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Books on the topic 'Volume and accuracy of visual memory'

Author: Grafiati

Published: 3 June 2025

Last updated: 31 July 2025

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1

Schorch, Philipp, and Daniel Habit, eds. Curating (Post-)Socialist Environments. transcript Verlag, 2021. http://dx.doi.org/10.14361/9783839455906.

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In which ways are environments (post-)socialist and how do they come about? How is the relationship between the built environment, memory, and debates on identity enacted? What are the spatial, material, visual, and aesthetic dimensions of these (post-)socialist enactments or interventions? And how do such (post-)socialist interventions in environments become (re)curated? By addressing these questions, this volume releases ›curation‹ from its usual museological framing and carries it into urban environments and private life-worlds, from predominantly state-sponsored institutional settings with

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2

Boven, Erica, and Marieke Winkler, eds. The Construction and Dynamics of Cultural Icons. Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463728225.

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Departing from the present need for cultural models within the public debate, this volume offers a new contribution to the study of cultural icons. From the traditional religious icon to the modern mass media icon, from the recognizable visual icon to the complex entanglement of image and collective narratives: The Construction and Dynamics of Cultural Icons offers an overview of existing theories, compares different definitions and proposes a comprehensive view on the icon and the iconic. Focusing in particular on the making of iconic representations and their changing social-cultural meaning

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3

Cusimano, Addie. Achieve: A Visual Memory Program--Levels V & VI, Grades 7 & 8 (2-Volume Set). 7th ed. Achieve Publications, 2003.

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4

Cusimano, Addie. Achieve: A Visual Memory Program--Levels I-IV, Grades 1-6 (4 Volume Set). Achieve Publications, 2003.

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5

Sudoku Easy Level Volume I - 300 Puzzles: Activity Book for Children, Teenagers, Adults and Grandparents. Concentration, Visual Memory, Brain Game, 300 Easy Sudoku Puzzles, Large Format 8,5 X 11 Inches, 1 Grid per Page. Independently Published, 2020.

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6

EDITION, Tresor, and Jin Yang. Sudoku Champion Level Volume I - 300 Puzzles: Activity Book for Children, Teens, Adults and Grandparents. Concentration, Visual Memory, Brain Game, 300 Champion Level Sudoku Puzzles, Large Format 8,5 X 11 Inches, 1 Grid per Page. Independently Published, 2020.

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7

EDITION, Tresor, and Jin Yang. Sudoku Champion Level Volume II - 200 Puzzles: Activity Book for Children, Adolescents, Adults and Grandparents. Concentration, Visual Memory, Brain Game, 200 Champion Level Sudoku Puzzles, Large Format 8,5 X 11 Inches, 1 Grid per Page. Independently Published, 2020.

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8

Skrodzka, Aga, Xiaoning Lu, and Katarzyna Marciniak, eds. The Oxford Handbook of Communist Visual Cultures. Oxford University Press, 2019. http://dx.doi.org/10.1093/oxfordhb/9780190885533.001.0001.

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The Oxford Handbook of Communist Visual Cultures critically examines and historically reconstructs the visual practices that have accompanied social transformations initiated by communist ideals in various parts of the world in the twentieth century. Bringing together diverse and broadly understood visual texts, including architecture, interior design, cartoons, computer games, fashion, photography, film and television, this volume explores how communism engages the visual. It is divided into five themed sections, focusing, respectively, on materiality; institutional factors and theoretical di

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9

Schwedler, Gerald, Beate Dignas, Gerald Schwedler, et al., eds. A Cultural History of Memory in the Middle Ages. Bloomsbury Publishing Plc, 2020. http://dx.doi.org/10.5040/9781474206785.

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This volume covers the vast field of memory, commemoration and the art of memory in the Middle Ages. Memory was not only a religious, social and historical phenomenon but also a driving factor in cultural life and in the production of art. It played an important role in medieval intellectual, visual and material culture, touching on almost all spheres of personal and social life. Yet the perception of memory did not remain static. The period covered by this volume, 500-1450, was one of enormous change in the way memory was understood, expressed, and valued. The authors of the essays trace the

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10

Meade, Michelle L., Celia B. Harris, Penny Van Bergen, John Sutton, and Amanda J. Barnier. Collaborative Remembering: Background and Approaches. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198737865.003.0001.

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In this introduction to the edited volume, Collaborative Remembering: Theories, Research, and Applications, we first provide a historical context that highlights the emerging focus on social factors in the study of memory. We then consider the range of social memory phenomena examined in the book including remembering with an intended future audience, remembering in the presence of others, remembering in direct collaboration with others, and remembering in larger social and cultural contexts. We also discuss the various methods used in the book to measure collaborative remembering, including p

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11

Cox, Richard J., and David A. Wallace, eds. Archives and the Public Good. Praeger, 2002. http://dx.doi.org/10.5040/9798400614118.

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This volume widens the perspective of the roles that records play in society. As opposed to most writings in the discipline of archives and records management which view records from cultural, historical, and economical efficiency dimensions, this volume highlights that one of the most salient features of records is the role they play as sources of accountability—a component that often brings them into daily headlines and into courtrooms. Struggles over control, access, preservation, destruction, authenticity, accuracy, and other issues demonstrate time and again that records are not mute obse

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12

Pitassio, Francesco. Neorealist Film Culture 1945-1954. Amsterdam University Press B.V., 2019. http://dx.doi.org/10.5040/9789048561537.

