Academic literature on the topic 'Voyous'
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Journal articles on the topic "Voyous"
Queneau, Raymond, and Jean-Marie Queneau. "Philosophes et voyous (II)." Littérature 86, no. 2 (1992): 3–14. http://dx.doi.org/10.3406/litt.1992.1541.
Full textTréguier, Christine. "en finir avec les « brevets voyous »." Vacarme 24, no. 3 (2003): 46. http://dx.doi.org/10.3917/vaca.024.0046.
Full textBlaha, Jaroslav. "Entrepreneurs, oligarques ou « voyous de la transition ?" Le Courrier des pays de l'Est 1051, no. 5 (September 1, 2005): 102–5. http://dx.doi.org/10.3917/cpe.055.0102.
Full textBlézat, Mathilde, Tifenn Hermelin, Juliette Bulbari, and Last Siou. "« Ce n’était pas juste une histoire de voyous »." Z : Revue itinérante d’enquête et de critique sociale N° 8, no. 1 (October 31, 2014): 28–33. http://dx.doi.org/10.3917/rz.008.0028.
Full textCerf, Eve. "Wackes Fasenacht. Le Carnaval des voyous à Strasbourg." Revue des sciences sociales de la France de l'Est 21, no. 1 (1994): 40–47. http://dx.doi.org/10.3406/revss.1994.3024.
Full textSouchier, Emmanuël. "Philosophes et voyous, ou « l'engagement » mis entre parenthèses." Littérature 86, no. 2 (1992): 15–21. http://dx.doi.org/10.3406/litt.1992.1542.
Full textCalcagno, Antonio. "Jacques Derrida, Voyous: Deux essais sur la raison." Journal of French and Francophone Philosophy 14, no. 1 (March 3, 2004): 94–98. http://dx.doi.org/10.5195/jffp.2004.454.
Full textGreenberg, Judith L., Raymond Queneau, A. I. Queneau, and Jean-José Marchand. "Journal 1939-1940 suivi de Philosophes et voyous." World Literature Today 61, no. 2 (1987): 244. http://dx.doi.org/10.2307/40143026.
Full textMaranghi, Antony. "La politique étrangère américaine face aux «états-voyous»." Recherches Internationales 100, no. 1 (2014): 23–37. http://dx.doi.org/10.3406/rint.2014.1399.
Full textRongé, Jean-Luc. "Mineurs isolés étrangers : méthodes de dingues... ou de voyous ?" Journal du droit des jeunes 344, no. 4 (2015): 29. http://dx.doi.org/10.3917/jdj.344.0029.
Full textDissertations / Theses on the topic "Voyous"
Wotypka, Joanne Lee. "Jack Kerouac, Dharma Voyeur." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ40020.pdf.
Full textBondu-Maugein, Violette. "Le lexème nu [eh bien ; voyons… ; allons !] en russe contemporain." Thesis, Paris 4, 2010. http://www.theses.fr/2010PA040146.
Full textThis study of the enunciative mechanism of the lexeme nu is based on three elements of speech: competing representations, a shared field of knowledge and the initiation of a progression towards a “result representation” (which implies the presence of what Gustave Guillaume calls operative time).The enunciator of the lexeme places mutual understanding at the heart of the exchange. Mutual understanding is linked to the referencing of discourse in a shared field of knowledge. The typical pattern of the enunciative mechanism of the lexeme nu is the initiation of a progression towards a result representation. This pattern can lead to five variations, which are indicated by syntax and which produce precise values.The first variation contains an acceptance of the listener’s representation as a result representation ; the second variation (nu ?) expresses doubt concerning the commitment to a progression towards the result representation (this is the rhetorical aspect) ; the third variation indicates the need to commit to the enunciator’s representation as the result representation ; the fourth indicates that both the carriers of representation commit to a compromise (nu-ka) ; and the fifth variation (nu i) highlights the incompatibility of the competing representations.These conceptions of the lexeme justify a rejection of its description as a parasite word. The lexeme nu is a discourse marker. This research approaches contemporary Russian through a large number of literary texts: each analysis is illustrated by an example which is situated in a large cotext
Rezende, Diego Pereira. "“Voyeur Absoluto”: o olhar e a prótese." Universidade Federal de Juiz de Fora, 2015. https://repositorio.ufjf.br/jspui/handle/ufjf/166.
