Academic literature on the topic 'Vollmond'

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Journal articles on the topic "Vollmond"

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rb. "Vollmond setzt Sandmännchen auf Kurzarbeit." MMW - Fortschritte der Medizin 155, no. 14 (2013): 6. http://dx.doi.org/10.1007/s15006-013-2008-4.

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Schumacher, Beate. "Mehr Schmerzen in der Vollmond-Phase?" Angewandte Schmerztherapie und Palliativmedizin 7, no. 3 (2014): 8. http://dx.doi.org/10.1007/s15223-014-0416-7.

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Müller, Hans-Peter. "DER MOND UND DIE PLEJADEN GRIECHISCH-ORIENTALISCHE PARALLELEN." Vetus Testamentum 51, no. 2 (2001): 206–18. http://dx.doi.org/10.1163/156853301300102101.

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AbstractIn den letzten Jahren mehrte sich der Eindruck, dass die griechische und die altorientalische Kultur zueinander Berührungen aufweisen, die auch alttestamentliche Tatbestände zu erhellen vermögen. Die Erwähnung von Mond und Plejaden in dem bekannten aiolischen Gedicht "Sappho" 94 D. gibt u.a. Anlass, nach der Darstellung beider Himmelskörper in der palästinischen und babylonischen Glyptik zu fragen, altorientalischen, alttestamentlichen und griechischen Bezugnahmen auf die genannten Himmelskörper nachzugehen sowie mythische Erinnerungsreste aufzuweisen, die nicht nur an den Etymologien von jārēah "Mond", käsä" "Vollmond", lebānā "weiße Dame" (für den Mond) und kesîl "Orion", sondern auch an Texten wie Am. v 8; Hi. ix 8-10; xxxi 26; xxxviii 31; Hld. vi 10 und relevanten babylonischen Entsprechungen haften. Der Artikel schließt mit Bemerkungen zur lyrischen Reproduktion eines sonst nicht mehr lebendigen mythisch-religiösen Naturumgangs.
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Zinkevych, Olena. "Dmitriy Shostakovich in William Tanner Vollmann’s Novel “Europe Central”." Scientific herald of Tchaikovsky National Music Academy of Ukraine, no. 133 (March 21, 2022): 134–44. http://dx.doi.org/10.31318/2522-4190.2022.133.257330.

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The relevance of the study. In the foreign reception of Dmitriy Shostakovich, its out-ofmusical-professional discourse is important. Along with the play by David Pounell “Master Class”, the novel by Julian Barnes “The Noise of Time” and others, the novel by the famous American writer William T. Vollmann (William T. Vollmann) “Europe Central” (“Europe nodal”) is quite significant, it received the 2005 US National Book Award. The almost 800-page epic, which foreign critics compare with the epic of L. Tolstoy and call “War and Peace of the 20th century”, covers the events of Russian and German history from 1914 till 1975, including the Holocaust, the era of great terror, Babi Yar. The panorama of the war between two totalitarian regimes is especially widespread.
 Among the characters are mainly representatives of creative professions and military leaders: Hitler and Stalin, Paulus and Vlasov, Kete Kolwitz and Anna Akhmatova, Tukhachevsky and Roman Carmen, etc. The destinies of all characters are intertwined, their stories unfold in parallel or in interaction. But the real hero of the book is Dmitriy Shostakovich.
 Main objective of the study is to acquaint with the work of William T. Vollmann and his novel “Europe Central”, the analysis of which makes it possible to understand the peculiarities of perception of D. Shostakovich’s music by the US intellectual elite.
 The main results and conclusions of the study. William T. Vollmann refers to Shostakovich as a hero and admits his passion for his personality. Mainly adhering to the facts, he conjectures a lot and frankly invents. Heightened metaphor, phantasmagorism, extravagance of his descriptions are quite consistent with the style of postmodernism or absurdity. The author does not hide his liberties and in the afterword apologizes for the distortions in the book. The mythogenic situation created by Vollmann clearly echoes the well-known — including Russian — fictionalization by Dmitriy Shostakovich. And, thus, Vollmann’s novel becomes another confirmation of Shostakovich’s acquisition of the status of a “cultural hero of the era”, because it is the mythogenic processes provoked by large-scale public reflection that are decisive in the formation of this sociocultural phenomenon.
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Williams, Hettie. "Gentrification Down the Shore." New Jersey Studies: An Interdisciplinary Journal 8, no. 1 (2022): 356–58. http://dx.doi.org/10.14713/njs.v8i1.275.

