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Dissertations / Theses on the topic 'Voyeurs'

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1

DeFrancesco, David P. "Identifying Differences Among Male Sex Offenders: Child Molesters Versus Exhibitionists Versus Voyeurs." DigitalCommons@USU, 1992. https://digitalcommons.usu.edu/etd/3503.

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Social histories and testing data were compiled during initial placement assessments of 147 individuals arrested and charged as child molesters, exhibitionists, and voyeurs. These data were statistically analyzed using discriminant analysis and analysis of variance (ANOVA). Child molesters, exhibitionists, and voyeurs were found to differ with regards to history of voyeurism; Minnesota Multiphasic Personality Inventory (MMPI) L scale scores; sexual arousal in response to a violent scenario involving a 12-year-old male, measured via penile plethysmography; and age. Implications of these results
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2

Wotypka, Joanne Lee. "Jack Kerouac, Dharma Voyeur." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ40020.pdf.

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3

Rezende, Diego Pereira. "“Voyeur Absoluto”: o olhar e a prótese." Universidade Federal de Juiz de Fora, 2015. https://repositorio.ufjf.br/jspui/handle/ufjf/166.

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Submitted by Renata Lopes (renatasil82@gmail.com) on 2015-12-09T18:43:10Z No. of bitstreams: 1 diegopereirarezende.pdf: 4374146 bytes, checksum: 1ff0f24a4bbb2102d15e9a2878ff5bb9 (MD5)<br>Approved for entry into archive by Adriana Oliveira (adriana.oliveira@ufjf.edu.br) on 2015-12-10T14:03:31Z (GMT) No. of bitstreams: 1 diegopereirarezende.pdf: 4374146 bytes, checksum: 1ff0f24a4bbb2102d15e9a2878ff5bb9 (MD5)<br>Made available in DSpace on 2015-12-10T14:03:31Z (GMT). No. of bitstreams: 1 diegopereirarezende.pdf: 4374146 bytes, checksum: 1ff0f24a4bbb2102d15e9a2878ff5bb9 (MD5) Previous issue
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Ghandeharian, Minoo. "Une analyse des Gommes, du Voyeur et de la Jalousie." Thesis, University of British Columbia, 1985. http://hdl.handle.net/2429/25408.

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Les Gommes, Le Voyeur, La Jalousie, les trois premiers romans de Robbe-Grillet, constituent la premiére phase de l'oeuvre de l'écrivain. Dans cette étude il s'agira de voir ce qui sépare la vision du monde et l'écriture de Robbe-Grillet de la tradition littéraire qui l'a précédé, ce qui, de cette tradition, subsiste encore chez lui, et ce en quoi consistent l'originalité et la spécificité de l'univers romanesque robbe-grilletien. D'une part, Robbe-Grillet rompt avec les formes et normes romanesques établies, d'autre part, il crée son propre univers romanesque. Cette rupture est manifeste dans
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5

Phillips, Whitnee. "Voyeurism deriving sexual gratification through architecture /." This title; PDF viewer required. Home page for entire collection, 2009. http://archives.udmercy.edu:8080/dspace/handle/10429/9.

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6

Ashman, Nathan. "James Ellroy : voyeurism, viewing and visual culture." Thesis, University of Surrey, 2017. http://epubs.surrey.ac.uk/813378/.

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James Ellroy is an eccentric and divisive popular novelist. Since the publication of his first novel Brown’s Requiem in 1981, Ellroy’s outré ‘Demon Dog’ persona and his highly stylised, often pornographically voyeuristic and violent crime novels have continued to polarise both public and academic opinion. This study considers Ellroy’s status as an historical novelist, critically evaluating the significance and function of voyeurism in his two collections of epic noir fiction The L.A. Quartet and The Underworld U.S.A. Trilogy. Using a combination of psychoanalysis, postmodern and cultural theor
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Gilchrist, Lauri. ""Aboriginal communities and Social Science research: Voyeurism in transition"." School of Native Human Services, 1997. http://142.51.24.159/dspace/handle/10219/472.

