Relevant bibliographies by topics / Voyeurs

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Voyeurs'

Author: Grafiati
Published: 4 June 2021
Last updated: 18 February 2022

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Journal articles on the topic "Voyeurs"

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Rancourt, Jacques J. "Voyeurs." Colorado Review 44, no. 2 (2017): 148–49. http://dx.doi.org/10.1353/col.2017.0057.

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Kemp, Martin. "Venus's voyeurs." Nature 393, no. 6686 (June 1998): 633. http://dx.doi.org/10.1038/31367.

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Partearroyo, Manuela. "The beauty in the beast and the beast in the beauty. The voyeur’s view." Escritura e Imagen 16 (December 16, 2020): 57–69. http://dx.doi.org/10.5209/esim.73025.

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This paper would like to analyse two films, The Elephant Man (David Lynch, 1981) and Blow up (Michelangelo Antonioni, 1966) and one classic myth, Mary Shelley’s Frankenstein, through the very poignant figure of the voyeur. We will investigate this observer of the unnamable focusing on two characters, two eyewitnesses: the scientist who discovers John Merrick and the photographer who becomes obsessed with finding a corpse in an amplified picture. Both these voyeurs seem to be in search of the bewitching and sublime darkness that lies within, a search that in a way is inaugurated by the Promethean doctor at the break of Modernity. The corporeal distance between monster and voyeur creates the unbearable morbidity that devours our gaze. And at that exact point, the figures are reversed and the voyeur becomes the actual monster. Soon enough, we discover that their perspective as voyeurs becomes ours, because through the cinematic experience the spectator becomes witness of the crime, part of the freak show, morbid viewer of the abject. Lynch and Antonioni, together with Shelley’s creature and creator, put the question of the body through a microscope and dare us spectators to look inside, to find the morbidity of truth and the limits of art.
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Heer, Jeffrey, Fernanda B. Viégas, and Martin Wattenberg. "Voyagers and voyeurs." Communications of the ACM 52, no. 1 (January 2009): 87–97. http://dx.doi.org/10.1145/1435417.1435439.

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Bynum, W. F. "American voyeurs in Paris." Nature 392, no. 6674 (March 1998): 349–50. http://dx.doi.org/10.1038/32813.

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Dutta, Ashish. "Livestreaming procedures: visionaries or voyeurs?" Journal of Aesthetic Nursing 7, no. 2 (March 2, 2018): 66. http://dx.doi.org/10.12968/joan.2018.7.2.66.

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Espuelas, Fernando. "Intrusos, voyeurs y prisioneros voluntarios." Constelaciones. Revista de Arquitectura de la Universidad CEU San Pablo, no. 7 (May 1, 2019): 81–95. http://dx.doi.org/10.31921/constelaciones.n7a5.

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La casa como ámbito prelingüístico de la arquitectura desempeña un papel protagonista en la conformación de la intimidad y resulta, en consecuencia, una colaboradora necesaria de sus anomalías. Introducirse en el interior doméstico –sorprendiendo la intimidad del habitante en su ausencia– robar inadvertidamente la visión de la privacidad ajena o hacer del recinto interior de la casa un mundo completo y autosuficiente en el que recluirse, son las situaciones en las que el espacio resulta, en la sombra, decisivo.
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Teyssèdre, Bernard. "L'Origine, son Double et ses voyeurs." Ligeia N°41-44, no. 1 (2002): 62. http://dx.doi.org/10.3917/lige.040.0062.

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O’Dell, Kevin M. C. "The voyeurs’ guide to Drosophila melanogaster courtship." Behavioural Processes 64, no. 2 (September 2003): 211–23. http://dx.doi.org/10.1016/s0376-6357(03)00136-0.

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Kohiyama, M. "Bacterial Sex: Playing Voyeurs 50 Years Later." Science 301, no. 5634 (August 8, 2003): 802–3. http://dx.doi.org/10.1126/science.1085154.

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Dissertations / Theses on the topic "Voyeurs"

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DeFrancesco, David P. "Identifying Differences Among Male Sex Offenders: Child Molesters Versus Exhibitionists Versus Voyeurs." DigitalCommons@USU, 1992. https://digitalcommons.usu.edu/etd/3503.

