Relevant bibliographies by topics / Vonnegut, Kurt. Slaughterhouse-five

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Academic literature on the topic 'Vonnegut, Kurt. Slaughterhouse-five'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Vonnegut, Kurt. Slaughterhouse-five"

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Sofyan, Ilhamdi Hafiz. "“There Is No Good War”: The Firebombing of Dresden and Kurt Vonnegut’s View Towards World War II in Slaughterhouse-Five." Vivid Journal of Language and Literature 6, no. 2 (2019): 60. http://dx.doi.org/10.25077/vj.6.2.60-67.2017.

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This study discusses Kurt Vonnegut's view of war reflected in his novel Slaughterhouse-Five and also his efforts in conveying his views through his novel. This novel is based on the experience of Kurt Vonnegut during World War II when he was imprisoned in a German city called Dresden and witnessed the destruction of the city on February 13, 1945 in an Allied bombing operation. In the novel, Vonnegut rewrote his experience in the form of a fiction. In discussing this literary work, I used the expressive theory by M. H. Abrams which was supported by a historical and biographical approach. In analyzing this literary work, I took quotes from the novel Slaughterhouse-Five as the main data as well as other data as secondary data, such as the biography of the author, interviews with the author taken from various sources, as well as writings on author that is relevant to the discussion in this study. The result show that Kurt Vonnegut see war as something that was completely meaningless and only caused destruction and death for innocent residents. Kurt Vonnegut uses narrative techniques such as black humor, irony, and metaphysics at Slaughterhouse-Five so that his views on war can be conveyed to his readers.
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Khaleel(M.A), Intisar Rashid. "Time Travel in Kurt Vonnegut's Slaughterhouse- Five." ALUSTATH JOURNAL FOR HUMAN AND SOCIAL SCIENCES 224, no. 1 (2018): 89–100. http://dx.doi.org/10.36473/ujhss.v224i1.250.

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For many years, time travel was the stuff of science fiction. This was all just part of the world's imagination until recently. Science authors, among them, Kurt Vonnegut (1922-2007) post-modern American writer, believe that one can travel through time forward or backward asking his memories and stream of consciousness to give sensory impressions of his thoughts and actions, that what Billy did in Vonnegut's Slaughter house- Five (1969). The protagonist Billy Pilgrim finds himself "unstuck in time" jumping between several periods of his life. Travelling between his experiences as a prisoner of war in World War II to his family life in 1950s, and 1960s and his time on Tralfmadorian Planet, Billy has the freedom and ability to travel; he has no control over these transitions. The present study falls into three sections plus a conclusion. The first section deals with the concept of time travel in literature and fiction. Section two presents historical and literary context to Vonnegut's novel. The treatment of time travel concept will be discussed in the third section. Then, the conclusions which sum up the findings of the research.
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Shi, Jing. "On the Postmodern Narrative Techniques in Slaughterhouse-Five." Theory and Practice in Language Studies 9, no. 5 (2019): 553. http://dx.doi.org/10.17507/tpls.0905.09.

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Kurt Vonnegut is admitted as a great master of postmodern writer. Vonnegut’s success is mainly attributed to his unique narrative approaches, various expressive methods and dramatic artistic effects. The application of metafiction is particularly obvious and significant in his novels. Slaughterhouse-Five is one of typical examples of the successful adoption of metafiction. The metafiction of Vonnegut’s style, applied in Slaughterhouse-Five, shows itself in three distinctive approaches—non-linear narrative, collage and parody. Based on postmodern narrative theory, the application of these three distinctive narrative techniques will be analyzed in details in this thesis. The analysis mainly includes the reasons why they are applied in the novel and the functions how they work. The paper is mainly divided into five parts. Relevant information of Vonnegut, postmodern metafiction and previous researches are introduced in the first chapter. After getting better acquainted with basic knowledge, three narrative methods of Vonnegut’s metafiction including non-linear narrative, collage and parody are separately and detailedly analyzed in the following three chapters. Every method applied in the novel deepens the anti-war theme, and then exposes war’s evilness and absurdity further. Finally, the last part is a conclusion which is an emphasis on effects of Vonnegut’s unique narrative techniques.
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BABAEI, ABDOLRAZAGH, and AMIN TAADOLKHAH. "Portrayal of the American Culture through Metafiction." Journal of Education Culture and Society 4, no. 2 (2020): 9–15. http://dx.doi.org/10.15503/jecs20132.9.15.

