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Journal articles on the topic 'Vonnegut'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Klier, Gabriela, and Andrés Vaccari. "A Tentative Tangling of Tendrils." Environmental Humanities 16, no. 3 (2024): 571–89. http://dx.doi.org/10.1215/22011919-11327380.

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Abstract This article carries out a diffractive reading of Kurt Vonnegut through the writings of Donna Haraway. Vonnegut and Haraway never read each other, yet this essay argues that they are kindred spirits, or oddkin. Both authors challenge the distinction between theory and fiction in their practice. The approach of Vonnegut’s work from the perspective of Haraway’s is through the polysemic notion of SF and her diagnosis of the “trouble.” The reading has two parts. First, it focuses on Vonnegut’s diagnosis of the trouble, leading deep into the military-industrial-entertainment complex with i

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2

Shafi, Uzma. "Postmodernist Literary Movement: A Comprehensive Study of Technique in Vonnegut’s Novels." International Journal of English Literature and Social Sciences 2, no. 4 (2017): 203–12. http://dx.doi.org/10.22161/ijels.2.4.24.

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Kurt Vonnegut is an integral part of the postmodernist literary movement and a master of satire, gallows humor, and science fiction. The uniqueness of Vonnegut's works is that in addition to having excellent themes, the novels are also technically accomplished and colorful. Vonnegut refuses to confine himself to a single form of fiction, which is something that is certainly clear from a review of his books. In reality, modal diversity is demonstrated in each of his works. Vonnegut, a man of profound vision, tries to experiment with brilliant techniques in his novels, including science fiction,

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3

Herbert, J. X., and Suresh Frederick. "Love and Charity: A Biblical Humanistic Study of Kurt Vonnegut’s God Bless You Mr. Rosewater." World Journal of English Language 12, no. 5 (2022): 83. http://dx.doi.org/10.5430/wjel.v12n5p83.

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This paper attempts to see how Kurt Vonnegut’s God Bless You, Mr. Rosewater offers biblical humanism as an antidote to the self-centred attitude that plagues human society. Here Vonnegut is suggesting that a combination of the biblical tenets of charity and love together is the hope for the future. While humanism emphasised individualism, the Gospels insists on individual acts of charity and love. So, a biblical humanism demonstrated through individualised acts of love and charity can counteract the sufferings caused by greed-driven selfish behaviours that are responsible for most of the priva

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4

Sofyan, Ilhamdi Hafiz. "“There Is No Good War”: The Firebombing of Dresden and Kurt Vonnegut’s View Towards World War II in Slaughterhouse-Five." Vivid Journal of Language and Literature 6, no. 2 (2019): 60. http://dx.doi.org/10.25077/vj.6.2.60-67.2017.

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This study discusses Kurt Vonnegut's view of war reflected in his novel Slaughterhouse-Five and also his efforts in conveying his views through his novel. This novel is based on the experience of Kurt Vonnegut during World War II when he was imprisoned in a German city called Dresden and witnessed the destruction of the city on February 13, 1945 in an Allied bombing operation. In the novel, Vonnegut rewrote his experience in the form of a fiction. In discussing this literary work, I used the expressive theory by M. H. Abrams which was supported by a historical and biographical approach. In ana

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5

Shi, Jing. "On the Postmodern Narrative Techniques in Slaughterhouse-Five." Theory and Practice in Language Studies 9, no. 5 (2019): 553. http://dx.doi.org/10.17507/tpls.0905.09.

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Kurt Vonnegut is admitted as a great master of postmodern writer. Vonnegut’s success is mainly attributed to his unique narrative approaches, various expressive methods and dramatic artistic effects. The application of metafiction is particularly obvious and significant in his novels. Slaughterhouse-Five is one of typical examples of the successful adoption of metafiction. The metafiction of Vonnegut’s style, applied in Slaughterhouse-Five, shows itself in three distinctive approaches—non-linear narrative, collage and parody. Based on postmodern narrative theory, the application of these three

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6

BAUM, RUDY M. "Kurt Vonnegut." Chemical & Engineering News 85, no. 17 (2007): 3. http://dx.doi.org/10.1021/cen-v085n017.p003.

