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Relevant bibliographies by topics / Walker Museum of Paleontology

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Academic literature on the topic 'Walker Museum of Paleontology'

Author: Grafiati

Published: 4 June 2021

Last updated: 8 February 2022

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Journal articles on the topic "Walker Museum of Paleontology"

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Lei, X. "PALEONTOLOGY: Temple, Tourism May Sink Chinese Museum." Science 296, no. 5572 (2002): 1379a—1379. http://dx.doi.org/10.1126/science.296.5572.1379a.

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McVicker, Donald. "Frederick Starr and the Walker Museum." Council for Museum Anthropology newsletter 10, no. 1 (1986): 6–14. http://dx.doi.org/10.1525/mua.1986.10.1.6.

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BRINKMAN, PAUL D. "Establishing vertebrate paleontology at Chicago's Field Columbian Museum, 1893—1898." Archives of Natural History 27, no. 1 (2000): 81–114. http://dx.doi.org/10.3366/anh.2000.27.1.81.

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By the late nineteenth century, as a consequence of the costly, far-flung, labor-intensive, and specimen-centered nature of the discipline, American vertebrate paleontology had become centralized at large collections maintained by a few universities and major natural history museums. Foremost among the latter group were the Academy of Natural Sciences, Philadelphia; the American Museum of Natural History, New York; the National Museum of Natural History, Washington, DC; the Carnegie Museum, Pittsburgh; and the Field Columbian Museum, Chicago. There is an extensive body of popular and historica

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Bjerstedt, Thomas W. "Repository for Devonian–Mississippian trace fossil figured specimens." Journal of Paleontology 63, no. 3 (1989): 386–87. http://dx.doi.org/10.1017/s0022336000019570.

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Trace fossils figured in four recent papers in the Journal of Paleontology and Palaios have been reposited in the Invertebrate Paleontology Collection of the Cleveland Museum of Natural History (CMNH). Catalog numbers for these specimens are herein assigned.

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Suárez-Ibarra, Jaime Yesid, Gina Cardoso, Lidiane Asevedo, et al. "Quaternary proboscidean (Mammalia) remains of the UIS Geological Museum, Colombia." Revista Brasileira de Paleontologia 24, no. 1 (2021): 70–75. http://dx.doi.org/10.4072/rbp.2021.1.06.

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Proboscideans arrived in South America from North America during the Great American Biotic Interchange, becoming one of the most representative animals of the megafauna that inhabited this continent throughout the Quaternary. In Colombia, the abundance of their remains contrasts with scarce scientific descriptions and publications. This paper identifies dental and postcranial proboscidean fossils from the Center and Northeast of Colombia. The fossil remains were identified as molars (six), a tusk, cervical vertebrae, and a distal part of the right humerus. The tusk was assigned to Notiomastodo

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Rainger, Ronald. "Collectors and Entrepreneurs: Hatcher, Wortman, and the Structure of American Vertebrate Paleontology Circa 1900." Earth Sciences History 9, no. 1 (1990): 14–21. http://dx.doi.org/10.17704/eshi.9.1.l1n05k0783584203.

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John Bell Hatcher (1861-1904) and Jacob L. Wortman (1856-1926) were two of the most prominent figures in late nineteenth-century American vertebrate paleontology. Working at leading centers for the science, including Yale's Peabody Museum, the American Museum of Natural History, and the Carnegie Museum of Pittsburgh, each was responsible for significant discoveries of fossil vertebrates and notable contributions to taxonomy and biostratigraphy. Yet both had itinerant and, by their own admissions, highly frustrating careers. Traditionally their problems have been explained in terms of personali

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Naugolnykh, S. V. "All-Russian scientific–practical conference “Paleontology in modern museum and education”." Стратиграфия 27, no. 3 (2019): 123–25. http://dx.doi.org/10.31857/s0869-592x273123-125.

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The paper deals with the program and participants of the All-Russian Scientific-Practical Conference “Paleontology in modern museum and education”, which was organized by Geological Institute of RAS (Moscow), K.A. Timirjazev State Biological Museum (Moscow), and Krasnoufimsk Regional Museum (the City of Krasnoufimsk, Sverdlovsk region) in the City of Krasnoufimsk, August 20–24, 2018.

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Allmon, Warren D., Robert M. Ross, Richard A. Kissel, and David C. Kendrick. "Using Museums to Teach Undergraduate Paleontology and Evolution." Paleontological Society Special Publications 12 (2012): 231–46. http://dx.doi.org/10.1017/s2475262200009345.

