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Journal articles on the topic 'Volkstaat'

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1

Steyn, J. C. "TAALPOLITIEKE KWESSIES BY DIE OORWEGING VAN 'N VOLKSTAAT." South African Journal of Linguistics 13, sup24 (April 1995): 25–72. http://dx.doi.org/10.1080/10118063.1995.9724354.

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2

Ramutsindela, Maano Freddy. "Afrikaner Nationalism, Electioneering and the Politics of a Volkstaat." Politics 18, no. 3 (September 1998): 179–88. http://dx.doi.org/10.1111/1467-9256.00076.

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The liberation of South Africa from the shackles of apartheid signifies the end of the last out-post of white domination in South Africa, and opened a new chapter on the search for a common South Africanism. The process of nation-building is haunted by relics of nationalist trends, one of which is Afrikaner nationalism. This article deals with certain aspects of Afrikaner nationalism which have continued into the post- apartheid era. It uses the division among Afrikaner nationalists to show the link between conservative Afrikaner nationalism, electioneering and the pursuit for a volkstaat (white homeland).
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3

Hues, Henning, and Katalin Morgan. "The raising of the flag in ‘Volkstaat’ Orania: Perspectives on a school ceremony." Education as Change 14, no. 1 (July 2010): 33–46. http://dx.doi.org/10.1080/16823206.2010.487367.

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4

Muthien, Yvonne G., and Meshack M. Khosa. "‘The kingdom, the Volkstaat and the New South Africa’: drawing South Africa's new regional boundaries." Journal of Southern African Studies 21, no. 2 (June 1995): 303–22. http://dx.doi.org/10.1080/03057079508708448.

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5

Walcher, Maria, and Karntner Volksliedwerk. "Volkslied, Volksmusik, Volkstanz." Jahrbuch für Volksliedforschung 43 (1998): 152. http://dx.doi.org/10.2307/848098.

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6

Palfy, Gyula, Ilona Ferenczi, Domotor Tekla, and Hoppal Mihaly. "Nepzene, Neptanc, Nepi Jatek. (Volksmusik, Volkstanz, Volksspiel)." Jahrbuch für Volksliedforschung 37 (1992): 189. http://dx.doi.org/10.2307/848589.

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7

VANDECASTEELE, Maurits. "Twee vijftiende-eeuwse redacties in de volkstaal van statuten voor tertiarissen." Ons Geestelijk Erf 70, no. 3 (September 1, 1996): 240–68. http://dx.doi.org/10.2143/oge.70.3.2003406.

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8

Schaller-Wenzlitschke, Anna Katharina, and Felix Hoerburger. "Volksmusikforschung: Aufsatze und Vortrage 1953-1984 uber Volkstanz und instrumentale Volksmusik." Ethnomusicology 33, no. 1 (1989): 177. http://dx.doi.org/10.2307/852189.

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9

Stief, Wiegand, Felix Hoerburger, Hans Eichiner, and Thomas Emmerig. "Volksmusikforschung. Aufsatze und Vortrage 1953-1984 uber Volkstanz und instrumentale Volksmusik." Jahrbuch für Volksliedforschung 33 (1988): 153. http://dx.doi.org/10.2307/847757.

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10

Tilmans, C. P. H. M. "S. Bogaart, Geleerde kennis in de volkstaal. Van den proprieteyten der dinghen (Haarlem 1485) in perspectief." BMGN - Low Countries Historical Review 121, no. 3 (January 1, 2006): 488. http://dx.doi.org/10.18352/bmgn-lchr.6468.

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11

Thiel, Helga, and Herbert Oetke. "Der deutsche Volkstanz. Mit einer Auswahlbibliographie und einem Notenanhang von Kurt Petermann." Jahrbuch für Volksliedforschung 30 (1985): 171. http://dx.doi.org/10.2307/848796.

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12

Meyer-Jungclaussen, Karin, Otto Schneider, and Riki Raab. "Tanzlexikon. Volkstanz, Kulttanz, Gesellschaftstanz, Kunsttanz, Ballett, Tanzer, Tanzerinnen, Choreographen, Tanz- und Ballettkomponisten von den Anfangen bis zur Gegenwart." Jahrbuch für Volksliedforschung 32 (1987): 175. http://dx.doi.org/10.2307/849457.

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13

KITLV, Redactie. "Book Reviews." New West Indian Guide / Nieuwe West-Indische Gids 62, no. 3-4 (January 1, 1988): 165–209. http://dx.doi.org/10.1163/13822373-90002043.

