Relevant bibliographies by topics / Volkstümliche Musik

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Academic literature on the topic 'Volkstümliche Musik'

Author: Grafiati
Published: 4 June 2021
Last updated: 27 July 2024

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Journal articles on the topic "Volkstümliche Musik"

1

Sagrillo, Damien. "Blas- und Bläsermusik. Musik zwischen Volksmusik, volkstümlicher Musik, Militärmusik und Kunstmusik (review)." Notes 69, no. 2 (2012): 334–36. http://dx.doi.org/10.1353/not.2012.0143.

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Brusniak, Friedhelm, and Dietmar Klenke. "Sängerfeste und die Musikpolitik der deutschen Nationalbewegung." Die Musikforschung 52, no. 1 (September 22, 2021): 29–54. http://dx.doi.org/10.52412/mf.1999.h1.874.

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Vom frühen 19. Jahrhundert bis zur Reichsgründung 1871 waren Männergesangvereine ein Sprachrohr des aufstrebenden Bürgertums und der Nationalbewegung. In ihrem Repertoire hatte politisch-funktionale Musik großes Gewicht. Vor allem in volkstümlichen a-cappella-Chorliedern wurden die nationaldeutschen Botschaften verbreitet. Als geeignetes Forum erwiesen sich die Sängerfeste, die sich von den allgemeinen Musikfesten durch eine andere Sozialstruktur, eine größere Bedeutung des politischen Moments und das männerbündische Prinzip unterschieden. Erste Höhepunkte der Männergesangvereinsbewegung waren das Erste allgemeine deutsche Sängerfest in Nürnberg 1845, das Kölner Sängerfest von 1846 und das Große deutsche Sängerfest in Nürnberg 1861.
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Steinbrecher, Bernhard, and Bernhard Achhorner. "“Boundlessly Different”." Journal of Popular Music Studies 32, no. 4 (November 30, 2020): 118–47. http://dx.doi.org/10.1525/jpms.2020.32.4.118.

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Brass music has become increasingly popular in recent years in Europe’s German-speaking regions, especially among young people, who attend brass festivals, such as Woodstock der Blasmusik, in great numbers. This article examines this phenomenon within the context of its historical weight. Particularly in Austria, brass music is intertwined strongly with local cultural activity and heritage, alpine folklore, and national identity, with the Habsburg Monarchy and the Nazi era as well as with the rise of Volkstümliche Music and Austrian popular music. The study pinpoints the initial spark of the current popularity to the early 1990s, when young brass musicians set new tones musically and culturally. It illustrates how bands such as Mnozil Brass and Innsbrucker Böhmische, and later Viera Blech and LaBrassBanda, renegotiated established conceptions, ideas, and attitudes, and how they have, or have not, overcome habitualized ways of performing and enjoying brass music. On a broader level, the article uncovers how narratives related to regionality, Heimat, community, institutionalization, virtuosity, internationality, openness, corporality, and hedonistic pleasure all come together, at times in contradictory ways, in the media and musicians’ ethical-aesthetic discussion about contemporary brass music. Ultimately, a close music-analytical reading of selected songs shows how the music fosters and reflects these interrelations.
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Larkey, Edward. "Austropop: popular music and national identity in Austria." Popular Music 11, no. 2 (May 1992): 151–85. http://dx.doi.org/10.1017/s0261143000004980.

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The diffusion of rock and popular music from the US and British mass entertainment industries since the 1950s has had a profound impact on the music traditions world-wide. Several generations of youth have been socialised to the musical accompaniment of rock and roll music of the 1950s, the ‘beat music’ of the 1960s, the so-called ‘psychedelic’ or ‘underground’ rock music of the 1970s, disco, punk and new wave music in the 1970s and 1980s. It has resulted in the transplantation of these ‘foreign’ styles into music cultures with small groups of fan communities for rock and roll, country and western, blues, punk, reggae and others which were previously unheard of there before their introduction. In addition, domestic traditions have been profoundly affected by the diffusion of these new music styles and have integrated some of their musical, technical and other components into their own repertoires. The Schlager music in the German-speaking countries has been one of the most prominent in this respect, adapting syncopated rhythm but modifying its harmonic attributes in order to maintain its own prominence and cultural legitimacy in the music culture. Even the volkstümliche or folk-like music, a commercialised genre of traditional folk music, has undergone changes as a result of the diffusion of the newer forms of popular music. A third type of impact upon music tradition is that of ‘transnational’ or ‘transcultural’ styles. When imported musical and cultural innovations are mixed with domestic styles and traditions, these new styles and conventions are ultimately created. These, in turn, form a primary thrust in the cultivation and development of innovations in musical traditions, which eventually evolve into changes in the cultural identity of the particular country.
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Books on the topic "Volkstümliche Musik"

1

Popular music perspectives: Ideas, themes, and patterns in contemporary lyrics. Bowling Green, Ohio: Bowling Green State University Popular Press, 1991.

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2

Popular musics of the non-western world. New York, NY: Oxford University, 1988.

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Manuel, Peter Lamarche. Popular musics of the non-Western world: An introductory survey. New York: Oxford University Press, 1988.

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Aaron, Clark Walter, ed. From tejano to tango: Latin American popular music. New York: Routledge, 2002.

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5

Harald, Letfuss, and Wohlfart Roland, eds. WunschBox: Das Lexikon der volkstümlichen Musik. München: TR-Verlagsunion, 1999.

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6

Lees, Gene. Singers and the song. New York: Oxford University Press, 1987.

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Lees, Gene. Singers and the song. New York: Oxford University Press, 1989.

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8

Walter, Elmar. Blas- und Bläsermusik: Musik zwischen Volksmusik, volkstümlicher Musik, Militärmusik und Kunstmusik. Tutzing: Hans Schneider, 2011.

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9

Bruce, Pollock, ed. Popular music: An annotated guide to American popular songs, including introductory essay, lyricists and composers index, important performaces index, awards index, and list of publishers. Detroit, Michigan: Gale Research Company, 1988.

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Bruce, Pollock, ed. Popular music: An annotated guide to American popular songs, including introductory essay, lyricists and composers index, important performances index, awards index, and list of publishers. Detroit: Gale Research, 1990.

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