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1

Waddy, Sam. "Ethel Hunter Waddy." BMJ 334, no. 7593 (2007): 591.6–591. http://dx.doi.org/10.1136/bmj.39125.623009.80.

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Webster, Ian W., Alex D. Wodak, and Russell Carvolth. "Nanette Stacy Waddy, AC, MBE, MB BS, MD(Honoris Causa), FRANZCP." Medical Journal of Australia 203, no. 8 (2015): 342. http://dx.doi.org/10.5694/mja15.00874.

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Lafrance, Bruno, and Larry M. Heaman. "Structural controls on hypozonal orogenic gold mineralization in the La Ronge Domain, Trans-Hudson Orogen, Saskatchewan." Canadian Journal of Earth Sciences 41, no. 12 (2004): 1453–71. http://dx.doi.org/10.1139/e04-101.

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The La Ronge Domain is a granite–greenstone belt in the Saskatchewan segment of the ca. 1.9–1.8 Ga Trans-Hudson Orogen. The La Ronge volcanic arc was accreted to the Archean Hearne craton from ca. 1.87 to 1.86 Ga. Subduction of oceanic lithosphere beneath the accreted La Ronge – Hearne margin produced a voluminous suite of continental-arc intrusions. In the Waddy Lake area, the 1852.6 ± 1.5 Ma Corner Lake stock and 1859 ± 4 Ma and 1861 ± 2 Ma feldspar porphyry dykes crystallized from magmas generated from melting of the subducted oceanic slab. During the ca. 1.83–1.80 Trans-Hudson collision of
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4

Habel, Dorothy Metzger. "Review: Seventeenth-Century Roman Palaces: Use and the Art of the Plan by Patricia Waddy." Journal of the Society of Architectural Historians 52, no. 2 (1993): 224–27. http://dx.doi.org/10.2307/990789.

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McNiven, Ian J., Ian Thomas, and Ugo Zoppi. "Fraser Island Archaeological Project (FIAP): Background, Aims and Preliminary Results of Excavations at Waddy Point 1 Rockshelter." Queensland Archaeological Research 13 (December 1, 2002): 1. http://dx.doi.org/10.25120/qar.13.2002.64.

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<p>Coastal southeast Queensland is one of the most intensively studied archaeological regions of Australia. While the Fraser Island World Heritage Area is the most famous landscape in this coastal region, no archaeological excavations have been undertaken and its ancient Aboriginal past remains poorly understood. The Fraser Island Archaeological Project (FIAP) redresses this situation. Excavations at Waddy Point 1 Rockshelter (WP1) in July/August 2001 reveal a focus on local resources (shellfish, fish and tool stone) in the last c.900 years. This finding is consistent with McNiven's (199
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Campbell, Joan. "Images of Faith: Expressionism, Catholic Folk Art, and the Industrial Revolution, by Helena Waddy LepovitzImages of Faith: Expressionism, Catholic Folk Art, and the Industrial Revolution, by Helena Waddy Lepovitz. Athens, Georgia, University of Georgia Press, 1991. xviii, 228 pp. $40.00 U.S." Canadian Journal of History 27, no. 3 (1992): 563–64. http://dx.doi.org/10.3138/cjh.27.3.563.

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Watters, B. R., and R. L. Armstrong. "Rb–Sr study of metavolcanic rocks from the La Ronge and Flin Flon domains, northern Saskatchewan." Canadian Journal of Earth Sciences 22, no. 3 (1985): 452–63. http://dx.doi.org/10.1139/e85-044.

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Two whole-rock suites of metavolcanic rocks from separate volcanic belts of the Churchill Province in northern Saskatchewan have been dated by Rb–Sr. Samples from the Amisk Group of the Flin Flon – Snow Lake domain provide an isochron date of 1784 ± 44 Ma; suites from the Waddy Lake and Devil Lake areas of the La Ronge (–Lynn Lake) domain yield isochron dates of 1814 ± 26 and 1854 ± 100 Ma, respectively. All are regarded as minima for, but close approximations to, emplacement ages. The maximum crustal age of any suite cannot greatly exceed 1850 Ma.Previous Rb–Sr and U–Pb isotopic dates togethe
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Schulz, Valerie N. "PALLIATIVE NEUROLOGY. 2006. By Ian Maddocks, Bruce Brew, Heather Waddy, Ian Williams. Published by Cambridge University Press. 260 pages. Price C$66." Canadian Journal of Neurological Sciences / Journal Canadien des Sciences Neurologiques 33, no. 4 (2006): 437. http://dx.doi.org/10.1017/s0317167100049982.

