Log in

Relevant bibliographies by topics / Wallenstein (Schiller, Friedrich)

Contents

Journal articles
Dissertations / Theses
Books
Book chapters

Academic literature on the topic 'Wallenstein (Schiller, Friedrich)'

Author: Grafiati

Published: 3 March 2023

Last updated: 3 March 2023

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Wallenstein (Schiller, Friedrich).'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Wallenstein (Schiller, Friedrich)"

1

Volobuef, Karin. "Friedrich Schiller e Gonçalves Dias." Pandaemonium Germanicum, no. 9 (December 17, 2005): 77. http://dx.doi.org/10.11606/1982-8837.pg.2005.73567.

Full text

Abstract:

O artigo retraça algumas etapas da recepção de Schiller na Inglaterra e Portugal, especialmente no que se refere ao impacto causado pela peça Os bandoleiros e a narrativa O visionário. Schiller não apenas foi lido e traduzido, mas suas obras efetivamente produziram ecos na literatura fora da Alemanha. Seu estímulo, idéias e criações sem dúvida deram um impulso fundamental para o Romantismo de muitos países – inclusive do Brasil. Aqui suas reverberações chegaram via França ou Portugal, mas, pelo menos no caso de Gonçalves Dias, Schiller foi lido diretamente em alemão. A importância de Schiller para a obra de Gonçalves Dias pode ser percebida com maior clareza na peça Patkull, que se ampara em Wallenstein, e também na tradução A noiva de Messina, em que o romântico brasileiro trabalhava na época de sua morte tão precoce.

APA, Harvard, Vancouver, ISO, and other styles

2

Salmerón Infante, Miguel. "El giro trágico: de Don Carlos a Wallenstein." Escritura e Imagen 17 (November 24, 2021): 103–16. http://dx.doi.org/10.5209/esim.78936.

Full text

Abstract:

La etapa comprendida entre la finalización de la escritura de Don Carlos (1787) y la de la Trilogía Wallenstein (1799) fue la más importante de la evolución intelectual y creativa de Friedrich Schiller. En ella el escritor detuvo su producción de dramas, leyó las tres críticas de Kant e inició una sólida y fructífera amistad con Goethe. Fue muy evidente entonces el impacto de la Revolución Francesa en el autor. Esta conmoción lo llevó a rechazar soluciones políticas de supresión del despotismo y le hizo crear su concepto de educación estética. Sin embargo, este artículo, aparte de ello, pone el foco en otros dos aspectos, que son principio y final de un itinerario, a saber, la conmoción que le produce a Schiller su creación de la figura del Marqués de Posa y el profundo cambio de las nociones de trágico y tragedia, que, gestándose en sus escritos teóricos, se manifiesta original e inquietantemente en Wallenstein.

APA, Harvard, Vancouver, ISO, and other styles

3

Clark, Sophia. "Fiesco's Conspiracy at Genoa by Friedrich Schiller, and: Wallenstein: A Dramatic Poem by Friedrich Schiller, and: Don Carlos: Infante of Spain by Friedrich Schiller, and: Love and Intrigue by Friedrich Schiller, and: Maria Stuart by Friedrich Schiller." Goethe Yearbook 29, no. 1 (2022): 291–93. http://dx.doi.org/10.1353/gyr.2022.0019.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Moser-Verrey, Monique. "Gestes admirables ou le langage saisissant du corps dans la poétique de Friedrich Schiller." Thème 17, no. 1 (March 23, 2010): 51–77. http://dx.doi.org/10.7202/039498ar.

Full text

Abstract:

Résumé Le charisme en question est abordé par le biais de sa représentation dans Le camp de Wallenstein, pièce construisant par l’échange d’opinions le pouvoir extraordinaire d’un leader absent. Ce paradoxe illustre à merveille le travail du poète qui, par ses mots, donne à voir des corps vivants et des gestes admirables. L’analyse des figures du corps parlant porte sur le corpus des nouvelles de Schiller et révèle sa maîtrise de l’écriture sensible en vogue dans l’Europe des Lumières. Elle montre aussi son souci de l’unité classique et sa recherche du beau geste critique des intrigues courtisanes et de l’absolutisme arbitraire.

