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Journal articles on the topic 'W.G'

Author: Grafiati

Published: 4 June 2021

Last updated: 3 March 2023

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1

Bernier, Frédérique. "Lire désespérément… W.G. Sebald." Articles 21, no. 2 (March 22, 2010): 51–55. http://dx.doi.org/10.7202/039458ar.

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Résumé Dans la foulée d’Évelyne Grossman et de sa réflexion sur « la paradoxale vitalité de la négativité dépressive » (L’angoisse de penser, 2008), cet article envisage l’exploration littéraire de la négativité et de la dépossession de soi, caractéristique d’une certaine modernité que l’on peut faire remonter à Mallarmé, en tant qu’elle peut fonctionner, pour le lecteur, à la manière d’un antidépresseur paradoxal. Questionnant d’abord de façon générale certaines conceptions « sublimantes », réparatrices ou rédemptrices de la littérature (Leo Bersani) et la prégnance des modèles platoniciens et aristotéliciens de la création comme pharmakon, l’auteure tente ensuite de cerner plus spécifiquement, à partir de l’oeuvre de l’écrivain allemand W.G. Sebald, le caractère tout à la fois anxiogène et libérateur de la symbolisation de la perte en littérature.

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2

Wilczyński, Marek. "W.G. Sebald, podmiot romantyczny." Teksty Drugie 3 (2019): 270–82. http://dx.doi.org/10.18318/td.2019.3.16.

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3

Storchous, I. "Influence of herbicide Granstar Pro 75, w.g., in vitro conditions on the seed growth of Amarantus retroflexus L." Karantin i zahist roslin, no. 4 (January 9, 2023): 21–28. http://dx.doi.org/10.36495/2312-0614.2022.4.21-28.

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Goal. Investigate the herbistatic properties of the herbicide Granstar Pro 75, w.g., regarding its effect on the germination of Amaranthus retroflexus L. seeds, to ensure targeted and rational use in wheat crops, with maximum preservation of the crop and minimal environmental impact. Methods. Laboratory, visual, computational and comparative, mathematical and statistical. Results. It was established that after using the herbicide Granstar Pro 75, w.g., with consumption rates of 15.0 g/ ha, 20.0 g/ ha and 25.0 g/ ha in in vitro conditions there was inhibition of the germination of the seeds of common sedum. According to research data obtained under in vitro conditions in Petri dishes on filter paper, in all repetitions of the third and fourth versions of the experiment, where the herbicide Granstar Pro 75, w.g., with consumption rates of 20.0 g/ ha and 25.0 g/ ha, respectively, the level of reduction in the germination of seeds of common sedum was 100.0%. The level of reduction of the germination of the seeds of common styrica in all repetitions of the experiment variant in Petri dishes on filter paper, where the herbicide Granstar Pro 75, w.g., with a consumption rate of 15.0 g/ ha, compared to the control was 83.8%. At the same time, 30 days after treatment in vitro on filter paper and in the soil in the variants of experiments where the herbicide Granstar Pro 75, w.g., with consumption rates of 15.0 g/ ha, 20.0 g/ ha, and 25.0 g/ ha, there were no germinated seeds at all, the level of reduction in germination was 100.0%. The total level of reduction of the germination of the seeds of common sedum in the soil was the highest in the fourth variant of the experiment, where the herbicide Granstar Pro 75, w.g., with a consumption rate of 25.0 g/ ha — 76.8%. However, compared to the total indicator of the decrease in germination of seeds of the third variant of the experiment in the soil where the herbicide was applied with a consumption rate of 20.0 g/ ha, the specified indicator of the fourth variant of the experiment improved by 4.4%. Conclusions. According to the data of the research, it was found that the level of germination of the seeds of the common milkweed was reduced due to the use of the herbicide Granstar Pro 75, w.g., with consumption rates of 15.0 g/ ha, 20.0 g/ ha and 25.0 g/ ha, in vitro conditions in Petri dishes both on filter paper and in soil. At the same time, herbicidal properties were better manifested in the experiments that were performed in vitro on filter paper due to direct contact of the herbicide with the object of research, which ensured 100.0% control of the germination of the seeds of common sedum in the variants where the herbicide Granstar Pro 75, w.g., with consumption rates of 20.0 g/ ha and 25.0 g/ ha. The leading fact of the in vitro research is the establishment of a clear tendency to decrease the germination of the seeds of common sedum in the soil, which is observed on the 10th day after treatment with the herbicide, which gives grounds to record the indirect effect of the herbicide Granstar Pro 75, w.g., with consumption rates of 15.0 g/ ha, 20.0 g/ ha and 25.0 g/ ha, for seed germination. Accordingly, compliance with the regulations for the use of this drug, as well as other requirements for the introduction of herbicides, taking into account the presence of herbicidal properties, can help reduce the chemical load on the environment.

