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Journal articles on the topic 'Voyages, imaginary'

Author: Grafiati

Published: 4 June 2021

Last updated: 30 July 2024

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1

Ponty, Florian. "Translations of Imaginary Voyages: Exoticism and Adaptation." Lumen: Selected Proceedings from the Canadian Society for Eighteenth-Century Studies 41 (2022): 1. http://dx.doi.org/10.7202/1106817ar.

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2

Arthur, Paul Longley. "Capturing the antipodes: Imaginary voyages and the romantic imagination." Journal of Australian Studies 25, no. 67 (January 2001): 186–95. http://dx.doi.org/10.1080/14443050109387652.

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3

Paul Longley Arthur. "Fictions of Encounter: Eighteenth-Century Imaginary Voyages to the Antipodes." Eighteenth Century 49, no. 3 (2009): 197–210. http://dx.doi.org/10.1353/ecy.0.0014.

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4

May, Georges. "One Way and in Both Directions: Considerations on Imaginary Voyages." Diogenes 38, no. 152 (December 1990): 1–18. http://dx.doi.org/10.1177/039219219003815201.

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5

Hamans, Camiel. "The Travelogue as a Mirror of Thought." Werkwinkel 13, no. 1-2 (December 1, 2018): 89–110. http://dx.doi.org/10.2478/werk-2018-0005.

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Abstract This paper discusses Dutch historical travelogues as a source for linguistic research. On the one hand one can find descriptions of exotic languages or undocumented remote dialects in travel journals, on the other hand one may come across philosophical and theoretical ideas about language in the utopian reports of imaginary voyages.

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6

Novaes, Sylvia Caiuby. "Voyages as exercises of the gaze." Vibrant: Virtual Brazilian Anthropology 9, no. 2 (December 2012): 272–91. http://dx.doi.org/10.1590/s1809-43412012000200010.

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This article focuses the relationship between journeys and photographs especially among anthropologists who travel. Having travelled to the Upper Negro River as an advisor of a PhD student, I discuss what digital photographs may mean in a context where verbal communication is impossible. Real or imaginary journeys are a source of images, reports, or travel logs in which it is difficult to discern what is real and what is fiction. After discussing a few famous scientific and literary journeys, the article focuses on some anthropological journeys and concludes that images produced by anthropolog

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7

Bernard, Nathalie. "Anne Bandry-Scubbi, & Rémi Vuillemin, éds, Real and Imaginary Travels, 16th-18th centuries / Voyages réels, voyages imagin." XVII-XVIII, no. 73 (December 31, 2016): 290–93. http://dx.doi.org/10.4000/1718.766.

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Bässler, Andreas. "Identitätsprobleme im Eselsroman und die humanistische ‘Lösung’ als Lügendichtung." Daphnis 43, no. 2 (May 3, 2015): 305–50. http://dx.doi.org/10.1163/18796583-04302005.

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The antique ass novels create the problem if there is identity or not between author and narrator/protagonist, if it is an autobiographic text or not. The humanistic reception in Renaissance from Poggio to Sieder has to handle these problems and find one possibility to answer because they connect the ass novels to the lucianic tradition of the imaginary voyages and tall tales (Lügendichtung). Then the supposed autobiographic identity changes to what is called in modern theory of literature an autofiction.

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Menzies, Ruth. "Anne Bandry-Scubbi & Rémi Vuillemin, Real and Imaginary Travels 16th-18th Centuries / Voyages réels, voyages imaginaires, XVIe-XVIIIe siècles." Caliban, no. 58 (December 1, 2017): 403–6. http://dx.doi.org/10.4000/caliban.5409.

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10

Campbell, Mary Baine, and David Fausett. "Writing the New World: Imaginary Voyages and Utopias of the Great Southern Land." American Historical Review 100, no. 4 (October 1995): 1283. http://dx.doi.org/10.2307/2168290.

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11

Leibacher-Ouvrard, Lise. "Writing the New World: Imaginary Voyages and Utopias of the Great Southern Land (review)." Eighteenth-Century Fiction 7, no. 2 (1995): 206–7. http://dx.doi.org/10.1353/ecf.1995.0019.