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Examination of the relationship of research to Aboriginal peoples reveals a curious paradox. Volumes of research have generated data and theory on Aboriginal people in Canada, and yet there is little research which Aboriginal peoples have been able to determine themselves.
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8

Choe, Ae-Young. "La place de l'Inconscient dans l'écriture et la lecture du Voyeur d'Alain Robbe-Grillet." Lille : A.N.R.T, Université de Lille III, 1997. http://dds.crl.edu/CRLdelivery.asp?tid=11993.

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9

Rioux, Caroline. "Étude de la mise en abyme dans le roman le voyeur d'Alain Robbe-Grillet /." Thèse, Chicoutimi : Université du Québec à Chicoutimi, 2002. http://theses.uqac.ca.

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10

Choe, Ae-Young. "La place de l'inconscient dans l'écriture et a lecture du Voyeur d'Alain Robbe-Grillet." Paris 8, 1997. http://www.theses.fr/1997PA081349.

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Cette these vise a eclairer par la lecture psychanalytique d'un recit exem, plaire, ici le voyeur d'alain robbe-grillet, le statut de l'inconscient de l'ecrivain dans son ecriture et le statut de l'inconscient du lecteur dans la lecture. Elle comporte deux grandes parties: les +strategies d'ecriture; et les +effets de lecture;. La premiere partie est ouverte par une etude historienne de la critique deve, loppee autour de robbe-grillet, et notamment du voyeur, pour reintroduire dans son ecriture une dimension de l'inconscient que l'on n'y attend pas. Pour ren, forcer l'importance du facteur inc
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11

Manai, Neila. "Poétique du regard dans trois œuvres d’Alain Robbe-Grillet ("Le voyeur", "La jalousie", "Instantanés")." Thesis, Paris Est, 2012. http://www.theses.fr/2012PEST0013.

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Inutile de rappeler la prééminence du regard dans les oeuvres d’Alain Robbe-Grillet etparticulièrement dans Le Voyeur, La Jalousie et Instantanés qui forment le corpus du présenttravail. En apparence, l’auteur se contente de formuler très objectivement la subjectivitéhumaine. Et voilà que l’oeil de la concupiscence charnelle vient entamer cet ordre parfait,géométrique que l’on aurait cru inaltérable. L’objectif de ce travail est justement de montrerque l’oeil de l’arpenteur géomètre dissimule celui du pervers, à la recherche de la jouissance àtravers le regard.La première partie de ce travail,
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12

Wixom, Tiffany Nicole. "Combating Voyeurism: Domenichino and the Protofeminist Artistic Tradition of Bologna." BYU ScholarsArchive, 2018. https://scholarsarchive.byu.edu/etd/6741.

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Domenichino (1581-1641), a Bolognese artist, painted a unique interpretation of Ovid's myth of the goddess Diana and mortal hunter Actaeon in 1616 titled, Archery Contest of Diana and her Nymphs. This image depicts the goddess and her nymphs actively engaged in various activities. This portrayal is drastically different from common depictions of the time period, in which the goddess is portrayed as vulnerable, weak, and subjected to male voyeurism. In contrast, Domenichino painted his female warriors as physically strong and empowered with their weapons in hand. Compared to the art of his con
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13

Eaheart, Martha Bass. ""Not an innocent enterprise" the narrator's transition from voyeur to victim in W.G. Sebald's Austerlitz /." Fairfax, VA : George Mason University, 2008. http://hdl.handle.net/1920/3355.

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Thesis (M.A,)--George Mason University, 2008.<br>Vita: p. 45. Thesis director: David Kaufmann. Submitted in partial fulfillment of the requirements for the degree of Master of Arts in English. Title from PDF t.p. (viewed Jan. 11, 2009). Includes bibliographical references (p. 42-44). Also issued in print.
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Araujo, Júnior José Raimundo. "Dos prazeres narcísicos à cena voyeur: performances eróticas e enlace de corpos virtualizados no site Cam4." Universidade Federal da Paraíba, 2013. http://tede.biblioteca.ufpb.br:8080/handle/tede/7610.