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4

MacArthur, MARIT. "POETRY IN REVIEW: W.G. SEBALD." Yale Review 101, no. 1 (2013): 173–86. http://dx.doi.org/10.1353/tyr.2013.0028.

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5

MacArthur, MARIT. "POETRY IN REVIEW: W.G. SEBALD." Yale Review 101, no. 1 (December 21, 2012): 173–86. http://dx.doi.org/10.1111/yrev.12019.

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6

Fairlamb, Neil. "Four Philosophical Anglicans: W.G. De Burgh, W.R. Matthews, O.C. Quick, H.A. Hodges." British Journal for the History of Philosophy 19, no. 5 (September 2011): 1012–15. http://dx.doi.org/10.1080/09608788.2011.599577.

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7

Sandu-Dediu, Valentina. "Rumänische Komponisten zwischen den "gemäßigten", den "radikalen" Moderne und der Postmoderne." Muzikologija, no. 6 (2006): 147–64. http://dx.doi.org/10.2298/muz0606147s.

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(nemacki) Debatten um die Begriffe Tradition, Moderne, Avantgarde und Postmoderne, wie sie in der europ?ischen Exegese erscheinen, sind im rum?nischen Raum nicht minder gegenw?rtig. Die gem??igte und die radikale Moderne sowie die Postmoderne werden in diesem Aufsatz auf ihre Verbindung zur Ideologie der rum?nischen Musik untersucht. Zum einen werden zwei Richtungen derselben Generation beleuchtet: die "Moderierten" (P. Bentoiu W.G. Berger) und die "Radikalen" (?t. Niculescu, A. Stroe, A. Vieru, T. Olah M. Marbe, D. Constantinescu). Zum anderen wird nachvollzogen, wie sich einige "Radikale" auf den "postmodernen" Weg begeben. Diese Kategorien sind selbstverst?ndlich vom ideologischen Kontext des kommunistischen Rum?nien gepr?gt.

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8

Pezzini, Isabella. "Shadow Writing. W.G. Sebald’s Syncretic Discourse." Recherches sémiotiques 28, no. 1-2 (October 7, 2010): 87–105. http://dx.doi.org/10.7202/044590ar.

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The article examines the interrelation of photograph and text in W.G. Sebald’s On the Natural History of Destruction (2001). This intermediality is, indeed, characteristic of Sebald’s work in both fiction and non-fiction. On the Natural History... belongs to the latter category, an involved and emotional examination of the collective repression in the consciousness of the German people of the carpet-bombing of Germany at the end of World War II. Here too the photographs have a function which goes far beyond that of testimony, the images constructing a complex plot within and with the text, on the level of both expression and content. What they produce is a new and singular “third language”, the only idiom capable of dealing with such complex issues of pain and blame, repression and memory.

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9

Masłoń, Sławomir. "W.G. Sebald czuje. Melancholiczny zawrót głowy." Teksty Drugie 5 (2016): 240–56. http://dx.doi.org/10.18318/td.2016.5.16.

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10

Nowinska, Magdalena. "Für ein nuancenreicheres Bild W.G. Sebalds." Pandaemonium Germanicum 21, no. 35 (July 3, 2018): 202. http://dx.doi.org/10.11606/1982-88372135202.

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11

Carter, Josephine. "READING THE DEAD WITH W.G. SEBALD." Angelaki 24, no. 3 (May 4, 2019): 55–68. http://dx.doi.org/10.1080/0969725x.2019.1620452.

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12

Wylie, John. "The spectral geographies of W.G. Sebald." cultural geographies 14, no. 2 (April 2007): 171–88. http://dx.doi.org/10.1177/1474474007075353.

