Academic literature on the topic 'Wainwright family'

Over the past two decades RED Production Company's key presence in British television drama has been grounded in its regional focus on the North of England. It shares this commitment with Sally Wainwright, whose work with and outside of RED is built around a strong affective engagement with its characters’ experiences. These stories offer intimate explorations of family dynamics and female relationships, situated within and interwoven with the spaces and places of West Yorkshire. From her adaptation of Wuthering Heights in Sparkhouse (BBC, 2002) to her 2016 Christmas biopic of the Brontë sisters To Walk Invisible (BBC, 2016), through Last Tango in Halifax (BBC, 2012–16) and Happy Valley (BBC, 2014–) these are distinctly regional narratives whose female-led familial melodrama, psychodrama and romance are embedded within and return to the landscapes of the region, spaces which blend the stolid and torrid. Wide and spectacular aerial shots follow cars that track through the green and brown expanses between the Harrogate and Halifax families of the elderly couple in Last Tango, the beauty of the Calder Valley pens in the stark bleakness that is foundational to Happy Valley, and the Brontë sisters stride across heathered hills and are silhouetted against grey skies in To Walk Invisible. This article explores the visual dynamics of Wainwright's work and her engagement with the landscapes of the region in both her writing and direction, evoking their numerous literary and cultural connotations in her interweaving of West Yorkshire's stark, dynamic beauty with her stories of intimate female affect.

INTRODUCTION: Advanced technology in medical and pharmacology has increased surgical survival rates for transplant recipients. Therefore, post-transplant care is critical and tightly connected with key focuses on the recipient’s quality of life (QOL). Post-transplant QOL is multifaceted, encompassing morbidity and personal, social, familial and environmental support for recipients. Post-liver transplantation recovery extends well beyond returning home.METHOD: Building on Wainwright’s research (Wainwright, 2011a, 2011b; Wainwright, Jülich, Waring, Yeung, Green, 2016), herself a liver transplant recipient, this article reports transplant recipients’ perceptions and experiences after the first three years and discusses how they re-established function in everyday life as they adapted to their new normal to achieve QOL. The research employed interpretive description to interview transcripts and field-notes of 17 liver transplant recipients. Data were evaluated according to inductive thematic analysis. Eschewing the health-related QOL measure for its rigidity and lack of qualitative data, this research captured the lived experiences of liver transplant recipients unlike clinically focused studies.FINDINGS: The results showed that, although transplantation can make positive changes in their lives, recipients continued to be influenced subtly by illness which can alter their re-conceptualisation and re-definition of QOL and normalcy. The success of a liver transplant does not depend only on the physical care given; to the recipients as the spectre of future ill health and transplant failure continue to be perceived as a constant risks. Ongoing support from family, friends, and healthcare professionals are none-the-less fundamental in the post-transplantation journey.

The global legal landscape is populated with at least three legal families: civil, common, and mixed. This third family, and Quebec’s place within it, forms the subject of the 2008 Wainwright Lecture. Professor Vernon Palmer proposes that although jurisdictions in this family may share certain features, there is no single model of a mixed jurisdiction. A thriving legal system, like that in Quebec, inevitably draws support from its own distinctive social, cultural, and institutional context. The lecture proceeds by means of a five-fold exploration of the concept of “mixed jurisdictions”:

The rocky intertidal zone is an extreme environment with high, variable forces from crashing waves and strong ocean currents. A family of fishes, including the northern clingfish (Gobiesox maeandricus), has evolved an adhesive disc that allows them to adhere to rocks in the intertidal zone and even launch predatory attacks on molluscs that are attached to the rocks (Figure 1). Dylan Wainwright, Thomas Kleinteich, Anja Kleinteich, Stanislav Gorb, and Adam Summers studied the morphology of this fish disc to understand the properties of a reversibly adhesive disc that has a strong tenacity to stick to irregular, slippery, and wet surfaces.

<span style="font-family: 'Times New Roman';">Beluga calls were detected during two consecutive deployments of autonomous acoustic recorders in the northeastern Chukchi Sea. During the first deployment, calls were recorded between July and October 2007, primarily near the Barrow Canyon in July and August. During the second deployment, calls were detected in November 2007 off Point Lay and again between mid-April and June 2008 in a broad area 90 – 150 km off Point Lay and Wainwright, Alaska. The summer and fall 2007 detections were consistent with movement and residency patterns identified through satellite tagging studies. In the following spring, detections were recorded by four out of five monitoring stations for 19 to 37 consecutive days (depending on the station) between 13 April and 21 June 2008. These acoustic detections provide additional information about the timing and distribution of beluga migrations in the Chukchi Sea in spring. </span>

Reticuloceras (Swintoceras) n. subgen. unites an early group of the mid-Carboniferous goniatite family Reticulocertidae, in which reticulate sculpture is weakly developed or lacking and the typically reticuloceratid suture has slightly expanded ventral prongs. The type species, Reticuloceras (S.) spiraloides (Bisat and Hudson, 1943), is a rare, poorly known species from the British Namurian. Two additional species, R. (S.) wainwrighti (Quinn, 1966) and R. (S.) tiro (Gordon, 1969), are common in the basal type Morrowan Series, Lower Pennsylvanian, of Arkansas. Swintoceras occurs with two distinctive, late forms of the ammonoid, Hudsonoceras: Hd. ornatum (Foord and Crick, 1897) in Britain and Hd. moorei Quinn and Saunders, 1968, in Arkansas. The cooccurrence of these taxa correlates the basal Morrowan in its type region with the Namurian Reticuloceras nodosum (R1b) Zone of Britain and thereby also dates the close of the Mid-Carboniferous Eustatic Event in the North American Midcontinent.

This article examines Sally Wainwright's Happy Valley (BBC1, 2014–2016) in the context of recent feminist attempts to theorise the idea of a maternal subject. Happy Valley, a police series set in an economically disadvantaged community in West Yorkshire, has been seen as expanding the genre of British social realism, in its focus on strong Northern women, by giving it ‘a female voice’ (Gorton, 2016: 73). I argue that its challenge is more substantial. Both the tradition of British social realism on which the series draws, and the neoliberal narratives of the family which formed the discursive context of its production, I argue, are founded on a social imaginary in which the mother is seen as responsible for the production of the selves of others, but cannot herself be a subject. The series itself, however, places at its centre an active, articulate, mobile and angry maternal subject. In so doing, it radically contests both a tradition of British social realism rooted in male nostalgia and more recent neoliberal narratives of maternal guilt and lifestyle choice. It does this through a more fundamental contestation: of the wider cultural narratives about selfhood and the maternal that underpin both. Its reflective maternal subject, whose narrative journey involves acceptance of an irrecoverable loss, anger and guilt as a crucial aspect of subjectivity, and who embodies an ethics of relationality, is a figure impossible in conventional accounts of subject and nation. She can be understood, however, in terms of recent feminist theories of the maternal.