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Social histories and testing data were compiled during initial placement assessments of 147 individuals arrested and charged as child molesters, exhibitionists, and voyeurs. These data were statistically analyzed using discriminant analysis and analysis of variance (ANOVA). Child molesters, exhibitionists, and voyeurs were found to differ with regards to history of voyeurism; Minnesota Multiphasic Personality Inventory (MMPI) L scale scores; sexual arousal in response to a violent scenario involving a 12-year-old male, measured via penile plethysmography; and age. Implications of these results are discussed relative to the population sampled and future research.
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Wotypka, Joanne Lee. "Jack Kerouac, Dharma Voyeur." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ40020.pdf.

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Rezende, Diego Pereira. "“Voyeur Absoluto”: o olhar e a prótese." Universidade Federal de Juiz de Fora, 2015. https://repositorio.ufjf.br/jspui/handle/ufjf/166.

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Investigação sobre o “olhar” a partir de três deslocamentos teóricos: do retiniano ao conceitual, do Ser ao Haver e do “olhar” ao “voyeur”. O primeiro deslocamento busca o entendimento do flerte entre “olhar” e “imagem” segundo alguns escritores e filósofos do século XX. Isto atrelado à abordagem do processo de criação de determinados fotógrafos cegos ao redor do mundo: Evgen Bavcar, Pete Eckert, Gerardo Nigenda, Rosita McKenzie e do “Seeing with Photography Collective”, além das experiências vendadas do artista mineiro Cao Guimarães. Já o segundo movimento descreve a perspectiva teórica da Nova Psicanálise, criada em 1986, por MD Magno. Articulando, assim, à investigação sobre o “olhar”, algumas concepções da teoria: Haver e não-Haver, Cais Absoluto (termo de Fernando Pessoa), Prótese, Solércia, Mal-estar, Ato Poético e Cinco Impérios (Creodo Antrópico). Para, a partir disso, pensar a referência ao conceito de “indiferenciação” como possibilidade de criação de novas tecnologias visuais no século XXI, que vinculem neurociência, cosmologia, física quântica etc. E, em um terceiro passo, há o deslocamento da concepção do “olhar” para a do “voyeur” – a investidura do “olhante” como Tesão –, baseada na obra de Marcel Duchamp. Logo, a definição buscada aqui de “Voyeur Absoluto” (termo de Evgen Bavcar) é o resultado deste “Parangolé” (como descreve a Nova Psicanálise), da transa obtida nestes deslocamentos. O interesse, portanto, está no percurso, no movimento, no transe, na “indiferenciação” do “olhar” com o desígnio de refletir sobre um “voyeur protético”, análogo à Prótese inicial (abismo originário), que é anterior às oposições que se manifestam no campo do Ser (sujeito e objeto, corpo e mente, visível e invisível, luz e escuridão etc).
Investigation into the “gaze” according to three theoretical movements: from retinal to conceptual, from Being to “Haver” and from “gaze” to “voyeur”. The first movement seeks to understand the relation between “gaze” and “image” according to some writers and philosophers of the 20th century associated with the creation process of blind photographers around the world: Evgen Bavcar, Pete Eckert, Gerardo Nigenda, Rosita McKenzie and Seeing with Photography Collective; and also to the blindfolded experiences of the artist Cao Guimarães. The second movement describes the theoretical perspective of New Psychoanalysis, created by MD Magno in 1986, articulating some conceptions of this theory with the investigation into the “gaze”: Haver and não-Haver, Absolute Quay (Fernando Pessoa’s term), Prosthesis, Artifice, Discontentment, Poetic Act and the Five Empires. The reference to the concept of “undifferentiation” is considered as a basic condition of the creation of the 21st century visual technologies that bind neuroscience, cosmology, quantum physics… In the third movement we have the displacement from “gaze” to voyeur based on Marcel Duchamp’s work. So the definition of “Absolute Voyeur” (Evgen Bavcar’s term) is the result of this “Parangolé” (as described by New Psychoanalysis), i.e., of the transaction of these displacements. The interest is in the trajectory, in the trance, in the “undifferentiation” of “gaze” in order to ponder over the conception of a “prosthetic voyeur” analogous to an “initial Prosthesis” (original abyss) which is previous to the oppositions that take place in the realm of Being (subject and object, body and mind, light and darkness, visible and invisible…).
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Ghandeharian, Minoo. "Une analyse des Gommes, du Voyeur et de la Jalousie." Thesis, University of British Columbia, 1985. http://hdl.handle.net/2429/25408.