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-William Roseberry, Michel-Rolph Trouillot, Peasants and capital: Dominica in the world economy. Baltimore and London: The Johns Hopkins University Press. Johns Hopkins Studies in Atlantic History and Culture, 1988. xiv + 344 pp.-Michel-Rolph Trouillot, Robert A. Myers, Dominica. Oxford, Santa Barbara, Denver: Clio Press, World Bibliographic Series, volume 82. xxv + 190 pp.-Michel-Rolph Trouillot, Robert A. Myers, A resource guide to Dominica, 1493-1986. New Haven: Human Area Files, HRA Flex Books, Bibliography Series, 1987. 3 volumes. xxxv + 649.-Stephen D. Glazier, Colin G. Clarke, East Indians in a West Indian town: San Fernando, Trinidad, 1930-1970. London: Allen and Unwin, 1986 xiv + 193 pp.-Kevin A. Yelvington, M.G. Smith, Culture, race and class in the Commonwealth Caribbean. Foreword by Rex Nettleford. Mona: Department of Extra-Mural Studies, University of the West Indies, 1984. xiv + 163 pp.-Aart G. Broek, T.F. Smeulders, Papiamentu en onderwijs: veranderingen in beeld en betekenis van de volkstaal op Curacoa. (Utrecht Dissertation), 1987. 328 p. Privately published.-John Holm, Peter A. Roberts, West Indians and their language. Cambridge: Cambridge University Press, 1988 vii + 215 pp.-Kean Gibson, Francis Byrne, Grammatical relations in a radical Creole: verb complementation in Saramaccan. Amsterdam and Philadelphia: John Benjamins Publishing Company, Creole Language Library, vol. 3, 1987. xiv + 294 pp.-Peter L. Patrick, Pieter Muysken ,Substrata versus universals in Creole genesis. Amsterdam and Philadelphia: John Benjamins Publishing Company, Creol Language Library - vol 1, 1986. 315 pp., Norval Smith (eds)-Jeffrey P. Williams, Glenn G. Gilbert, Pidgin and Creole languages: essays in memory of John E. Reinecke. Honolulu: University of Hawaii, 1987. x + 502 pp.-Samuel M. Wilson, C.N. Dubelaar, The petroglyphs in the Guianas and adjacent areas of Brazil and Venezuela: an inventory. With a comprehensive biography of South American and Antillean petroglyphs. Los Angeles: The Institute of Archaeology of the University of California, Los Angeles. Monumenta Archeologica 12, 1986. xi + 326 pp.-Gary Brana-Shute, Henk E. Chin ,Surinam: politics, economics, and society. London and New York: Francis Pinter, 1987. xvii, 192 pp., Hans Buddingh (eds)-Lester D. Langley, Howard J. Wiarda ,The communist challenge in the Caribbean and Central America. With E. Evans, J. Valenta and V. Valenta. Lanham, MD: American Enterprise Institute for Public Policy Research. xiv + 249 pp., Mark Falcoff (eds)-Forrest D. Colburn, Michael Kaufman, Jamaica under Manley: dilemmas of socialism and democracy. London, Toronto, Westport: Zed Books, Between the Lines and Lawrence Hill, 1985. xvi 282 pp.-Dale Tomich, Robert Miles, Capitalism and unfree labour: anomaly or necessity? London. New York: Tavistock Publications. 1987. 250 pp.-Robert Forster, Mederic-Louis-Elie Moreau de Saint-Mery, A civilization that perished: the last years of white colonial rule in Haiti. Translated, abridged and edited by Ivor D. Spencer. Lanham, New York, London: University Press of America, 1985. xviii + 295 pp.-Carolyn E. Fick, Robert Louis Stein, Léger Félicité Sonthonax: the lost sentinel of the Republic. Rutherford, Madison: Fairleigh Dickinson University Press; London and Toronto: Associated University Press, 1985. 234 pp.
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14

Zinser, Götz, Gertrud Kendel, Schwäbischen Kulturarchiv des SAV, Gotz Zinser, and Schwabischen Kulturarchiv des SAV. "Volkstanz und Tanzlied der Schwaben." Lied und populäre Kultur / Song and Popular Culture, 2001, 277. http://dx.doi.org/10.2307/849544.

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15

Alfiantoro, Ricky. "KREATIVITAS MUSIK GAMBANG SEMARANG STUDI KASUS KOMUNITAS GAMBANG SEMARANG ART COMPANY." SELONDING 12, no. 12 (July 28, 2019). http://dx.doi.org/10.24821/selonding.v12i12.2925.

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Gambang Semarang is one of the original art Gambang Semarang are adopting Kromong Betawi arts. Gambang Semarang was born in 1930 on the initiative of Lie Soen Hoo who is a member Volkstraad (House of Representatives during the reign of the Netherlands). At present Gambang Semarang has created a form that has a factor in creativity. Creativity is an aspect of human qualities which currently play an important role in supporting the development of the nation Indonesian who are experiencing problems are complex, because creativity will have the ability, the creative adaptation and expertise imaginative, so that people will be able to find a resolution problems in a new way in follow the changes that occur that will continue to move towards progress for not float and sink in competition between nations and countries, especially in this era of globalization. Gambang Semarang Art Company is a community of young people who are active in preserving the arts Gambang Semarang with attractive feature, which will follow the tastes of the market in contemporary times, a rendition of the popular and also add some western instruments in the ensemble. Their communities Gambang Semarang Art Company is very important to introduce art Gambang Semarang are increasingly recognized by the people of Semarang. Research Gambang Semarang Art Company uses the description of the analysis method with the approach of ethnomusicology. The results obtained in these studies is a form of imitation of Gambang Semarang are packed in Gambang Semarang Art Company can produce and the continued existence of Gambang Semarang as regional identity. Keywords: Gambang Semarang, Creativity, Community Gambang Semarang Art Company.
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