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7

Kunze, Peter C. "“‘Cheers, Kurt Vonnegut’: The Letters of Kurt Vonnegut”." Studies in American Humor 26 (January 1, 2012): 115–18. http://dx.doi.org/10.5325/studamerhumor.26.2012.0115.

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8

BABAEI, ABDOLRAZAGH, and AMIN TAADOLKHAH. "Portrayal of the American Culture through Metafiction." Journal of Education Culture and Society 4, no. 2 (2020): 9–15. http://dx.doi.org/10.15503/jecs20132.9.15.

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Kurt Vonnegut’s position that artists should be treasured as alarm systems and as biological agents of change comes most pertinent in his two great novels. The selected English novels of the past century – Cat’s Cradle (1963), Slaughterhouse Five (1969), and Breakfast of Champions (1973) – connect the world of fiction to the harsh realities of the world via creative metafictional strategies, making literature an alarm coated with the comforting lies ofstorytelling. It is metafi ction that enables Vonnegut to create different understandings of historical events by writing a kind of literature t

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9

Fugate, Clare. "Vonnegut Warned Us." Phi Delta Kappan 89, no. 1 (2007): 71–72. http://dx.doi.org/10.1177/003172170708900113.

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10

Di Leo, Jeffrey R., Charles B. Harris, Steve Katz, et al. "Remembering Kurt Vonnegut." American Book Review 28, no. 5 (2007): 30–31. http://dx.doi.org/10.1353/abr.2007.0141.

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11

Donze, Richard. "The Vonnegut Letter." JAMA 320, no. 15 (2018): 1606. http://dx.doi.org/10.1001/jama.2018.7416.

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12

Alsaç, Fatma Melike. "Backyards of His-story: Reconfiguration of the Past." Proceedings of the World Conference on Social Sciences and Humanities 2, no. 1 (2025): 69–79. https://doi.org/10.33422/shconf.v2i1.1028.

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Have you ever considered that history might be nothing more than a fictional construct? The way we perceive and represent history is shaped not only by individual viewpoints but also by cultural backgrounds. A single historical event will never be recounted in the same way by two witnesses. In the end, our understanding of the world is limited to narratives. As Linda Hutcheon posits, "the present, the past, is always already irremediably textualized for us." This realization brings us to the concept of historiographic metafiction, a postmodern approach that Hutcheon describes as an ironic ackn

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13

Piechucka, Alicja. "“Never Trust a Survivor”: Historical Trauma, Postmemory and the Armenian Genocide in Kurt Vonnegut’s Bluebeard." Text Matters: A Journal of Literature, Theory and Culture, no. 11 (November 22, 2021): 240–62. http://dx.doi.org/10.18778/2083-2931.11.16.

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The article focuses on Kurt Vonnegut’s lesser-known and underappreciated 1987 novel Bluebeard, which is analyzed and interpreted in the light of Marianne Hirsch’s seminal theory of postmemory. Even though it was published prior to Hirsch’s formulation of the concept, Vonnegut’s novel intuitively anticipates it, problematizing the implications of inherited, second-hand memory. To further complicate matters, Rabo Karabekian, the protagonist-narrator of Bluebeard, a World War II veteran, amalgamates his direct, painful memories with those of his parents, survivors of the Armenian Genocide. Both t

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14

Martín Párraga, Javier. "Kurt Vonnegut’s Quest for Identity." Futhark. Revista de Investigación y Cultura, no. 8 (2013): 183–96. http://dx.doi.org/10.12795/futhark.2013.i08.10.

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he present paper analyzes Kurt Vonnegut’s complex national roots, since he was an American citizen with a clearly German background who was deprived of any German education during his childhood and, consequently, had to discover the country of his ancestors when he was fighting the Nazis during World War II. Thus, his roots become an everlasting source of influence for Vonnegut. Obviously, and taking into account his rejection of Barthes’ concept of “the death of the author”, Vonnegut’s quest for roots will become a recurring element from his first literary adventures to the last published mor

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15

Morse, Donald E. "The Vonnegut Effect (review)." MFS Modern Fiction Studies 52, no. 3 (2006): 718–21. http://dx.doi.org/10.1353/mfs.2006.0071.

