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Relevant bibliographies by topics / Volterra (Italy) in art

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Academic literature on the topic 'Volterra (Italy) in art'

Author: Grafiati

Published: 4 June 2021

Last updated: 4 February 2022

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Journal articles on the topic "Volterra (Italy) in art"

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Hobbs, P. R. N. "Landslides at Volterra, Tuscany, Italy." Quarterly Journal of Engineering Geology and Hydrogeology 33, no. 2 (May 2000): 101–3. http://dx.doi.org/10.1144/qjegh.33.2.101.

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Joost-Gaugier, Christiane, John T. Paoletti, and Gary M. Radke. "Art in Renaissance Italy." Sixteenth Century Journal 34, no. 1 (April 1, 2003): 163. http://dx.doi.org/10.2307/20061319.

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Roth, Roman E. "R. Ostman, The City and Complexity: Volterra, Italy. Pottery Production during the Hellenistic Etruscan Period and the Late Roman to Late Antique Period (British Archaeological Reports International Series 1251). Oxford: Archaeopress, 2004. Pp. viii + 266, 68 illus, 68 tables. ISBN 1-8417-1611-1. £37.00." Journal of Roman Studies 96 (November 2006): 287–88. http://dx.doi.org/10.1017/s0075435800001453.

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Linguerri, Sandra. "The Oceanographic Achievements of Vito Volterra in Italy and Abroad." ATHENS JOURNAL OF MEDITERRANEAN STUDIES 3, no. 3 (June 30, 2017): 251–66. http://dx.doi.org/10.30958/ajms.3-3-3.

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CHENG, ChangMing, and ZhiKe PENG. "Volterra series theory: A state-of-the-art review." Chinese Science Bulletin 60, no. 20 (July 1, 2015): 1874–88. http://dx.doi.org/10.1360/n972014-01056.

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Puppio, M. L., E. Vagaggini, L. Giresini, and M. Sassu. "Landslide Analysis of Historical Urban Walls: Case Study of Volterra, Italy." Journal of Performance of Constructed Facilities 35, no. 6 (December 2021): 04021086. http://dx.doi.org/10.1061/(asce)cf.1943-5509.0001647.

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Todros, Rossella. "Training for art librarianship in Italy." Art Libraries Journal 19, no. 2 (1994): 17–18. http://dx.doi.org/10.1017/s0307472200008762.

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The overall problem of professional education for Italian librarians arises from the lack of specific schools of librarianship. Librarians must learn ‘on the job’. However, the inauguration of BiArte, the Italian Art Libraries Association, in 1988, has provided a forum through which art librarians can share their experience, knowledge and enthusiasm, and further their professional education … even if it cannot of itself win for librarians the professional image which only a sound, basic training in librarianship can provide.

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Byrne, Joseph P. "Art and Politics in Renaissance Italy." History: Reviews of New Books 23, no. 3 (April 1995): 127. http://dx.doi.org/10.1080/03612759.1995.9951116.

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Ielpi, Alessandro, and Gianluca Cornamusini. "Geology of the late Miocene south-eastern Volterra Basin (Northern Apennines, Italy)." Journal of Maps 12, no. 1 (July 31, 2014): 12–25. http://dx.doi.org/10.1080/17445647.2014.946105.

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Pratesi, Fabio, Teresa Nolesini, Silvia Bianchini, Davide Leva, Luca Lombardi, Riccardo Fanti, and Nicola Casagli. "Early Warning GBInSAR-Based Method for Monitoring Volterra (Tuscany, Italy) City Walls." IEEE Journal of Selected Topics in Applied Earth Observations and Remote Sensing 8, no. 4 (April 2015): 1753–62. http://dx.doi.org/10.1109/jstars.2015.2402290.

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Dissertations / Theses on the topic "Volterra (Italy) in art"

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Moore, Ede Minna. "Religious art and Catholic reform in Italy, 1527-1546." Thesis, University of Oxford, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.395234.