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Museum exhibitions possess a long history of serving as useful tools for teaching both paleontology and evolutionary biology to college undergraduates. Yet, they are frequently under-appreciated and underutilized. However, they remain potentially outstanding resources because they can be used to meet a spectrum of learning objectives related to nature of science, real-world relevance, and student interest. Specifically, even small museum displays can provide: 1) authentic specimens, which often are more diverse, of higher quality, and historically more significant than those in teaching collec

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Gross, W., and H. P. Schultze. "Zur Geschichte der Geowissenschaften im Museum für Naturkunde zu Berlin. Teil 6: Geschichte des Geologisch-Paläontologischen Instituts und Museums der Universität Berlin 1910–2004." Fossil Record 7, no. 1 (2004): 5–43. http://dx.doi.org/10.5194/fr-7-5-2004.

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Die Entwicklung des Geologisch-Paläontologischen Instituts und Museums der Universität Berlin von einer Institution, die Geologie zusammen mit Paläontologie als eine Einheit vertrat, über eine Institution, die eine geotektonische Ausrichtung hatte, zu einer auf Paläontologie konzentrierten Institution wird nachvollzogen. Die beiden Institutsdirektoren am Anfang des 20sten Jahrhunderts waren Vertreter der allumfassenden Geologie des 19ten Jahrhunderts, während die beiden folgenden Direktoren eine Geologie ohne Paläontologie vertraten. Das führte zu einer Trennung der beiden Richtungen, und nach

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Lipps, Jere H., and Karen L. Wetmore. "Transfers of algal, microfossil, plant, and vertebrate materials to the University of California Museum of Paleontology." Journal of Paleontology 67, no. 5 (1993): 894–98. http://dx.doi.org/10.1017/s0022336000037161.

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The university of California Museum of Paleontology (UCMP), located on the Berkeley Campus, is a major repository of fossils and paleontological materials. The collection, one of the largest in the nation, originated in 1873 and has been added to continuously since then. In 1921, the Museum of Paleontology was officially initiated with an endowment though the generosity of Annie Alexander of Oakland, California (Grinnell, 1958). The UCMP collections are divided into four specimen collection management units and one collection of paleontological materials, such as rock, sediment, and amber samp

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Dissertations / Theses on the topic "Walker Museum of Paleontology"

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Castro, Ian Omar. "ASSESSMENT OF DATA RESOURCES IN THE CONSTRUCTION OF LATE ORDOVICIAN SHALLOW MARINE FOOD WEBS: DATA COMPILATIONS VERSUS MUSEUM COLLECTIONS." Miami University / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=miami1525360279940327.

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Walker, Mary H. Molly Giles. "Challenges and Choices -- Four Single Donor Museums (the Isabella Stewart Gardner Museum, the McNay Museum of Art, the Walker Art Center and The Barnes Foundation) -- Creatively Adapt to Change." Thesis, The University of the Arts, 2014. http://pqdtopen.proquest.com/#viewpdf?dispub=1553850.

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<p> Single donor museums like the Isabella Stewart Gardner in Boston, the McNay Museum of Art in San Antonio, the Walker Art Center in Minneapolis and The Barnes Foundation in Merion and Philadelphia, provide an intimate experience for their visitors, donors, supporters and staff members. They must compete with larger, more encyclopedic museums, with larger budgets and more resources. Like all museums, they hold art in the public trust and are responsible to the public. Contemporary museology asks not only that all museums protect their collections and educate the public, but that they also

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Rieppel, Lukas Benjamin. "Dinosaurs: Assembling an Icon of Science." Thesis, Harvard University, 2012. http://dissertations.umi.com/gsas.harvard:10557.

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This dissertation examines how the modern dinosaur—fully mounted, freestanding assemblages of vertebrate fossils such as we are accustomed to seeing at the natural history museum—came into being during the late 19th and early 20th century, focusing especially on the United States. But it is not just, or even primarily a history of vertebrate paleontology. Rather, I use dinosaurs as an opportunity to explore how science was embedded in broader changes that were happening at the time. In particular, I am interested in tracing how the culture of modern capitalism—the ideals, norms, and practices

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Albright, Gavan McBride. "A reinterpretation of the small Captorhinid Reptile Captorhinikos Parvus Olson as a new genus, reanalysis of its cranial anatomy, and a phylogenetic analysis of the basal reptilian family Captorhinidae." CSUSB ScholarWorks, 2003. https://scholarworks.lib.csusb.edu/etd-project/2178.