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16

Moore, C. B., Haflidi Jonsson, and Sally Marsh. "Bernard Vonnegut (1914–1997)." Eos, Transactions American Geophysical Union 78, no. 35 (1997): 371. http://dx.doi.org/10.1029/97eo00240.

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17

Zheng, Fengyuan. "The Incapability of Time and History in Slaughterhouse-Five." Communications in Humanities Research 2, no. 1 (2023): 514–20. http://dx.doi.org/10.54254/2753-7064/2/2022595.

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Slaughterhouse-Five written by Kurt Vonnegut is a science fiction that depicts the depicts the main character Billy Pilgrims time travelling after experiencing the bombing of Dresden. This paper interprets the relationship between Billy Pilgrim and Kilgore Trout based on Fredric Jamesons theory of mode of pastiche and nostalgia to analyse the incapability of time and history reflected from Billy Pilgrim. From the strategy of presenting this relationship, a wildly shared postmodern character can be suggested, which is the incapability of time and history in the contemporary society. Furthermore

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18

Zins, Daniel L. "Rescuing Science from Technocracy: Cat’s Cradle and the Play of Apocalypse." Science Fiction Studies 13, Part 2 (1986): 170–81. https://doi.org/10.1525/sfs.13.2.0170.

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Kurt Vonnegut employs SF to help his readers face problems that they might not otherwise be able to face directly. In Cat’s Cradle, Vonnegut turns to SF to help us to stop and think about our most important problem, and the one we seem to have the most difficulty confronting: the increasing possibility of nuclear war. Vonnegut examines the life of Felix Hoenikker, one of the “fathers” of the atomic bomb. A solipsistic and profoundly “innocent” man, Hoenikker, because of his perverted sense of play, remains utterly oblivious to the moral implications of his discoveries and the purposes for whic

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19

Jacobsen, Mikka. "Kurt Vonnegut Lives on Tinder." Missouri Review 43, no. 3 (2020): 140–55. http://dx.doi.org/10.1353/mis.2020.0041.

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20

Berryman, Charles. "After the Fall: Kurt Vonnegut." Critique: Studies in Contemporary Fiction 26, no. 2 (1985): 96–102. http://dx.doi.org/10.1080/00111619.1985.9934666.

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21

Aloy, Jorge Omar. "Las condiciones de posibilidad de Kurt Vonnegut para construir el discurso ficcional sobre la masacre de Dresde en Matadero cinco." Káñina 40, no. 1 (2016): 33. http://dx.doi.org/10.15517/rk.v40i1.24138.

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Kurt Vonnegut, el escritor norteamericano que sobrevivió a la Masacre de Dresde, demoró veinticuatro años en vencer el silencio e incluir esa matanza en una novela: Matadero cinco. ¿Qué había sucedido? ¿Por qué no podía transformar esa hecatombe en un texto de ficción? En el presente trabajo vamos a revisar cuáles fueron las condiciones de posibilidad con que contó Vonnegut para imponerse a la negación. Para ello tendremos en cuenta, además de las obras anteriores del escritor, el contexto socio- histórico de producción y recepción de la literatura a fines de la década del ’60.

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22

Martín Párraga, Javier. "Las raíces germánicas de Kurt Vonnegut." Estudios Franco-Alemanes. Revista internacional de Traducción y Filología 2 (March 3, 2023): 175–90. http://dx.doi.org/10.21071/estfa.v2i.15770.

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Este artículo aborda las complejas raíces alemanas del novelista norteamericano Kurt Vonnegut, prestando especial atención a cómo los vínculos con el pasado alemán de la familia Vonnegut se convierten en hilo vertebrador de la educación del autor, así como de su carrera literaria. Para llevar a cabo este objetivo se analizan en profundidad tanto la biografía del novelista y los infructuosos intentos que éste lleva a cabo de integrarse en el nutrido grupo de ciudadanos germano-americanos como el reflejo que esta imposibilidad ejerce en su corpus narrativo.

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23

Cambi, Maurizio. "Scienza e distopia. Norbert Wiener, il giovane Kurt Vonnegut e l'America degli anni Cinquanta." P.O.I. - Points of Interest 11, no. 2/2022 (2022): 10–33. https://doi.org/10.5281/zenodo.10961116.