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Mattozzi, Louisa Parker. "The feminine art of politics and diplomacy : the roles of duchesses in early modern Italy /." Full text available, 2004. http://images.lib.monash.edu.au/ts/theses/mattozzi.pdf.

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Kittler, T. "Living art and the art of living : remaking home in Italy in the 1960s." Thesis, University College London (University of London), 2014. http://discovery.ucl.ac.uk/1435866/.

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This thesis focuses on the social, material, and aesthetic engagement with the image of home by artists in Italy in the 1960s to offer new perspectives on this period that have not been accounted for in the literature. It considers the way in which the shift toward environment, installation and process-based practices mapped onto the domestic at a time when Italy had become synonymous with the design of environments. Over four chapters I explore the idea of living-space as the mise-en-scène, and conceptual framework, for a range of artists working across Italy in ways that both anticipate and shift attention away from accounts that foreground the radical architectural experiments enshrined in MoMA’s landmark exhibition Italy: the New Domestic Landscape (1972). I begin by examining the way in which the group of temporary homes made by Carla Accardi between 1965 and 1972 combines the familiar utopian rhetoric of alternative living with attempts to redefine artistic practice at this moment. I then go on to look in turn at the sculptural practice of artists Marisa Merz and Piero Gilardi in relation to the everyday lived experience of home. This question is first considered in relation to the material and psychic challenges Merz poses to the gendering of homemaking with Untitled (Living Sculpture) 1966. I then go on to explore the home, as it might be understood in ecological terms, through an examination of the polyurethane microhabitats made by Gilardi. These themes are finally drawn together by looking at a radically different type of work, Carla Lonzi’s book Autoritratto (1969). By examining the images interspersed throughout Autoritratto I consider how this book plays out the lives of fourteen prominent artists to create the semblance of an everyday shared lived experience.

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Aguirre, Mariana G. "Artistic collaboration in Fascist Italy : Ardengo Soffici and Giorgio Morandi." View abstract/electronic edition; access limited to Brown University users, 2008. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3318288.

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Geddes, Helen Louise. "The marble altarpiece in Italy C. 1330 - C. 1420." Thesis, University of Warwick, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.367964.

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Howard, Rebecca Marie. "Movements of the Mind: Beyond the Mimetic Likeness in Early Modern Italy." The Ohio State University, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=osu1492175533714909.

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Dahlin, Brittany. "Caroline Murat: Powerful Patron of Napoleonic France and Italy." BYU ScholarsArchive, 2014. https://scholarsarchive.byu.edu/etd/4224.

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Caroline Bonaparte Murat created an identity for herself through the art that she collected during the time of her reign as queen of Naples as directed by her brother, Napoleon, from 1808-1814. Through the art that she both commissioned and purchased, she developed an identity as powerful politically, nurturing, educated, fashionable, and Italianate. Through this patronage, Caroline became influential on stylish, female patronage in both Italy and France. Caroline purchased and commissioned works from artists such as Jean-August-Domonique Ingres, François Gérard, Elizabeth Vigée LeBrun, Antonio Canova and other lesser-known artists of the nineteenth century. Many of these works varied in style and content, but all helped in creating an ideal identity for Caroline. In all of the works she is portrayed as a powerful woman. She is either powerful by her settings (in the drawing room, or with Vesuvius in the background), her vast knowledge in the arts and fashion, her motherhood, her sensuality, or the way in which she is positioned and how she is staring back at the viewer within the works. The creation of this identity was uniquely Caroline's, mimicking Marie de Medici, Marie Antoinette and Josephine and Napoleon Bonaparte, while adding her own tastes and agendas to the creation. Through this identity she proved herself to be as equally French as Italianate through dress and surroundings. She even created a hybrid of fashion, wedding the styles together, by adding black velvet and lace to a simple empire-waisted silhouette. Caroline proved herself as politician, mother, educated and refined woman, pioneer in fashion, and Queen through the art that she purchased and commissioned.

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Sandford-Couch, Clare. "Images of justice in northern Italy, 1250-1400." Thesis, University of Edinburgh, 2014. http://hdl.handle.net/1842/9566.