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13

Jackman, Graham. "‘Gebranntes Kind’? W.G. Sebald's ‘Metaphysik der Geschichte’." German Life and Letters 57, no. 4 (October 2004): 456–71. http://dx.doi.org/10.1111/j.1468-0483.2004.00297.x.

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14

Crary, Alice. "W.G. Sebald and the Ethics of Narrative." Constellations 19, no. 3 (September 2012): 494–508. http://dx.doi.org/10.1111/j.1467-8675.2012.00691.x.

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15

Wilhelmova, N. "W.G. Hopkins, (ed.): Introduction to Plant Physiology." Biologia plantarum 39, no. 1 (July 1, 1997): 22. http://dx.doi.org/10.1023/a:1000673201699.

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16

Winch, Graham, and Jeffrey Pinto. "Festschrift for Professor Peter W.G. Morris, Ph.D." International Journal of Project Management 31, no. 7 (October 2013): 937. http://dx.doi.org/10.1016/j.ijproman.2013.07.003.

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17

Loyer, Emmanuelle. "Introduction: W.G. Sebald, le souci de l'histoire." European Review of History: Revue europeenne d'histoire 19, no. 3 (June 2012): 347–54. http://dx.doi.org/10.1080/13507486.2012.676385.

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18

Schlesinger, Philip. "W.G. Sebald and the Condition of Exile." Theory, Culture & Society 21, no. 2 (April 2004): 43–67. http://dx.doi.org/10.1177/0263276404042134.

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19

Englund, Axel. "BRITISH RAIL KATABASIS: W.G. SEBALD'S ‘DAY RETURN’." German Life and Letters 67, no. 1 (January 2014): 120–37. http://dx.doi.org/10.1111/glal.12035.

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20

Poluboyarinova, Larisa N., and Olga N. Kulishkina. "Two “Marienbad Elegies”: J.W. Goethe and W.G. Sebald." Studia Litterarum 5, no. 3 (2020): 128–43. http://dx.doi.org/10.22455/2500-4247-2020-5-3-128-143.

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The article compares J.W. Goethe’s “Marienbad Elegy” (1823) and a poetic text with the same title written in 1999 by W.G. Sebald. “Marienbad Elegy” by Goethe is a precedent text of German culture, its historical and literary authority being additionally supported by the popular biographical myth of the love of the 73-year-old poet to the 19-year-old Ulrike von Levetzow. On the one hand, Sebald’s own “Marienbad Elegy” is an attempt to decanonize the classical text by updating its references (restoration of the biographical context associated with the aging Goethe in Marienbad, his acquaintance with the von Levetzow’ family, and actualization of the realities of the spa town and the “museum” objects related to the occurrence of the Goethean text) and by consistently reducing the elegiac pathos of the original. On the other hand, as this article demonstrates, Sebald puts in place of Goethe’s elegiac tune his own — melancholic — pathos inherited from a philosopher of the Frankfurt school Walter Benjamin whom he greatly appreciated.

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21

Schmitz-Emans, Monika. "Ansichtskarten. Zur Poetik der Postkarte bei W.G. Sebald." Sprachkunst. Beiträge zur Literaturwissenschaft 1 (2017): 135–50. http://dx.doi.org/10.1553/spk45_2s135.

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22

Ng-Chan, Taien. "Mapping out Patience: Cartography, Cinema and W.G. Sebald." Humanities 4, no. 4 (October 10, 2015): 554–68. http://dx.doi.org/10.3390/h4040554.

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23

Pompeu, Douglas Valeriano. "Os últimos dias de Tchekhov, por W.G. Sebald." Cadernos de Literatura em Tradução, no. 13 (October 8, 2020): 111–20. http://dx.doi.org/10.11606/issn.2359-5388.i13p111-120.

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A presente tradução procurou transmitir a atmosfera melancólica do poema "Em 9 de junho de 1904", por meio do ritmo lento e pesado, e tentou dar a devida atenção às passagens mais imagéticas como as descrições do espaço e da paisagem, que muitas vezes são compostas de frases sem verbos, como se simulassem um instantâneo. As dificuldades derivam no geral da liberdade do verso de Sebald e se encontram principalmente na linguagem por vezes intrincada do poema que se vale frequentemente do enjambement e que em muitos casos produz ambiguidades.

