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Books on the topic 'Voltaire, English drama Comparative literature Comparative literature'

Author: Grafiati

Published: 4 June 2021

Last updated: 7 February 2022

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1

Temmer, Mark J. Samuel Johnson and three infidels: Rousseau, Voltaire, Diderot. Athens: University of Georgia Press, 1988.

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2

Clubb, Louise George. Italian drama in Shakespeare's time. New Haven: Yale University Press, 1989.

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3

Sekine, Masara. Yeats and the Noh: A comparative study. Gerrards Cross: Smythe, 1990.

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4

National biases in French and English drama. New York: Garland Pub., 1990.

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5

Ye, Tan. Common dramatic codes in Yüan and Elizabethan theaters: Characterization in Western chamber and Romeo and Juliet. Lewiston: Edwin Mellen Press, 1997.

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6

Zhang, Hsiao Yang. Shakespeare in China: A comparative study of two traditions and cultures. Newark: University of Delaware Press, 1996.

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7

Macintosh, Fiona. Dying acts : death in ancient Greek and modern Irish tragic drama. New York: St. Martin's Press, 1995.

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8

Sekine, Masaru. Yeats and the Noh: A comparative study. Gerrards Cross: Smythe, 1990.

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9

Sekine, Masaru. Yeats and the Noh: A comparative study. Savage, Md: Barnes & Noble Books, 1990.

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10

Contrary Marys in medieval English and French drama. New York: P. Lang, 1995.

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11

Nyusztay, Iván. Myth, telos, identity: The tragic schema in Greek and Shakespearean drama. Amsterdam: Rodopi, 2002.

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12

Erfahrungen der Rache im englischen und spanischen Drama der Blütezeit. Frankfurt am Main: P. Lang, 1991.

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13

Neoclassical tragedy in Elizabethan England. Newark: University of Delaware Press, 2009.

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14

Mishra, Karuna Shanker. The tragic hero through ages. New Delhi: Northern Book Centre, 1992.

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15

Loftis, John Clyde. The Spanish plays of neoclassical England. Westport, Conn: Greenwood Press, 1987.

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16

Duque, Pedro J. Spanish and English religious drama. Kassel: Edition Reichenberger, 1993.

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17

Shakespeare's Greek drama secret. Newcastle upon Tyne, UK: Cambridge Scholars Publishing, 2010.

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18

Kacou-Koné, Denise. Shakespeare et Soyinka: Le théâtre du monde. Abidjan: Nouvelles Editions africaines, 1989.

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19

Shakespeare among the courtesans: Prostitution, literature, and drama, 1500-1650. Burlington, VT: Ashgate, 2012.

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20

New perspectives of Faust: Studies in the origins and philosophy of the Faust theme in the dramas of Marlowe and Goethe. Frankfurt am Main: P. Lang, 1994.

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21

Schajowicz, Ludwig. El mundo trágico de los griegos y de Shakespeare: Consideraciones sobre lo sagrado. Río Piedras, P.R: Editorial de la Universidad de Puerto Rico, 1990.

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22

Younger, Kelly. Irish adaptations of Greek tragedies: Dionysus in Ireland. Lewiston, N.Y: Edwin Mellen Press, 2001.

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23

Renaissance drama in England & Spain: Topical allusion and history plays. Princeton, N.J: Princeton University Press, 1987.

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24

Roe, John. Shakespeare and Machiavelli. Cambridge: D. S. Brewer, 2002.

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25

Honor conflicts and the role of the imagination in selected plays by John Fletcher and Lope de Vega. New York: Garland, 1990.

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26

Hamlet u Hrvatskoj: Studija prevođenja. Zagreb: Naklada MD, 2005.

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27

Drama of a nation: Public theater in Renaissance England and Spain. Ithaca: Cornell University Press, 1985.

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28

Johnson's and Lessing's dramatic critical theories and practice with a consideration of Lessing's affinities with Johnson. Bern: P. Lang, 1991.

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29

Wilson, Emily R. Mocked with death: Tragic overliving from Sophocles to Milton. Baltimore, Md: Johns Hopkins University Press, 2004.

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30

al-Dirāmā al-wāqiʻīyah bayna Birnārd Shū wa-Nuʻmān ʻĀshūr. al-Qāhirah: Dār Gharīb lil-Ṭibāʻah wa-al-Nashr wa-al-Tawzīʻ, 2010.

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31

Tragedy: A very short introduction. Oxford: Oxford University Press, 2005.

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32

Shakespeare and Machiavelli. Cambridge [England]: D.S. Brewer, 2002.

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33

Opacity in the writings of Robbe-Grillet, Pinter, and Zach: A study in the poetics of absurd literature. Lewiston [N.Y.]: E. Mellen Press, 1991.

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34

Timothy, Murray. Theatrical legitimation: Allegories of genius in seventeenth-century England and France. New York: Oxford University Press, 1987.

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35

Timothy, Murray. Theatrical legitimation: Allegories of genius in seventeenth-century England and France. New York: Oxford University Press, 1987.

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36

Shakespeare and Renaissance literary theories: Anglo-Italian transactions. Aldershot, England: Ashgate, 2010.

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37

Temmer, Mark J. Samuel Johnson and Three Infidels: Rousseau, Voltaire, Diderot. University of Georgia Press, 2009.

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38

Louise, Fothergill-Payne, and Fothergill-Payne Peter, eds. Parallel lives: Spanish and English national drama, 1580-1680. Lewisburg: Bucknell University Press, 1991.

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39

Fothergill-Payne, Louise, and Peter Fothergill-Payne. Parallel Lives: Spanish and English National Drama, 1580-1680. Rowman & Littlefield Publishers, Incorporated, 1991.

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40

Foundation, Voltaire, and Jean-Michel Racault. Utopie Narrative En France Et En Angleterre, 1675-1761 (Studies on Voltaire). Voltaire Foundation, 1990.

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41

The Internationalism of Irish literature and drama. Savage, Md: Barnes & Noble Books, 1992.

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42

(Editor), Michele Marrapodi, and A. J. Hoenselaars (Editor), eds. The Italian World of English Renaissance Drama: Cultural Exchange and Intertextuality. University of Delaware Press, 1998.

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43

Michele, Marrapodi, and Hoenselaars A. J. 1956-, eds. The Italian world of English Renaissance drama: Cultural exchange and intertextuality. Newark, Del: University of Delaware Press, 1998.

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44

Keir, Elam, and Cioni Fernando, eds. Una civile conversazione: Lo scambio letterario e culturale anglo-italiano nel Rinascimento = A civil conversation ... Bologna: CLUEB, 2003.

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45

Keir, Elam, and Cioni Fernando, eds. Una civile conversazione: Lo scambio letterario e culturale anglo-italiano nel Rinascimento = A civil conversation : Anglo- Italian literary and cultural exchange in the Renaissance. Bologna: CLUEB, 2003.

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46

The Internationalism of Irish literature and drama. Gerrards Cross: Colin Smythe, 1992.

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47

Joseph, McMinn, and International Association for the Study of Anglo-Irish Literature. Triennial Conference., eds. The Internationalism of Irish literature and drama. Gerrards Cross: Colin Smythe, 1992.

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48

Smith, Winifred. The Commedia Dell'Arte: A Study In Italian Popular Comedy. Kessinger Publishing, LLC, 2007.

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49

Michele, Marrapodi, ed. Intertestualità Shakespeariane: Il Cinquecento italiano e il Rinascimento inglese. Roma: Bulzoni, 2003.

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50

Smith, Winifred. The Commedia Dell'Arte: A Study In Italian Popular Comedy. Kessinger Publishing, LLC, 2007.

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