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9

Wodak, Alex. "Whose Territory is it Anyway? Should Psychiatry own Alcohol and Drugs in Australia?" Australian & New Zealand Journal of Psychiatry 28, no. 3 (1994): 375–77. http://dx.doi.org/10.3109/00048679409075862.

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Surely alcohol and drug matters in Australia should be regarded as the province of psychiatry? Decades before any other branch of medicine displayed any interest in the subject and long before alcohol and drugs were considered even remotely respectable, numerous Australian psychiatrists provided inspiration and leadership in this Cinderella field. Drs Bartholomew, Bell, Buchanan, Chegwidden, Dalton, Drew, Ellard, Lennane, Milner, Milton, Waddy and Pols are some of the best known among the many Australian psychiatrists who pioneered efforts to improve treatment for patients with alcohol and dru
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Deming, James. "Helena Waddy, Oberammergau in the Nazi Era: The Fate of a Catholic Village in Hitler's Germany (Oxford: Oxford University Press, 2010), pp. 350. £22.50 (hbk)." Scottish Journal of Theology 66, no. 4 (2013): 482–83. http://dx.doi.org/10.1017/s0036930611000652.

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11

Phayer, M. "Images of Faith: Expressionism, Catholic Folk Art and the Industrial Revolution. By Helena Waddy Lepovitz (Athens, Georgia: University of Georgia Press, 1991. xviii plus 215 pp.)." Journal of Social History 25, no. 3 (1992): 656–57. http://dx.doi.org/10.1353/jsh/25.3.656.

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Zeller, BM, BR Pollock, and LE Williams. "Aspects of Life History and Management of Tailor (Pomatomus saltatrix) in Queensland." Marine and Freshwater Research 47, no. 2 (1996): 323. http://dx.doi.org/10.1071/mf9960323.

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Tailor (Pomatomus saltatrix) is an important commercial and recreational species. Published and unpublished information on the reproductive biology and seasonal migrations of P. saltatrix in southern Queensland are summarized for 1978-93. Gonad index (GI) data from commercial ocean beach catches gave mean monthly values for fish ≥ 250 LCF (length to caudal fork; n = 389), decreasing from January to April before increasing to a peak in November. R saltatrix taken on Fraser Island in September and on South Stradbroke Island in November had high GI values. Adult fish in spawning condition were ca
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Moore, Joe Louis. "In Our Own Image: Black Artists in California, 1880 - 1970: Sample Portfolio of the Works of Grafton Tyler Brown, Sargent Claude Johnson, Emmanuel Joseph, Samella Lewis Ruth Waddy, Emory Douglas." California History 75, no. 3 (1996): 264–71. http://dx.doi.org/10.2307/25177598.

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14

Cavazzini, Patrizia. "Patricia Waddy. Seventeenth-Century Roman Palaces. Use and the Art of the Plan. New York, Cambridge, London: The Architectural History Foundation/The MIT Press, 1990. 216 illus. + 456 pp. $45." Renaissance Quarterly 46, no. 1 (1993): 186–89. http://dx.doi.org/10.2307/3039166.

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15

Stępnik, Andrzej. "Historia według Wajdy." Roczniki Humanistyczne 65, no. 2 (2017): 186–90. http://dx.doi.org/10.18290/rh.2017.65.2-11.

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Matysiak, Mateusz. "Archiwum Andrzeja Wajdy." Przestrzenie Teorii, no. 27 (December 15, 2017): 31–34. http://dx.doi.org/10.14746/pt.2017.27.4.

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The author offers a concise description of the contents of the Andrzej Wajda Archive, which is located in the Manggha Museum of Japanese Art and Technology in Kraków. His enormous legacy comprises not just his film and theatre work, but the whole of the director's exceptionally colourful and intensive creative, political and social activity.
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Sułkowski, Tomasz. "Wady projektowe." BUILDER 263, no. 6 (2019): 30–32. http://dx.doi.org/10.5604/01.3001.0013.2040.