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12

Niezen, Ronald. "Digital Identity: The Construction of Virtual Selfhood in the Indigenous Peoples' Movement." Comparative Studies in Society and History 47, no. 3 (July 2005): 532–51. http://dx.doi.org/10.1017/s0010417505000241.

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Inventions have their greatest impact when they go beyond their possible practical applications and act upon the imagination. When Martin Behaim invented the first globe in 1490, a functionally useless object consisting mostly of terra incognita, he was widely ridiculed; but somehow the ideas that his globe represented stuck, and within a few decades the basic validity of his construction was confirmed by the voyages of Columbus, Cabot, Vasco de Gama, Magellan, and others. Today, with efforts to situate the rapid growth of information and communication technologies (ICTs), especially the Inter

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13

Laudin, Gérard, and François Moureau. "Anne Bandry-Scubbi et Rémi Vuillemin (dir.), Real and Imaginary Travels 16th-18th C./ Voyages réels, voyages imaginaires 16 e -18 e siècles , Presses universitaires de Strasbourg, 2015, 176 p." Dix-huitième siècle 48, no. 1 (September 6, 2016): XXXVI. http://dx.doi.org/10.3917/dhs.048.0633aj.

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14

Sengupta, Sohini. "Empowering Girlhood Journeys: Feminist Mythic Revision in Contemporary Indian Diaspora Children’s Fiction." International Journal of English Literature and Social Sciences 7, no. 3 (2022): 248–52. http://dx.doi.org/10.22161/ijels.73.37.

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There had been relatively little interest in a narrative of female individuation within mythology. Revisionist myths and legends in contemporary literaturehave thus addressed issues of women’s identity and autonomy while redesigningthe gendered spaces in these cultural narratives. The need for alternative mobility arcs within the cultural imaginary was also recognized for adolescent girls in their quest for subjectivity.This paper thus explores two works of children’s fiction, viz. Sayantani Dasgupta’s Game of Stars(2019) from the Kiranmala and the Kingdom Beyond series and Roshani Chokshi’s A

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15

Doan, Caleb. "Poe's "Vast Island-Studded Ocean"." Poe Studies 54, no. 1 (2021): 67–86. http://dx.doi.org/10.1353/poe.2021.a825741.

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ABSTRACT: This article surveys Edgar Allan Poe's transpacific writings in the 1830s and analyzes competing conceptualizations of islands in and between his literary reviews, "MS. Found in a Bottle" (1833), and The Narrative of Arthur Gordon Pym (1838). Whereas his reviews find him promoting a national expedition to the Pacific and supporting the associated expansion of US commercial and imperial interests, Poe's fiction offers coded warnings about the dangers of Western imperialism. In "MS." and Pym , Poe discredits imperial maps and seeks to transcend imperial frameworks by illustrating archi

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16

Lemercier-Goddard, Sophie. "“Upon what ground?”: Hamlet as Journeying Play." Études anglaises Vol. 76, no. 2 (November 30, 2023): 225–44. http://dx.doi.org/10.3917/etan.762.0225.

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Lorsque Hamlet interroge le fossoyeur sur les raisons de la folie du prince, « Upon what ground? », celui-ci répond littéralement, « Why, here in Denmark » (5.1.136-37). La question d’Hamlet nous invite à une réflexion spatiale sur la pièce. À partir d’une analyse géographique et écologique des mobilités, des pratiques spatiales et de la matérialité de la terre, nous proposons de définir Hamlet comme une « pièce de voyage ». Bien que l’intrigue ne soit pas à proprement parler organisée autour d’un voyage, les pérégrinations des personnages attirent l’attention sur un contexte national et géopo

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Boesky, Amy. "David Fausett. Writing the New World- Imaginary Voyages and Utopias of the Great Southern Land. Syracuse: Syracuse University Press, 1993. 237 pp. $42.50 cloth; $17.95 paper." Renaissance Quarterly 50, no. 2 (1997): 581–82. http://dx.doi.org/10.2307/3039191.