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Submitted by Carlos Augusto Rolim da Silva Junior (carlos_jrolim@hotmail.com) on 2015-11-19T17:36:30Z No. of bitstreams: 1 arquivototal.pdf: 1748758 bytes, checksum: 3bcca9948256af9553d2d5ade3509e9b (MD5)<br>Made available in DSpace on 2015-11-19T17:36:30Z (GMT). No. of bitstreams: 1 arquivototal.pdf: 1748758 bytes, checksum: 3bcca9948256af9553d2d5ade3509e9b (MD5) Previous issue date: 2013-07-08<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES<br>In this dissertation we analyse how different gender configurations are activated to build video performances on a webcam
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Schroeder, Kathleen Mary. "The female voyeur and the possibility of a pornography for women : redefining the gaze of desire." Thesis, University of South Africa, 2000. http://hdl.handle.net/10500/3079.

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16

Eysel, Caroline. "Voyeuses, voyantes et visionnaires : Farida Belghoul, Nina Bouraoui,Bharati Mukherjee, les révoltées de l'image." Paris 13, 1998. http://www.theses.fr/1998PA131022.

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Des mouvements migratoires qui ont transforme depuis quelques decennies les anciennes puissances coloniales occidentales en terres d'immigration, ont emerge depuis une dizaine d'annees une litterature dite de "la deuxieme generation de l'immigration au sein de laquelle la production feminine est tres importante. Supposant qu'il y a la plus qu'une coincidence, nous montrons comment, chez trois romancieres issues de l'immigration (nina bouraoui et farida belghoul, franco-algeriennes, bharati mukherjee, hindo-americaine), les voix de l'etranger et de la femme s'entrecroisent par les (en)jeux de l
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17

Young, Jo Anne. "Animal viewing in postmodern America a case study of the Yellowstone wolf watchers /." Thesis, Montana State University, 2007. http://etd.lib.montana.edu/etd/2007/young/YoungJ0507.pdf.

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18

Roussel-Meyer, Maryse. "La fragmentation dans le roman : "Rigodon" de Louis Ferdinand Céline, "Le voyeur" d'Alain Robbe-Grillet, "Graal Flibuste" de Robert Pinguet." Bordeaux 3, 2008. http://www.theses.fr/2008BOR30013.

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Le choix de l’écriture fragmentaire dans le roman peut se concevoir comme une force de désintégration du genre. Ainsi ont œuvré les trois auteurs choisis : Pinget avec Graal Flibuste, roman en forme de fragments, Robbe-Grillet avec Le Voyeur, récit troué d’ellipses, et Céline, morcelant la syntaxe à la limite de la lisibilité dans Rigodon. Les ambitions de la fragmentation rassemblent les trois auteurs dans leur volonté de démontage d’une intrigue romanesque et dans celle d’un brouillage générique. On a tout d’abord examiné l’usage de la description comme effet de fragmentation. Chez Pinget et
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19

Thomson, Alexis 1863-1924. "Voyeurism and reading : narrative strategy in Anthony Powell's A Dance to the music to time." Thesis, McGill University, 1991. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=60579.

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This thesis will argue that Anthony Powell's A Dance to the Music of Time is a work that can tell us much about our reading process. Powell uses a homodiegetic narrator to tell the stories of a vast array of characters over a large span of time. This narrator, Nicholas Jenkins, is, in the non-sexual sense of the word, voyeuristic. He watches and remembers the actions of others while only participating minimally. Widmerpool, the only other character to appear in all twelve volumes, is a voyeur in the sexual sense of the word. The defining feature of voyeurism is its fundamental asymmetry: the v
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20

Grimm, Rachel Mihuta. "L'Enjeu du jeu: L'Identité comme performance dans La Voyeuse interdite et Garçon manqué de Nina Bouraoui." Ohio University Honors Tutorial College / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1340130803.