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Skutkiem ujawnienia się wad projektowych w procesie budowlanym, oprócz nieterminowego wykonania inwestycji, potencjalnej konieczności wykonania prac dodatkowych i uiszczenia dodatkowego wynagrodzenia wykonawcy, może być również dochodzenie roszczeń ze strony wykonawcy o odszkodowanie za szkody, jakie poniósł na skutek ujawnienia się wad projektowych i konsekwencji z tym związanych.
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Conway, John S. "Oberammergau in the Nazi era. The fate of a Catholic village in Hitler's Germany. By Helena Waddy. Pp. xiii+335 incl. 20 figs. Oxford–New York: Oxford University Press, 2010. £22.50. 978 0 19 537127 7." Journal of Ecclesiastical History 62, no. 3 (2011): 653–54. http://dx.doi.org/10.1017/s0022046911000790.

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Krajewska, Anna. "Dramatyczne przestrzenie Andrzeja Wajdy." Przestrzenie Teorii, no. 27 (December 15, 2017): 7–10. http://dx.doi.org/10.14746/pt.2017.27.0.

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This editorial is an impressionistic work on Andrzej Wajda’s output, predominantly emphasising its dramatic nature. The text presents the uniqueness of Andrzej Wajda’s creative work in such diverse forms of art as if they were one – his painting metamorphosed into film, drawing into screenplay, urban space into a theatre stage. Wajda is seen here not only as a director, but also as a contemporary dramatist, who creates the dramatic space of history’s traps, who dramatises the fate of the individual, and who interprets the drama of the philosophical stage.
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Popiel, Jacek. "Laudacja dla Andrzeja Wajdy." Przestrzenie Teorii, no. 27 (December 15, 2017): 13–18. http://dx.doi.org/10.14746/pt.2017.27.1.

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During the laudation speech on 12th May 2016 at the Jagiellonian University Senate session on the occasion of Andrzej Wajda being awarded the gold medal Plus Ratio Quam Vis, the director’s most significant services to Polsh and world culture (film, theatre, museum art) were presented.
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Mąka-Malatyńska, Katarzyna. "Dokumentalny świat Andrzeja Wajdy." Przestrzenie Teorii, no. 27 (December 15, 2017): 93–116. http://dx.doi.org/10.14746/pt.2017.27.9.

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The article introduces a relatively unknown aspect of Andrzej Wajda’s output – his documentary films. The author examines documentaries on art and autobiographical film, which usually comprise glosses on feature films. These non-fiction films, like Wajda's best-known movies, refer to the codes of Polish culture, created by art and literature, and thanks to which the creative output of the maker of Afterimage (Powidoki) appears to unusually coherent and consistent, regardless of the genealogical classification. The author selects examples to analyse the connections between Wajda’s feature films
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Kletowski, Piotr. "Filmowe powidoki Andrzeja Wajdy." Studia Filmoznawcze 39 (July 17, 2018): 145–61. http://dx.doi.org/10.19195/0860-116x.39.10.

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ANDRZEJ WAJDA'S AFTERIMAGESThe text: Andrzej Wajda’s Afterimages is an analysis of the last film made by the creator of Ashes and Diamonds. This motion picture is a film vision of the last years of Władysław Strzemiński’s life. Strzemiński was an outstanding Polish, avant-garde artist, destroyed by the communist authorities in the 1950s. The situation of the artist in the trap of enslavement is transferred by Wajda into his film, and into the figure of Strzemiński himself — created by Bogusław Linda — who becomes a “medium” throughout Wajda talks about himself — both as a human and as an artis
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Yu, J. "Aristotle in China. Robert Wardy." Mind 110, no. 440 (2001): 1130–33. http://dx.doi.org/10.1093/mind/110.440.1130.

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Fitas, Adam. "Zalety i wady przyczynkarstwa." Teksty Drugie 6 (2018): 125–34. http://dx.doi.org/10.18318/td.2018.6.8.

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Rössner, Stephan. "William Wadd (1776-1829)." Obesity Reviews 12, no. 10 (2011): 885. http://dx.doi.org/10.1111/j.1467-789x.2011.00859.x.

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Szturc, Włodzimierz. "Danton. Wektory interpretacji filmu Andrzeja Wajdy." Przestrzenie Teorii, no. 27 (December 15, 2017): 59–76. http://dx.doi.org/10.14746/pt.2017.27.7.

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In this paper, the author presents the final period of the French Revolution as interpretated by Andrzej Wajda. The screenplay was prepared by Jean-Claude Carrière based on Stanisława Przybyszewska’s drama (also used by Wajda as a screenplay in many dramas). It helped the director to describe the reality of the intense time of Robespierre’s terror and Jacobin efforts to guillotine Danton and his allies. Wajda reveals the same mechanisms of crime, manipulation and lies which became the backdrop for political events in Poland between 1981-1983 (especially with the introduction of martial law in
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Shore, Elsie R., and Kristi L. Compton. "Wadda Ya Mean, I Can't Drive?" Journal of Prevention & Intervention in the Community 17, no. 1 (1998): 45–53. http://dx.doi.org/10.1300/j005v17n01_04.

