Relevant bibliographies by topics / Vogler, Georg Joseph

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  3. Books

Academic literature on the topic 'Vogler, Georg Joseph'

Author: Grafiati
Published: 4 June 2021
Last updated: 9 February 2022

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Journal articles on the topic "Vogler, Georg Joseph"

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Henzel, Christoph. "Vogler - Zelter - Bach. Zu einem autographen Brieffragment Carl Philipp Emanuel Bachs." Bach-Jahrbuch 92 (March 12, 2018): 305–10. http://dx.doi.org/10.13141/bjb.v20061808.

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Der Beitrag gibt Anmerkungen Carl Friedrich Zelters in einem Exemplar von Georg Joseph Voglers (Abbé Vogler, Abt Vogler) selbstverfasstem Choral-System wieder, die das spannungsreiche Verhältnis Voglers zu den norddeutschen Musiktheoretikern illustrieren und in denen auch ein Brief C. P. E. Bachs Erwähnung findet.
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Kramer, Ursula. "Herausforderung Shakespeare." Die Musikforschung 55, no. 2 (2021): 129–44. http://dx.doi.org/10.52412/mf.2002.h2.752.

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Die Entdeckung William Shakespeares im deutschen Theater der 1770er Jahre hatte unmittelbare Konsequenzen für die damalige Schauspielmusik: Abweichend von der üblichen Praxis wurden für die Aufführungen dieser Dramen eigens neue Musiken geschrieben, für die die Zeitgenossen den Begriff des Analogen prägten. Zentren dieser neuen musikalischen Ambition waren Hamburg (Carl David Stegmann), Berlin (Johann André, Johann Friedrich Reichardt), Mannheim (Georg Joseph Vogler) und Wien (Johann Mederitsch); besonderes Interesse galt vor allem "Macbeth", "King Lear" und "Hamlet". Die größte Herausforderun
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GRAVE, FLOYD, and MARGARET GRAVE. "GEORG JOSEPH (ABBÉ) VOGLER (1749–1814) SYMPHONIES, OVERTURES, BALLETS London Mozart Players / Matthias Bamert Chandos, CHAN 10504, 2009; one disc, 67 minutes." Eighteenth Century Music 8, no. 01 (2011): 148–50. http://dx.doi.org/10.1017/s1478570610000606.

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Zohn, Steven, Floyd K. Grave, Nicole Baker, and Paul Cauthen. "Ballet Music from the Mannheim Court, Part I: Christian Cannabich, le Rendes-Vous, Ballet de Chasse and Georg Joseph Vogler, Le Rendez-Vous de Chasse, Ou les Vendages Interrompues par les Chasseurs." Dance Research Journal 32, no. 1 (2000): 155. http://dx.doi.org/10.2307/1478295.

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Lebermann, Walter. "Zur Authentizität von Georg Joseph Voglers Geburtsort." Die Musikforschung 34, no. 4 (2021): 462–63. http://dx.doi.org/10.52412/mf.1981.h4.1663.

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Rice, John A. "Review: Ballet Music from the Mannheim Court, Part I: Christian Cannabich, Le Rendes‐vous, ballet de chasse; Georg Joseph Vogler, Le Rendez‐vous de chasse, ou Les Vendages interrompues par les chasseurs; II: Carl Joseph Toeschi, Mars et Vénus; Christian Cannabich, Médée et Jason; III: Carl Joseph Toeschi, Céphale et Procris and L'Enlèvement de Proserpine; IV: Christian Cannabich, Renaud et Armide; Les Mariages Samnites." Music and Letters 83, no. 4 (2002): 669–71. http://dx.doi.org/10.1093/ml/83.4.669.

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Emden, Christian J. "Die Normativität des Kapitals: Zur politischen Aktualität von Georg SimmelsPhilosophie des Geldes." Zeitschrift für Kulturphilosophie 2015/1-2: Simmel 2015, no. 1-2 (2015): 179–206. http://dx.doi.org/10.28937/1000106701.

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This paper argues that Georg Simmel's Philosophy of Money is best understood as a political theory that focuses on the normativity of finance capitalism and the latter's effects on modern societies. Simmel shares some common ground with recent critiques of capitalism, such as the work of Thomas Piketty and Joseph Vogl, but he also presents a more comprehensive philosophical framework for understanding the dynamics of capitalism and financialization.
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Tusa, Michael C., and Joachim Veit. "Der junge Carl Maria von Weber: Untersuchungen zum EinfluSS Franz Danzis und Abbe Georg Joseph Voglers." Notes 48, no. 3 (1992): 874. http://dx.doi.org/10.2307/941707.