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21

von, Bahder Felix. "Att göra slut med sig själv : En studie i de socialpsykologiska aspekterna förknippade med ett uppbrott från Facebook." Thesis, Uppsala universitet, Sociologiska institutionen, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-175311.

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Facebook är ett internetbaserat socialt nätverk och tillika en mötesplats för nästan en miljard människor världen över. Nyligen introducerades företaget på den amerikanska Nasdaq-börsen och det skulle komma att bli en av de högst värderade börsnoteringarna någonsin. Förväntningarna på Facebook är enorma, men samtidigt hörs kritiska röster om hur aktieägarnas förväntningar på ekonomisk avkastning kommer tillfredsställas på bekostnad av användarnas integritet detta skulle i förlängningen skapa missnöje. Det är onekligen en imponerande framgångssaga men i takt med ökande närvaro på internet i all
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22

Prisco, Lauren. "Immersive Theater & The Physical Narrative." VCU Scholars Compass, 2017. http://scholarscompass.vcu.edu/etd/4896.

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Immersive Theater is a form of experimental theater that places spectators at the heart of the created work, by removing them from the constraint of static seats and instead encouraging them to explore an installed environment as a way of understanding the narrative. This thesis explores how Interior Design directly enhances a performance by creating spaces that challenge a spectator’s physical understanding of a narrative.
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Polley, Kerry A. "Ceci n'est pas un film visual perception in Michael Haneke's 'Caché' /." Oxford, Ohio : Miami University, 2009. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=miami1250228246.

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Cleaver, Dreama D. Cleaver. "Breaking the Fourth Wall: A Study of Gender Fluidity Using Immersive Storytelling as a Medium for Evoking Empathy." The Ohio State University, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=osu153173611895785.

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25

Barbotte, Muriel. "Charles-François Longin (1708-1791), architecte et contrôleur-voyer de la ville de Besançon." Besançon, 1985. http://www.theses.fr/1985BESA1011.

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26

Ibrahim, Enas. "L'évolution de la notion d'objet dans les romans d'Alain Robbe-Grillet : Les Gommes, le Voyeur, La Jalousie, Dans le Labyrinthe, La Maison de Rendez-vous et Djinn." Thesis, Tours, 2011. http://www.theses.fr/2011TOUR2020.

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Cette thèse a pour objectif d’étudier la présence et l'évolution des objets dans plusieurs romans d’Alain Robbe-Grillet : Les Gommes, Le Voyeur, La Jalousie, Dans Le Labyrinthe, La Maison de Rendez-vous et Djinn. Bien qu’ils soient partout dans l’œuvre, les objets de Robbe-Grillet n’ont encore jamais été étudiés de manière spécifique, détaillée, et à partir d’un large corpus. L’approche de notre travail est littéraire mais aussi sociologique. Il convient en effet de redonner aux objets la place qu’ils occupent dans les relations humaines. C'est à la lumière des recherches d’Abraham A. Moles, J
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Arlauskaitė, Dainora. "Vojerizmas fotografijoje." Bachelor's thesis, Lithuanian Academic Libraries Network (LABT), 2011. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2011~D_20110802_143304-44757.

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Kūnas įvairių mokslo šakų tyrinėjimo objektas, sunku apsiriboti ties viena sritimi ar pripaţinti tik vieną sritį kaip teisingiausią kūno suvokimui. Bet kokiu atveju ţmogus savo kūną paţysta bei formuoja per aplinka. Fotografiją taip pat yra įvaizdţio formavimo priemonė. Pati fotografija ne tik formuoja įvaizdį, bet ir formuoją patį ţmogaus poreikį vaizdiniui ir kitokį ţvilgsnį į aplinką. Diplominiame darbe nagrinėju vojerizmą, jo ryšį su fotografija. Stengiuosi surasti momentą kada paprastas ţvilgsnis tampa vojeristiniu ţiūrėjimu, ar tiesiog vojerizmas yra netskiriamas dalykas nuo fotografijos
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Rashidi, Bahareh. "Divided screen : the doppelgänger in German silent film." Thesis, University of Edinburgh, 2007. http://hdl.handle.net/1842/6578.