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Sobieraj, Sławomir. "Transgresje i wiwifikacje. Wandy Melcer liryka nowoczesna." Зборник Матице српске за славистику 2020, no. 97 (2020): 171–85. http://dx.doi.org/10.18485/ms_zmss.2020.97.11.

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Morawski, Piotr. "Dyrektorka: Przyczynek do (nie)biografii Wandy Wróblewskiej." Pamiętnik Teatralny 69, no. 3 (2020): 75–103. http://dx.doi.org/10.36744/pt.426.

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Artykuł stanowi próbę analizy zasad, na jakich dyrektorki mogą być wpisywane w historię teatru. Spekulatywny biogram Wandy Wróblewskiej, twórczyni i dyrektorki Teatru Ziemi Mazowieckiej, jest tu narzędziem umożliwiającym ujawnienie i sproblematyzowanie oczekiwań wobec kobiecych narracji, które mają być alternatywą dla dominującego w historiografii patriarchalnego modelu. Teatr Ziemi Mazowieckiej, jak większość scen objazdowych, kierowany były przez kobiety, co skłania do umieszczenia refleksji nad nim w perspektywie feministycznej. Jego działalność łatwo wpisać w alternatywny model historiogra
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Hendrykowski, Marek. "Uwagi o aktorstwie w filmach Andrzeja Wajdy." Przestrzenie Teorii, no. 27 (December 15, 2017): 47–58. http://dx.doi.org/10.14746/pt.2017.27.6.

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The article is a synthetic look at Andrzej Wajda’s films in terms the context of acting and actors’ participation. As a director Wajda never created a separate ‘school’ of film acting; nevertheless, he still made a huge creative contribution on a national and global scale, including tens, if not hundreds, of unforgettable performances from actors.
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Idczak, Aleksandra. "Pamięć monumentalna? O ostatnim filmie Andrzeja Wajdy." Studia Filmoznawcze 39 (July 17, 2018): 127–43. http://dx.doi.org/10.19195/0860-116x.39.9.

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THE MONUMENTAL MEMORY? ON THE FINAL FILM OF ANDRZEJ WAJDA The paper attempts to study the Afterimages, the last Andrzej Wajda’s film, in the light of its critical reception in Poland. The author investigates what place in collective memory of Polish viewers oc-cupies both the director and the protagonist — Władysław Strzemiński. The author argues that the exceptional circumstances, like jubilee celebrations and director’s funeral — turned critical attention away from the film itself to the entire director’s oeuvre. Afterimages, interpreted with the category of “monumental memory”, allows the a
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Tkaczyk, Marcin, Anna Cieślak-Puchalska, Piotr Adamczyk, et al. "Podejrzenie wady wrodzonej układu moczowego – postępowanie u noworodka i niemowlęcia – część II: Wady miąższu nerek." Pediatria Polska 85, no. 5 (2010): 490–94. http://dx.doi.org/10.1016/s0031-3939(10)70542-4.

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Szulakiewicz, Władysława. "Słownik pedagogów polskich, pod red. Wandy Bobrowskiej-Nowak i Danuty Dryndy, Katowice 1998, ss. 243." Biuletyn Historii Wychowania, no. 9/10 (January 6, 2019): 62–63. http://dx.doi.org/10.14746/bhw.1999.9.10.17.

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BADOWIEC, RENATA. "Wady oświadczenia woli w stosunkach pracy." Pracownik i Pracodawca 2, no. 2 (2016): 7. http://dx.doi.org/10.12775/pip.2016.010.

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Jaworski, Tomasz. "Żywica mocznikowo-formaldehydowa. Wady i zalety." PRZEMYSŁ CHEMICZNY 1, no. 12 (2019): 139–43. http://dx.doi.org/10.15199/62.2019.12.20.

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Haltof, Marek. "The casualty of Jewish-Polish polemics: Revisiting Andrzej Wajda’s Korczak 1990." Studia Filmoznawcze 39 (July 17, 2018): 53–66. http://dx.doi.org/10.19195/0860-116x.39.4.