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Investigação sobre o “olhar” a partir de três deslocamentos teóricos: do retiniano ao conceitual, do Ser ao Haver e do “olhar” ao “voyeur”. O primeiro deslocamento busca o entendimento do flerte entre “olhar” e “imagem” segundo alguns escritores e filósofos do século XX. Isto atrelado à abordagem do processo de criação de determinados fotógrafos cegos ao redor do mundo: Evgen Bavcar, Pete Eckert, Gerardo Nigenda, Rosita McKenzie e do “Seeing with Photography Collective”, além das experiências vendadas do artista mineiro Cao Guimarães. Já o segundo movimento descreve a perspectiva teórica da Nova Psicanálise, criada em 1986, por MD Magno. Articulando, assim, à investigação sobre o “olhar”, algumas concepções da teoria: Haver e não-Haver, Cais Absoluto (termo de Fernando Pessoa), Prótese, Solércia, Mal-estar, Ato Poético e Cinco Impérios (Creodo Antrópico). Para, a partir disso, pensar a referência ao conceito de “indiferenciação” como possibilidade de criação de novas tecnologias visuais no século XXI, que vinculem neurociência, cosmologia, física quântica etc. E, em um terceiro passo, há o deslocamento da concepção do “olhar” para a do “voyeur” – a investidura do “olhante” como Tesão –, baseada na obra de Marcel Duchamp. Logo, a definição buscada aqui de “Voyeur Absoluto” (termo de Evgen Bavcar) é o resultado deste “Parangolé” (como descreve a Nova Psicanálise), da transa obtida nestes deslocamentos. O interesse, portanto, está no percurso, no movimento, no transe, na “indiferenciação” do “olhar” com o desígnio de refletir sobre um “voyeur protético”, análogo à Prótese inicial (abismo originário), que é anterior às oposições que se manifestam no campo do Ser (sujeito e objeto, corpo e mente, visível e invisível, luz e escuridão etc).
Investigation into the “gaze” according to three theoretical movements: from retinal to conceptual, from Being to “Haver” and from “gaze” to “voyeur”. The first movement seeks to understand the relation between “gaze” and “image” according to some writers and philosophers of the 20th century associated with the creation process of blind photographers around the world: Evgen Bavcar, Pete Eckert, Gerardo Nigenda, Rosita McKenzie and Seeing with Photography Collective; and also to the blindfolded experiences of the artist Cao Guimarães. The second movement describes the theoretical perspective of New Psychoanalysis, created by MD Magno in 1986, articulating some conceptions of this theory with the investigation into the “gaze”: Haver and não-Haver, Absolute Quay (Fernando Pessoa’s term), Prosthesis, Artifice, Discontentment, Poetic Act and the Five Empires. The reference to the concept of “undifferentiation” is considered as a basic condition of the creation of the 21st century visual technologies that bind neuroscience, cosmology, quantum physics… In the third movement we have the displacement from “gaze” to voyeur based on Marcel Duchamp’s work. So the definition of “Absolute Voyeur” (Evgen Bavcar’s term) is the result of this “Parangolé” (as described by New Psychoanalysis), i.e., of the transaction of these displacements. The interest is in the trajectory, in the trance, in the “undifferentiation” of “gaze” in order to ponder over the conception of a “prosthetic voyeur” analogous to an “initial Prosthesis” (original abyss) which is previous to the oppositions that take place in the realm of Being (subject and object, body and mind, light and darkness, visible and invisible…).
Ghandeharian, Minoo. "Une analyse des Gommes, du Voyeur et de la Jalousie." Thesis, University of British Columbia, 1985. http://hdl.handle.net/2429/25408.
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French, Hispanic, and Italian Studies, Department of
Graduate
Fleury, Didier. "La violence télévisée et l'expérience personnelle, notre perception de la réalité est-elle déformée par ce que nous voyons?" Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/mq25307.pdf.
Full textDeFrancesco, David P. "Identifying Differences Among Male Sex Offenders: Child Molesters Versus Exhibitionists Versus Voyeurs." DigitalCommons@USU, 1992. https://digitalcommons.usu.edu/etd/3503.