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Kurt Vonnegut’s position that artists should be treasured as alarm systems and as biological agents of change comes most pertinent in his two great novels. The selected English novels of the past century – Cat’s Cradle (1963), Slaughterhouse Five (1969), and Breakfast of Champions (1973) – connect the world of fiction to the harsh realities of the world via creative metafictional strategies, making literature an alarm coated with the comforting lies ofstorytelling. It is metafi ction that enables Vonnegut to create different understandings of historical events by writing a kind of literature that combines facts and fiction. Defi ned as a kind of narrative that “self-consciously and systematically draws attention to its status as artefact” metafiction stands against the duplicitous “suspension of disbelief” that is simply an imitation and interpretation of presumed realities. As a postmodern mode of writing it opts for an undisguised narration that undermines not only the author’s univocal control over fiction but also challenges the established understanding of the ideas. Multidimensional display of events and thoughts by Vonnegut works in direction of metafiction to give readers a self-conscious awareness of what they read. Hiroshima bombing in 1946 and the destruction of Dresden in Germany by allied forces in World War II are the subjects of the selected novels respectively. In them Vonnegut presents a creative account in the form of playful fictions. The study aims to investigate how the novelist portrayed human mentality of the American culture by telling self-referentialstories that focus on two historical events and some prevailing cultural problems.
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Kavalir, Monika. "Modal structure in Kurt Vonnegut's Slaughterhouse-five." Acta Neophilologica 44, no. 1-2 (2011): 103–11. http://dx.doi.org/10.4312/an.44.1-2.103-111.

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The article analyses modal structure (tense, polarity) in Kurt Vonnegut's novel Slaughterhouse-Five within the framework of Systemic-Functional Grammar. The analysis of the Mood element shows the prevailing pattern to be past positive; the use of present tenses embodies Vonnegut's specific non-linear concept of time. Similarly, the absence of negative polarity builds the deterministic belief that pervades the novel.
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Kavalir, Monika. "Kurt Vonnegut's Slaughterhouse-five : a functional grammar perspective." Acta Neophilologica 39, no. 1-2 (2006): 41–50. http://dx.doi.org/10.4312/an.39.1-2.41-50.

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The paper tries to analyse the style of Kurt Vonnegut's Slaughterhouse-Five with the tool of Hallidayan systemic-functional grammar. Its aim is to explore in what way the syntactic and thematic structure helps construct the sentiment of fatalism and simplicity, and how it reinforces the novel's concept of time.
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Byungjoo Park. "Kurt Vonnegut’s Slaughterhouse-Five: Postmodern Narrative and History Rewriting." Jungang Journal of English Language and Literature 56, no. 4 (2014): 135–51. http://dx.doi.org/10.18853/jjell.2014.56.4.007.

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Fatma, Khalil Mostafa el Diwany. "So it goes: A postmodernist reading of Kurt Vonneguts Slaughterhouse-Five." International Journal of English and Literature 5, no. 4 (2014): 82–90. http://dx.doi.org/10.5897/ijel2013.0548.

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Ansu Louis. "The Economy of Desire in Kurt Vonnegut's Slaughterhouse-Five." symplokē 26, no. 1-2 (2018): 191. http://dx.doi.org/10.5250/symploke.26.1-2.0191.

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Singh, Sukhbir. "Time, War and The Bhagavad Gita: A Rereading of Kurt Vonnegut's Slaughterhouse-Five." Comparative Critical Studies 7, no. 1 (2010): 83–103. http://dx.doi.org/10.3366/e1744185409000962.

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Dissertations / Theses on the topic "Vonnegut, Kurt. Slaughterhouse-five"

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Knippel, Mark Jacob 1983. "The Amber of the Moment." Thesis, University of Oregon, 2011. http://hdl.handle.net/1794/11486.

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1 score (vii, 56 p.) Includes one sound recording in AIFF (Audio Interchange File Format)<br><italic>The Amber of the Moment</italic> is a thirteen-minute composition for orchestra. Inspiration for this piece is drawn from two sources: the novel <italic>Slaughterhouse Five</italic> by Kurt Vonnegut Jr., and my desire to utilize techniques derived from various musical cultures, including Balinese gamelan and African drumming and marimba playing. Although not directly narrative, much of the imagery portrayed in <italic>Slaughterhouse Five</italic> informed the emotional landscape of the piece. As to the use of techniques from other cultures, my aim is not to merely imitate them, but to utilize them in a manner appropriate to the tradition of orchestral concert music.<br>Committee in charge: Dr. David Crumb, Chairperson; Dr. Robert Kyr, Member; Dr. Stephen Rodgers, Member
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Langdon, Gareth. "A self-conscious Kurt Vonnegut: an analysis of Cat's Cradle, Slaughterhouse-Five and Breakfast of Champions." Master's thesis, University of Cape Town, 2014. http://hdl.handle.net/11427/6802.