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The proliferation of the doppelgänger theme in so many films of Wilhemine and Weimar Germany raises the question of its historical significance, in particular during Germany’s “crisis of classical modernity”. While previous studies have addressed the double from a narrative perspective, focusing on its psychological significations as divided self, this thesis instead considers the theme from a structural and historical perspective: how, as a technical reproduction of the human body that is ontologically double, at once real and unreal, it serves as a site for reflection on the visual experienc
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Crum, Susanna Garts. "The heart of the park." Thesis, University of Iowa, 2012. https://ir.uiowa.edu/etd/2847.

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The Heart of the Park works to expose, preserve, and interpret the many layers of social history, fact, and fiction within Iowa City's City Park. This exhibition is a result of archival research, interviews, and on-site investigation. As a guide, I followed the path of Enoch Emery, a park-haunting voyeur featured in Flannery O'Connor's first novel, Wise Blood, which she wrote after graduating from the Iowa Writers' Workshop. Details of O'Connor's fictional version of City Park, in Chapter 5 of Wise Blood, as well as Enoch'
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Bienvenu, Gilles. "De l'architecte voyer à l'ingénieur en chef des services techniques : les services d'architecture et d'urbanisme de la ville de Nantes du XVIIIe siècle au XXe siècle." Thesis, Paris 1, 2013. http://www.theses.fr/2013PA010607/document.

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Production collective, la ville est notamment produite par des professionnels identifiés qui élaborent des outils et mettent en œuvre des processus. Sur un temps long - du XVIIIe siècle au milieu du XXe siècle - et sur un territoire d'étude singulier -la ville de Nantes, exemplaire par la richesse des situations expérimentées au cours de la période -le questionnement sur la fabrique de la ville parcourt deux axes: d'une part l'étude de l'organisation des services municipaux chargés de l'élaboration des projets et de la conduite des transformations urbaines, en termes de voirie, d'architecture,
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Cook, Peter Laurence. "Les voyes de douceur et d'insinuation: French-Amerindian policy on New France's western frontier, 1703-1725." Thesis, University of Ottawa (Canada), 1994. http://hdl.handle.net/10393/6616.

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During the term of Philippe de Rigaud de Vaudreuil as governor of New France (1703-1725), diplomacy involving the French and the Amerindian nations to the west of Montreal was conducted in accordance with diplomatic protocols of Amerindian origin. Diplomatic relations between the Amerindians and the French were predicated on the basis of a fictive kinship relationship, wherein the French governor assumed the Amerindian title Onontio and the role of a "father" to his Amerindian "children." The forum for formal intercultural encounters was the council, an Amerindian institution that consisted of
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Blomac, Nicole de. "Le cheval, moyen et mode vie : l'œuvre du marquis de Voyer, militaire, philosophe et entrepreneur, (1722-1782)." Paris, EHESS, 2002. http://www.theses.fr/2002EHES0007.

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Kilic, Adam. "Fetishism and Displacement in John Fante's The Road to Los Angeles." Thesis, Stockholms universitet, Engelska institutionen, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-78304.

