Dissertations / Theses on the topic 'Voyous'
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Wotypka, Joanne Lee. "Jack Kerouac, Dharma Voyeur." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ40020.pdf.
Full textBondu-Maugein, Violette. "Le lexème nu [eh bien ; voyons… ; allons !] en russe contemporain." Thesis, Paris 4, 2010. http://www.theses.fr/2010PA040146.
Full textThis study of the enunciative mechanism of the lexeme nu is based on three elements of speech: competing representations, a shared field of knowledge and the initiation of a progression towards a “result representation” (which implies the presence of what Gustave Guillaume calls operative time).The enunciator of the lexeme places mutual understanding at the heart of the exchange. Mutual understanding is linked to the referencing of discourse in a shared field of knowledge. The typical pattern of the enunciative mechanism of the lexeme nu is the initiation of a progression towards a result representation. This pattern can lead to five variations, which are indicated by syntax and which produce precise values.The first variation contains an acceptance of the listener’s representation as a result representation ; the second variation (nu ?) expresses doubt concerning the commitment to a progression towards the result representation (this is the rhetorical aspect) ; the third variation indicates the need to commit to the enunciator’s representation as the result representation ; the fourth indicates that both the carriers of representation commit to a compromise (nu-ka) ; and the fifth variation (nu i) highlights the incompatibility of the competing representations.These conceptions of the lexeme justify a rejection of its description as a parasite word. The lexeme nu is a discourse marker. This research approaches contemporary Russian through a large number of literary texts: each analysis is illustrated by an example which is situated in a large cotext
Rezende, Diego Pereira. "“Voyeur Absoluto”: o olhar e a prótese." Universidade Federal de Juiz de Fora, 2015. https://repositorio.ufjf.br/jspui/handle/ufjf/166.
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Investigação sobre o “olhar” a partir de três deslocamentos teóricos: do retiniano ao conceitual, do Ser ao Haver e do “olhar” ao “voyeur”. O primeiro deslocamento busca o entendimento do flerte entre “olhar” e “imagem” segundo alguns escritores e filósofos do século XX. Isto atrelado à abordagem do processo de criação de determinados fotógrafos cegos ao redor do mundo: Evgen Bavcar, Pete Eckert, Gerardo Nigenda, Rosita McKenzie e do “Seeing with Photography Collective”, além das experiências vendadas do artista mineiro Cao Guimarães. Já o segundo movimento descreve a perspectiva teórica da Nova Psicanálise, criada em 1986, por MD Magno. Articulando, assim, à investigação sobre o “olhar”, algumas concepções da teoria: Haver e não-Haver, Cais Absoluto (termo de Fernando Pessoa), Prótese, Solércia, Mal-estar, Ato Poético e Cinco Impérios (Creodo Antrópico). Para, a partir disso, pensar a referência ao conceito de “indiferenciação” como possibilidade de criação de novas tecnologias visuais no século XXI, que vinculem neurociência, cosmologia, física quântica etc. E, em um terceiro passo, há o deslocamento da concepção do “olhar” para a do “voyeur” – a investidura do “olhante” como Tesão –, baseada na obra de Marcel Duchamp. Logo, a definição buscada aqui de “Voyeur Absoluto” (termo de Evgen Bavcar) é o resultado deste “Parangolé” (como descreve a Nova Psicanálise), da transa obtida nestes deslocamentos. O interesse, portanto, está no percurso, no movimento, no transe, na “indiferenciação” do “olhar” com o desígnio de refletir sobre um “voyeur protético”, análogo à Prótese inicial (abismo originário), que é anterior às oposições que se manifestam no campo do Ser (sujeito e objeto, corpo e mente, visível e invisível, luz e escuridão etc).