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ÖZCAN, IŞIL. "Conversations with William T. Vollmann." Resources for American Literary Study 43, no. 1-2 (2021): 287–91. http://dx.doi.org/10.5325/resoamerlitestud.43.1-2.0287.

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ÖZCAN, IŞIL. "Conversations with William T. Vollmann." Resources for American Literary Study 43, no. 1-2 (2021): 287–91. http://dx.doi.org/10.5325/resoamerlitestud.43.1-2.0287.

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Klein, DG. "Prone positioning in patients with acute respiratory distress syndrome: the Vollman Prone Positioner." Critical Care Nurse 19, no. 4 (1999): 66–71. http://dx.doi.org/10.4037/ccn1999.19.4.66.

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ARDS continues to be associated with high mortality rates despite numerous advances in critical care. Improvements in oxygenation can be achieved by placing patients with ARDS prone. The Vollman Prone Positioner offers an easy, safe, and inexpensive method to turn patients prone (for more information: www.vollman.com).
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Cantrell, James P. "The Rifles by William T. Vollmann." Western American Literature 30, no. 2 (1995): 210–11. http://dx.doi.org/10.1353/wal.1995.0084.

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Caserio, Robert L. "James, Cather, Vollmann, and the Distinction of Historical Fiction." symploke 12, no. 1 (2004): 106–29. http://dx.doi.org/10.1353/sym.2005.0005.

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Dissertations / Theses on the topic "Vollmond"

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Vollmann, Martin [Verfasser], and Jörg [Akademischer Betreuer] Oechssler. "Essays in experimental and behavioral economics: methods and interdisciplinarity / Martin Vollmann ; Betreuer: Jörg Oechssler." Heidelberg : Universitätsbibliothek Heidelberg, 2021. http://d-nb.info/1234460645/34.

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Delazari, Ivan. "Musical experience in fictional narrative: William T. Vollmann, William H. Gass, and Richard Powers." HKBU Institutional Repository, 2018. https://repository.hkbu.edu.hk/etd_oa/487.

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This doctoral thesis contributes to the ongoing scholarly conversation on literary representation of musical sounds, forms, and compositions. My close examination of the tangible presences of Western art music in the fiction of three contemporary American novelists relocates traditional foci of intermediality and word and music studies from referential precision and structural equivalence across the arts to the problem of readerly experience of music through fictional narrative. Exploring a variety of diegetic encounters with music in William T. Vollmann's Europe Central (2005), William H. Gass's Middle C (2013), and Richard Powers's Orfeo (2014), I draw from cognitive narratology and the philosophy of music, among others, to construct a concise model of musical experience and a system of its literary correlatives, which can provide for the reader's enactive response to music-related themes and means in fiction. I discuss the different strategies the writers apply to communicate the presumably elitist experience of Western classical music as suggestive and relevant to their 21st-century readerships, whether big or small. I order my chapters dialectically, regarding the three authors' literary approaches to musical experience as thesis, antithesis, and synthesis. In Chapter I, Vollmann's intermedial transpositions of Dmitri Shostakovich's fictionalized works are shown to be framed by a mimetic bias, under which diegetic music functions as a characterization means for the author's historical preoccupations. The thesis (i) I infer from Vollmann's approach is that music is part of the fictional reality representative/informative/definitive of what that reality is like. Chapter II is devoted to Gass's metafictional distrust of representation, whereupon his novelistic narrative discards diegetic music almost completely and points out ways of experiencing verbal textures musically. Gass's method is thus antithetical (ii) to Vollmann's: music is a metaphor for creativity, indifferent to the subject matter and/or plot, which at representation level may well be a parodic perversion of the very idea of creativity. Powers's balanced treatment of musicalized content and form and his generous supply of multivalent experiential cues are forged to appeal to a broader reading audience, as I argue in Chapter III. In what I see as a synthesis (iii) of Vollmann and Gass, Powers's storyworld contains abundant diegetic music that constructs narrative settings and drives the events of the plot, but is itself graspable through musical metaphors. The findings of the thesis open new directions for research into musico-literary reception. Encouraging a revival of reader-response awareness in literary analysis, musicalized fiction is an untrivial subject for interactive theoretical scrutiny by psychologists and philosophers of music, transmedial narratologists, and cognitive scientists. Empirical studies of actual readers' experience of musicalized prose may prove particularly promising in further investigation of this intersectional phenomenon.
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Kupfer, Stefanie [Verfasser], Jochen [Gutachter] Vollmann, and Michael [Gutachter] Zenz. "Schlechte Nachrichten überbringen : eine Evaluationsstudie zur Bewertung professioneller Kompetenzen von Medizinstudierenden / Stefanie Kupfer ; Gutachter: Jochen Vollmann, Michael Zenz ; Medizinische Fakultät." Bochum : Ruhr-Universität Bochum, 2013. http://d-nb.info/1236813030/34.