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24

Preece, Julian. "Witnessing, memory, poetics: H.G. Adler and W.G. Sebald." Journal of Contemporary European Studies 24, no. 2 (March 22, 2016): 319–21. http://dx.doi.org/10.1080/14782804.2016.1144424.

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25

Pic, Muriel. "Fiction et lisibilité de l'histoire chez W.G. Sebald." European Review of History: Revue europeenne d'histoire 19, no. 3 (June 2012): 383–93. http://dx.doi.org/10.1080/13507486.2012.676389.

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26

Izdebska, Agnieszka. "Kilka uwag o konstrukcji przestrzeni w prozie W.G. Sebalda." Białostockie Studia Literaturoznawcze, no. 8 (2016): 183–96. http://dx.doi.org/10.15290/bsl.2016.08.12.

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27

Assoulin, Kobi (Yaaqov). "Memory, Place and Pain in W.G. Sebald's: The Emigrants." ATHENS JOURNAL OF HUMANITIES & ARTS 8, no. 2 (February 23, 2021): 154–72. http://dx.doi.org/10.30958/ajha.8-2-3.

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When we discuss the concept of place, we mostly do so geographically, or as a metaphor. That is, by representing what we think about by geographical notions. This paper avoids this literary tendency by discussing directly the role of actual place in W.G. Sebald's The Emigrants. Not only that, While still acknowledging melancholy's main role in the novel, and the way in which it is discussed in Freud and through Freud et al, the paper takes this melancholy to be a phenomenological spring board for explicating the centrality of place within The Emigrants's melancholy. In order to do this, the paper discusses the role of place within major phenomenological thinkers like Husserl, Heidegger and Merleau-Ponty and the way their discussion dissolves the classical dichotomy of subject/object. However, as this dichotomy is dissolved, it becomes clearer as to the way places do not only belong to human-beings – simultaneously, humans belong to places. Through explicating this, we come to understand in The Emigrants what makes it such a tragic story. While the emigrants find their home to be rooted in places and memories of places, these places carry at the same time a mood of being-at-home and alongside that, a sense of ruins which haunt. Thus they become trapped between the conflicting urges of running toward and running from these memories. A dilemma that is finally solved only, in the novel, through death.

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28

van der Laan, Mark J. "Comment on “Observational Studies” by Dr. W.G. Cochran (1972)." Observational Studies 1, no. 1 (2015): 220–22. http://dx.doi.org/10.1353/obs.2015.0024.

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29

Wolff, Lynn L. "W.G. Sebald: A “Grenzgänger” of the 20/21 Century." Eurostudia 7, no. 1-2 (2011): 191. http://dx.doi.org/10.7202/1015021ar.

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30

Covindassamy, Mandana. "Plurilinguisme et multimédialité dans l'?uvre de W.G. Sebald." Études Germaniques 245, no. 1 (2007): 251. http://dx.doi.org/10.3917/eger.245.0249.

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31

NICHOLLS, DAVID. "CONSCIENCE AND AUTHORITY IN THE THOUGHT OF W.G. WARD." Heythrop Journal 26, no. 4 (October 1985): 416–29. http://dx.doi.org/10.1111/j.1468-2265.1985.tb01105.x.

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32

Piercy, Laurence. "Bruce Chatwin, W.G. Sebald and the Red-Brown Skin." Holocaust Studies 17, no. 2-3 (September 2011): 283–304. http://dx.doi.org/10.1080/17504902.2011.11087289.

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33

Fuchs, Anne. "'Phantomspuren': Zu W.G. Sebalds Poetik der Erinnerung in Austerlitz." German Life and Letters 56, no. 3 (July 2003): 281–98. http://dx.doi.org/10.1111/1468-0483.00257.

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34

Bennett, John M. "Comment to Letter by W.G. Finn: 03-D-849." Leukemia Research 28, no. 2 (February 2004): 215. http://dx.doi.org/10.1016/s0145-2126(03)00220-0.

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35

Blute, Marion. "W.G. Runciman, The Theory of Cultural and Social Selection." Canadian Journal of Sociology 35, no. 4 (December 28, 2010): 645–47. http://dx.doi.org/10.29173/cjs9637.