APA, Harvard, Vancouver, ISO, and other styles

5

Bahr, Ehrhard. "Die Wallenstein-Trilogie von Friedrich Schiller: Walter Buttler in Geschichte und Drama (review)." Goethe Yearbook 15, no. 1 (2008): 227–28. http://dx.doi.org/10.1353/gyr.2008.0017.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

Davies, Steffan. "Die Wallenstein-Trilogie von Friedrich Schiller: Walter Buttler in Geschichte und Drama by Florian Krobb." Modern Language Review 101, no. 3 (2006): 883–84. http://dx.doi.org/10.1353/mlr.2006.0009.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

Gelus, Marjorie. "Friedrich Schiller, Wallenstein and Maria Stuart. Walter Hinderer, ed. The German library, 16. New York: Continuum, 1991. Pp. 394." American Journal of Germanic Linguistics and Literatures 6, no. 1 (January 1994): 146–49. http://dx.doi.org/10.1017/s1040820700001372.

Full text

APA, Harvard, Vancouver, ISO, and other styles

8

Take-Walter, Viktoria. ""Des Pöbels Herzen sind mein.": Schillers Abgrenzung und Funktionalisierung der Plebs als Programm." Jahrbuch der Deutschen Schillergesellschaft: Internationales Organ für Neuere Deutsche Literatur 2022, no. 66 (January 30, 2023): 69–100. http://dx.doi.org/10.46500/83535275-003.

Full text

Abstract:

Building on Friedrich Schiller’s canonisation as a poet of the entire nation that was united in the reception of his works, at least in the 19th century, I examine his utilisation and functionalisation of the term ›Pöbel‹ (rabble). According to concepts of history of ideas and cultural studies, I understand the usage, however pejorative and excluding, as a provocative means of addressing the audience. Analysing selected dramas (‘Die Räuber’, ‘Die Verschwörung des Fiesko zu Genua’, ‘Don Karlos’, ‘Wallensteins Tod’ and ‘Maria Stuart’) as well as some of Schiller’s theoretical texts (for example ‘Gedanken über den Gebrauch des Gemeinen und Niedrigen in der Kunst’), I map out the semantic tendencies of the term which are expressed by the ‘dramatis personae’. Although it could be assumed that Schiller’s view of the people may have changed over the events of the French Revolution, I conclude that Schiller used the term ›Pöbel‹ as a dramaturgical tool to ›aesthetically educate‹ his audience during all stages of his career.

APA, Harvard, Vancouver, ISO, and other styles

9

Krobb, Florian. "Wallensteins Tod in der Geschichtsschreibung." Daphnis 47, no. 1-2 (March 5, 2019): 313–43. http://dx.doi.org/10.1163/18796583-04701003.

Full text

Abstract:

This article investigates how contemporary news media, pamphlets and (slightly later) some more elaborate justificatory accounts of the events treated the death of Imperial Commander-in-Chief Wallenstein. The analysis of strategies of emplotment, structure and rhetorical devices of the relevant texts reveal how they all, regardless of the text’s position on either side of the religious and political divide, affirm the power of ‘history’ (fate, providence) to re-establish a balance that had previously been disturbed. A parallel analysis of Friedrich Schiller’s groundbreaking account of the Thirty Years War reveals how, 150 years later, the belief in the self-healing powers of history, the capacity of achieving its own equilibrium, still dominates his philosophy of history.

APA, Harvard, Vancouver, ISO, and other styles

10

Nägele, Horst. "Warum wir uns mit N.F.S Grundtvigs idealismus-kritischen Abhandlungen beschäftigen." Grundtvig-Studier 46, no. 1 (January 1, 1995): 205–16. http://dx.doi.org/10.7146/grs.v46i1.16189.

Full text

Abstract:

Warum wir uns mit N.F.S. Grundtvigsidealismus-kritischen Abhandlungen beschäftigenBy Horst NägeleHorst Nägele begins his article with the statement that circumstantial evidence suggests that the democratic credibility of the Federal Republic of Germany may be questioned. Nägele argues for this view by comparing social conventions in Scandinavia and Germany.He adduces historical material to support his theory of a cultural difference on this point. The criticism levelled by the poet Jens Baggesen at the High German language for its remoteness from reality, is dealt with first. Then follows a discussion of the similar criticism by Grundtvig of the idealistic German philosophy, which, according to Grundtvig, is linked up with the Imperialist inclinations of Germany. Hence Germany’s propensity to .litism which finds expression in the New High German literary language as well as in philosophy. In Grundtvig’s view, the connection between the litist, and therefore Imperialist, unitary culture of Germany and the idealistic philosophy manifests itself in the detachment from reality that is characteristic of Schelling’s philosophy. When Schelling talks about the I that embodies itself, it becomes the image of nothing perceiving itself, in contrast to an I attached to a body. Grundtvig also finds evidence of this German tendency towards a missing sense of reality in Schiller’s poetical works. On a close examination of Grundtvig’s writings, it will appear that Friedrich Schiller’s (quasi-idealistic) tragedies are as a whole seen to convey the notion of heroes being (lifeless) shadows, easily killed. For Schiller’s higher, moral human nature, determined by liberty, cannot conquer death; in Grundtvig’s view, only the spirit of history can do that. Grundtvig’s view of life contrasts, for instance, with Schiller’s drama Wallenstein, where the protagonist chooses of his own free will to submit to death and evil.After discussing Grundtvig’s interpretation of Schiller’s dramas, Nägele returns to Schelling’s philosophy as an example of a tendency in German idealism. As Grundtvig understood it, life depends on truth. Grundtvig attaches importance to immediate actuality (‘fundamental and ultimate reality’) as it is the prerequisite for the conception that the ideal is the cause of .all temporal reality.. Grundtvig’s attitude contrasts sharply with what he calls the delusive view of the German idealistic philosophers who despise the body and annihilate life in order to idolize an egocentric construct, with the disastrous consequence that life doesn’t count. Thus Schelling mixes good with evil, truth with falsehood, since the absolute ideal, reason perceiving itself, is given the highest priority, i.e. preceding reality. According to Grundtvig, what is ideal, what is possible, always depends on reality, on what is real. In Grundtvig’s view, truth can only be perceived by man in his life on earth in contradistinction to falsehood; therefore it is impossible to identify the divine perception of the eternal truth and the human recognition of truth.This is the main line of thought in Grundtvig’s criticism of Schelling’s philosophy. It is Nägele’s argument that this criticism is highly topical since it is reflected in the debate over morals today, in the endeavours to create dignified social conventions, and in the complex issue of the future character of the European community as either a union or a loose cooperative structure.

APA, Harvard, Vancouver, ISO, and other styles

Dissertations / Theses on the topic "Wallenstein (Schiller, Friedrich)"

1

Ranke, Wolfgang. "Dichtung unter Bedingungen der Reflexion : Interpretationen zu Schillers philosophischer Poetik und ihren Auswirkungen im "Wallenstein /." Würzburg : Königshausen & Neumann, 1990. http://catalogue.bnf.fr/ark:/12148/cb355053499.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Vecchiato, Daniele <1984&gt. "Verhandlungen mit Schiller : Historische Reflexion und literarische Verarbeitung des Dreißigjährigen Kriegs im ausgehenden 18. Jahrhundert." Doctoral thesis, Università Ca' Foscari Venezia, 2014. http://hdl.handle.net/10579/4613.

Full text

Abstract:

La tesi è incentrata sullo studio dell’opera di Friedrich Schiller, in particolare del trattato storiografico "Geschichte des Dreißigjährigen Krieges" (1790-1792) e della trilogia drammatica "Wallenstein" (1800). L’analisi dei testi è condotta in relazione non solo agli altri scritti dell’autore e alle sue modalità di rielaborazione del soggetto storico, ma anche a fonti letterarie coeve sulla Guerra dei Trent’anni che raramente sono state oggetto della ricerca germanistica. Si tratta di testi assai eterogenei per genere, tematica e qualità letteraria; tuttavia ciascuno di essi, oltre a testimoniare la popolarità di un soggetto che all’uscita degli scritti schilleriani era già ben noto al pubblico, racconta importanti segmenti della storia culturale di fine Settecento. Il corpus in esame comprende opere di Benedikte Naubert, Gerhard Anton von Halem, A.G.F. Rebmann, Johann Nepomuk Komareck e Niklas Vogt. Attraverso una contestualizzazione di questi scritti nell’opera e nel pensiero dei loro rispettivi autori e un’analisi della loro portata discorsiva in seno a questioni centrali della vita intellettuale di fine Settecento, la ricerca si propone di indagare i motivi che stanno all’origine dell’interesse dell’epoca per la Guerra dei Trent’anni, e di gettare uno sguardo inedito sui testi che Schiller ha dedicato al conflitto. In particolare si evidenzierà come l’interesse per la storia nazionale recente scaturisca sia dal nuovo approccio scientifico alle discipline storiche derivante dall’Illuminismo, sia dalla curiosità crescente dei lettori per l’intrattenimento letterario di gusto storicizzante. La ricerca mostrerà altresì come la letterarizzazione della Guerra dei Trent’anni consenta – a Schiller come ai minori – di affrontare questioni di teoria politica (bene comune, pace perpetua, eudemonia, machiavellismo) e di rendere fecondi discorsi dominanti del tempo come l’identità nazionale, la psicologia sperimentale e l’antigesuitismo.
The thesis presents an analysis of Friedrich Schiller’s works on the Thirty Years’ War: the historiographical treatise "Geschichte des dreyßigjährigen Kriegs" (1790-1792) and the dramatic trilogy "Wallenstein" (1800). The research has not only been conducted in relation to other significant works of the author, but also to other literary texts of the late 18th century which revolve around the same topic and which have mostly remained unexplored by critics. The corpus includes works by Benedikte Naubert, Gerhard Anton von Halem, A.G.F. Rebmann, Johann Nepomuk Komareck and Niklas Vogt. The selected texts differ consistently from one another in terms of genre, theme and literary quality. However, each of these documents has much to convey about aesthetical, historical, political and philosophical issues that are central to the culture of the late 18th century. The aim of this research is to contextualise these texts within their Entstehungshorizont, to analyse the discourses they engage in and to explain the reasons for the growing interest of the time for the Thirty Years’ War, thus shedding new light on Schiller’s works.

APA, Harvard, Vancouver, ISO, and other styles

3

Swedberg, Hans. "'Ich müsste die Tat vollziehen' - Wallensteins Untergang : Eine Untersuchung von Friedrich Schillers Wallenstein-Drama." Thesis, Stockholm University, Department of Baltic Languages, Finnish and German, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-7730.

Full text

APA, Harvard, Vancouver, ISO, and other styles

Books on the topic "Wallenstein (Schiller, Friedrich)"

1

Rothmann, Kurt. Friedrich Schiller, Wallenstein. Stuttgart: P. Reclam, 2005.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

2

Müller, Udo. Lektürehilfen Friedrich Schiller "Wallenstein". Stuttgart: Klett, 1987.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

3

University of London. Institute of Germanic & Romance Studies, ed. Schillers Wallenstein-Trilogie auf der Bühne. London: Institute of Germanic & Romance Studies, University of London School of Advanced Study, 2009.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

4

Krobb, Florian. Die Wallenstein-Trilogie von Friedrich Schiller: Walter Buttler in Geschichte und Drama. Oldenburg: Igel, 2005.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

5

Die ästhetischen Kategorien Schillers als Weg zum Verständnis und zur Vermittlung des "Wallenstein". Frankfurt am Main: P. Lang, 1988.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

6

Tragische Nemesis und historischer Sinn in Schillers Wallenstein-Trilogie: Eine rekonstruktruierende Lektüre. Frankfurt am Main: P. Lang, 1997.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

7

Wallenstein in Weimar, Wien und Berlin: Das Urteil Albrecht von Wallenstein in der deutschen Historiographie von Friedrich von Schiller bis Leopold von Ranke. Husum: Matthiesen, 2003.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

8

Schiller's Wallenstein, Maria Stuart, and Die Jungfrau von Orleans: The critical legacy. Rochester, NY: Camden House, 2002.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

9

Friedrich Schiller, Wallenstein. Stuttgart: Philipp Reclam, 1989.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

10

Schiller, Friedrich. Dramatic Works of Friedrich Schiller: Wallenstein and Wilhelm Tell. Franklin Classics, 2018.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

More sources

Book chapters on the topic "Wallenstein (Schiller, Friedrich)"

