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Books on the topic 'Wagner, Tristan und Isolde, Alba'

Author: Grafiati
Published: 4 June 2021
Last updated: 6 February 2022

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1

Wagner, Tristan und Isolde. Kassel: Bärenreiter, 2013.

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2

Richard Wagner: Tristan und Isolde. New York: Cambridge University Press, 2011.

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3

Richard, Wagner. Tristan und Isolde. Brussel: Koninklijke Muntschouwburg, 1997.

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4

Richard, Wagner. Tristan und Isolde. Brussel: Impresor, 1994.

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5

Richard, Wagner. Tristan und Isolde. Wuppertal: Wuppertaler Bühnen, 1989.

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6

Heldt, Brigitte. Richard Wagner, Tristan und Isolde: Das Werk und seine Inszenierung. Laaber: Laaber-Verlag, 1994.

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7

Richard, Wagner. Tristan und Isolde: Oper in drei Akten. Amsterdam: De Nederlandse Opera, 1987.

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8

Richard, Wagner. Tristan und Isolde: Textbuch mit Varianten der Partitur. Stuttgart: P. Reclam, 2003.

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9

Rhein, Deutsche Oper am. Tristan und Isolde: Handlung in drei Aufzügen : Dichtung vom Komponisten : Musik von Richard Wagner. Düsseldorf]: Deutsche Oper am Rhein, 1998.

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10

The tragic and the ecstatic: The musical revolution of Wagner's Tristan und Isolde. New York: Oxford University Press, 2004.

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11

Staatsbibliothek, Bayerische, ed. Richard Wagner: Die Münchner Zeit (1864-1865) : Ausstellung in der Bayerischen Staatsbibliothek vom 15. März bis 28. Mai 2013 : Erstveröffentlichung von Briefen Cosima und Hans von Bülows zu Tristan und Isolde. München: Allitera, 2013.

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12

Alain, Lombard, ed. Tristan und Isolde, Wagner. Bordeaux: Grand théâtre de Bordeaux, 1991.

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13

Heinz-Klaus, Metzger, and Riehn Rainer, eds. Richard Wagner: Tristan und Isolde. München: Edition Text + Critique, 1987.

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14

Richard Wagner - 3 Overtures: Tristan und Isolde, Lohengrin, Tannhauser. SCHOTT MUSIK INTL MAINZ, 2013.

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15

Steen, Michael. Wagner's Tristan und Isolde: A Short Guide to a Great Opera. Icon Books, Limited, 2013.

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16

Ainslie, Hight George. Wagner\'s "Tristan und Isolde": An essay on the Wagnerian drama. BiblioBazaar, 2006.

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17

Hight, George Ainslie. Wagner\'s "Tristan und Isolde" (Large Print Edition): An essay on the Wagnerian drama. BiblioBazaar, 2006.

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18

Cruz, Gabriela. Grand Illusion. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190915056.001.0001.

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Grand Illusion is a new history of grand opera as an art of illusion facilitated by the introduction of gaslight illumination at the Académie Royale de Musique (Paris) in the 1820s. It contends that gas lighting and the technologies of illusion used in the theater after the 1820s spurred the development of a new lyrical art, attentive to the conditions of darkness and radiance, and inspired by the model of phantasmagoria. Karl Marx, Walter Benjamin, and Theodor Adorno have used the concept of phantasmagoria to arrive at a philosophical understanding of modern life as total spectacle, in which the appearance of things supplants their reality. The book argues that the Académie became an early laboratory for this historical process of commodification, for the transformation of opera into an audio-visual spectacle delivering dream-like images. It shows that this transformation began in Paris and then defined opera after the mid-century. In the hands of Giacomo Meyerbeer (Robert le diable, L’Africaine), Richard Wagner (Der fliegende Holländer, Lohengrin, and Tristan und Isolde), and Giuseppe Verdi (Aida), opera became an expanded form of phantasmagoria.
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