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Books on the topic 'Voorstellingen (uitvoerende kunsten)'

Author: Grafiati
Published: 4 June 2021
Last updated: 26 July 2024

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1

Ulrich, Tadday, ed. Im weissen Rössl: Zwischen Kunst und Kommerz. München: Edition Text + Kritik, 2006.

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2

Sheward, David. It's a hit!: The back stage book of longest-running Broadway shows : 1884 to the present. New York: Back Stage Books, 1994.

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3

Goodridge, Janet. Rhythm and timing of movement in performance: Drama, dance, and ceremony. London: J. Kingsley Publishers, 1999.

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4

Bennett, Susan. Theatre audiences: A theory of production and reception. London: Routledge, 1990.

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5

El teatro en Alicante, 1901-1910: Cartelera y estudio. Londres: Tamesis, 1994.

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6

Boyd-Swan, Francisco Reus. El teatro en Alicante, 1901-1910: Carteleray estudio. London: Tamesis, en colaboración con la Generalitat Valenciana, Conselleria de Cultura, 1994.

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7

Elina, Gertsman, ed. Visualizing medieval performance: Perspectives, histories, contexts. Burlington, VT: Ashgate, 2008.

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8

Phelan, Peggy. Unmarked. London: Taylor & Francis Group Plc, 2004.

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9

Unmarked: The politics of performance. London: Routledge, 1993.

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10

Allen, Cave Richard, Schafer Elizabeth, and Woolland Brian 1949-, eds. Ben Jonson and theatre: Performance, practice, and theory. London: Routledge, 1999.

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11

1956-, Counsell Colin, and Wolf Laurie, eds. Performance analysis: An introductory coursebook. New York: Routledge, 2001.

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12

Streitberger, W. R. Court revels, 1485-1559. Toronto: University of Toronto Press, 1994.

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13

Rhythm and Timing of Movement in Performance: Drama, Dance and Ceremony. Kingsley Publishers, Jessica, 1999.

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14

Osborne, Charles. World Theatre of Wagner. Macmillan Pub Co, 1990.

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15

Osborne, Charles. World Theatre of Wagner. Macmillan Pub Co, 1990.

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16

Goodridge, Janet. Rhythm and Timing of Movement in Performance. Taylor & Francis Group, 1999.

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17

Bennett, Susan. Theatre Audiences: A Theory of Production and Reception. Routledge, 1997.

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18

Theatre audiences: A theory of production and reception. 2nd ed. London: Routledge, 1998.

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19

Bennett, Susan. Theatre Audiences: A Theory of Production and Reception. Routledge, 1997.

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20

Tulloch, John. Performing Culture: Stories of Expertise and the Everyday (Published in association with Theory, Culture & Society). Sage Publications Ltd, 1999.

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21

Tulloch, John. Performing Culture: Stories of Expertise and the Everyday (Published in association with Theory, Culture & Society). Sage Publications Ltd, 1999.

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22

Gertsman, Elina. Visualizing Medieval Performance: Perspectives, Histories, Contexts. Taylor & Francis Group, 2017.

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23

Phelan, Peggy. Unmarked: The Politics of Performance. Taylor & Francis Group, 2017.

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24

Phelan, Peggy. Unmarked: The Politics of Performance. Routledge, 1993.

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25

Phelan, Peggy. Unmarked: The Politics of Performance. Taylor & Francis Group, 2003.

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26

Phelan, Peggy. Unmarked: The Politics of Performance. Routledge, 1993.

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27

Phelan, Peggy. Unmarked: The Politics of Performance. Taylor & Francis Group, 2003.

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28

Phelan, Peggy. Unmarked: The Politics of Performance. Taylor & Francis Group, 1993.

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29

Unmarked: The Politics of Performance. Taylor & Francis Group, 2003.

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30

Phelan, Peggy. Unmarked: The Politics of Performance. Taylor & Francis Group, 2003.

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31

Phelan, Peggy. Unmarked: The Politics of Performance. Taylor & Francis Group, 2003.

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32

Schafer, Elizabeth, Richard Cave, and Brian Woolland. Ben Jonson and Theatre: Performance, Practice and Theory. Taylor & Francis Group, 2005.

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33

Schafer, Elizabeth, Richard Cave, and Brian Woolland. Ben Jonson and Theatre: Performance, Practice and Theory. Taylor & Francis Group, 2005.

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34

Wolf, Laurie, and Colin Counsell. Performance Analysis: An Introductory Coursebook. Taylor & Francis Group, 2005.

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35

Wolf, Laurie, and Colin Counsell. Performance Analysis: An Introductory Coursebook. Taylor & Francis Group, 2005.

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36

Streitberger, W. R. Court Revels, 1485-1559. University of Toronto Press, 2016.

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37

Streitberger, W. R. Court Revels, 1485-1559. University of Toronto Press, 1994.

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