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18

Cave, Alfred A. "Thomas More and the New World." Albion 23, no. 2 (1991): 209–29. http://dx.doi.org/10.2307/4050603.

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Despite the extensive critical attention that has been lavished upon Sir Thomas More's Utopia, the influence of the early historical narratives of the discovery and conquest of America on the shaping of his fictional commonwealth remains problematic. Proctor Fenn Sherwin, writing in 1917, declared that “it should go without saying” that “the yet novel discoveries of unknown and unguessed of peoples in America and the tales of Spanish explorers” were a “considerable inspiration” to More. But Sherwin admitted that, apart from a few references to Amerigo Vespucci's Four Voyages, he could find no

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19

Dupuy, Lionel. "Le dialogue des imaginaires. Formes du monstrueux et merveilleux géographique dans Voyage au centre de la Terre (Jules Verne, 1867)." Cahiers de géographie du Québec 61, no. 172 (December 6, 2017): 117–31. http://dx.doi.org/10.7202/1042718ar.

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Parmi les 62 romans qui composent les Voyages extraordinaires de Jules Verne (1828-1905), Voyage au centre de la Terre (1867) est celui où l’auteur décline le plus grand nombre de figures, de formes du monstrueux. Or ces dernières constituent toutes une forme spécifique du merveilleux, opérateur qui permet dans le récit vernien le basculement vers un imaginaire géographique. Dans ce monde littéralement extraordinaire, la lente descente qui est effectuée par les héros constitue une des illustrations romanesques les plus efficaces d’un des principaux schèmes analysés par Gilbert Durand dans son

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20

Money, John. "Provincialism and The English “Ancien Regime”: Samuel Pipe-Wolferstan and “The Confessional State,” 1776–1820." Albion 21, no. 3 (1989): 389–425. http://dx.doi.org/10.2307/4050087.

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Imagine, if you will, a ship at sea. At a distance, it could be Jason and the Argonauts, or the Flying Dutchman, or even Captain Ahab. By the cut of its jib as it looms out of the mist, however, it seems rather to be a sieve, such as that in which the Jumblies once put forth. On the poop, sextant in hand, his grizzled features set in Churchillian grimace but instantly recognizable by the ancient Connecticut watchcap which tops them, stands—no, not Walter Mitty—but Hexter the Navigator. As a veteran of many earlier voyages, real and imaginary, he has a longer memory than his shipmates. He think

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21

Tork Ladani, Safoura. "Ispahan, moitié du monde Dimension géocritique de l’espace dans Vers Ispahan de Pierre Loti Et L’Usage du monde de Nicolas Bouvier." ALTERNATIVE FRANCOPHONE 2, no. 5 (February 14, 2020): 49–64. http://dx.doi.org/10.29173/af29386.

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La littérature décrit le lieu réel et géographique tout en profitant de l’imagination d’une manière très neuve en le transformant en un espace imaginaire et rêvé. Les villes et les lieux décrits dans les récits de voyage fascinent de plus en plus les lecteurs passionnés par l’Ailleurs. Dans cet article, nous avons essayé, à l’aide de l’approche géocritique de Bertrand Westphal, d’examiner l’image d’Ispahan dans Vers Ispahan de Pierre Loti, voyageur et écrivain français qui a visité l’Iran à l’époque qâdjâr à la fin du XIXe siècle, et L’Usage du monde de Nicolas Bouvier qui a parcouru l’Iran au

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22

Hugill, Andrew, and Lee Scott. "The Imaginary Voyage: an online opera." Digital Creativity 24, no. 3 (September 2013): 268–73. http://dx.doi.org/10.1080/14626268.2013.813378.

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23

Giardino, Alessandro. "Françoise Sagan." Mnemosyne, no. 9 (October 15, 2018): 16. http://dx.doi.org/10.14428/mnemosyne.v0i9.13993.

