities and Social Sciences Track (ICOBEST-HSS 2019). Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200108.014.

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Pham, Lien Quynh. "Modern Japanese Youth’s Ideologies As Seen in Vocaloid Music – Focusing on the Period From 2007 to 2011." In The Kyoto Conference on Arts, Media & Culture 2024. The International Academic Forum(IAFOR), 2024. https://doi.org/10.22492/issn.2436-0503.2024.23.

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