Investigation into the “gaze” according to three theoretical movements: from retinal to conceptual, from Being to “Haver” and from “gaze” to “voyeur”. The first movement seeks to understand the relation between “gaze” and “image” according to some writers and philosophers of the 20th century associated with the creation process of blind photographers around the world: Evgen Bavcar, Pete Eckert, Gerardo Nigenda, Rosita McKenzie and Seeing with Photography Collective; and also to the blindfolded experiences of the artist Cao Guimarães. The second movement describes the theoretical perspective of New Psychoanalysis, created by MD Magno in 1986, articulating some conceptions of this theory with the investigation into the “gaze”: Haver and não-Haver, Absolute Quay (Fernando Pessoa’s term), Prosthesis, Artifice, Discontentment, Poetic Act and the Five Empires. The reference to the concept of “undifferentiation” is considered as a basic condition of the creation of the 21st century visual technologies that bind neuroscience, cosmology, quantum physics… In the third movement we have the displacement from “gaze” to voyeur based on Marcel Duchamp’s work. So the definition of “Absolute Voyeur” (Evgen Bavcar’s term) is the result of this “Parangolé” (as described by New Psychoanalysis), i.e., of the transaction of these displacements. The interest is in the trajectory, in the trance, in the “undifferentiation” of “gaze” in order to ponder over the conception of a “prosthetic voyeur” analogous to an “initial Prosthesis” (original abyss) which is previous to the oppositions that take place in the realm of Being (subject and object, body and mind, light and darkness, visible and invisible…).
Ghandeharian, Minoo. "Une analyse des Gommes, du Voyeur et de la Jalousie." Thesis, University of British Columbia, 1985. http://hdl.handle.net/2429/25408.
Full textArts, Faculty of
French, Hispanic, and Italian Studies, Department of
Graduate
Fleury, Didier. "La violence télévisée et l'expérience personnelle, notre perception de la réalité est-elle déformée par ce que nous voyons?" Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/mq25307.pdf.
Full textDeFrancesco, David P. "Identifying Differences Among Male Sex Offenders: Child Molesters Versus Exhibitionists Versus Voyeurs." DigitalCommons@USU, 1992. https://digitalcommons.usu.edu/etd/3503.
Full textChoe, Ae-Young. "La place de l'inconscient dans l'écriture et a lecture du Voyeur d'Alain Robbe-Grillet." Paris 8, 1997. http://www.theses.fr/1997PA081349.
Full textThis thesis aims at clarifying, through a psychoanalytic reading of an exem, plary literary work, here alain robbe-grillet's le voyeur, the status of the writer's unconscious in his writing and that of the reader's unconscious in his reading. It is made up of two parts: +writing strategies; and +reading effects;. The first part begins with a historical study of the progressive criticism which developed around robbe-grillet, in particular about le voyeur, we wish to stress in his writing an unconscious dimension readers don't expect in it. In order to confirm the importance of the unconscious factor in the forming of his literary originality, we have examined some polemic passages he collected in pour un nouveau roman, and which he revived later in le miroir qui revient. By following the double stream of his thoughts, prospective and retrospective, we have brought out the unconscious motives which led him to reject +metaphorical writing; and to create a fantastic surface making a flat and even imaginary screen, in order to transpose the very way in which he senses the movements of his inner world. From this point of view, we oppose the attitude that one can read the writer's unconscious through his artistic work. In the second part, we have resorted to the textanalytic method devised by jean bellemin-noel, to suggest an interpretation of le voyeur. We concentrated on the aspects which reflect the writing strategies drawn up by the writer and theorized by critics: a highly detailed description and a hollowed out texture. Finally, the imaginary construction which emerges from our reading is not entirely superimposed on the structure (whatever it is) of the writer's unconscious: the subject of this imaginary world turns out to be +the unconscious of the text;, as the empty and irrepresentable nucleus of it
Manai, Neila. "Poétique du regard dans trois œuvres d’Alain Robbe-Grillet ("Le voyeur", "La jalousie", "Instantanés")." Thesis, Paris Est, 2012. http://www.theses.fr/2012PEST0013.