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The cranial anatomy of the basal captorhinid reptile Captorhinikos parvus (Reptilia, Captorhinidae), is reinterpreted here based on analysis of a group of new specimens recovered subsequent to its original diagnosis as well as further analysis of the original specimens utilized in E.C. Olson's original characterization of the species. Structural features inconsistent with the generic description suggest the redefinition of C. parvus as a new genus, Rhodotheratus parvus. Analyses of basal members and selected derived members support the characterization of Rhodotheratus as a distinct taxon.

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Books on the topic "Walker Museum of Paleontology"

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Museum, J. Paul Getty. Walker Evans: The Getty Museum collection. Thames & Hudson, 1995.

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1903-1975, Evans Walker, and J. Paul Getty Museum, eds. Walker Evans: The Getty Museum collection. J. Paul Getty Museum, 1995.

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Walker Art Center. Scala, 2009.

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Museum of Modern Art (New York, N.Y.), ed. Walker Evans & company. Museum of Modern Art, 2000.

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The dinosaur museum. Amicus, 2011.

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Schofield, S. J. [Reports of the Victoria Memorial Museum]. Govt. Print. Bureau, 1997.

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Evans, Walker. Walker Evans. Thames & Hudson, 2007.

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Evans, Walker. Walker Evans. Thames & Hudson, 2007.

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Evans, Walker. Walker Evans. Aperture Foundation and Konemann, 1997.

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Morris, Hambourg Maria, Metropolitan Museum of Art (New York, N.Y.), San Francisco Museum of Modern Art., and Museum of Fine Arts, Houston., eds. Walker Evans. Metropolitan Museum of Art in association with Princeton University Press, Princeton, 2000.

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Book chapters on the topic "Walker Museum of Paleontology"

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Jovanovic-Kruspel, Stefanie, and Mathias Harzhauser. "Nineteenth-century paleontological art in the Natural History Museum Vienna, Austria: Between demystification and mythologization." In The Evolution of Paleontological Art. Geological Society of America, 2021. http://dx.doi.org/10.1130/2021.1218(13).

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ABSTRACT The nineteenth century was the dawn of scientific and systematic paleontology. The foundation of Natural History Museums—built as microcosmic “Books of Nature”—not only contributed to the establishment of this new discipline but also to its visual dissemination. This paper will take the metaphor of the “book” as a starting point for an examination of the paleontological exhibition at the Natural History Museum in Vienna. In keeping with “Natural Theology,” the earliest natural science museums in Britain were designed as expressions of the medieval idea of the “Holy Book of Nature.” Contrary to this, the Natural History Museum Vienna, opened in 1889, wanted to be a nonreligious museum of evolution. Nevertheless, the idea of the “book” was also influential for its design. According to the architects and the first director, it should be a modern “walk-in textbook” instructive for everyone. The most prominent exhibition hall in the museum is dedicated to paleontology. The hall’s decorative scheme forms a unique “Paleo-Gesamtkunstwerk” (Gesamtkunstwerk: total piece of art). The use of grotesque and mythological elements is a particularly striking feature of the hall’s decoration and raises the question of how this relates to the museum’s claim to be a hard-core science institution. As it was paleontology’s task to demystify the monsters and riddles of Earth history systematically, it seems odd that the decorative program connected explicitly to this world. This chapter sheds light on the cultural traditions that led to the creation of this ambiguous program that oscillates between science and imagination.

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Stein, Barbara R. "Founding a Museum of Paleontology." In On Her Own TermsAnnie Montague Alexander and the Rise of Science in the American West. University of California Press, 2001. http://dx.doi.org/10.1525/california/9780520227262.003.0017.

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"17. Founding A Museum Of Paleontology." In On Her Own Terms. University of California Press, 2019. http://dx.doi.org/10.1525/9780520926387-020.

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Delgado, James P., and Stephen D. Nagiewicz. "The Archaeology and Appreciation of a Steamship and Its Crew." In Robert J. Walker. University Press of Florida, 2020. http://dx.doi.org/10.5744/florida/9780813066431.003.0011.

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The results of the maritime archaeology project, from the documentation and interpretation of the shipwreck through its remains, its colonization by marine species, memorials and museum displays such as the Absecon Lighthouse, and the challenges and opportunities remaining are discussed.