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The paper analyses the content of some short stories and Kurt Vonnegut’s first novel, which feature Norbert Wiener, the father of cybernetics, as the protagonist. With the skilful use of fiction and elegant irony, Vonnegut gives life to the doubts expressed by the renowned mathematician in his works – <em>Cybernetics, or Control and Communication in the Animal and the Machine</em> (1948) and <em>The Human Use of Human Beings</em> (1950) – about the dehumanising effects of the indiscriminate use of machines in individuals’ lives.

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24

Kamionowski, Jerzy. "(Re-)kreacyjny rejs arką na koniec świata, czyli jak autor stworzył się Bogiem, czyli diablada z Darwinem. O Galapagos Kurta Vonneguta." Białostockie Studia Literaturoznawcze, no. 19 (2021): 243–64. http://dx.doi.org/10.15290/bsl.2021.19.13.

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This paper analyzes the novel Galapagos by Kurt Vonnegut, Jr. in its thematic and formal dimensions. The author aims, first, to identify the work’s references to scientific issues concerning Darwin’s theory of evolution and so-called “social Darwinism.” Secondly, he identifies the novel’s strictly literary references, the citation of which allows him to draw conclusions about the nature of its intertextuality. Of particular relevance here is the relationship of the Galapagos with the biblical myth of the Flood. As a result, the author of the article substantiates the hypothesis that Vonnegut c

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Krynytska, Nataliya. "Deconstruction of “The Pilgrim’s Progress” by John Bunyan in Kurt Vonnegut’s “Slaughterhouse-Five, or The Children’s Crusade”." Journal of V. N. Karazin Kharkiv National University, Series "Philology", no. 95 (December 30, 2024): 28–33. https://doi.org/10.26565/2227-1864-2024-95-04.

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The US national mythology, one of the components of which is the Puritan cultural heritage, has recently increasingly attracted the attention of researchers of contemporary American literature. The attention often focuses on the problem of the consequences (destructive or beneficial) of postmodern deconstruction regarding the fundamental US myths. The article shows that Kurt Vonnegut in his anti-war postmodernist novel Slaughterhouse-Five manages to create a double code that allows to deconstruct John Bunyan’s important allegorical work The Pilgrim’s Progress, which at one time was an effectiv

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26

Coggins, Jennifer. "Review: Kurt Vonnegut Museum and Library." Public Historian 39, no. 3 (2017): 116–20. http://dx.doi.org/10.1525/tph.2017.39.3.116.

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27

Klinkowitz, Jerome. "THE VONNEGUT ENCYCLOPEDIA: AN AUTHORIZED COMPENDIUM." Resources for American Literary Study 23, no. 2 (1997): 293–94. http://dx.doi.org/10.5325/resoamerlitestud.23.2.0293.

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28

Freese, Peter. "The Critical Reception of Kurt Vonnegut." Literature Compass 9, no. 1 (2012): 1–14. http://dx.doi.org/10.1111/j.1741-4113.2011.00862.x.

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29

Watts, Philip. "Rewriting History: Céline and Kurt Vonnegut." South Atlantic Quarterly 93, no. 2 (1994): 265–78. http://dx.doi.org/10.1215/00382876-93-2-265.

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30

Krashen, Stephen, and Nooshan Ashtari. "Vonnegut Meets Rumi: The Karass Hypothesis." Asian Journal on Perspectives in Education 5, no. 1 (2024): 1–8. https://doi.org/10.63529/ajpe.v5i1.11203.

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In this paper we present a novel way of understanding the experience of successful language acquisition and even life success. We hesitate to call our ideas and explanations “hypotheses”; at this stage they are mere “conjectures,” clearly not yet ready to undergo the scrutiny that respectable hypotheses need to experience. Our hope is that this discussion will lead to hypothesis-testing and real progress.

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31

MARTÍN PÁRRAGA, Javier. "La influencia de Albert Einstein y la Física Cuántica en la narrativa de Kurt Vonnegut." Hikma 9 (October 1, 2010): 143. http://dx.doi.org/10.21071/hikma.v9i.5271.