1

Sautermeister, Gert. "Schiller, Friedrich von: Wallenstein." In Kindlers Literatur Lexikon (KLL), 1–4. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_19158-1.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Nover, Immanuel. "»Ich kann jetzt noch nicht sagen, was ich thun will.« Zum Politischen des Handlungsaufschubs – mit einem Fokus auf Friedrich Schillers Wallenstein." In Abhandlungen zur Literaturwissenschaft, 131–47. Stuttgart: J.B. Metzler, 2018. http://dx.doi.org/10.1007/978-3-476-04773-1_8.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

"Wallenstein." In Friedrich Schiller, 217–50. Cambridge University Press, 1991. http://dx.doi.org/10.1017/cbo9780511597749.013.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Ächtler, Norman. "Teaching Schiller." In Policies and Practice in Language Learning and Teaching. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland: Amsterdam University Press, 2022. http://dx.doi.org/10.5117/9789463722049_ch03.

Full text

Abstract:

The essay analyses how German Classics were taught in German secondary schools during the nineteenth century. Using the example of Friedrich Schiller’s drama Wallenstein, this will be discussed from a discourse analytical perspective. The first section explains the underlying concept of ‘dispositive’ as both a theoretical approach to a more grounded history of subject teaching and an analysis grid for evaluating school-specific media sources. The second section presents some results and conclusions of a three-step analysis of the underlying source corpus on Wallenstein. After all, the results of this article may contribute to valorizing a more practice-oriented history of the German class.

APA, Harvard, Vancouver, ISO, and other styles

5

Vigus, James. "Coleridge’s Shakespearean Transformation of Schiller’s Wallenstein Plays." In Textual Transformations, 227–48. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198808817.003.0013.

Full text

Abstract:

In 1800, Samuel Taylor Coleridge published translations of Friedrich Schiller’s historical dramas The Piccolomini and The Death of Wallenstein. Despite his dislike of the process of translating, Coleridge eventually recognized the importance of his own work. In particular, the translations assisted the intellectual development through which Coleridge came to present Shakespeare as the profoundest English moralist. This chapter shows how Coleridge’s English versions pivoted on the intensification of Shakespearean echoes, especially of Macbeth, in Schiller’s original. The chapter then analyses Coleridge’s marginalia in copies of his translations, in which the translator persistently drew comparisons and contrasts between Schiller and Shakespeare. It emerges that Wallenstein was a significant influence on Coleridge’s subsequent Shakespeare criticism and on his moral philosophy, briefly summed up in the phrase ‘Conscience is God ’.

APA, Harvard, Vancouver, ISO, and other styles

6

Clark, Sophia. "Friedrich Schiller. Fiesco’s Conspiracy at Genoa. Translated by Flora Kimmich (Cambridge: Open Book Publishers, 2015). xviii + 132 p. Friedrich Schiller. Wallenstein: A Dramatic Poem. Translated by Flora Kimmich (Cambridge: Open Book Publishers, 2017). 314 pp. Friedrich Schiller. Don Carlos: Infante of Spain. Translated by Flora Kimmich (Cambridge: Open Book Publishers, 2018). 204 pp. Friedrich Schiller. Love and Intrigue. Translated by Flora Kimmich (Cambridge: Open Book Publishers, 2019). 117 pp. Friedrich Schiller. Maria Stuart. Translated by Flora Kimmich (Cambridge: Open Book Publishers, 2020). 120 pp." In Goethe Yearbook 29, 291–93. Boydell & Brewer Ltd, 2022. http://dx.doi.org/10.2307/j.ctv262qxgq.23.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

"2 Die Erschöpfung des Trabanten: Friedrich Schillers Wallenstein." In Theorie des Revolutionsdramas, 65–96. De Gruyter, 2022. http://dx.doi.org/10.1515/9783110771756-003.

Full text

APA, Harvard, Vancouver, ISO, and other styles

8

"5. Spielerische Recherche nach Geschichte(n) – Rimini Protokoll verarbeitet Friedrich Schillers Wallenstein." In Theater und Fiktion, 305–68. transcript-Verlag, 2010. http://dx.doi.org/10.14361/transcript.9783839413999.305.

Full text

APA, Harvard, Vancouver, ISO, and other styles

9

"5. Spielerische Recherche nach Geschichte(n) – Rimini Protokoll verarbeitet Friedrich Schillers Wallenstein." In Theater und Fiktion, 305–68. transcript Verlag, 2010. http://dx.doi.org/10.1515/transcript.9783839413999.305.

Full text

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!