Full textChoe, Ae-Young. "La place de l'inconscient dans l'écriture et a lecture du Voyeur d'Alain Robbe-Grillet." Paris 8, 1997. http://www.theses.fr/1997PA081349.
Full textThis thesis aims at clarifying, through a psychoanalytic reading of an exem, plary literary work, here alain robbe-grillet's le voyeur, the status of the writer's unconscious in his writing and that of the reader's unconscious in his reading. It is made up of two parts: +writing strategies; and +reading effects;. The first part begins with a historical study of the progressive criticism which developed around robbe-grillet, in particular about le voyeur, we wish to stress in his writing an unconscious dimension readers don't expect in it. In order to confirm the importance of the unconscious factor in the forming of his literary originality, we have examined some polemic passages he collected in pour un nouveau roman, and which he revived later in le miroir qui revient. By following the double stream of his thoughts, prospective and retrospective, we have brought out the unconscious motives which led him to reject +metaphorical writing; and to create a fantastic surface making a flat and even imaginary screen, in order to transpose the very way in which he senses the movements of his inner world. From this point of view, we oppose the attitude that one can read the writer's unconscious through his artistic work. In the second part, we have resorted to the textanalytic method devised by jean bellemin-noel, to suggest an interpretation of le voyeur. We concentrated on the aspects which reflect the writing strategies drawn up by the writer and theorized by critics: a highly detailed description and a hollowed out texture. Finally, the imaginary construction which emerges from our reading is not entirely superimposed on the structure (whatever it is) of the writer's unconscious: the subject of this imaginary world turns out to be +the unconscious of the text;, as the empty and irrepresentable nucleus of it
Manai, Neila. "Poétique du regard dans trois œuvres d’Alain Robbe-Grillet ("Le voyeur", "La jalousie", "Instantanés")." Thesis, Paris Est, 2012. http://www.theses.fr/2012PEST0013.
Full textIt is needless to mention the supremacy of one particular feature in Alain Robbe-Grillet’s works; namely, the look as it is particularly found in Le Voyeur, La Jalousie andInstantanés. These 3 works serve as the corpus for the research at stake. In appearance, andquite objectively, the author seems to be simply expressing human subjectivity. But therecome along eye of lust, altering every perfect geometrical order one could have noticed upuntil now. The goal of this work is to actually unveil the fact that the eye of the surveyor, thegeometer, is only an artifact dissimulating a perverted eye constantly in search of carnalpleasure through the look.The first part of this work, titled “Montage du Regard” ‘The optic setting’, is ananalysis of the observer and of the elements which are observed as diverse as they may be.The will to keep a distance between the observer and the element which a observed isconstantly questioned through the presence of textual elements that clearly reveal asubjectivity in the act of looking at a particular element. A subjectivity that observes, butwhich is also perverted. This is fully analyzed in the second part of the research, “Regardpervers et jouissance” ‘A perverse eye and a sensual pleasure’, which not only analyses theactual presence of the voyeur in the three works mentioned earlier, but also attempts toapproach him and tackle all his diverse aspects. The third part of this study “Répétition etjouissance” ‘Repetition and sensual pleasure’ reaffirms the presence of a perverted observer,always in search for carnal pleasure through the recapture of the coveted show. This furtherexplains the presence of obsessive scenes in a leitmotiv.Our approach in this study is based on a formal analysis of the look. Its goal is tohighlight its textual functioning thanks to linguistic and stylistic means, which will lead theway to a new reading and reconsideration of the look in Robbe-Grillet’s works
Rioux, Caroline. "Étude de la mise en abyme dans le roman le voyeur d'Alain Robbe-Grillet /." Thèse, Chicoutimi : Université du Québec à Chicoutimi, 2002. http://theses.uqac.ca.
Full textChoe, Ae-Young. "La place de l'Inconscient dans l'écriture et la lecture du Voyeur d'Alain Robbe-Grillet." Lille : A.N.R.T, Université de Lille III, 1997. http://dds.crl.edu/CRLdelivery.asp?tid=11993.
Full textBooks on the topic "Voyous"
Colombani, Roger. Flics et voyous. [Monte Carlo]: Editions de Radio Monte Carlo, 1985.