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Gültepe, Şenol [Verfasser], Jürgen [Akademischer Betreuer] Brockmöller, Patricia [Akademischer Betreuer] Virsik-köpp, and Dirk [Akademischer Betreuer] Vollmann. "Auswirkungen von CYP2D6-, CYP2C9- und CYP2C19-Polymorphismen auf Pharmakokinetik und Wirkungen von Carvedilol / Şenol Gültepe. Gutachter: Patricia Virsik-Köpp ; Dirk Vollmann. Betreuer: Jürgen Brockmöller." Göttingen : Niedersächsische Staats- und Universitätsbibliothek Göttingen, 2011. http://d-nb.info/1044045728/34.

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Wünsche, Christoph [Verfasser], Michael [Akademischer Betreuer] Hüfner, Dirk [Akademischer Betreuer] Vollmann, and Martin [Akademischer Betreuer] Oppermann. "Effekt von Amiodaron auf periphere Parameter der Schilddrüsenhormonaktivität bei kardiologischen Patienten mit AICD / Christoph Wünsche. Gutachter: Michael Hüfner ; Dirk Vollmann ; Martin Oppermann. Betreuer: Michael Hüfner." Göttingen : Niedersächsische Staats- und Universitätsbibliothek Göttingen, 2011. http://d-nb.info/1044247940/34.

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Schwieger, Florian. "The Spaces of History: Francis Parkman's Literary Landscapes and the Formation of the American Cosmos." Digital Archive @ GSU, 2011. http://digitalarchive.gsu.edu/english_diss/74.

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It is the aim of this dissertation to discuss the creation of historiographic space in the works of Francis Parkman. More specifically, this dissertation intends to analyze Parkman’s The Oregon Trail and Montcalm and Wolfe as literary texts that examine geographies of cultural interaction and transnational empire building. Parkman’s historical narratives, this dissertation suggests, not only describe historically significant sites, such as the Oregon Trail and the Northern Frontier, but further create literary heterotopias. These textual counter geographies, as for instance his conceptualizations of the trading posts of the far West and the wilderness fortifications of the far North, allow Parkman to effectively interrogate American history. By investigating the fruitful juncture between history, geography, and literature this project aims to establish the importance of historical geographies for Francis Parkman’s methodology and define its function for the creation of a national consciousness. In addition to Parkman’s use of space, this dissertation further analyzes the historian’s depiction of historical characters and his subsequent attempts to define American identity. Thereby, my analysis specifically highlights the relationship between Parkman’s literary characters and their environment. In an attempt to trace the impact Parkman’s historical narratives exert on postmodern authors of American literature, the concluding chapters interrogate the re-negotiation of Parkman’s historiographic spaces in Thomas King’s Truth and Bright Water and William T. Vollmann’s Fathers and Crows.
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Bernard, Johannes [Verfasser], Jochen [Gutachter] Vollmann, and Ingo W. [Gutachter] Müller. "Auswirkungen des Konzepts der „offenen Türen“ auf Stationsatmosphäre und Patientenzufriedenheit in der Akutpsychiatrie : eine Mixed Methods Studie / Johannes Bernard ; Gutachter: Jochen Vollmann, Ingo W. Müller ; Medizinische Fakultät." Bochum : Ruhr-Universität Bochum, 2021. http://d-nb.info/1239419007/34.