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36

Schütte, Uwe. "Periferias europeias: Sebald fala em Tübingen (e uma digressão sobre Pierre Bertaux) | European peripheries: Sebald speechs in Tübingen (and a digression about Pierre Bertaux)." Revista PHILIA | Filosofia, Literatura & Arte 3, no. 2 (December 8, 2021): 27–60. http://dx.doi.org/10.22456/2596-0911.117373.

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O tema deste artigo é um texto apócrifo de W. G. Sebald, o ensaio "Europäische Peripherien" [Periferias Europeias], baseado em uma palestra proferida em fevereiro de 1992, em Tübingen. Esse ensaio ocupa um lugar especial na obra de Sebald, pois nele o autor se expressa mais resolutamente do que em qualquer outra ocasião sobre questões políticas, no que diz respeito tanto ao processo de unificação europeia quanto aos problemas fundamentais das sociedades ocidentais na transição para o século XXI. A partir de uma leitura mais atenta, chego à conclusão de que esse ensaio, supostamente secundário, revela-se um importante pilar para reconstruir a interpretação profundamente melancólica que Sebald faz da história com base no conceito de uma “história natural da destruição”. Ao mesmo tempo, “Europäische Peripherien” permite reconhecer a importância de Mutation der Menschheit [Mutação da Humanidade], de Pierre Bertaux, como influência fundamental, até então não reconhecida, para o desenvolvimento da obra de Sebald.Palavras-chave: W.G. Sebald. Europa. “História natural da destruição”. Pierre Bertaux. AbstractThis article discusses the essay "Europäische Peripherien", a hitherto overlooked text by W.G. Sebald based on a lecture given in Tübingen in February 1992. The essay occupies a special position in Sebald's oeuvre, as the author positions himself more pronouncedly than anywhere else on political issues, both with regard to the process of European unification and to fundamental challenges of Western societies in the transition to the twenty-first century. In my close reading the supposedly insignificant essay proves to be an important text for a reconstruction of Sebald's deeply melancholic view of history as expressed in the concept of a "natural history of destruction". At the same time, "European Peripheries" allows us to acknowledge the importance of Pierre Bertaux’ Mutation der Menschheit as an undiscovered influence on the development of Sebald's oeuvre.Keywords: W.G. Sebald. Europa. “Natural history of destruction”. Pierre Bertaux. ORCIDhttps://orcid.org/0000-0002-4825-1912

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37

Halma, Marek, and Jerzy Szypuła. "The first locality of Chalciporus rubinus (Boletales, Basidiomycota) in Poland." Acta Mycologica 45, no. 1 (December 23, 2013): 57–65. http://dx.doi.org/10.5586/am.2010.008.

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<em>Chalciporus rubinus</em> (W.G. Sm.) Singer, described in 1868 from England, was found in a city park in Wrocław. This is the first record of the species from Poland. Macro- and micromorphological characters of the Polish specimens are described and illustrated. The delimitation of <em>Ch. rubinus</em>, the knowledge of its distribution, ecology and conservation status is summarised.

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38

Kalashnikova, Julia А. "THE PHENOMENON OF POST-MEMORY IN W.G. SEBALD’S LITERARY REFLECTION." Practices & Interpretations: A Journal of Philology, Teaching and Cultural Studies 7, no. 1 (March 1, 2022): 100–111. http://dx.doi.org/10.18522/2415-8852-2022-1-100-111.

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The article is dedicated to the problem of artistic understanding of trauma experience in W.G. Sebald’s prose, exemplified by his essay “The Natural History of Destruction”, novels “The Rings of Saturn” and “Austerlitz”. A brief analysis of Sebald’s reflection on the German trauma literature, which Sebald, as a literary critic, problematized in his lectures and essay, is presented. The focus is on the role of the phenomenon of post-memory, as well as how exactly this concept can be applied to the analysis of Sebald’s novels. Particular attention is paid to the therapeutic aspect of writing. The aspect is connected with the need to highlight the dialogic relations within the text. As a result of the study, it was found that the narration in Sebald’s prose is based on a dialogue (between the characters, between the author and the reader, on the dialogue of images and verbal text). This type of construction is one of the possible options for composition of narration, giving access to the artistic expression of traumatic experience, which in other cases is inaccessible to those who write about trauma (P. de Mendelssohn, A. Schmidt).