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Les Gommes, Le Voyeur, La Jalousie, les trois premiers romans de Robbe-Grillet, constituent la premiére phase de l'oeuvre de l'écrivain. Dans cette étude il s'agira de voir ce qui sépare la vision du monde et l'écriture de Robbe-Grillet de la tradition littéraire qui l'a précédé, ce qui, de cette tradition, subsiste encore chez lui, et ce en quoi consistent l'originalité et la spécificité de l'univers romanesque robbe-grilletien. D'une part, Robbe-Grillet rompt avec les formes et normes romanesques établies, d'autre part, il crée son propre univers romanesque. Cette rupture est manifeste dans Les Gommes comme l'est l'apparition d'un nouvel espace littéraire dans Le Voyeur, et surtout dans La Jalousie. Pour bien comprendre l'art et la position théorique de Robbe-Grillet, pour bien comprendre son oeuvre, il est absolument indispensable de connaltre la rupture d'avec l' " ancien " et le début d'un processus littéraire propre a Robbe-Griliet. L'une et l'autre se dessinent clairement dans Les Gommes, Le Voyeur, et La Jalousie.
Arts, Faculty of
French, Hispanic, and Italian Studies, Department of
Graduate
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Phillips, Whitnee. "Voyeurism deriving sexual gratification through architecture /." This title; PDF viewer required. Home page for entire collection, 2009. http://archives.udmercy.edu:8080/dspace/handle/10429/9.

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Ashman, Nathan. "James Ellroy : voyeurism, viewing and visual culture." Thesis, University of Surrey, 2017. http://epubs.surrey.ac.uk/813378/.

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James Ellroy is an eccentric and divisive popular novelist. Since the publication of his first novel Brown’s Requiem in 1981, Ellroy’s outré ‘Demon Dog’ persona and his highly stylised, often pornographically voyeuristic and violent crime novels have continued to polarise both public and academic opinion. This study considers Ellroy’s status as an historical novelist, critically evaluating the significance and function of voyeurism in his two collections of epic noir fiction The L.A. Quartet and The Underworld U.S.A. Trilogy. Using a combination of psychoanalysis, postmodern and cultural theory, it argues that Ellroy’s fiction traces the development of the voyeur from a deviant and perverse ‘peeping tom’ into a recognisable, contemporary ‘social type’, a paranoid and obsessive viewer who is a product of the decentred and hallucinatory, ‘cinematic’ world that he inhabits. In particular, it identifies a recurring pattern of ‘ocularcentric crisis’ in Ellroy’s texts, as characters become continually unable to understand or interpret through vision. Alongside a thematic analysis of obsessive watching, this project also suggests that Ellroy’s works - particularly his later novels - are themselves voyeuristic, implicating the reader in these broader narrative patterns of both visual and epistemophilic obsession. While principally a study on Ellroy’s work, this thesis also attempts to situate his texts within the broader contexts of both the contemporary historical novel and our pervasive ‘culture of voyeurism’. This thesis will therefore be of interest not only to Ellroy critics and readers, but also to scholars of both contemporary fiction and contemporary cultural studies.
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Gilchrist, Lauri. ""Aboriginal communities and Social Science research: Voyeurism in transition"." School of Native Human Services, 1997. http://142.51.24.159/dspace/handle/10219/472.

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Examination of the relationship of research to Aboriginal peoples reveals a curious paradox. Volumes of research have generated data and theory on Aboriginal people in Canada, and yet there is little research which Aboriginal peoples have been able to determine themselves.
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Choe, Ae-Young. "La place de l'Inconscient dans l'écriture et la lecture du Voyeur d'Alain Robbe-Grillet." Lille : A.N.R.T, Université de Lille III, 1997. http://dds.crl.edu/CRLdelivery.asp?tid=11993.

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Rioux, Caroline. "Étude de la mise en abyme dans le roman le voyeur d'Alain Robbe-Grillet /." Thèse, Chicoutimi : Université du Québec à Chicoutimi, 2002. http://theses.uqac.ca.