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Parallèlement à la rédaction de ses deux premiers romans Bonjour Tristesse et Un certain sourire, Françoise Sagan écrit des carnets de voyage à la demande de l'éditeur en chef de la revue Elle. Sagan prend alors la route de l’Italie et visite Naples, Capri et Venise. Tout au long de ce parcours littéraire, elle revient sur un mythe créateur remontant à ses lectures de jeunesse, et en particulier aux Illuminations d’Arthur Rimbaud. En retraçant des dynamiques mélancoliques derrière l'insouciance saganesque, nous démontrons dans cet article que l’auteure s’écarte des programmes féministes de son

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24

Rus, Martijn. "Un voyage imaginaire aberrant." Poétique 159, no. 3 (2009): 325. http://dx.doi.org/10.3917/poeti.159.0325.

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25

Émile, Arthur. "Un imaginaire en voyage." Artefact, no. 18 (June 15, 2023): 319–44. http://dx.doi.org/10.4000/artefact.14120.

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26

Flahault, François. "Donner corps au voyage imaginaire." Archives de sciences sociales des religions, no. 196 (December 4, 2021): 129–32. http://dx.doi.org/10.4000/assr.59978.

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27

Requemora, Sylvie. "L’espace dans la littérature de voyages." Images et imaginaire de l’espace 34, no. 1-2 (February 23, 2004): 249–76. http://dx.doi.org/10.7202/007566ar.

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RésuméLes récits de voyage permettent une exploration de l’espace terrestre et maritime qui dépasse vite la dimension purement géographique et mathématique. Ils permettent de produire un discours viatique sur l’espace (rendant compte de l’espace, le représentant, l’appréhendant, le circonscrivant, pour esquiver une axiologie et une taxinomie), tout en suscitant un imaginaire de l’espace (mettant en place une poétique qui a un véritable impact sur les autres genres littéraires) et en développant une nouvelle symbolique (interprétant l’espace inconnu en lui construisant un sens inséparable du li

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28

De Santis, Dario. "Maiden Voyage." Nuncius 26, no. 1 (2011): 21–49. http://dx.doi.org/10.1163/182539111x569757.

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AbstractThe scientific debate which developed during the eighteenth century, proposed and diffused new theories on the generation not only within the scientific community. Microscopic investigation and various experimental campaigns fostered daring models attempting to unveil the natural phenomena from which life originates. Besides the famous scientific and philosophical works that marked the age, in the second part of the century two pamphlets appeared that well represent the importance of the querelle about embryological systems defining the concept of generation as a voyage within the huma

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29

Hwang, Hye-young. "Imaginary Science and Imaginary Filmic Techniques in 『Le voyage dans la lune』 of Goerges Melies." Korean Society of Culture and Convergence 39, no. 1 (February 28, 2017): 83–104. http://dx.doi.org/10.33645/cnc.2017.02.39.1.83.

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30

Backès-Thomas, Madeleine. "Un voyage imaginaire avec Madame Favez." Bulletin de psychologie 49, no. 423 (1996): 163–64. http://dx.doi.org/10.3406/bupsy.1996.14514.

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31

Cacciaglia, Norberto. "L'ESPERIENZA DEL MONDO E IL TEMA DELLA CONOSCENZA NELLA DIVINA COMMEDIA." Forum Italicum: A Journal of Italian Studies 39, no. 1 (March 2005): 18–48. http://dx.doi.org/10.1177/001458580503900102.

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In Dante's Comedy (in Inferno, canto XXVI) there are many subjects of great interest, as the Ulysses' travelling on a route we may identify as Eratosthenes' diaphragma (a geographical line through the Mediterranean Sea, dividing the classical oecumene into two imaginary parts), or else the memory of the medieval wanderings (as the Navigatio Brendani) and the travelling of the great voyageurs in Dante's age (Vivaldi brothers who disappeared in 1291 on a voyage from Genoa to the Indies, sailing West through the Straits of Gibraltar). Above all, Ulysses may be considered as a metaphor of Dante hi

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32

D'Angelo, Biagio. "S'eloigner (et sortir) de Malbork: topographies de l'imagination moderne." Aletria: Revista de Estudos de Literatura 15 (June 30, 2007): 163. http://dx.doi.org/10.17851/2317-2096.15.0.163-177.