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This thesis considers some of the ways in which images of justice were used to express and in some cases promote certain aims and aspirations of those who commissioned them, in northern Italy between c.1250-1400, and whether and to what extent this impacted upon their depiction. It explores the question of a sacred/secular distinction in relation to the use and depiction of images of justice, and proposes that certain changes in such images can be read as responses to developments in the law and in the secular justice system. An introduction defines the essential elements of the subject and the main objectives of the thesis. As the thesis takes a social historical perspective, the first chapter provides details to establish the historical context for the following case studies. The main body of the thesis adopts a thematic approach. The second chapter examines the interrelationship of divine and secular justice through an analysis of images depicting the Last Judgment, or referencing its imagery. First it looks at several monumental representations of the Last Judgment, addressing developments in the artistic treatment of the torments of Hell in the context of changes in contemporary legal punishment practices. The chapter then explores further the relationship of earthly punishments and divine imageries, in a work not previously studied as an image of justice. The congruence in these artworks of sacred and secular elements allows a discussion of the interrelationship of these terms in relation to the contemporary conception and practices of justice. Further chapters examine how a new and increasing emphasis on the judge in the prosecution procedure from the early thirteenth century is mirrored in the artistic representation of secular and judicial authority after that period. This is first addressed by analysing images of the trials of Christ as examples of ‘secular’ justice in a religious or ‘sacred’ context, and exploring how contemporary issues relating to the administration of justice contribute to an understanding of changes in the iconography of these scenes. A fourth chapter addresses images more overtly associated with secular and judicial authority, offering a new perspective on these images as expressions of contemporary societal interests, many arising from the justice system, leading to their use as exemplars, to guide and inform. The thesis contributes to the debate on the distinction between the terms ‘sacred’ and ‘secular’ in the late medieval period, exploring how analysing artworks can lead to a better and more nuanced appreciation of the application of those terms in relation to the contemporary notion of justice. Further, my research has indicated that what could account most comprehensively for certain changes in the use and depiction of such images may be found in specific aspects of a justice system in transition.

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Emanuel, Angela. "Julia Cartwright, 1851-1924, art critic and historian of Renaissance Italy." Thesis, University College London (University of London), 1985. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.327552.

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Berzal, Javier. "The Spectacle of Space: Visual Experiences in the Early Modern Scenography of Italy." The Ohio State University, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=osu1397156627.

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Books on the topic "Volterra (Italy) in art"

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Marco, Bazzini, ed. Mauro Staccioli: Volterra, 1972-2009 : luoghi d'esperienza = sites of experience. Bologna: Damiani, 2009.

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Bavoni, Umberto. Giovan Paolo Rossetti in San Dalmazio. [Volterra]: Fotoimmagine Volterra, 1997.

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Fabio, Fiaschi, ed. Volterra: Museo Guarnacci. Pisa: Pacini, 1988.

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Bonamici, Silvia. I corali protocinquecenteschi della Cattedrale di Volterra: "sei antiphonarj grandj scripti in penna legati et copertati bene ...". [Pisa?]: Bandecchi & Vivaldi, 1995.

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Volterra: Il Museo etrusco. Ospedaletto (Pisa): Pacini, 2006.

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Guerraggio, Angelo. Vito Volterra. Berlin, Heidelberg: Springer Berlin Heidelberg, 2013.

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Guarnacci, Museo, ed. Volterra: The Guarnacci Etruscan Museum. Ospedaletto (Pisa): Pacini, 2004.

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Volterra, Pinacoteca di, ed. Il Rosso e Volterra. [Italy]: Giunta regionale toscana, 1994.

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Cipriani, Giovanni. Volterra e Firenze: Dalla guerra alla pace. Ospedaletto (Pisa): Pacini, 2010.

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Burresi, Mariagiulia. Pittori laurenziani a Volterra. Volterra: Fotoimmagine Volterra, 1992.