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Vollmann, Christian [Verfasser], olker [Akademischer Betreuer] Schulz, Leonhard [Akademischer Betreuer] Frerick, Volker [Gutachter] Schulz, Max [Gutachter] Gunzburger, and Martin [Gutachter] Siebenborn. "Nonlocal models with truncated interaction kernels - analysis, finite element methods and shape optimization / Christian Vollmann ; Gutachter: Prof. Dr. Volker Schulz, Prof. Dr. Max Gunzburger, JProf. Dr. Martin Siebenborn ; Prof. Dr. Volker Schulz, Prof. Dr. Leonhard Frerick." Trier : Universität Trier, 2019. http://d-nb.info/1203837046/34.

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CRINITI, STEPHEN FRANCIS. "NAVIGATING THE TORRENT: DOCUMENTARY FICTION IN THE AGE OF MASS MEDIA." University of Cincinnati / OhioLINK, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1189530451.

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Vollmann, Konstanze [Verfasser]. "Entwicklung und Überprüfung eines Fragebogens zur Erfassung relevanter Therapiebedingungen (FERT) / vorgelegt von Konstanze Vollmann." 2009. http://d-nb.info/1002224985/34.

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Books on the topic "Vollmond"

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Murer, Fredi M. Vollmond. Benteli Verlag, 1998.

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Nymphs: Verführerischer Vollmond. Fischer Taschenbuch, 2014.

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Vollmond über Amerika: Roman. Droemer Knaur, 1997.

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Biron, Georg. Frauen bei Vollmond: Roman. Edition S, 1993.

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1908-2004, Kaye Mary M., ed. Vollmond über Kaschmir: [Roman]. Weltbild, 2006.

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Chidolue, Dagmar. Der Mond hat heute Schweineohren. Dressler, 1999.

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William T. Vollmann: An annotated bibliography. Scarecrow Press, 2012.

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1946-, McCaffery Larry, and Hemmingson Michael A, eds. Expelled from Eden: A William T. Vollmann reader. Thunder Mouth Press, 2004.

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William T. Vollmann: A critical study and seven interviews. McFarland & Company, Inc., Publishers, 2009.

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William T. Vollmann, le roman historique en question: Une étude de The Rifles. Presses Sorbonne nouvelle, 2011.

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Book chapters on the topic "Vollmond"

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Heller, Jakob Christoph. "Mond: Neumond, Vollmond, Mondphasen – Selenographie als politische Reflexion bei Jean Paul (und zuvor)." In Phänomene der Atmosphäre. J.B. Metzler, 2017. http://dx.doi.org/10.1007/978-3-476-04492-1_15.

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Goethe, Johann Wolfgang. "„Dem aufgehenden Vollmonde“ (1828)." In Streifzüge durch die Poesie. Böhlau Verlag, 2010. http://dx.doi.org/10.7788/boehlau.9783412212674.113.

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Combrink, Thomas. "Vollmann, William T." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_18830-1.

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Bettendorf, Gerhard. "Vollman, Rudolf F." In Zur Geschichte der Endokrinologie und Reproduktionsmedizin. Springer Berlin Heidelberg, 1995. http://dx.doi.org/10.1007/978-3-642-79152-9_243.

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Combrink, Thomas. "Vollmann, William T.: Das Prosawerk." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_18831-1.

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Combrink, Thomas. "Vollmann, William T.: Europe Central." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_18832-1.

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Krieg, C. Parker. "Teaching Jesmyn Ward and William T. Vollmann in Finland: Genres of Environmental Justice." In Contemporary American Fiction in the European Classroom. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-94166-6_15.

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"Vollmond m." In Wörterbuch GeoTechnik/Dictionary Geotechnical Engineering. Springer Berlin Heidelberg, 2013. http://dx.doi.org/10.1007/978-3-642-33335-4_221693.

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"Tag m von Neu- und Vollmond." In Wörterbuch GeoTechnik/Dictionary Geotechnical Engineering. Springer Berlin Heidelberg, 2013. http://dx.doi.org/10.1007/978-3-642-33335-4_200032.

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"»Die Thiere Feiern den Vollmond«!? Alexander von Humboldt und der Versuch, »das Nächtliche Thierleben im Urwalde« zu Beschreiben." In Andere Ökologien. Wilhelm Fink Verlag, 2017. http://dx.doi.org/10.30965/9783846760789_009.

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