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OFIARA POLEMIKI POLSKO-ŻYDOWSKIEJ. POWRÓT DO KORCZAKA 1990 ANDRZEJA WAJDYTekst Marka Haltofa Ofiara polemiki polsko-żydowskiej. Powrót do „Korczaka” 1990 Andrzeja Wajdy omawia polityczny aspekt pierwszego filmu Wajdy, który powstał po transformacji ustrojowej. Wcześniej reżyser zrealizował wiele filmów poświęconych Holokaustowi i relacjom polsko-żydow-skim. Niektóre z jego dzieł spotkały się z krytyką, często niezasłużoną, stając się zakładnikami polity-ki i „ofiarami polsko-żydowskich polemik” — jak pisze o Korczaku Lawrence Baron. Artykuł przy-bliża historię powstania filmu, sposób przedstaw
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Abui, Abui Abraham. "The Vices against the Virtue of Temperance among the Atyap Cultural Heritage of Africa: A Philosophical Approach." Roczniki Kulturoznawcze 10, no. 4 (2020): 161–77. http://dx.doi.org/10.18290/rkult.2019.10.4-8.

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Wady odpowiadające cnocie umiarkowania w kulturowym dziedzictwie szczepu Atyap: podejście filozoficzne
 W dyskursie moralnym cnoty wciąż zajmują centralne miejsce. Dzieje się tak, ponieważ dyskusje o moralności obracają się wokół pojęć cnoty i wady. Bierze się za pewnik, że wynikiem cnót są czyny dobre moralnie, natomiast wady prowadzą do czynów złych, powszechnie potępianych. Etycy cnót opierają swoje argumenty na założeniu, że czyny ludzkie są bezpośrednio połączone bądź to z cnotą, bądź z wadą. Każdej cnocie odpowiada nadmiar lub deficyt, którego przekroczenie wiąże się z przeciwną jej
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Olshewsky, Thomas M. "Self-movers and unmoved movers in Aristotle's Physics VII." Classical Quarterly 45, no. 2 (1995): 389–406. http://dx.doi.org/10.1017/s0009838800043470.

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Robert Wardy's recentThe Chain of Change(Cambridge, 1990) has again brought to the fore the question of the role ofPhysicsVII in the development of Aristotle's conception of motion. Wardy reads VII in conjunction with VIII, and argues that the former is the precursor of the latter in the development of the conception of a cosmic unmoved mover. He also claims that this account is the only one that can save us from a version of self-motion made unacceptable by Aristotle's hylomorphic account developed elsewhere. This is what Wardy thinks enables him to infer that the account of motion inPhysicsV
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Rue, G. Michael La, A. Bjorkelo, and G. E. Wickens. "A Bibliography of the Dar Fur/Waday Region." International Journal of African Historical Studies 18, no. 3 (1985): 528. http://dx.doi.org/10.2307/218659.

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Kornacki, Krzysztof. "Tworzenie obrazu przeszłości w trylogii robotniczej Andrzeja Wajdy." Przestrzenie Teorii, no. 27 (December 15, 2017): 77–92. http://dx.doi.org/10.14746/pt.2017.27.8.

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Observing the process of the birth of Man of Marble – Man of Iron – Wałęsa. Man of Hope trilogy we can clearly see the author’s increasing tendency to render movie fiction real, in the sense that fiction should be treated as reality, as its equivalent. In the two first films in the trilogy, what is visible is the intensified blurring of the lines between fiction and reality, substituting what is fact with something concocted. What we can also see here is a tendency to boost the credibility of a fictional story, thanks to the use of conventions and documentary materials. Gradual changes made in
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Kraj, Łukasz. "Feminizowanie awangardy? “Na pewno książka kobiety” Wandy Melcer." Pamiętnik Literacki 3 (2019): 59–75. http://dx.doi.org/10.18318/pl.2019.3.5.

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Forma, Marzena. "Działalność literacka Wandy Wasilewskiej w latach 1945-1964." Rozprawy Humanistyczne 1, no. 1 (2016): 19–45. http://dx.doi.org/10.21784/rh.2016.002.

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Głowacki, Albin. "Jak zginął drugi mąż Wandy Wasilewskiej – Marian Bogatko?" Dzieje Najnowsze 53, no. 1 (2021): 247. http://dx.doi.org/10.12775/dn.2021.1.09.

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Leszczyński, Grzegorz. "Dobro małżonków jako przedmiot symulacji zgody małżeńskiej." Acta Universitatis Lodziensis. Folia Iuridica 81 (December 12, 2017): 29–41. http://dx.doi.org/10.18778/0208-6069.81.03.

