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Books on the topic 'Wagner's Store'

Author: Grafiati

Published: 4 June 2021

Last updated: 12 February 2022

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1

Bags to riches: The story of I.J. Wagner. Salt Lake City, UT: University of Utah Press, 2006.

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2

Jaffe, D. J. The Jaffe, Solsky, Stohn, Belgard, Davis, Wagner, Gommermann, Pelzer, Flores, Salazar, Sanchez, Alper, German, Kanow, Bachner, Bressler and other families related to Dominique, Danielle and Bosco. New York, NY: D.J. Jaffe, 1997.

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3

Kilbrun, N. The Story of Wagners "Ring". Reprint Services Corp, 1999.

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4

Dykes, Pete. Kinnie Wagner Story. Pete Dykes, 2007.

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5

Frost, Henry. The Wagner Story Book. 1st World Library - Literary Society, 2006.

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6

Frost, Henry. The Wagner Story Book. 1st World Library, 2004.

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7

Frost, Henry. The Wagner Story Book. 1st World Library - Literary Society, 2004.

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8

Frost, William Henry. The Wagner Story Book. IndyPublish.com, 2005.

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9

Frost, Henry William. The Wagner Story Book. IndyPublish, 2007.

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10

Frost, Henry William. The Wagner Story Book. IndyPublish, 2006.

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11

Frost, William Henry. The Wagner Story Book. IndyPublish.com, 2003.

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12

Frost, William Henry. The Wagner Story Book. IndyPublish.com, 2003.

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13

Frost, Henry William. The Wagner Story Book. IndyPublish, 2007.

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14

Frost, Henry. The Wagner Story Book. Kessinger Publishing, 2004.

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15

Frost, William Henry. The Wagner Story Book. IndyPublish.com, 2005.

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16

Frost, Henry William. The Wagner Story Book. IndyPublish, 2006.

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17

Story of the Ring. Oberon Books, Limited, 2010.

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18

Goldfarb, Roz. Benjamin's Ring: The Story of Richard Wagner's The Ring of the Nibelung for Young Readers. CreateSpace Independent Publishing Platform, 2012.

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19

Gale, Don. Bags to Riches: The Story of I J Wagner. University of Utah Press, 2007.

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20

Finck, Henry Theophilus. Wagner And His Works: The Story Of His Life With Critical Comments. University Press of the Pacific, 2004.

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21

Finck, Henry Theophilus. Wagner And His Works: The Story Of His Life With Critical Comments. University Press of the Pacific, 2004.

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22

Finck, Henry Theophilus. Wagner and His Works: The Story of His Life With Critical Comments. 7th ed. Library Reprints, 2001.

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23

Being Wagner: The story of the most provocative composer who ever lived. 2018.

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24

Waggoner, Rackley Virginia Ruth, ed. Ten sisters: A true story. 2nd ed. Mahomet, IL: Mayhaven Pub., 2000.

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25

Wenzel, Doris, Pauline Ariel, Audrey Alford, Vera Barber, Phyllis Ferguson, Delorse Hart, Irma Swirk, Mary Hickmott, and Rhita Brniak. Ten Sisters : A True Story. 2nd ed. Mayhaven Publishing, 1999.

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26

Finck, Henry Theophilus. Wagner And His Work V1: The Story Of His Life With Critical Comments. Kessinger Publishing, LLC, 2006.

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27

Wagner And His Works V2: The Story Of His Life With Critical Comments. Kessinger Publishing, LLC, 2007.

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28

Finck, Henry Theophilus. Wagner And His Work V1: The Story Of His Life With Critical Comments. Kessinger Publishing, LLC, 2007.

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29

Finck, Henry Theophilus. Wagner And His Works V2: The Story Of His Life With Critical Comments. Kessinger Publishing, LLC, 2006.

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30

Richard, Wagner. The Story of Bayreuth As Told in the Bayreuth Letters of Richard Wagner. Library Reprints, 2001.

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31

Platte, Nathan. From the Ranch to the Drawing Room. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780199371112.003.0012.

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In story and production, Duel in the Sun and The Paradine Case have little in common, but it is precisely their contrasts that show how music served both a more elaborate and experimental function in Selznick’s postwar films. For Duel, Selznick construed a genre-bending western of operatic proportions, striving for “an equivalent of [Wagner’s] Tristan.” Inspired and intimidated by the comparison, composer Dimitri Tiomkin churned out music, much of it rejected. From film to soundtrack album, Tiomkin relied upon choral director Jester Hairston and editor Audray Granville to realize the film’s musical program. As Selznick conceded, The Paradine Case sought to make amends for Duel’s lapses of taste. In this emotionally chilled mystery of a piano-playing murder suspect, Franz Waxman’s music both conceals and discloses characters’ motivations. In adapting musical scenes from the source novel for the screen, Selznick and Hitchcock cast music as the hinge upon which deception swings.

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32

Ten Sisters a True Story. 3rd ed. Mayhaven Publishing, 1997.

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33

Waggoner, Rackley Virginia Ruth, ed. Ten sisters: A true story. Mahomet, IL: Mayhaven Pub., 1996.

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34

O'keeffe, Michael, and Teri Thompson. The Card: Collectors, Con Men, and the True Story of History's Most Desired Baseball Card. Harper Paperbacks, 2008.

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35

Platte, Nathan. Variations on a Theme. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780199371112.003.0004.

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After accepting an excellent offer from MGM in 1933, Selznick fostered a relationship with MGM composer Herbert Stothart. As with Steiner at RKO, Selznick’s penchant for longer scores helped jump-start the composer’s career. In contrast to Steiner’s drive for wholly “original” scores at RKO, however, Stothart preferred interweaving classical selections—a method born of the silent era that Selznick found attractive, even preferable. This chapter focuses on Stothart’s creative arranging of works by Beethoven, Wagner, Tchaikovsky, and others in a series of literary adaptations, including Night Flight (1933), David Copperfield (1935), Vanessa: Her Love Story (1935), Anna Karenina (1935), and A Tale of Two Cities (1935). Through these films, Selznick and Stothart fashioned a music model for the prestige film that Selznick carried forward in his independent productions.

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36

A Tendering in the Storm (Change and Cherish Historical Series #2). WaterBrook Press, 2007.

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37

A Tendering in the Storm (Change and Cherish Historical Series #2). Thorndike Press, 2007.

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38

Kirkpatrick, Jane. A Tendering in the Storm (Change and Cherish Historical Series #2). Hovel Audio, 2007.

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39

Kirkpatrick, Jane. A Tendering in the Storm (Change and Cherish Historical Series #2). WaterBrook Press, 2007.

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