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Cet article propose une lecture de la topographie de l’imagination de la modernité littéraire. Le paysage est écriture et forme linguistique qui déclare l’impossibilité d’une réponse à l’inquiétude existentielle. Santa María (Onetti), Zembla (Nabokov) et Yoknapatawpha (Faulkner) ne sont que des représentations allégoriques des utopies comme chemin mélancolique. Autre lieu paradigmatique, Macondo (García<br />Márquez) se caractérise comme étant l’espace de l’énonciation d’une histoire mythique et l’espace métalittéraire de l’invention.<br />Toutefois, c’est dans le voyage imaginaire

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33

Bibeau, Gilles. "Voyages et fictions chez Jack Kerouac." Anthropologie et Sociétés 28, no. 3 (September 12, 2005): 59–89. http://dx.doi.org/10.7202/011283ar.

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Résumé S’appuyant sur la définition que Jack Kerouac a donnée de lui-même (« Je ne suis pas un “beat” mais un mystique catholique étrange, solitaire et fou… »), l’auteur lit l’immense oeuvre du « Ti-Jean » de Lowell comme si elle proposait, à travers une ethno-fiction, la mise en scène imaginaire du mythe fondateur d’un lignage Canuck, de la chronique généalogique de la migration des Kerouac, de la Bretagne aux États-Unis en passant par le Québec, et de la difficile américanisation d’une famille ouvrière, catholique et de langue française dans un des « Petits Canadas » des États-Unis. L’articl

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34

Bogojević, Dragan. "VOYAGE HISTORIQUE ET POLITIQUE AU MONTÉNÉGRO DE VIALLA DE SOMMIÈRES: UN LIVRE FONDATEUR D’UN IMAGINAIRE PARADOXAL DU VOYAGE AU MONTÉNÉGRO AU XIX SIÈCLE." La mémoire et ses enjeux. Balkans – France: regards croisés, X/ 2019 (December 30, 2019): 45–61. http://dx.doi.org/10.31902/fll.29.2019.4.

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HISTORICAL AND POLITICAL JOURNEY TO MONTENEGRO BY VIALLA DE SOMMIERES FOUNDING BOOK OF A PARADOXICAL IMAGINARY OF A JOURNEY TO MONTENEGRO In 1820, Vialla de Sommières published in Paris his book Historical and political journey to Montenegro. He was Commander of the Second division of Illyrian army in Ragusa from 1812 to 1813. Later, this work was used by many 19th century French travel writers as a model source for their own observations on Montenegro. Naturally, travelling to an unknown country implies an element of discovery. By analysing de Sommières’s text and the works by other French tr

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35

Labrune-Badiane, Céline. "Voyages vers un « continent imaginaire » : Antillais au Sénégal (1960-1970)." Outre-mers 100, no. 378 (2013): 137–49. http://dx.doi.org/10.3406/outre.2013.5005.

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36

Cabanès, Jean-Louis. "Le voyage en Hollande : clichés et musée imaginaire." Cahiers Edmond et Jules de Goncourt 1, no. 2 (1993): 55–62. http://dx.doi.org/10.3406/cejdg.1993.1502.

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37

SMITH, C. N. "Review. Voyages: recits et imaginaire. Actes de Montreal. Beugnot, Bernard (ed.)." French Studies 42, no. 2 (April 1, 1988): 207. http://dx.doi.org/10.1093/fs/42.2.207.

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38

Budor, Dominique. "Voyage imaginaire dans les arts de l’imageLe voyage de Giuseppe Mastorna de Fellini-Manara." Italies, no. 17/18 (October 1, 2014): 471–86. http://dx.doi.org/10.4000/italies.5045.

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39

D'Angelo, Biagio. "S'eloigner (et sortir) de Malbork: topographies de l'imagination moderne." Aletria: Revista de Estudos de Literatura 15, no. 1 (June 30, 2007): 163–77. http://dx.doi.org/10.17851/2317-2096.15.1.163-177.