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Choe, Ae-Young. "La place de l'inconscient dans l'écriture et a lecture du Voyeur d'Alain Robbe-Grillet." Paris 8, 1997. http://www.theses.fr/1997PA081349.

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Cette these vise a eclairer par la lecture psychanalytique d'un recit exem, plaire, ici le voyeur d'alain robbe-grillet, le statut de l'inconscient de l'ecrivain dans son ecriture et le statut de l'inconscient du lecteur dans la lecture. Elle comporte deux grandes parties: les +strategies d'ecriture; et les +effets de lecture;. La premiere partie est ouverte par une etude historienne de la critique deve, loppee autour de robbe-grillet, et notamment du voyeur, pour reintroduire dans son ecriture une dimension de l'inconscient que l'on n'y attend pas. Pour ren, forcer l'importance du facteur inconscient dans la formation de son originalite litteraire, on a examine quelques passages polemiques rassembles dans pour un nouveau roman, auxquels il a fait echo plus tard dans le miroir qui revient. En suivant le double fil de la prospective et de la retrospective, on a degage les motifs inconscients qui l'ont conduit a refuser une +ecriture metaphorique; et a creer une surface fantastique, plate et lisse, pour transposer la maniere meme dont il pressent son univers interieur. De ce point de vue, on s'oppose a l'at, titude qui pretend lire l'inconscient du romancier a travers son oeuvre. Dans la seconde partie, on a effectue une lecture du voyeur en recourant a la methode textanalytique elaboree par jean bellemin-noel. On a concentre l'analyse sur les aspects qui refletent les strategies d'ecriture etablies par le romancier et theorisees par les critiques: une description extremement minutieuse et une texture trouee. Au bout du compte, la construction imaginaire qui se degage de la lecture ne se superpose pas entierement a la structure (quelle qu'elle soit) de l'inconscient du romancier: le sujet de cet espace fantasmatique s'avere etre comme +l'inconscient du texte;, en tant que noyau vide et irrepresentable du recit
This thesis aims at clarifying, through a psychoanalytic reading of an exem, plary literary work, here alain robbe-grillet's le voyeur, the status of the writer's unconscious in his writing and that of the reader's unconscious in his reading. It is made up of two parts: +writing strategies; and +reading effects;. The first part begins with a historical study of the progressive criticism which developed around robbe-grillet, in particular about le voyeur, we wish to stress in his writing an unconscious dimension readers don't expect in it. In order to confirm the importance of the unconscious factor in the forming of his literary originality, we have examined some polemic passages he collected in pour un nouveau roman, and which he revived later in le miroir qui revient. By following the double stream of his thoughts, prospective and retrospective, we have brought out the unconscious motives which led him to reject +metaphorical writing; and to create a fantastic surface making a flat and even imaginary screen, in order to transpose the very way in which he senses the movements of his inner world. From this point of view, we oppose the attitude that one can read the writer's unconscious through his artistic work. In the second part, we have resorted to the textanalytic method devised by jean bellemin-noel, to suggest an interpretation of le voyeur. We concentrated on the aspects which reflect the writing strategies drawn up by the writer and theorized by critics: a highly detailed description and a hollowed out texture. Finally, the imaginary construction which emerges from our reading is not entirely superimposed on the structure (whatever it is) of the writer's unconscious: the subject of this imaginary world turns out to be +the unconscious of the text;, as the empty and irrepresentable nucleus of it
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Books on the topic "Voyeurs"

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Jorge, Andrés. Voyeurs. México, D.F: Alfaguara, 2002.

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Jorge, Andrés. Voyeurs. Mexico, D.F: Alfaguara, 2002.

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The voyeurs. Minneapolis, MN: Uncivilized Books, 2012.

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Gravel, François. Voyeurs, s'abstenir: Roman. Montréal: Québec Amérique, 2009.

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Crane, David. The apartment voyeurs. Los Angeles, Calif: Oakmore Enterprises, 1988.

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Voyeurs, s'abstenir: Roman. Montréal: Québec Amérique, 2009.

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Yuson, Alfred A. Voyeurs & savages: A novel. Pasig City, Philippines: Anvil Pub., 1998.