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Murphy, Cullen. "Mort Walker, Historian." In Comic Art in Museums. University Press of Mississippi, 2020. http://dx.doi.org/10.14325/mississippi/9781496828118.003.0014.

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This chapter includes a 2017 tribute to Mort Walker (Beetle Bailey, Hi & Lois) after his passing, by Cullen Murphy, author of the book Cartoon County: My Father and His Friends in the Golden Age of Make-Believe. This chapter discusses the founding of the Museum of Cartoon Art and Walker’s determination to gain recognition for comic artists, and his efforts at the preservation of original comic art drawings. This chapter explains how Mort began collecting comics drawings as a youth and the importance of comics as a cultural record. Image: art print of Beetle Bailey and Sarge.

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Walker, Brian. "Exhibitions at the Museum of Cartoon Art: A Personal Recollection." In Comic Art in Museums. University Press of Mississippi, 2020. http://dx.doi.org/10.14325/mississippi/9781496828118.003.0013.

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The Museum of Cartoon Art was the first full-service collection institution dedicated to comic art, founded by the cartoonist Mort Walker (Beetle Bailey, Hi & Lois) in Greenwich, CT in 1974. In this 2009 essay, Mort’s son, Brian Walker, who became the museum’s director and curator, writes of his memories of how the museum was established and operated, key shows the museum organized, and the challenges of running a small non-profit museum. The essay was written when the Walker Collection was donated to the Billy Ireland Cartoon Museum and Library at The Ohio State University. Images: Brian Walker at Mead Mansion, 1975; drawing of Ward’s Castle by John Cullen Murphy. Includes list of exhibitions 1975-1992 and list of cartoonists inducted into the Museum’s Hall of Fame.

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Walker, Brian. "Substance and Shadow: The Art of the Cartoon." In Comic Art in Museums. University Press of Mississippi, 2020. http://dx.doi.org/10.14325/mississippi/9781496828118.003.0004.

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Brian Walker was a founder and former director of the Museum of Cartoon Art, where he worked from 1974 to 1992, continuing afterward to curate many important shows. Here, he brings his experienced curator’s eye and life-long knowledge of cartooning to the task of explaining the value of seeing original comic art and the techniques, idioms, and methods of storytelling used in comics from 1843 to the present. This essay was written for the opening of the Billy Ireland Cartoon Museum and Library (2013) Images: Punch cartoon 1843, Mort Walker, drawings from The Lexicon of Comicana.

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Rainger, Ronald. "7. Vertebrate Paleontology as Biology: Henry Fairfield Osborn and the American Museum of Natural History." In The American Development of Biology, edited by Ronald Rainger, Keith R. Benson, and Jane Maienschein. University of Pennsylvania Press, 1988. http://dx.doi.org/10.9783/9781512805789-010.

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Timberg, Scott. "An Uneasy Accord: LA Museums Open Their Walls to Comics as True Works of Art." In Comic Art in Museums. University Press of Mississippi, 2020. http://dx.doi.org/10.14325/mississippi/9781496828118.003.0031.

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This chapter contains an in-depth exploration of the issues surrounding comics and museums written by cultural journalist Scott Timberg for the Los Angeles Times in 2005 during the opening of the Masters of American Comics exhibition at the Hammer Museum and the Museum of Contemporary Art, Los Angeles. This chapter includes interviews with Ann Philbin, Art Spiegelman, John Carlin, and Brian Walker about the organization of the show. This chapter discusses the valuation of comic art versus fine art, the disillusionment some cartoonists feel about art school and contemporary fine art, and opinions on the future of comic art shows from curators at other museums.

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Freeman, Tyrone McKinley. "Madam C. J. Walker and African American Philanthropy in the Twenty-First Century." In Madam C. J. Walker's Gospel of Giving. University of Illinois Press, 2020. http://dx.doi.org/10.5622/illinois/9780252043451.003.0009.

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The epilogue examines the presence of Walker’s style of giving among African American donors of the twenty-first century, from Oprah Winfrey to the millions of black churchwomen, clubwomen, and giving circle members today. It presents Winfrey as an exemplar of Madam Walker’s gospel of giving by exploring the evolution of her philanthropy across her career. It reviews the fundraising campaign of the Smithsonian Museum of African American History and Culture in Washington, DC, which reflected Walker’s gospel of giving by creating multiple points of entry for donors of various abilities to give. A broad base of donors of all races, but especially African Americans, responded to the campaign by donating money, artifacts, and volunteer time at extraordinary rates. The chapter presents a brief overview of the current landscape of African American philanthropy as a reflection of Walker’s gospel of giving that includes the black church, communal forms of giving, giving circles, family foundations, black-led organizations and social movements, and professional affinity networks in philanthropy.