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The Road to Los Angeles, the first novel written by Italian-American author John Fante, is most often recognized as a tale concerned with Italian-American alienation, xenophobia and existence on the periphery of mainstream society. This essay, however, aims to analyze the novel from the viewpoint of fetishism. Fetishism, a motif that constitutes a vast theoretical field in itself, will be analyzed using the lens of Freudian theory and more recent works by critics such as Louise J. Kaplan and Johanna Malt. While fetishism unproblematically can be defined as the misdirection of libidinal energy,
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Wilson, Laura. "Physical spectatorship and the mutilation film." Thesis, University of Manchester, 2013. https://www.research.manchester.ac.uk/portal/en/theses/physical-spectatorship-and-the-mutilation-film(7443c1ca-02ca-4133-8598-333fc44df9e8).html.

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This thesis explores what I call 'physical spectatorship' as it is generated by a group of films concerned with the mutilation of the human body. Focusing on the representation of mutilation on the screen and the physical responses this evokes, the thesis is organised around the study of a series of dynamic engagements that reconfigure the film-viewer relationship; these include: corporeal mimicry and the cinematic visualisations of mutilation; generalised anxiety and experimental use of sound; and the nausea generated by audio-visual techniques that both signify and locate the filmic gut in t
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Hillbert, Frida. "Att hitta njutning i den biologiska skräcken : Ett undersökande av den kvinnliga kroppen i den samtida biologiska skräckfilmen." Thesis, Linnéuniversitetet, Institutionen för film och litteratur (IFL), 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-99217.

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Den biologiska skr􏰍äcken eller kallad p􏰎å engelska 􏰏body horror􏰐 􏰍är en subgenre av skräck som visar människokroppen i syfte till att kränka, kroppsligt eller psykologiskt för att framhäva en obehaglig och skrämmande känsla hos åskådaren. Teman som avvikande kön, mutationer, zombiefiering eller onaturliga rörelser av kroppen är vanliga inom denna genre. Syftet med denna uppsats är att undersöka den kvinnliga kroppen i de tre samtida psykologiska skräckfilmerna Black Swan (Darren Aronofsky, 2010), Suspiria (Luca Guadagnino, 2018) och Horse Girl (Jeff Baena, 2020) med fokus på de
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Fosseide, Cathrine Aarø. "Med dobbeltblikk på seg selv : Kikking, selvstudie og rollespill i Olaug Nilssens roman Vi har så korte armar." Thesis, Norges teknisk-naturvitenskapelige universitet, Institutt for språk og litteratur, 2014. http://urn.kb.se/resolve?urn=urn:nbn:no:ntnu:diva-26457.

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Denne masteroppgaven undersøker forholdet mellom kikking, selvstudie og rollespill i Olaug Nilssens roman Vi har så korte armar (2002). Hovedpersonene Liv og Ølgjer blir spionert på av en tohodet vi-forteller gjennom hele romanen. Samtidig observerer både Liv og Ølgjer seg selv utenfra og reflekterer over hvordan de fremstår (eller ønsker å fremstå). Ved hjelp av nærlesning og tekstanalytisk arbeid ser jeg nærmere på denne blikkvekslingen og knytter den til hovedpersonenes identitetsutprøving. Jeg konsentrerer meg i hovedsak om romanens innhold, men i oppgavens andre kapittel behandles også br
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Ross, Alicia. "in_tension /." Online version of thesis, 2006. http://hdl.handle.net/1850/5039.

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Phelps, Kelsey W. "From Poe and Hitchcock to...Reality TV?" BYU ScholarsArchive, 2010. https://scholarsarchive.byu.edu/etd/2526.

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This thesis expands the discussion of the mass appeal and sustained success of reality TV by initiating an examination of the direct connections between reality TV and cinematic and written fiction. As reality TV has firmly established itself as a successful genre of entertainment over the last two decades, scholarship has been slow to follow. The majority of existing scholarship focuses on reality TV as a descendant of the documentary and emphasizes the role of the non-professional, the average person, as the star. Reality TV's appropriation of structural elements from general fiction is ackn
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d'Huart, Thierry. "Des faubourgs de Bruxelles aux boulevards de Verviers: conditions et jalons itinéraires d'un voyer - Victor Besme - au XIXe siècle." Doctoral thesis, Universite Libre de Bruxelles, 2014. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/209281.