Full textIt is needless to mention the supremacy of one particular feature in Alain Robbe-Grillet’s works; namely, the look as it is particularly found in Le Voyeur, La Jalousie andInstantanés. These 3 works serve as the corpus for the research at stake. In appearance, andquite objectively, the author seems to be simply expressing human subjectivity. But therecome along eye of lust, altering every perfect geometrical order one could have noticed upuntil now. The goal of this work is to actually unveil the fact that the eye of the surveyor, thegeometer, is only an artifact dissimulating a perverted eye constantly in search of carnalpleasure through the look.The first part of this work, titled “Montage du Regard” ‘The optic setting’, is ananalysis of the observer and of the elements which are observed as diverse as they may be.The will to keep a distance between the observer and the element which a observed isconstantly questioned through the presence of textual elements that clearly reveal asubjectivity in the act of looking at a particular element. A subjectivity that observes, butwhich is also perverted. This is fully analyzed in the second part of the research, “Regardpervers et jouissance” ‘A perverse eye and a sensual pleasure’, which not only analyses theactual presence of the voyeur in the three works mentioned earlier, but also attempts toapproach him and tackle all his diverse aspects. The third part of this study “Répétition etjouissance” ‘Repetition and sensual pleasure’ reaffirms the presence of a perverted observer,always in search for carnal pleasure through the recapture of the coveted show. This furtherexplains the presence of obsessive scenes in a leitmotiv.Our approach in this study is based on a formal analysis of the look. Its goal is tohighlight its textual functioning thanks to linguistic and stylistic means, which will lead theway to a new reading and reconsideration of the look in Robbe-Grillet’s works
Rioux, Caroline. "Étude de la mise en abyme dans le roman le voyeur d'Alain Robbe-Grillet /." Thèse, Chicoutimi : Université du Québec à Chicoutimi, 2002. http://theses.uqac.ca.
Full textChoe, Ae-Young. "La place de l'Inconscient dans l'écriture et la lecture du Voyeur d'Alain Robbe-Grillet." Lille : A.N.R.T, Université de Lille III, 1997. http://dds.crl.edu/CRLdelivery.asp?tid=11993.
Full textEaheart, Martha Bass. ""Not an innocent enterprise" the narrator's transition from voyeur to victim in W.G. Sebald's Austerlitz /." Fairfax, VA : George Mason University, 2008. http://hdl.handle.net/1920/3355.
Full textVita: p. 45. Thesis director: David Kaufmann. Submitted in partial fulfillment of the requirements for the degree of Master of Arts in English. Title from PDF t.p. (viewed Jan. 11, 2009). Includes bibliographical references (p. 42-44). Also issued in print.
Schroeder, Kathleen Mary. "The female voyeur and the possibility of a pornography for women : redefining the gaze of desire." Thesis, University of South Africa, 2000. http://hdl.handle.net/10500/3079.
Full textAraujo, Júnior José Raimundo. "Dos prazeres narcísicos à cena voyeur: performances eróticas e enlace de corpos virtualizados no site Cam4." Universidade Federal da Paraíba, 2013. http://tede.biblioteca.ufpb.br:8080/handle/tede/7610.
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In this dissertation we analyse how different gender configurations are activated to build video performances on a webcams integration site. To understand the manufacturing processes of the body-sexed on these virtual interactions, we describe a set of views coloured by a sharped erotic appeal, indicating how certain forms of collective representations emanate strategic view of the body as well as the statements of the audience that dialogues through an instant messaging system. We show that the construction of the performances is related to classification tables that ensure intelligibility to the interactions between different agents, giving rise to symbolic constructs associated with sexual preferences and identity configurations assumed by users. Such processes are analysed from a relationship between gender studies and anthropology of performance, in order to reflect on the collective representations embodied by the body in the universe's spectacular staging erotic, especially regarded to the manufacturing process of symbolic sex from the coercive action of the genre.