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En el presente trabajo se analiza la profunda influencia que las teorías científicas de Albert Einstein y alguno de sus discípulos y colaboradores más cercanos ejerce en la narrativa del novelista norteamericano de origen alemán Kurt Vonnegut (1922-2007). Para llevar a cabo el objetivo propuesto, en primer lugar se explora el papel de Einstein como revolucionario cultural, centránsose en su repercusión en el campo de las letras norteamericanas. Una vez llevada a cabo esta tarea, preliminiar pero indispensable, el artículo rastrea las referencias al científico suizo en el corpus de Vonnegut, as

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32

Robinson, David. "Vonnegut and Apocalypse: A Consideration of Kurt Vonnegut's Representation of the End of the World." Scrutiny2 23, no. 2-3 (2018): 42–55. http://dx.doi.org/10.1080/18125441.2018.1546767.

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33

Khaleel(M.A), Intisar Rashid. "Time Travel in Kurt Vonnegut's Slaughterhouse- Five." ALUSTATH JOURNAL FOR HUMAN AND SOCIAL SCIENCES 224, no. 1 (2018): 89–100. http://dx.doi.org/10.36473/ujhss.v224i1.250.

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For many years, time travel was the stuff of science fiction. This was all just part of the world's imagination until recently. Science authors, among them, Kurt Vonnegut (1922-2007) post-modern American writer, believe that one can travel through time forward or backward asking his memories and stream of consciousness to give sensory impressions of his thoughts and actions, that what Billy did in Vonnegut's Slaughter house- Five (1969). The protagonist Billy Pilgrim finds himself "unstuck in time" jumping between several periods of his life. Travelling between his experiences as a prisoner of

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34

Iram, Aasma, and Hurriya Zahra. "A Study of Earthly and Ethereal Oscillations in Happy Birthday Wanda June by Kurt Vonnegut." Journal of English Language, Literature and Education 4, no. 1 (2022): 20–32. http://dx.doi.org/10.54692/jelle.2022.0401120.

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Discourse analysis is a broad term for the study of the ways in which language is used by people, both in written texts and spoken contexts. It is "the study of real language use, by real speakers in real situations," wrote Teun A. van Dijk in the "Handbook of Discourse Analysis, Vol. 4 (2001)." This study expounds upon the “Discourse Analysis of earthly and ethereal oscillations in Happy Birthday Wanda June by Kurt Vonnegut.”. This study is significant because it explores how the exposition of temporal distortions in Vonnegut’s play (1971) offers a panoramic view of life against the non-linea

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35

Fernández, Vicente Antonio, and Elisabeth Vercher. "De Harrison Bergeron a 2081: dos distopías sobre la igualdad." Ámbitos, revista de estudios de ciencias sociales y humanidades 51 (June 7, 2024): 13–25. https://doi.org/10.5281/zenodo.14608468.

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Los relatos breves, uno literario y otro cinematográfico, Harrison Bergeron y 2081 reflejan dos maneras distintas de abordar una misma idea. En torno a la distopía sobre la igualdad imaginada por Kurt Vonnegut, el artículo trata de contrastar el relato literario y el cortometraje. En primer lugar, se aborda la singularidad de los relatos breves, de acuerdo con las premisas de Edgar Poe, Horacio Quiroga y Julio Cortázar. El concepto de esfericidad y la unidad de forma y estilo sirve para definir una intención clara en cada uno de los relatos objeto de estudio.

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36

McMahon, Gary. "‘Based on the novel by Kurt Vonnegut’." Film International 9, no. 4 (2011): 6–28. http://dx.doi.org/10.1386/fint.9.4.7_1.

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37

Morace, Robert. "Kurt Vonnegut, Jr.: Sermons on the Mount." Critique: Studies in Contemporary Fiction 51, no. 2 (2010): 151–58. http://dx.doi.org/10.1080/00111610903446195.

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38

Welsh, Jim. "Kurt Vonnegut, Jr. (1922-2007): A Tribute." Journal of American Culture 31, no. 3 (2008): 318–19. http://dx.doi.org/10.1111/j.1542-734x.2008.00680.x.

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Almwajeh, Motasim O., Abdullah F. Al-Badarneh, Haitham M. Talafha, and Najah A. Alzoubi. "Only Monsters Evolve From Wars: An Analogical Reading of Slaughterhouse-Five and Frankenstein in Baghdad." Theory and Practice in Language Studies 14, no. 6 (2024): 1803–10. http://dx.doi.org/10.17507/tpls.1406.21.