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Conference papers on the topic "Walker Museum of Paleontology"

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Allmon, Warren, Gregory P. Dietl, Gregory P. Dietl, Robert M. Ross, and Robert M. Ross. "MUSEUM COLLECTIONS AND THE PHILOSOPHY OF PALEONTOLOGY." In GSA Annual Meeting in Denver, Colorado, USA - 2016. Geological Society of America, 2016. http://dx.doi.org/10.1130/abs/2016am-284743.

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Boessenecker, Robert W., and Sarah J. Boessenecker. "CITIZEN PALEONTOLOGY IN THE CAROLINA LOWCOUNTRY: A NEW MUSEUM EXHIBIT CELEBRATING SCIENTIFIC CONTRIBUTIONS BY NONSCIENTISTS." In GSA Annual Meeting in Seattle, Washington, USA - 2017. Geological Society of America, 2017. http://dx.doi.org/10.1130/abs/2017am-308233.

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Farke, Andrew A. "EVOLVING THE ROLE OF HIGH SCHOOL STUDENTS IN RESEARCH AT THE RAYMOND M. ALF MUSEUM OF PALEONTOLOGY." In GSA Annual Meeting in Seattle, Washington, USA - 2017. Geological Society of America, 2017. http://dx.doi.org/10.1130/abs/2017am-299687.

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Hendy, Austin J. W., Kathryn Estes-Smargiassi, Jann Vendetti, and Lindsay J. Walker. "REIMAGINING INVERTEBRATE PALEONTOLOGY AT THE NATURAL HISTORY MUSEUM OF LOS ANGELES COUNTY: EMBRACING THE FUTURE WHILE CURATING THE PAST." In GSA Annual Meeting in Seattle, Washington, USA - 2017. Geological Society of America, 2017. http://dx.doi.org/10.1130/abs/2017am-307460.

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Dettman, Minda C., Alexander V. Hernandez, Ryan Alejandro Bozer, et al. "CURATION OF THE ROYAL H. MAPES INVERTEBRATE PALEONTOLOGY COLLECTION AT THE AMERICAN MUSEUM OF NATURAL HISTORY: STRATEGIES FOR DIGITIZATION AND OUTREACH." In GSA Annual Meeting in Seattle, Washington, USA - 2017. Geological Society of America, 2017. http://dx.doi.org/10.1130/abs/2017am-300740.

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Powell, Lindsey Renee, Vanessa Delnavaz, Isabel Andie Novick, Abigail Taylor Uehling, and Eva Marie V. Larsen. "CURATION OF THE ROYAL H. AND GENE MAPES INVERTEBRATE PALEONTOLOGY COLLECTION AT THE AMERICAN MUSEUM OF NATURAL HISTORY: TYPE SPECIMENS, CURATION PROGRESS AND COMPLETION." In GSA Annual Meeting in Indianapolis, Indiana, USA - 2018. Geological Society of America, 2018. http://dx.doi.org/10.1130/abs/2018am-317573.

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Santos, Gabriel-Philip, and Lars Schmitz. "CITIZEN SCIENCE AT THE RAYMOND M. ALF MUSEUM OF PALEONTOLOGY: PROVIDING ENGAGING STEM OPPORTUNITIES FOR HIGH SCHOOL STUDENTS, COLLEGE STUDENTS, AND THE GREATER COMMUNITY." In GSA Annual Meeting in Seattle, Washington, USA - 2017. Geological Society of America, 2017. http://dx.doi.org/10.1130/abs/2017am-302645.

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White, Lisa, Patricia A. Holroyd, Eric Holt, Lauren Fowler, Alexis Williams, and Helina Chin. "BRINGING A PLEISTOCENE TAR SEEP COLLECTION TO PUBLIC AUDIENCES VIA DIGITAL ACCESS TO COLLECTIONS AND WEB MODULES: THE UC MUSEUM OF PALEONTOLOGY MCKITTRICK FOSSIL COLLECTION FROM THE CENTRAL VALLEY OF CALIFORNIA." In GSA 2020 Connects Online. Geological Society of America, 2020. http://dx.doi.org/10.1130/abs/2020am-359903.

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