Neste trabalho analisamos o modo como diferentes configurações de gênero são acionadas na construção de performances em um site de integração de webcams. Ambicionando compreender os processos de fabricação do corpo-sexuado no palco dessas interações virtuais, descrevemos um conjunto de exibições matizadas por acentuado apelo erótico, sinalizando como determinadas representações coletivas emanam de formas estratégicas de exibição do corpo, bem como dos enunciados da audiência, que dialoga através de um sistema de mensagens instantâneas. Evidenciamos que a construção das performances guarda relação com quadros de classificação que garantem inteligibilidade às interações entre distintos agentes, fazendo emergir construtos simbólicos associados às preferências sexuais e configurações identitárias assumidas pelos usuários. Tais processos são analisados a partir de uma articulação entre os estudos de gênero e a antropologia da performance, com vistas à reflexão sobre as representações coletivas materializadas pelo corpo no universo espetacular da encenação erótica, sobretudo no que diz respeito ao processo de fabricação simbólica do sexo a partir da ação coerciva do gênero.
Grimm, Rachel Mihuta. "L'Enjeu du jeu: L'Identité comme performance dans La Voyeuse interdite et Garçon manqué de Nina Bouraoui." Ohio University Honors Tutorial College / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1340130803.
Full textCook, Peter Laurence. "Les voyes de douceur et d'insinuation: French-Amerindian policy on New France's western frontier, 1703-1725." Thesis, University of Ottawa (Canada), 1994. http://hdl.handle.net/10393/6616.
Full textRoussel-Meyer, Maryse. "La fragmentation dans le roman : "Rigodon" de Louis Ferdinand Céline, "Le voyeur" d'Alain Robbe-Grillet, "Graal Flibuste" de Robert Pinguet." Bordeaux 3, 2008. http://www.theses.fr/2008BOR30013.
Full textCleaver, Dreama D. Cleaver. "Breaking the Fourth Wall: A Study of Gender Fluidity Using Immersive Storytelling as a Medium for Evoking Empathy." The Ohio State University, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=osu153173611895785.
Full textBienvenu, Gilles. "De l'architecte voyer à l'ingénieur en chef des services techniques : les services d'architecture et d'urbanisme de la ville de Nantes du XVIIIe siècle au XXe siècle." Thesis, Paris 1, 2013. http://www.theses.fr/2013PA010607/document.
Full textA town is a collective process, but it is also produced by specific professionals who conceived tools and apply process. Analyzing a long period ( from the 18th century to the middle of the 20th) and focused on a special area « the city of Nantes », an interesting example for this period, the case study follows two directions : the organization of the municipal services in charge of project development and the management for urban transformation, in terms of roads, architecture, networks, town planning, and at the same time the people who make up these services, particularly chiefs department, architects, engineers, town planners and their staff. The scale of Nantes, a growing city with a population and a size increasing at a moderate pace, allows understanding stakes by exploring the process of urban developments in terms of regulation, project planning, management, achievement and control, and the links between technical tools and politic aims
Fosseide, Cathrine Aarø. "Med dobbeltblikk på seg selv : Kikking, selvstudie og rollespill i Olaug Nilssens roman Vi har så korte armar." Thesis, Norges teknisk-naturvitenskapelige universitet, Institutt for språk og litteratur, 2014. http://urn.kb.se/resolve?urn=urn:nbn:no:ntnu:diva-26457.
Full textIbrahim, Enas. "L'évolution de la notion d'objet dans les romans d'Alain Robbe-Grillet : Les Gommes, le Voyeur, La Jalousie, Dans le Labyrinthe, La Maison de Rendez-vous et Djinn." Thesis, Tours, 2011. http://www.theses.fr/2011TOUR2020.
Full textThis thesis aims at investigating the presence and the evolution of objects in several novels by Alain Robbe-Grillet: Les Gommes, Le Voyeur, La Jalousie, Dans le Labyrinthe, La Maison de Rendez-vous and Djinn. Although that objects have an evident existence in Robbe-Grillet’s work, they have never been studied specifically, in details, and from a large corpus. The approach of our work is literary but it is also sociological. It is suitable to give objects the statute they occupy in human relations. In the light of the research of Abraham A. Moles, Jean Baudrillard, Bernard Blandin, among others, we have chosen to dwell on the relations that link humans to objects. After this “exploration”, we reach the following conclusion: the objects are sometimes mute and opaque, sometimes talking. These characteristics are obvious in the description techniques which the novelist uses
Novotná, Markéta. "Marketingová strategie VOYO.cz." Master's thesis, Vysoká škola ekonomická v Praze, 2012. http://www.nusl.cz/ntk/nusl-162335.