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The works of Kurt Vonnegut stand as seminal in the American literary canon. Looking at three of his most influential novels, namely Cat's Cradle, Slaughterhouse-Five and Breakfast of Champions, this study aims to better understand the mechanisms which inform his fiction. Working chronologically through the novels, the study examines historical context, narrative technique, theoretical underpinnings and the social critique of each novel. Guided by an idea of the postmodern novel the study examines how these elements interact, concluding that by way of what may be considered "simple" yet self-conscious metafiction and prose as well as variations in narrative technique, Vonnegut is able to more accurately convey his opinions on the American situation as well as demonstrate his stance on the role of fiction and the writer in contemporary society. The study also considers closely the role of the reader and the author/reader/text relationship.
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Libeg, Nicholas R. "Thus Spoke Billy Pilgrim: Kurt Vonnegut's Nietzschean Thought." Youngstown State University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=ysu1391773726.

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Keegan, Diana Morna Gerrard Dickson. "A study of Camus' notion of the absurd and its mythology in "Catch-22" and "Slaughterhouse-Five"." Access to citation, abstract and download form provided by ProQuest Information and Learning Company; downloadable PDF file, 139 p, 2008. http://proquest.umi.com/pqdweb?did=1460433511&sid=5&Fmt=2&clientId=8331&RQT=309&VName=PQD.

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Conklin, Robert Brian. "A fools' parade through three modern American novels : Catch-22, Slaughterhouse-five, and the World according to Garp /." Connect to resource, 1986. http://rave.ohiolink.edu/etdc/view.cgi?acc%5Fnum=osu1243521288.

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Mills, Mark Spencer. "Interrogating History or Making History? Vonnegut's Slaughterhouse-Five, DeLillo's Libra, and the Shaping of Collective Memory." Diss., CLICK HERE for online access, 2006. http://contentdm.lib.byu.edu/ETD/image/etd1524.pdf.

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Doherty, John E. "SNAFU reconsidered the evolution of writing a true war story from Vonnegut's "Slaughterhouse five" to Tim O'Brien's "How to tell a true war story", and the blogs of "The sandbox" /." Click here for download, 2009. http://proquest.umi.com/pqdweb?did=1697854261&sid=1&Fmt=2&clientId=3260&RQT=309&VName=PQD.

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Kall, Filip. "”There is no why” : A Psychoanalytic Approach to Trauma and Delusion in Kurt Vonnegut’s Slaughterhouse-Five." Thesis, Högskolan i Gävle, Avdelningen för humaniora, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:hig:diva-31429.

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Slaughterhouse-Five by Kurt Vonnegut provides a profound discussion on how the many traumas of war affect the human psyche. The novel’s protagonist, Billy Pilgrim, is a direct witness of many horrific events in World War II, which causes certain life-changing symptoms later in his life. This essay examines the psychological processes of Billy Pilgrim in relation to the traumatic events he experiences in the war. More specifically, Billy’s delusions of supernatural nature are discussed in an attempt to find a connection to the war-trauma. In doing this, the analysis utilizes a psychoanalytic approach to explore the theoretical concepts of trauma and delusion. The essay then identifies certain key moments that are of significance to the development of Billy Pilgrim’s psychological processes and investigates how the different events affect his psyche. Furthermore, Billy’s delusions are discussed to identify their cognitive functions. The analysis finds a clear connection between Billy’s delusions and his trauma, and the essay finds that several of his psychological mechanisms are supported by the corresponding ideas within the psychoanalytic framework. Moreover, a progression of his symptoms is identified and discussed in relation to his experiences in World War II.
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Chen, Jolene Lipu, and 陳笠菩. "Fatalism in Kurt Vonnegut''s Slaughterhouse-Five." Thesis, 2002. http://ndltd.ncl.edu.tw/handle/60919552480947708970.