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This article examines the absurdity of wars and grounds their intersecting contours of enormous death (physical and psychological), destruction, and trauma notwithstanding their location, grounds, pretext, or repercussions. It underlines the scathing critiques of their constituencies in Kurt Vonnegut’s Slaughterhouse-Five (1969) and Ahmed Saadawi’s Frankenstein in Baghdad (2013, trans. 2018), two novels articulating a striking disdain for the ethics and myths of the so-called “just wars.” The researchers, sharing the novelists’ moral qualms about wars, bring these two novels together in a pote

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40

Tally, Robert T. "Canon-Fodder: Vonnegut in the Library of America." Studies in American Humor 26 (January 1, 2012): 103–13. http://dx.doi.org/10.5325/studamerhumor.26.2012.0103.

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41

Meyer, William E. H. "Kurt Vonnegut: The Man with Nothing to Say." Critique: Studies in Contemporary Fiction 29, no. 2 (1988): 95–109. http://dx.doi.org/10.1080/00111619.1988.9937841.

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42

Paz, Ravel Giordano. "Pasto Niilista, repasto humanista, convivas fantasmas: O jogo com a vida (e a morte) em Breakfast of Champions, de Kurt Vonnegut." Literatura e Sociedade, no. 22 (December 7, 2016): 55. http://dx.doi.org/10.11606/issn.2237-1184.v0i22p55-67.

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O artigo discute a presença de elementos autobiográficos no romance Breakfast of champions, do escritor estadunidense Kurt Vonnegut, situando-os na economia da prosa experimental-comunicativa do autor e tentando demonstrar como o que se pode denominar um jogo com a vida ajuda a dar profundidade e complexidade aos jogos narracionais e às ambiguidades ideológicas desse romance.

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43

Maus, John W. "Every Story Tells a Picture." Mathematics Teaching in the Middle School 10, no. 8 (2005): 375–79. http://dx.doi.org/10.5951/mtms.10.8.0375.

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One of the Most Wonderful Things about mathematics is that no matter how long you have been teaching, it continues to reveal itself in surprising ways and in unexpected places. One particular revelation occurred to me while reading a book by one of my favorite authors, Kurt Vonnegut, who connected mathematics to literature in a way that I had not thought of before.

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44

Mcinnis, Gilbert. "Evolutionary Mythology in the Writings of Kurt Vonnegut, Jr." Critique: Studies in Contemporary Fiction 46, no. 4 (2005): 383–96. http://dx.doi.org/10.3200/crit.46.4.383-396.

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45

Samet, Tom, and Lawrence R. Broer. "Sanity Plea: Schizophrenia in the Novels of Kurt Vonnegut." American Literature 62, no. 1 (1990): 149. http://dx.doi.org/10.2307/2926816.

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46

Cordle, Daniel, Jerome Klinkowitz, and Ralf Norrman. "Vonnegut in Fact: The Public Spokesmanship of Personal Fiction." Yearbook of English Studies 31 (2001): 327. http://dx.doi.org/10.2307/3509464.

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47

Wolfe, Gary K. "Review: Kurt Vonnegut, by Donald E. Morse." Science Fiction Studies 20, Part 2 (1993): 295–96. https://doi.org/10.1525/sfs.20.2.295.

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48

Nicol, Charles. "Review: The Vonnegut Encyclopedia: An Authorized Compendium, by Marc Leeds; The Critical Response to Kurt Vonnegut by Leonard Mustazza." Science Fiction Studies 22, Part 3 (1995): 449–51. https://doi.org/10.1525/sfs.22.3.0449.

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49

McCoppin, Rachel. "Self-Actualization: The Odd, Essential Pairing of Hemingway and Vonnegut." Studies in American Humor 26 (January 1, 2012): 129–33. http://dx.doi.org/10.2307/23823839.

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50

McCoppin, Rachel. "Self-Actualization: The Odd, Essential Pairing of Hemingway and Vonnegut." Studies in American Humor 26 (January 1, 2012): 129–33. http://dx.doi.org/10.5325/studamerhumor.26.2012.0129.

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