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McGowan, Margaret M. "BALLET MUSIC FROM THE MANNHEIM COURT Part I: Christian Cannabich: Le rendes-vous, ballet de chasse Georg Joseph Vogler: Le rendez-vous de chasse ou Les Vendanges interrompues par les chasseurs Edited by Floyd K. Grave Recent Researches in the Music of the Classical Era, Volume 45. A-R Editions Inc., 1996 Part II: Carl Joseph Toeschi: Mars el Vénus Christian Cannabich: Médée et Jason Edited by Nicole Baker Recent Researches in the Music of the Classical Era, Volume 47. A-R Editions, Inc., 1997." Dance Research 16, no. 1 (1998): 81–85. http://dx.doi.org/10.3366/drs.1998.16.1.81.

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Vogler, Christopher. "Joseph Campbell Goes to the Movies: The Influence of the Hero’s Journey in Film Narrative." Journal of Genius and Eminence 2, Volume 2, Issue 2: Winter 2017 (2017): 9–22. http://dx.doi.org/10.18536/jge.2017.02.2.2.02.

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The influence of Joseph Campbell and his monomyth model on film narratives and motifs first became apparent forty years ago with the release of the first film in George Lucas’ Star Wars franchise in 1977. This article traces the wide adoption of Campbell’s ideas as tools for shaping movie stories and characters, due to the popularity of Star Wars and other fantasy adventure franchises cast in the Campbell monomyth mold, and the growing awareness of screenwriters, directors and studio executives that the hero’s journey is an effective tool for story development in any genre. Campbell’s original
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Dissertations / Theses on the topic "Vogler, Georg Joseph"

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Veit, Joachim. "Der Junge Carl Maria von Weber : Untersuchungen zum Einfluss Franz Danzis und Abbé Georg Joseph Voglers /." Mainz ; London ; Paris : Schott, 1990. http://catalogue.bnf.fr/ark:/12148/cb35350461x.

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Books on the topic "Vogler, Georg Joseph"

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Grave, Floyd K. In praise of harmony: The teachings of Abbé Georg Joseph Vogler. University of Nebraska Press, 1987.

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Grave, Floyd K. In praise of harmony: The teachings of Abbé Georg Joseph Vogler. University of Nebraska Press, 1988.

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Veit, Joachim. Der junge Carl Maria von Weber: Untersuchungen zum Einfluss Franz Danzis und Abbé Georg Joseph Voglers. Schott, 1990.

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4

Gooley, Dana. The School of Abbé Vogler. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190633585.003.0002.

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Chapter 1 tracks a line of improvisational influence that issued from the organ playing and theoretical teachings of Georg Joseph (Abbé) Vogler, whose most famous students were Carl Maria von Weber and Giacomo Meyerbeer. Although Vogler was in many respects a product of eighteenth-century aesthetic and theoretical dispositions, he also had a progressive, even experimental streak that manifested itself in his improvisations. He anticipated the figure of the modern virtuoso by touring and playing organ concerts that featured dramatic improvisations depicting biblical narratives. Most important,
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Ballestero, Andrea, and Brit Ross Winthereik, eds. Experimenting with Ethnography. Duke University Press, 2021. http://dx.doi.org/10.1215/9781478013211.

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Experimenting with Ethnography collects twenty-one essays that open new paths for doing ethnographic analysis. The contributors—who come from a variety of intellectual and methodological traditions—enliven analysis by refusing to take it as an abstract, disembodied exercise. Rather, they frame it as a concrete mode of action and a creative practice. Encompassing topics ranging from language and the body to technology and modes of collaboration, the essays invite readers to focus on the imaginative work that needs to be performed prior to completing an argument. Whether exchanging objects, show
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Bergengruen, Maximilian, Alexander Honold, Gerhard Neumann, Ursula Renner, Günter Schnitzler, and Gotthart Wunberg, eds. Hofmannsthal Jahrbuch zur Europäischen Moderne. Rombach Wissenschaft, 2018. http://dx.doi.org/10.5771/9783968216843.

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Das Hofmannsthal-Jahrbuch ist weltweit das wichtigste Organ der Hofmannsthal-Forschung. Es bietet neben der Veröffentlichung bisher unpublizierter Briefwechsel Beiträge namhafter Wissenschaftler zur europäischen Kultur der Moderne. Inhalt: - Christine Lubkoll / Michael Ott: in memoriam Gerhard Neumann - Noch mehr Hungerkünstler und eine kleine Prosa. Mitgeteilt von Ursula Renner - Elsbeth Dangel-Pelloquin: »Wunderbare Fügung«. Heinrich Zimmer als Nachlassverwalter Hofmannsthals - Katharina Geiser: Geschichten wie aus dem Roman. Heinrich und Christiane Zimmer, Eugen und Mila Esslinger - Mathias
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