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碩士<br>國立中正大學<br>外國語文研究所<br>90<br>Abstract Fatalistic perspective assertions permeate throughout Kurt Vonnegut’s fiction Most of the commentators and readers seem to treat Vonnegut as a believer of fatalism. He seems to advocate “resigned acceptance” and encourage “passive behaviors” of his protagonist, Billy Pilgrim, in his Slaughterhouse-Five. Vonnegut even describes human condition as “bugs trapped in amber,” for he had seen too many dark sides in human nature. But this thought still leave to be controversial. And yet I prefer taking him as a fighter to seeing him a fatalist from my observation in the novel. Although, we could see many fatalistic assertions such as “So it goes,” “There is no why,” and “The moment is structured that way” to emphasize the thought that Vonnegut seems to approve such fatalistic attitude of his protagonist. However, like his protagonist, Billy, Vonnegut could have withdrawn from the reality into a personal illusionary fantasy and pretended there was nothing bad at all after witnessing the firestorm in Dresden. Instead, he took twenty-three years to collect enough information to finish his masterpiece, Slaughterhouse-Five. Vonnegut seemed to be sad and affected by war deeply for it seemed that he imprisoned himself into his fiction when the subject was concerned with the bombing at Dresden. In Slaughterhouse-Five, the author, Vonnegut, describes Billy seems to be imprisoned into his fate; but the author also offers his protagonist free will to start his preaching about the futility of free will after surviving from the plane crash. When we inspect this anecdote carefully enough, we would see that Vonnegut seems to satirize the humanity here instead of promoting the fatalistic concepts in the novel. This thesis is an attempt to explore a possibility that Vonnegut’s employing fatalistic perspective assertions in Slaughterhouse-Five aim to offer a protest and further to satirize the injustice and inhumanity to this world. Therefore, Vonnegut acts more like a fighter than a fatalist. Thus, chapter one focuses on Vonnegut’s life and war experiences. From his negative view to human nature, I attempt to reinforce the impression that Vonnegut believes there is a possibility that this universe runs by fate, chance, and necessity. And yet, from the fact that this book also took him twenty-three years to gather information and compose, implying a message that Vonnegut tends to arouse people’s attention to notice the devastation of Dresden really happened. And also through his satirical attacks to suggest Vonnegut’s very message of this novel seems to indicate human should surpass human limitation to uphold the inherited good nature. In chapter two, the focus is put on how Vonnegut employs the frame of aliens’ abducting Billy, and infuses the author’s personal philosophy from these aliens, and thus creates a fatalistic world in the novel. He introduces the aliens’ concepts of time and death and integrates them to bring in a world full of fatalistic phrases in Slaughterhouse-Five. As to chapter three, it mainly discusses how Vonnegut presents his protagonist is intervened by fate during his war time and postwar lives; and how Billy under his unmet psychological need creates a fanatical alien world, the Tralfamadore, to escape and survive. In conclusion, I conclude that besides fatalism acts as a writing technique in Slaughterhouse-Five to let his unspeakable story to be told, Vonnegut’s true message or spirit of the book is to convey that the past cannot be changed but we can change the future through making a good use of present despite fate’s intervention. Also, we should fear no death but learn the true meaning of life. Although, wars come like glaciers, we still could sustain our inherited goodness and learn to live with love and compassion, and hope no war again. Just break the amber, which symbolizes the bondage of human nature, if we dare to try we would turn the inevitability into possibility of daily events. Thus, Fatalism in Slaughterhouse-Five should act like a writing tool for Vonnegut to offer his subtle protest to the world’s inhumanity and injustice instead of advocating the concept of fatalism here.
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Velazquez, Yanina de los Angeles. "The fictionalization of history and the personal stories in Obasan and Slaughterhouse-five." Tesis, 2014. http://hdl.handle.net/11086/1582.

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The nature of history has always been studied and analyzed from different perspectives throughout the centuries. Following a postmodern position, many theorists have explored history and have questioned it critically in the light of the present. The postmodern theorist Brenda Marshall has stated, “History in the postmodern moment becomes histories and stories.” Scholars have been interested in the stories that are not told and need to be reconstructed to reveal other stories that have been hidden and silenced for a long time, and, in some cases, they were written with ideological implications on the part of a dominant group in society.<br>Universidad Nacional de Córdoba. Facultad de Lenguas<br>Velazquez, Yanina de los Angeles. Universidad Nacional de Córdoba. Facultad de Lenguas; Argentina
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Books on the topic "Vonnegut, Kurt. Slaughterhouse-five"

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Smith, Dennis Stanton. Slaughterhouse-five: Notes. Cliffs Notes, 1997.