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Faubourgs de Bruxelles. Boulevards de Verviers. Quelle(s) réalité(s) ?Quelle(s) relation(s) ?<p>Pour les deux villes industrielles, le XIXe siècle a notamment été celui de l’expansion urbaine, au-delà des limites séculaires. Ce développement s’est matérialisé par des nouvelles voies de communication et des nouvelles bâtisses, dont les autorités publiques ont vu la nécessité de planifier l’organisation. Elles ont alors mis en place les moyens législatifs, humains et financiers pour maîtriser cette extension.<p>En partant de la fonction administrative appelée « inspecteur voyer des faubourgs de
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Delhaume, Sophie. "Correspondance de la marquise de Voyer d'Argenson à son époux : une femme et sa plume au XVIIIe siècle : correspondance établie, présentée et annotée suivie de documents annexes et d'un travail de recherche portant sur les questions de représentation en épistolaire." Poitiers, 2010. http://www.theses.fr/2010POIT5034.

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Correspondance de la marquise de Voyer d'Argenson à son époux, Ce cas d'étude, constitué à partir d'un fonds d'archives privé, a été envisagé sous l'angle des représentations en épistolaire. Son caractère inédit et l'anonymat relatif des correspondants réclamait de resituer le contexte socioculturel dans lequel s'inscrit cet échange. La reconstitution des appartenances des correspondants et des cercles d'influences qu'ils fréquentaient a permis de préciser la posture d'écriture de l'épistolière. L'analyse du noyau moteur de l'échange : l'entretien de la relation interpersonnelle entre les épou
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Kemp, Christiaan Theodorus. "Deur die sleutelgat : ’n ondersoek na die voyeuristiese elemente in die poesie van Johann de Lange." Thesis, Stellenbosch : University of Stellenbosch, 2000. http://hdl.handle.net/10019.1/8571.

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Thesis (MA)--University of Stellenbosch, 2000.<br>Blog by Johann de Lange: http://johanndelange.blogspot.com/<br>AFRIKAANSE OPSOMMING: Die term voyeurisme hoort normaalweg tuis binne die sielkunde, waar dit dui op 'n seksuele abnormaliteit en afwyking. Hierdie siening stigmatiseer egter die fenomeen voyeurisme as 'n perverse handeling. In die eerste hoofstuk van hierdie studie word 'n poging aangewend om die begrip voyeurisme te verruim. Die voyeurisme wys nie net op 'n seksuele afwyking nie, maar vorm 'n sentrale deel van die eietydse samelewing. Die voyeurisme is dus ook van kardinale b
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Roy, Karina Ceribelli. "As metamorfoses do triângulo: estruturas de relacionamento amoroso nos romances de Marguerite Duras." Universidade de São Paulo, 2010. http://www.teses.usp.br/teses/disponiveis/8/8146/tde-17012011-134242/.

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O objetivo da tese é estudar, em um primeiro momento, as transformações do triângulo amoroso nos romances de Marguerite Duras que retratam uma crise conjugal: Le Marin de Gibraltar (1952), Les Petits chevaux de Tarquinia (1953), Moderato Cantabile (1958), Dix Heures et demie du soir en été (1960) e Le Ravissement de Lol V. Stein (1964). Esses romances colocam em cena um casal cuja separação é provocada pela chegada de um desconhecido. Essa terceira pessoa forma então um novo par com um dos membros do casal anterior. Em algumas dessas obras, aquele que ficou só se torna a terceira pessoa e pass
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Hultén, Isabelle, and Emil Lundberg. "Hur verklig är reality-tv? : En studie kring dokusåpan Paradise Hotel utifrån deltagarnas perspektiv." Thesis, Högskolan för lärande och kommunikation, Högskolan i Jönköping, HLK. Medie- och kommunikationsforskning, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:hj:diva-14433.