Full textÖsterberg, Susanna. "Den qvinnliga konstnären: : representationer i tidskriften Palettskrap 1877 –1904." Thesis, Södertörns högskola, Konstvetenskap, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-32264.
Full textI have dedicated this essay in researching the journal Palettskrap founded by students at the Royal Swedish Academy of Arts in 1877. Palettskrap consists of notes, protocols and a variety of images such as portraits, illustrations and satirical cartoons. My purpose has specifically been to see how the conflict of the woman artist is articulated during the late 1800's in a student journal such as Palettskrap, and also more generally, how the woman's role in society is articulated. I have primarily analyzed images but I have also exposed text from Palettskrap which has been relevant to my subject matter. By using Roland Barthes' semiotics, I have analyzed the images' expression and message. For a gender-sensitive and critical eye on the art historical context, I have applied feminist theory which has been useful in deconstructing the masculine myth on modernism and ”the artist”. My research shows that there are two established stereotypes/categories of the woman artist: the ”unwomanly” artist and the ”amateur”. These two stereotypes reflect the bourgeois notions of womanhood/femininity as incompatible with the role of the artist.
Silva, Laura Morais da. "O Voyeur Activo na Observação." Master's thesis, 2019. http://hdl.handle.net/10362/77602.
Full text“The Active Voyeur in Observation” is a internship report based on a specific moment of the work of the João Garcia Miguel Company and marks the conclusion of the Masters Degree in Performing Arts from the Faculdade de Ciências Sociais e Humanas da Universidade Nova de Lisboa. The internship took place during the period that corresponds to the first semester of the 2017/2018 academic year, and it was a follow-up as an observer of the processes carried out during that time by the company. The report focuses on each of the processes followed in relation to me, as an active and studious observer, so as to think of my role as an actress and creator. In addition to making reference to the methodology, attentive to the theoretical issues that have been accompanying me in my artistic career and which have now come together with the theme raised by the show "Medeia", text by Francisco Parreira.
ZHANG, CHI-ZHENG, and 張持正. "Cosmetic cosmology in alain Robbe-Grillet's The Voyeur." Thesis, 1986. http://ndltd.ncl.edu.tw/handle/96219406553706999637.
Full textFleury, Didier. "La violence télévisée et l'expérience personnelle : notre perception de la réalité est-elle déformée par ce que nous voyons /." 1996. http://proquest.umi.com/pqdweb?did=738287061&sid=8&Fmt=2&clientId=9268&RQT=309&VName=PQD.
Full textRioux, Caroline. "Étude de la mise en abyme dans le roman le voyeur d'Alain Robbe-Grillet." Thèse, 2002. http://constellation.uqac.ca/861/1/13856155.pdf.
Full textMoreira, Benedito Dielcio [Verfasser]. "Die Augen des Voyeurs und die Finger des Flâneurs : brasilianische Jugendliche und ihre Rekonstruktionen der Realität durch Medien / Benedito Dielcio Moreira." 2008. http://d-nb.info/994312253/34.
Full textJarošová, Emília. "Voyeurismus jako charakteristický rys človeka současné společnosti." Master's thesis, 2011. http://www.nusl.cz/ntk/nusl-313354.
Full textBeauregard, Julien. "L’oubli et les indéterminations de lecture dans Le Voyeur d’Alain Robbe-Grillet, La Clef de Junichirô Tanizaki et Trou de mémoire de Hubert Aquin." Thesis, 2011. http://spectrum.library.concordia.ca/35857/1/Beauregard_MA_F2011.pdf.
Full textEvans, Tara Jane. "It’s not just about birds: the other negative space in Alfred Hitchcock – cinematic dream vernacular and the phenomenology of fear." 2013. http://hdl.handle.net/1993/22079.
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