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Kurt Vonnegut, Jr.'s Slaughterhouse-five. Research & Education Association, 1996.

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Klinkowitz, Jerome, and Jerome Klinkowitz. Slaughterhouse-five: Reforming the novel and the world. Twayne Publishers, 1990.

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Boon, Kevin A. Kurt Vonnegut: Slaughterhouse-five and Cat's cradle. Marshall Cavendish Benchmark, 2012.

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Kurt Vonnegut's Slaughterhouse-five. Barron's Educational Series, Inc., 1985.

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War in Kurt Vonnegut's Slaughterhouse-five. Greenhaven Press, 2011.

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Kurt, Vonnegut. Kurt Vonnegut, Jr. Reads "Slaughterhouse Five". Caedmon, 1992.

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Kurt, Vonnegut. Kurt Vonnegut's Slaughterhouse Five (Monarch Notes) A Critical Commentary. Monarch Press, 1986.

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Klinkowitz, Jerome. Slaughterhouse-Five: Reforming the Novel and the World (Twayne's Masterwork Studies). Twayne Pub, 1989.

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Klinkowitz, Jerome. Slaughterhouse-Five: Reforming the Novel and the World (Twayne's Masterwork Studies, No 37). Twayne Publishers, 1989.

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Book chapters on the topic "Vonnegut, Kurt. Slaughterhouse-five"

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Böker, Uwe, and Frank Kelleter. "Vonnegut, Kurt: Slaughterhouse-Five or The Children's Crusade." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_18834-1.

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Broer, Lawrence R. "Duty Dance with Death: A Farewell to Arms and Slaughterhouse-Five." In New Critical Essays on Kurt Vonnegut. Palgrave Macmillan US, 2009. http://dx.doi.org/10.1057/9780230100817_10.

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Ferro Milone, Giulia. "Mensch-Tier-Begegnungen in Kurt Vonneguts Roman Slaughterhouse-Five." In Cultural Animal Studies. J.B. Metzler, 2019. http://dx.doi.org/10.1007/978-3-476-04939-1_15.

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Giannakopoulos, Giorgos. "Out of the Ruins of Dresden: Destructive Plasticity in Kurt Vonnegut’s Slaughterhouse-Five." In Ruins in the Literary and Cultural Imagination. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-26905-0_9.

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Hicks, Andrew John. "Slaughterhouse-Five." In Posthumanism in the Novels of Kurt Vonnegut. Routledge, 2020. http://dx.doi.org/10.4324/9780367521646-10.

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Klinkowitz, Jerome. "The Personal Novels: ‘Slaughterhouse-Five’, ‘Breakfast of Champions’, ‘Slapstick’ and ‘Jailbird’." In Kurt Vonnegut. Routledge, 2019. http://dx.doi.org/10.4324/9780429327056-4.

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"Religion and Morality in Slaughterhouse-Five by Kurt Vonnegut." In Opposing Censorship in Public Schools. Routledge, 1997. http://dx.doi.org/10.4324/9781410601414-13.

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Chaney, Anthony. "Difficulties at the Metalevel." In Runaway. University of North Carolina Press, 2017. http://dx.doi.org/10.5149/northcarolina/9781469631738.003.0003.

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The narrative setting for chapter 2 is the Veterans Administration Hospital in Palo Alto, California, in the 1950s, where Bateson lead the double-bind research group investigating paradox and disorder in family relations. The chapter traces the early development of the double-bind theory of schizophrenia and its source in Russellian logical paradox. It discusses the double bind as a resonant and empirically rich example of similar constructs that distilled the modern predicament as an impossible dilemma. Other examples include Joseph Heller's catch-22, Reinhold Niebuhr's reformulation of original sin and his Serenity Prayer; Albert Camus's concept of the absurd and his novel The Stranger; and constructions in Kurt Vonnegut, Jr.'s Slaughterhouse Five. Double-bind equivalents as reactions to the atom bomb are described in works such as Joanna Greenberg's I Never Promised You a Rose Garden, Allen Ginsberg's Howl, and the film Rebel Without a Cause. Meanwhile, social critics such as Lewis Mumford used psychiatric and systems theory language and paradoxical constructions to talk about the failure of "pragmatic liberalism," the arms race, and policies of nuclear deterrence.
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