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39

Schütte, Uwe. "Negative Evolution. Zur Rezeption von Stanisław Lem bei W.G. Sebald." Papers in Literature, `10 (July 30, 2022): 23–48. http://dx.doi.org/10.31648/pl.7854.

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40

King, Nicola. "Structures of Autobiographical Narrative: Lisa Appignanesi, Dan Jacobson, W.G. Sebald." Comparative Critical Studies 1, no. 3 (October 2004): 265–77. http://dx.doi.org/10.3366/ccs.2004.1.3.265.

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41

Cosgrove, Mary. "Melancholy Competitions: W.G. Sebald Reads Gunter Grass and Wolfgang Hildesheimer." German Life and Letters 59, no. 2 (April 2006): 217–32. http://dx.doi.org/10.1111/j.0016-8777.2006.00346.x.

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42

Nicol, Mark. "Physical Principles of Remote Sensing (3rd Edition), by W.G. Rees." Contemporary Physics 55, no. 3 (April 2014): 246–47. http://dx.doi.org/10.1080/00107514.2014.907347.

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43

Long, J. J. "Intercultural Identities in W.G. Sebald'sThe Emigrantsand Norbert Gstrein'sDie englischen Jahre." Journal of Multilingual and Multicultural Development 25, no. 5-6 (September 15, 2004): 512–28. http://dx.doi.org/10.1080/01434630408668922.

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44

Wilson, Ian W. "On the Restitution of Origins: Recent Work on W.G. Sebald." German Studies Review 42, no. 3 (2019): 581–85. http://dx.doi.org/10.1353/gsr.2019.0082.

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45

Kasper, Judith. "Austerlitzde W.G. Sebald. Une vue poétologique sur l'histoire des camps." European Review of History: Revue europeenne d'histoire 19, no. 3 (June 2012): 367–76. http://dx.doi.org/10.1080/13507486.2012.676387.

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46

Hansen, David T. "W.G. Sebald and the Tasks of Ethical and Moral Remembrance." Philosophy of Education 68 (2012): 125–33. http://dx.doi.org/10.47925/2012.125.

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47

D'Angelo, Biagio. "Os anéis de Saturno. O instinto enciclopédico de W.G.Sebald | The Rings of Saturn. The encyclopedic instinct in W. G. Sebald." Revista PHILIA | Filosofia, Literatura & Arte 3, no. 2 (December 8, 2021): 61–82. http://dx.doi.org/10.22456/2596-0911.119802.

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No romance de W.G. Sebald, Os anéis de Saturno (Die Ringe des Saturn: Eine englische Wallfahrt, 1995), o narrador, a partir da descrição de certos lugares de Suffolk, reconstrói acontecimentos históricos e biografias, relata entrevistas, apresenta e menciona obras e lugares, correlacionando tempos e espaços que várias vezes estão muito distantes uns dos outros. Essas aparentes digressões labirínticas ligam-se à história principal de uma forma ou de outra. A nossa hipótese é a de que Os anéis de Saturno possui uma estrutura altamente labiríntica e enciclopédica, característica, por outro lado, de toda a obra sebaldiana, através da qual o autor manifesta seu conhecimento trágico do mundo.Palavras-chave: Sebald. Romance enciclopédico. Enciclopédia. Labirinto. AbstractIn W.G Sebald's novel The Rings of Saturn (Die Ringe des Saturn: Eine englische Wallfahrt, 1995), the narrator, from the description of certain places in Suffolk, reconstructs historical events and biographies, reports interviews, describes and mentions works and places correlating times and spaces that are often very far apart. These apparent labyrinthian digressions tie into the main story in one way or another. Our hypothesis is that The Rings of Saturn have a highly labyrinthian and encyclopedic structure, characteristic, on the other hand, of the entire Sebaldian work, through which the author manifests his tragic knowledge of the world.Keywords: Sebald. Encyclopedic Novel. Encyclopedia. Labyrinth.ORCIDhttps://orcid.org/0000-0001-9333-4461

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Kyrychok, M., and S. Remeniuk. "Effectiveness of herbicides application on soybean." Karantin i zahist roslin, no. 3 (September 26, 2022): 20–25. http://dx.doi.org/10.36495/2312-0614.2022.3.20-25.