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Book chapters on the topic "Volterra (Italy) in art"

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Cast, David. "Artistic Biography in Italy." In A Companion to Renaissance and Baroque Art, 525–40. Oxford: John Wiley & Sons, 2013. http://dx.doi.org/10.1002/9781118391488.ch25.

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Vaccaro, Mary. "Drawing in Renaissance Italy." In A Companion to Renaissance and Baroque Art, 168–88. Oxford: John Wiley & Sons, 2013. http://dx.doi.org/10.1002/9781118391488.ch8.

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Tsakiridou, C. A. "The King of Glory in Italy." In Tradition and Transformation in Christian Art, 109–20. New York : Routledge, 2018. | Series: Routledge research in art and religion: Routledge, 2018. http://dx.doi.org/10.4324/9781351187275-8.

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Riccardi, Lorenzo. "Art and architecture for Byzantine monks in Calabria." In Greek Monasticism in Southern Italy, 96–143. 1st [edition]. | New York : Routledge, 2017.: Routledge, 2017. http://dx.doi.org/10.4324/9781315585871-5.

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Levine, David A. "The Dutch Encounter with Italy." In The Ashgate Research Companion to Dutch Art of the Seventeenth Century, 265–85. Burlington, VT: Ashgate, 2016.: Routledge, 2017. http://dx.doi.org/10.4324/9781315087146-12.

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Reiss, Sheryl E. "A Taxonomy of Art Patronage in Renaissance Italy." In A Companion to Renaissance and Baroque Art, 21–43. Oxford: John Wiley & Sons, 2013. http://dx.doi.org/10.1002/9781118391488.ch1.

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Kodera, Sergius. "Giovan Battista Della Porta’s Erotomanic Art of Recollection." In Sex, Gender and Sexuality in Renaissance Italy, 227–46. Abingdon, Oxon ; New York, NY : Routledge, 2019.: Routledge, 2019. http://dx.doi.org/10.4324/9781351008723-12.

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Plattner, Stuart. "Contemporary Art in a Renaissance Setting: The Local Art System in Florence, Italy." In An Anthropology of Contemporary Art, 105–19. New York: Bloomsbury Academic, An imprint of Bloomsbury Publishing Plc, 2017.: Routledge, 2020. http://dx.doi.org/10.4324/9781003084464-10.

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Bianchini, Silvia, Teresa Nolesini, Matteo Del Soldato, and Nicola Casagli. "Evaluation of Building Damages Induced by Landslides in Volterra Area (Italy) Through Remote Sensing Techniques." In Advancing Culture of Living with Landslides, 111–20. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-53483-1_14.

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Lisot-Nelson, Elizabeth. "Sculpting and Human Rights: An Exploration of Fasasi Abeedeen Tunde’s Works in Italy." In The Art of Human Rights, 103–30. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-30102-6_8.

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Conference papers on the topic "Volterra (Italy) in art"

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Xiao, Hu, Ma Hong, Peng Juan, and Tian Chen. "State-of-the-Art in Volterra Series Modeling for ADC Nonlinearity." In 2008 Second Asia International Conference on Modeling & Simulation. IEEE, 2008. http://dx.doi.org/10.1109/ams.2008.35.

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"Online Food for Brick and Mortar Retailers: State of the Art in Italy." In Budapest 2017 International Conferences. EAP, 2017. http://dx.doi.org/10.17758/eap.ed0917031.

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OBERTI, ILARIA, and FRANCESCA PLANTAMURA. "GREENERY SYSTEMS FOR URBAN SUSTAINABILITY: STATE OF THE ART AND PERSPECTIVE IN ITALY." In URBAN GROWTH 2018. Southampton UK: WIT Press, 2018. http://dx.doi.org/10.2495/ug180111.

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Felli, Ferdinando, Antonio Paolozzi, Cristian Vendittozzi, and Claudio Paris. "Smart Disaster Mitigation in Italy: A Brief Overview on the State of the Art." In ASME 2014 Conference on Smart Materials, Adaptive Structures and Intelligent Systems. American Society of Mechanical Engineers, 2014. http://dx.doi.org/10.1115/smasis2014-7631.