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Kodeks prawa kanonicznego z 1983 r. definiuje trzy grupy przyczyn stwierdzenia nieważności małżeństwa: przeszkody zrywające, wady zgody małżeńskiej i wady formy kanonicznej. Pośród różnych wad zgody małżeńskiej w kan. 1101 § 2 KPK Prawodawca wymienia różne formy symulacji. Symulacja oznacza, że kontrahent zawiera małżeństwo jedynie zewnętrznie, wykluczając małżeństwo jako takie lub jakiś jego istotny element lub przymiot. Niniejszy artykuł stanowi próbę określenia jednej z form symulacji częściowej, określanej jako wykluczenie dobra małżonków, z uwzględnieniem sposobu jego dowodzenia.
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Szczur, Piotr. "Wady ludzi starych w ocenie Jana Chryzostoma." Vox Patrum 56 (December 15, 2011): 371–82. http://dx.doi.org/10.31743/vp.4230.

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From John Chrysostom’s writings – and especially his homilies – quite a picturesque portrait of old people emerges. Generally speaking, in this instance the golden-mouth preacher talks as a representative of early-Christian writers, who gave old people the privi­leged status. However, along with some praises for the elderly and old age we can also find his comments concerning faults of people of advanced age. Chrysostom talks about these faults especially while speaking about the great responsibility of the elderly for the upbring­ing of the young. Trying to stress their responsibility the Ant
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Sielużycka, Aurelia, Mieczysława Czerwionka-Szaflarska, L. Rydygiera, and Bydgoszczy. "Wybrane wady rozwojowe narządów płciowych u dzieci." Pediatria Polska 87, no. 1 (2012): 65–71. http://dx.doi.org/10.1016/s0031-3939(12)70596-6.

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Sułkowski, Tomasz. "Odpowiedzialność wykonawcy za wady projektowe. Część 2." BUILDER 265, no. 8 (2019): 2–4. http://dx.doi.org/10.5604/01.3001.0013.2850.

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Niedopuszczalne jest przeniesienie odpowiedzialności za konsekwencje wad projektowych z inwestora na wykonawcę. Nie można przyjąć, że wykonawca, na gruncie umowy o roboty budowlane, przyjmuje na siebie odpowiedzialność za konsekwencje nienależytego wykonania obowiązków, jakie zobowiązany jest spełnić inwestor. Nie ponosi on też odpowiedzialności za konsekwencje wad dokumentacji projektowej.
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Wieliczko, Barbara. "FISCAL FEDERALISM – ADVANTAGES AND DISADVANTAGES." Zeszyty Naukowe Uniwersytetu Szczecińskiego Finanse Rynki Finansowe Ubezpieczenia 92 (2018): 477–84. http://dx.doi.org/10.18276/frfu.2018.92-41.

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Di Castro, Daniela. "Nicodemus Tessin the Younger: Sources, Works, Collections: Catalogue des livres, estampes & desseins du cabinet des beaux-arts, & des sciences appartenant au Baron Tessin, Stockholm 1712. Per Bjurström , Mårten SnickareNicodemus Tessin the Younger: Sources, Works, Collections: Traictè dela decoration intérieure 1717. Patricia Waddy , Bo Vahlne , Guy Walton , Jan von Gerber." Studies in the Decorative Arts 11, no. 1 (2003): 117–19. http://dx.doi.org/10.1086/studdecoarts.11.1.40663069.

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Kułak, Krzysztof. "Rękojmia za wady w świetle art. 27 ustawy o ochronie praw nabywcy lokalu mieszkalnego lub domu jednorodzinnego — wybrane zagadnienia." Przegląd Prawa i Administracji 120 (July 1, 2020): 417–30. http://dx.doi.org/10.19195/0137-1134.120.80.

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Przedmiotem opracowania są wybrane zagadnienia dotyczące odpowiedzialności dewelo-pera za wady lokalu mieszkalnego lub domu jednorodzinnego w ramach rękojmi oraz na podstawie przepisów ustawy o ochronie praw nabywcy lokalu mieszkalnego lub domu jednorodzinnego. Ana-lizowany jest charakter odesłania zawartego w art. 27 ust. 6 ustawy deweloperskiej, stosunek prze-pisów kodeksu cywilnego o rękojmi za wady do postanowień art. 27 ust. 1–5 ustawy deweloperskiej oraz problematyka dopuszczalności stosowania art. 557 § 1 kodeksu cywilnego. Zaproponowany w artykule sposób rozumienia tych postanowień poz
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