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Unique, truthful, brutal... Neorealism is often associated with adjectives stressing its peculiarities in representing the real, its lack of antecedents, and its legacy in terms of film style. While this is useful when confronting auteurs such as De Sica, Rossellini or Visconti, it becomes problematic when examining a widespread cultural practice that realistic modes deeply affected. This cultural production included filmmaking, literature, visual culture and photography, as well as media discourses. It was internally contradictory but fruitful inasmuch as its legacy influenced national cultur

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13

Allbeson, Tom, Pippa Oldfield, and Jolyon Mitchell, eds. Picturing Peace. Bloomsbury Publishing Plc, 2024. https://doi.org/10.5040/9781350258884.

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How can photographers, curators, and editors convey narratives of peace and not just stories of war?Providing interdisciplinary and international perspectives on timely debates,Picturing Peaceexplores humanitarianism and visual culture, community collaboration, collective memory, and imagined futures for creating and sustaining of civil societies. How things look and are perceived are not superficial issues; when it comes to war and conflict, photography is vitally relevant not only to documenting violence, but also to rebuilding peaceful societies. The volume examines the intersecting issues

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14

Dreier, Thomas, and Tiziana Andina, eds. Digital Ethics. Nomos Verlagsgesellschaft mbH & Co. KG, 2022. http://dx.doi.org/10.5771/9783748934011.

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Digital images raise ethical issues that have so far received only little attention. The discrete pixels of digital images can be freely combined. Compared to the dissemination of analog images the net enables dis-proportionately greater control over how digital images are to be distributed. As of today, the consequences for contemporary visual communication as well as for the cultural visual memory are all but clear. Can there be an applied ethics of digital images at all? What could be the content of such a normative ethics? And what is the relationship between ethics and the law of digital

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15

Brown, Kimberly Juanita. Black Elegies. The MIT Press, 2025. https://doi.org/10.7551/mitpress/15549.001.0001.

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A poignant, unflinching study of black grief as a form of elegy found in visual art, music, literature—everywhere, if you know how to see it. In Black Elegies, Kimberly Juanita Brown examines the form of the elegy and its unique capacity to convey the elongated grief borne of sustained racial violence. Structured around the sensorial, the book moves through sight, sound, and touch to reveal what Okwui Enwezor calls the “national emergency of black grief.” With her characteristic literary skill, Brown analyzes the work of major figures including Toni Morrison, Carrie Mae Weems, Audre Lorde, and

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16

Veg, Sebastian, ed. Popular Memories of the Mao Era. Hong Kong University Press, 2019. http://dx.doi.org/10.5790/hongkong/9789888390762.001.0001.

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Over the past 10 or 15 years in China, there has been unprecedented critical public discussion of key episodes in PRC history, in particular the Great Famine of 1959-1961, the Anti-Rightist movement of 1957, and the Cultural Revolution, with the wave of Red Guard apologies. These discussions are quite different from previous expressions of traumatic or nostalgic memories of the Mao era, respectively in the 1980s and 1990s. They reflect both growing dissatisfaction with the authoritarian control over history exercised by the Chinese state, and the new spaces provided for counter-hegemonic narra

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17

Nalbantian, Suzanne, and Paul M. Matthews, eds. Secrets of Creativity. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190462321.001.0001.

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This book draws from leading neuroscientists and scholars in the humanities and the arts to probe creativity in its many manifestations, including the everyday mind, the exceptional mind, the pathological mind, the scientific mind, and the artistic mind. It offers a brand new interdisciplinary approach revealing secrets of creativity that emerge from our everyday lives and from the minds of exceptional individuals and their discoveries or creations. Neuroscientists, psychologists, and humanities researchers provide new insights about the workings of the creative brain. Components of creativity

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18

Greig, Matilda, and Nicole Cochrane, eds. Napoleonic Objects and their Afterlives. Bloomsbury Publishing Plc, 2025. https://doi.org/10.5040/9781350415102.

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Two centuries after Napoleon Bonaparte’s death, this edited volume brings together a diverse group of historians, art historians, and museum professionals to critically examine the enduring power of visual and material culture in the making of Napoleonic memory.While most discussions surrounding the legendary figure explore his impact on legislative, political, or military reform, this innovative volume explores the global dimensions of the trade in Napoleonic collectibles, art, and relics over time. Representing new avenues of research and scholarship,Napoleonic Objects and their Afterlivesin

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19

Barkman, Adam, Ashley Barkman, and Nancy Kang. Culture and Philosophy of Ridley Scott. The Rowman & Littlefield Publishing Group, 2013. https://doi.org/10.5040/9781978732025.

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The Culture and Philosophy of Ridley Scott, edited by Adam Barkman, Ashley Barkman, and Nancy Kang, brings together eighteen critical essays that illuminate a nearly comprehensive selection of the director’s feature films from cutting-edge multidisciplinary and comparative perspectives. Chapters examine such signature works as Alien (1979), Blade Runner (1982), Thelma and Louise (1991), Gladiator (2000), Hannibal (2001), Black Hawk Down (2001), and American Gangster (2007). This volume divides the chapters into three major thematic groups: responsibility, remembering, and revision; real, alien

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