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Peep show: Tales of voyeurs and exhibitionists. San Francisco, Calif: Cleis Press, 2009.

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Anne-Laure, Sol, Hilaire-Lépine Marilyne, Musée d'art et d'histoire Louis Senlecq, Musée Arthur Rimbaud, and Laval (Mayenne, France). Musée du Vieux Château, eds. Voyous, voyants, voyeurs: Autour de Clovis Trouille (1889-1975). Paris: Somogy, 2009.

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Yap, Chris. Of fingerbowls & hankies: Chris Yap voyeurs through the Baba House, 25 Jun - 31 Dec 2009. Singapore: Baba House, 2009.

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Book chapters on the topic "Voyeurs"

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Horsley, Lee. "Players, Voyeurs and Consumers." In The Noir Thriller, 197–227. London: Palgrave Macmillan UK, 2009. http://dx.doi.org/10.1057/9780230280755_8.

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Tummolini, Luca, Cristiano Castelfranchi, Alessandro Ricci, Mirko Viroli, and Andrea Omicini. "“Exhibitionists” and “Voyeurs” Do It Better: A Shared Environment for Flexible Coordination with Tacit Messages." In Environments for Multi-Agent Systems, 215–31. Berlin, Heidelberg: Springer Berlin Heidelberg, 2005. http://dx.doi.org/10.1007/978-3-540-32259-7_11.

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Duff, Simon. "Voyeurism in Context." In Voyeurism, 5–11. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-97160-5_2.

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Duff, Simon. "Voyeurism." In Voyeurism, 13–29. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-97160-5_3.

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Duff, Simon. "Explanations of Voyeurism." In Voyeurism, 31–44. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-97160-5_4.

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Duff, Simon. "Approaches to Treatment." In Voyeurism, 45–54. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-97160-5_5.

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Duff, Simon. "The Case Study: KS." In Voyeurism, 55–75. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-97160-5_6.

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Duff, Simon. "Clinical Analysis and Formulation." In Voyeurism, 77–84. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-97160-5_7.

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Duff, Simon. "Intervention." In Voyeurism, 85–96. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-97160-5_8.

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Duff, Simon. "Outcomes and Discussion." In Voyeurism, 97–101. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-97160-5_9.

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Conference papers on the topic "Voyeurs"

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Heer, Jeffrey. "Voyagers and voyeurs." In the 35th SIGMOD international conference. New York, New York, USA: ACM Press, 2009. http://dx.doi.org/10.1145/1559845.1559958.

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Heer, Jeffrey, Fernanda B. Viégas, and Martin Wattenberg. "Voyagers and voyeurs." In the SIGCHI Conference. New York, New York, USA: ACM Press, 2007. http://dx.doi.org/10.1145/1240624.1240781.

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Tan, Desney S., and Mary Czerwinski. "Information voyeurism." In CHI '03 extended abstracts. New York, New York, USA: ACM Press, 2003. http://dx.doi.org/10.1145/765891.765967.

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Socha, David, Mary L. Bailey, and David Notkin. "Voyeur: graphical views of parallel programs." In the 1988 ACM SIGPLAN and SIGOPS workshop. New York, New York, USA: ACM Press, 1988. http://dx.doi.org/10.1145/68210.69235.

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Azevedo, Isabel, Joao Dixo, and Joao L. Pinto. "Holography and art: two ways of being a voyeur." In Holography 2000, edited by Tung H. Jeong and Werner K. Sobotka. SPIE, 2000. http://dx.doi.org/10.1117/12.402491.

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Herbert, William A. "Workplace consequences of electronic exhibitionism and voyeurism." In 2010 IEEE International Symposium on Technology and Society (ISTAS). IEEE, 2010. http://dx.doi.org/10.1109/istas.2010.5514626.

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Reports on the topic "Voyeurs"

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Socha, David, Mary L. Bailey, and David Notkin. Voyeur: Graphical Views of Parallel Programs. Fort Belvoir, VA: Defense Technical Information Center, April 1988. http://dx.doi.org/10.21236/ada197103.

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You might also be interested in the extended bibliographies on the topic 'Voyeurs' for particular source types:
Journal articles Dissertations / Theses Books
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