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Résumé: Cet article propose une lecture de la topographie de l’imagination de la modernité littéraire. Le paysage est écriture et forme linguistique qui déclare l’impossibilité d’une réponse à l’inquiétude existentielle. Santa María (Onetti), Zembla (Nabokov) et Yoknapatawpha (Faulkner) ne sont que des représentations allégoriques des utopies comme chemin mélancolique. Autre lieu paradigmatique, Macondo (García Márquez) se caractérise comme étant l’espace de l’énonciation d’une histoire mythique et l’espace métalittéraire de l’invention. Toutefois, c’est dans le voyage imaginaire proposé par C

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40

Czigányik, Zsolt. "From the Bright Future of the Nation to the Dark Future of Mankind: Jókai and Karinthy in Hungarian Utopian Tradition." Hungarian Cultural Studies 8 (January 22, 2016): 12–23. http://dx.doi.org/10.5195/ahea.2015.213.

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After defining utopianism Czigányik gives a brief introduction to Hungarian utopian literature. While he discusses Tariménes utazása [‘The Voyage of Tariménes’], written by György Bessenyei in 1804, the utopian scenes of Imre Madách’s Az ember tragédiája [‘The Tragedy of Man’, 1862] and Frigyes Karinthy’s short utopian piece, Utazás Faremidoba [‘Voyage to Faremido’, 1916], the bulk of the paper deals with Mór Jókai’s monumental novel, A jövő század regénye, [‘The Novel of the Century to Come’, 1872]. Jókai, who had taken an active part in the 1848 uprising, depicts in this novel a future world

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41

Warholm Haugen, Marius. "« Voyageons avec lui »." 1700-tal: Nordic Journal for Eighteenth-Century Studies 17 (June 24, 2020): 57–76. http://dx.doi.org/10.7557/4.5526.

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This article examines the use of travel metaphors in French periodical reviews of non-fiction travelogues at the turn of the eighteenth and the nineteenth century. The French periodical press took an increasing interest in travel literature in this period, forming an important instance of mediation between travel writers and the reading public. In travel-book reviews, journalists would frequently make use of a rhetoric aimed at presenting the periodical text as a double co-experience: an imaginary travel in the wake of the travel writer and a ‘travel’ through the journalist’s own reading exper

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42

Hetzel, Aurélia. "Géographie et imaginaire dans quelques récits de voyage au Yémen." Revue de littérature comparée 333, no. 1 (2010): 69. http://dx.doi.org/10.3917/rlc.333.0069.

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43

Hewitt, Nicholas. "Giono and Melville: A ‘voyage imaginaire’ through nineteenth-century England." French Cultural Studies 29, no. 4 (October 28, 2018): 308–20. http://dx.doi.org/10.1177/0957155818790145.

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Giono’s novel of 1941, Pour saluer Melville, was initially conceived as a biographical essay to accompany the author’s translation of Moby Dick, which appeared the same year, but, in its final version, it is a complex work of fiction which evokes Giono’s own passionate affair with Blanche Meyer, his native Provence, the nature of artistic vocation and, political issues of injustice, imprisonment, democracy and freedom, embodied in France in the Revolution of 1848 and in England by Chartism. This article explores how Giono uses the techniques of the ‘voyage imaginaire’ to follow Melville on a f

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44

Jones, Christa. "Sufi Mysticism and Dreams in Nabil Ayouch’s Ali Zaoua, Prince of the Streets." Jeunesse: Young People, Texts, Cultures 5, no. 2 (December 2013): 80–95. http://dx.doi.org/10.3138/jeunesse.5.2.80.

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This article examines the poetics of childhood in Moroccan filmmaker Nabil Ayouch’s Ali Zaoua, Prince of the Streets, focusing on dream culture, sea travel, and elements of Sufi mysticism. In Ali Zaoua, symbols such as eyes, a compass, Twin Towers, sea travel, and an imaginary island with two suns visualize an Islamic dream culture. Ayouch presents the cruelty of life on the streets marked by violence, filth, and concrete, yet the film celebrates a dream culture by focusing on fantasy, images of a spiritual voyage, poetry, and Sufi mysticism, which eclipse the harsh, socially realistic portray

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45

Borges, Paulo A. E. "Do(s) Outro(s) Mundo(s) da Visão ao Novo Mundo da Razão." Philosophica: International Journal for the History of Philosophy 8, no. 15 (2000): 47–63. http://dx.doi.org/10.5840/philosophica20008155.