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Realityshower och dokusåpor tar allt större plats i våra tv-tablåer och är under ständig debatt. Programmen sänds numera på prime time och finns hela tiden tillgängliga via internet. Just nu är dokusåpan Paradise Hotel mest aktuell och har fått utstå mycket kritik. Detta på grund av de stora mängder alkohol som deltagarna dricker samt programmets inslag av sexuell karaktär.     Genrens namn, reality-tv, ger sken av att det är verkligheten som speglas i programmen, men hur verkligt är egentligen det vi får se? Hur stor makt har produktionsbolaget över deltagarna och hur redigeras det filmade ma
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Sharifpour, Sara. "Självutlämning i dagboksbloggen : På gränsen mellan privat och offentligt." Thesis, Stockholms universitet, Institutionen för mediestudier, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-89375.

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Syftet med denna uppsats är att undersöka hur bloggens innehåll reflekterar bloggarens syn på vad som är privat och vad som är offentligt. Detta har skett genom att först urskilja följande ämnen i bloggarna: vänner, jobb, sömn, mat, hälsa, nöje, familj, sex och pengar, och sedan undersöka vilka av dessa ämnen som respektive bloggare använder sig av och vilka som utelämnas från bloggen. De ämnen som används av bloggarens blir då offentliga, medan de som utelämnas förblir privata. Funktionerna av självutlämning – självförtydligande, social bekräftelse, social kontroll och relationell utveckling
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Shinko, Kathryn A. "Vignettes." Kent State University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=kent1429884060.

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Brooks, Erin. "Co-creation: A study of intimacy and control." VCU Scholars Compass, 2014. http://scholarscompass.vcu.edu/etd/3486.

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Drawing from ongoing revitalization initiatives in Richmond, Virginia, this adaptive reuse project creates a structured dialogue between public and private expression to create a more immersive gallery experience for viewer and practitioner. The gallery experience is twofold; traditional object-based display and nontraditional process-based display. Preservation of the historic fabric of the existing Handcraft building at 1501 Roseneath is integrated with the transformative potential of introducing voyeuristic opportunities in creating a community arts center. Notions of voyeurism will center
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Fisher, Michael T. "A Theory of Viral Growth of Social Networking Sites." Case Western Reserve University School of Graduate Studies / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=case1363116627.

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Silva, Marcio Roberto Santim da. "Culto ao corpo: expressões contemporâneas do exibicionismo e voyeurismo." Pontifícia Universidade Católica de São Paulo, 2008. https://tede2.pucsp.br/handle/handle/17306.

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Made available in DSpace on 2016-04-29T13:32:15Z (GMT). No. of bitstreams: 1 Marcio Roberto Santim da Silva.pdf: 810935 bytes, checksum: 532625347e9cfd7af82fcdf16a530261 (MD5) Previous issue date: 2008-09-25<br>The body cult, characterized by the overvaluation of the physical beauty, has been a common behavior in the western society. The increasing number of plastic operations and health clubs are some of the facts that testify some of the worries of individuals concerning the acquisition of some esthetical patterns. The cultural industry has encouraged individuals to identify themselves wit
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Homman, Lina. "AVVIKANDE KROPPAR I DET SAMTIDA TV-UTBUDET." Thesis, Stockholm University, Department of Cinema Studies, 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-6604.

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<p>This thesis discusses the representation of bodies in todays non-fiction television in Sweden. I have chosen to focus on deviant bodies (sexual, deformed or unhealthy) on display in reality-shows and documentaries on SVT, TV4 but especially on the commercial channels TV3 and Kanal5. Also discussed are the viewers emotional and bodily reactions. Altough these shows are different from one another in many respects, I argue that there is also a common thread between them. From a sociological and cultural perspective, and with help of some historical examples, I try to illustrate how we view the
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Polley, Kerry A. "Ceci n’est pas un film: Visual Perception in Michael Haneke’s Caché." Miami University / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=miami1250228246.

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