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Italy is notoriously exposed to several natural hazards, from hydrological to volcanic and, above all, to seismic activity that affects a large part of the national territory. Historically the devastating effects of tsunamis have also been recorded, despite the peninsula is confined in the Mediterranean basin (i.e. Messina earthquake in 1908, and more recent the activity of the undersea volcano “Marsili”). Since Italy is particularly exposed to such hazards, many research institutions are involved in campaigns about monitoring, prevention and mitigation of the effects of such phenomena, with the aim to secure and protect human lives, and secondly, the remarkable cultural heritage. The present paper will first make a brief excursus on the main Italian research projects aimed at the mitigation of environmental disasters, referring to projects of national and international relevance, being implemented, such as the MOSE (for the containment of the tides and of high water, for the preservation of cultural and artistic heritage of Venice and of the entire ecosystem of the lagoon); the research in earthquake-resistant structures performed for instance by ENEA and finally the COSMO-SkyMed (CSK) program of the Italian Space Agency (ASI), which has among its purposes the environmental monitoring and surveillance applications for the management of exogenous, endogenous and anthropogenic risks. Furthermore in the paper, it will be described some new ideas concerning the use of smart materials and structures capable of self-monitoring and self-diagnosis of the risk of failure and adapting itself to environmental condition variations, in order to avoid catastrophic effects, thanks to an integrated network of sensors and actuators.

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Yang, Yeqiu, and Daojing Wang. "The Differences between Art and Design in Italy and China: Definition, Education and Practice." In 2018 2nd International Conference on Management, Education and Social Science (ICMESS 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/icmess-18.2018.33.

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Ji, Wei, and Woon-Seng Gan. "Inverse system design based on the Volterra modeling of a parametric loudspeaker system." In NONLINEAR ACOUSTICS STATE-OF-THE-ART AND PERSPECTIVES: 19th International Symposium on Nonlinear Acoustics. AIP, 2012. http://dx.doi.org/10.1063/1.4749374.

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"Real Estate and Real Estate Education in Italy. Assessing the current state of the art." In 18th Annual European Real Estate Society Conference: ERES Conference 2011. ERES, 2011. http://dx.doi.org/10.15396/eres2011_285.

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Desideri, Umberto, Stefania Proietti, and Livia Arcioni. "Analysis and Statistic Evaluation of Distributed Generation in Italy." In ASME 7th Biennial Conference on Engineering Systems Design and Analysis. ASMEDC, 2004. http://dx.doi.org/10.1115/esda2004-58129.

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This paper presents a complete analysis of the state of the art and the legislation of distributed generation in Italy, which is similar to other EU countries, and statistic data on combined heat and power plants installed in Italy. Data was collected from a large number of sources, because most of the small size plants are operated by IPP without an electrical exchange contract with the grid and are not documented. The results of this research has allowed to show that 22.000 MW can be generated by over 1600 power plants spread over the Italian territory. A more detailed analysis and validation of the information was done with reference to Umbria, a central Italian region. The whole database was examined with several correlations in order to facilitate the analysis of the national situation. It is thus possible to query the database in order to determine the types of users, the typical size for different users and their geographic distribution. This tool is extremely helpful in the design of new power plants and in the definition of the potential future market.

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Monsalve Lorente, Laura, Antonio D´Avino, and Isabel María Gallardo Fernández. "USE OF ICT IN THE TEACHING OF ART AND DESIGN IN THE CONTEXT OF SECONDARY EDUCATION IN ITALY." In 13th International Technology, Education and Development Conference. IATED, 2019. http://dx.doi.org/10.21125/inted.2019.1283.

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Li, Zhu, and Wei Li. "Discussion on the Future Development Trend of Domestic Art Design Education and the Comparison with Italy Design Education." In 6th International Conference on Social Science, Education and Humanities Research (SSEHR 2017). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/ssehr-17.2018.122.

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