Find full textAnne-Laure, Sol, Hilaire-Lépine Marilyne, Musée d'art et d'histoire Louis Senlecq, Musée Arthur Rimbaud, and Laval (Mayenne, France). Musée du Vieux Château, eds. Voyous, voyants, voyeurs: Autour de Clovis Trouille (1889-1975). Paris: Somogy, 2009.
Find full textEekhoud, Georges. Voyous de velours: Ou, L'autre vue. Bruxelles: Editions Labor, 1991.
Find full textBook chapters on the topic "Voyous"
Wieringa, Maranke. "The voyeur at leisure." In The Routledge Handbook of Popular Culture and Tourism, 138–51. Abingdon, Oxon ; New York, NY : Routledge, 2018.: Routledge, 2018. http://dx.doi.org/10.4324/9781315559018-13.
Full textHorsley, Lee. "Players, Voyeurs and Consumers." In The Noir Thriller, 197–227. London: Palgrave Macmillan UK, 2009. http://dx.doi.org/10.1057/9780230280755_8.
Full textGoebel-Schilling, Gerhard. "Robbe-Grillet, Alain: Le voyeur." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_17583-1.
Full textGuida, David. "Technology's Greatest Gift to the Voyeur." In Outsmarting the Next Pandemic, 267–86. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003215769-17.
Full textGregson, Ian. "Creeps and Bastards: C.K. Williams as Voyeur." In The Male Image, 181–93. London: Palgrave Macmillan UK, 1999. http://dx.doi.org/10.1007/978-1-349-27659-2_9.
Full textRoss, Drew. "The Doctor Voyeur and the Murderer Inside." In Looking into the Eyes of a Killer, 221–33. Boston, MA: Springer US, 1998. http://dx.doi.org/10.1007/978-1-4899-6088-7_23.
Full textLongley, Edna. "‘Inner Emigré’ or ‘Artful Voyeur’? Seamus Heaney’s North." In Seamus Heaney, 30–63. London: Palgrave Macmillan UK, 1997. http://dx.doi.org/10.1007/978-1-349-10682-0_4.
Full textHillenbrand, Margaret. "The Personals: Backward Glances, Knowing Looks and the Voyeur Film." In Chinese Films in Focus II, 175–81. London: British Film Institute, 2008. http://dx.doi.org/10.1007/978-1-349-92280-2_23.
Full textShearing, David. "Intimacy, Immersion and the Desire to Touch: The Voyeur Within." In Theatre as Voyeurism, 71–87. London: Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137478818_4.
Full textKrauthaker-Ringa, Marion. "The Peepshow and the Voyeuse: Colette’s Challenge to the Male Gaze." In Sensational Pleasures in Cinema, Literature and Visual Culture, 50–61. London: Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137363640_4.
Full textConference papers on the topic "Voyous"
Heer, Jeffrey. "Voyagers and voyeurs." In the 35th SIGMOD international conference. New York, New York, USA: ACM Press, 2009. http://dx.doi.org/10.1145/1559845.1559958.
Full textHeer, Jeffrey, Fernanda B. Viégas, and Martin Wattenberg. "Voyagers and voyeurs." In the SIGCHI Conference. New York, New York, USA: ACM Press, 2007. http://dx.doi.org/10.1145/1240624.1240781.
Full textSocha, David, Mary L. Bailey, and David Notkin. "Voyeur: graphical views of parallel programs." In the 1988 ACM SIGPLAN and SIGOPS workshop. New York, New York, USA: ACM Press, 1988. http://dx.doi.org/10.1145/68210.69235.
Full textAzevedo, Isabel, Joao Dixo, and Joao L. Pinto. "Holography and art: two ways of being a voyeur." In Holography 2000, edited by Tung H. Jeong and Werner K. Sobotka. SPIE, 2000. http://dx.doi.org/10.1117/12.402491.
Full textReports on the topic "Voyous"
Socha, David, Mary L. Bailey, and David Notkin. Voyeur: Graphical Views of Parallel Programs. Fort Belvoir, VA: Defense Technical Information Center, April 1988. http://dx.doi.org/10.21236/ada197103.
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