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Nous essayons de mettre en évidence l’articulation entre l’image et l’expérience de l’espace et du monde dans la pensée mythique et visionnaire et dans la nouvelle rationalité qui s’origine avec les Découvertes ibériques. La valeur de dévoilement du Réel du voyage initiatique vers l’au-delà du monde empirique se transfère vers la découverte maritime des nouveaux mondes physiques et culturels. La démythification des espaces intemporels s’associe avec la mythification du Nouveau Monde de l’expérience historique et scientifique et l’échec de ces expectatives conduit à la formulation des utopies m

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Canova-Green, Marie-Claude. "Révolte et imaginaire : le voyage de Louis XIII en Provence (1622)." Dix-septième siècle 212, no. 3 (2001): 429. http://dx.doi.org/10.3917/dss.013.0429.

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Dupuy, Lionel. "Poétique de la ruine et imaginaire géographique dans les Voyages extraordinaires de Jules Verne." Sociétés 120, no. 2 (2013): 49. http://dx.doi.org/10.3917/soc.120.0049.

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Trépanier, Anne. "Le voyage identitaire (et imaginaire) de Tocqueville au Bas-Canada : vieille France ou Nouvelle-France ?" Mens 5, no. 1 (April 16, 2014): 119–49. http://dx.doi.org/10.7202/1024390ar.

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Guidée par un questionnement sur la part imaginaire de l’identité, nous abordons le voyage de Tocqueville au Bas-Canada comme une excursion à la recherche du Même. À une réflexion sur la différence entre les Canadiens français et les Français, sur leur apparente ressemblance, sur le contraste du rapport des Canadiens français avec les Américains et les Anglais et, dans une moindre mesure, avec les Français, succède une prise de position marquée de Tocqueville pour l’affirmation du fait français au Canada. Dans ce pays qu’il considère comme une nouvelle vieille France, le jeune aristocrate bros

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Saint-Gelais, Richard. "Orbites elliptiques de la proto-science-fiction québécoise : Napoléon Aubin et Louis-Joseph Doucet dans les parages de Cyrano de Bergerac et de Jules Verne." Études 27, no. 3 (August 10, 2006): 493–503. http://dx.doi.org/10.7202/013325ar.

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Résumé La science-fiction, au moment où elle était en passe de se constituer comme genre, s'est articulée à diverses formes discursives déjà bien instituées : récit de voyage imaginaire, conte philosophique, vulgarisation, etc. Cette effervescence interdiscursive de la « proto-science-fiction » s'est aussi accompagnée d'articulations intertextuelles, comme le montrent deux précurseurs de la science-fiction québécoise, « Mon voyage à la Lune » (1839) de Napoléon Aubin et « Lettre écrite de la Lune » (1911) de Louis-Joseph Doucet, qui se placent dans la mouvance, respectivement, de L'autre monde

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PEREIRA COUTTOLENC, Eugénie. "LES MÉCANISMES SOCIODISCURSIFS DE L’ENCHANTEMENT DANS LES BLOGS VOYAGE." Analele Universității din Craiova, Seria Ştiinte Filologice, Langues et littératures romanes 25, no. 1 (January 24, 2022): 112–34. http://dx.doi.org/10.52846/aucllr.2021.01.06.

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Within the theoretical framework of discourse analysis, we analyze how the enchantment concept (Réau / Poupeau 2007; Winkin 2002) finds its way on travel blog productions. To do so, we work on a corpus of 114 posts, 115 photos and 345 comments. We shed light on the discursive, enunciative and semiotic strategies implemented by authors to immerse readers in an imaginary world where reality gives way to the marvellous. How, in travel blog situations, do bloggers seduce web users? And in what way their audience seems to respond to these attempts? How does denial of market and social realities wor

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