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Goal. To establish the effectiveness of the use of herbicides against weeds in soybean crops. Methods. Field and laboratory. Results. The main technologies for growing soybeans are based on the application of soil herbicides after sowing but before the appearance of crop seedlings. The main task of the research was to study the effectiveness of soil action and post-emergence herbicides on the destruction of weeds in soybean crops during the growing season. Establishing the specifics of the application of post-emergence herbicides makes it possible to reliably protect soybeans in case of impossibility or ineffective application of soil herbicides. Separate application of herbicides in smaller doses was used: Nabob, s.c. (bentazone, 480 g/l) 1.0 l/ha on the 4th day after sowing + 1.2 l/ha in the phase of 1—2 soybean leaves; Pari, s.c. (ima-zetapyr, 100 g/l) 0.3 l/ha on the 4th day after sowing + 0.4 l/ha in the phase of 1—2 soybean leaves; Pulsar 40, s.c. (imazamox, 40 g/l) 0.3 l/ha + 0.4 l/ha in the phase of 1—2 soybean leaves; Fabian, w.g. (imazethapyr, 450 g/kg + chlorimuron-ethyl, 150 g/kg) 0.03 kg/ha on the 4th day after sowing + 0.04 kg/ha in the phase of 1—2 soybean leaves; Harmony 75, w.g., (thifensu-lfuron-methyl, 750 g/kg) 0.003 kg/ha + surfactant Trend, 0.2 l/ha twice — after sowing on the 4th day and in the phase of 1—2 soybean leaves. Conclusions. The effectiveness of the imadazoline group of herbicides with split application, where the active substance acts both through the leaves and through the root system of weeds, was lower on average by 11%, than with single application. On average, during the years of research, for the application of the herbicide Pari in the phase of 1—2 soybean leaves, s.c. (1.0 l/ha) destroyed 89.0% of weed seedlings, and with separate application at lower rates (0.3 l/ha on the 4th day after sowing and 0.4 l/ha in phase 1—2 soybean leaves) 78.3% of weeds died. Similarly, for the introduction of Fabian herbicide in phase 1—2 soybean leaves, w.g. (0.1 kg/ha) the efficiency of using the full rate of the drug was 83.8%, and with separate application (0.03 kg/ha on the 4th day after sowing + 0.04 kg/ha in the phase of 1—2 leaves) soybean weed destruction was 72.6%. The use of herbicides with a contact action showed a better efficiency of action with a two-time application. After applying the full dose of the drug Nabob, s.c. (3.0 l/ha) once reduced the number of weeds by 68.7%, and with two applications (1.0 l/ ha on the 4th day after sowing + 1.2 l/ ha in phase 1—2 soybean leaves) the effectiveness of the drug was 83.0%. For Harmony, w.g. with a one-time application of the full rate of the drug, it's overall effectiveness was 67.6%, and when using 3.0 g/ha on the 4th day after sowing and 3.0 g/ ha + 0.2 l/ha of surfactant Trend in phase 1—2 leaves of soybeans — 80.4%.

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Homan, Greg, and Jason Hedrick. "“Team Building: Proven Strategies for Improving Team Performance, 4th Edition”." Journal of Youth Development 3, no. 3 (December 1, 2008): 209–12. http://dx.doi.org/10.5195/jyd.2008.300.

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Team Building is an important issue for Youth Development professionals. We utilize team-focused work to achieve our objectives in educating youth. The team building skills we integrate into programming serve to prepare youth for the dynamic, highly interpersonal work environment of today. “Team Building: Proven Strategies for Improving Team Performance, 4th Edition,” by W. Dyer, W.G. Dyer, and J. Dyer (2007), provides a practical theoretical framework for those interested in team building application, training, and practice in everyday work.

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Stefanie Boese. "“Forever Just Occurring”: Postwar Belatedness in W.G. Sebald's Austerlitz." Journal of Modern Literature 39, no. 4 (2016): 104. http://dx.doi.org/10.2979/jmodelite.39.4.08.

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