Relevant bibliographies by topics / Wallenstein (Schiller, Friedrich)

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Wallenstein (Schiller, Friedrich)'

Author: Grafiati
Published: 3 March 2023
Last updated: 3 March 2023

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Journal articles on the topic "Wallenstein (Schiller, Friedrich)"

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Volobuef, Karin. "Friedrich Schiller e Gonçalves Dias." Pandaemonium Germanicum, no. 9 (December 17, 2005): 77. http://dx.doi.org/10.11606/1982-8837.pg.2005.73567.

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O artigo retraça algumas etapas da recepção de Schiller na Inglaterra e Portugal, especialmente no que se refere ao impacto causado pela peça Os bandoleiros e a narrativa O visionário. Schiller não apenas foi lido e traduzido, mas suas obras efetivamente produziram ecos na literatura fora da Alemanha. Seu estímulo, idéias e criações sem dúvida deram um impulso fundamental para o Romantismo de muitos países – inclusive do Brasil. Aqui suas reverberações chegaram via França ou Portugal, mas, pelo menos no caso de Gonçalves Dias, Schiller foi lido diretamente em alemão. A importância de Schiller
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Salmerón Infante, Miguel. "El giro trágico: de Don Carlos a Wallenstein." Escritura e Imagen 17 (November 24, 2021): 103–16. http://dx.doi.org/10.5209/esim.78936.

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La etapa comprendida entre la finalización de la escritura de Don Carlos (1787) y la de la Trilogía Wallenstein (1799) fue la más importante de la evolución intelectual y creativa de Friedrich Schiller. En ella el escritor detuvo su producción de dramas, leyó las tres críticas de Kant e inició una sólida y fructífera amistad con Goethe. Fue muy evidente entonces el impacto de la Revolución Francesa en el autor. Esta conmoción lo llevó a rechazar soluciones políticas de supresión del despotismo y le hizo crear su concepto de educación estética. Sin embargo, este artículo, aparte de ello, pone e
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Clark, Sophia. "Fiesco's Conspiracy at Genoa by Friedrich Schiller, and: Wallenstein: A Dramatic Poem by Friedrich Schiller, and: Don Carlos: Infante of Spain by Friedrich Schiller, and: Love and Intrigue by Friedrich Schiller, and: Maria Stuart by Friedrich Schiller." Goethe Yearbook 29, no. 1 (2022): 291–93. http://dx.doi.org/10.1353/gyr.2022.0019.

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Moser-Verrey, Monique. "Gestes admirables ou le langage saisissant du corps dans la poétique de Friedrich Schiller." Thème 17, no. 1 (2010): 51–77. http://dx.doi.org/10.7202/039498ar.

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Résumé Le charisme en question est abordé par le biais de sa représentation dans Le camp de Wallenstein, pièce construisant par l’échange d’opinions le pouvoir extraordinaire d’un leader absent. Ce paradoxe illustre à merveille le travail du poète qui, par ses mots, donne à voir des corps vivants et des gestes admirables. L’analyse des figures du corps parlant porte sur le corpus des nouvelles de Schiller et révèle sa maîtrise de l’écriture sensible en vogue dans l’Europe des Lumières. Elle montre aussi son souci de l’unité classique et sa recherche du beau geste critique des intrigues courtis
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Bahr, Ehrhard. "Die Wallenstein-Trilogie von Friedrich Schiller: Walter Buttler in Geschichte und Drama (review)." Goethe Yearbook 15, no. 1 (2008): 227–28. http://dx.doi.org/10.1353/gyr.2008.0017.

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Davies, Steffan. "Die Wallenstein-Trilogie von Friedrich Schiller: Walter Buttler in Geschichte und Drama by Florian Krobb." Modern Language Review 101, no. 3 (2006): 883–84. http://dx.doi.org/10.1353/mlr.2006.0009.

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Gelus, Marjorie. "Friedrich Schiller, Wallenstein and Maria Stuart. Walter Hinderer, ed. The German library, 16. New York: Continuum, 1991. Pp. 394." American Journal of Germanic Linguistics and Literatures 6, no. 1 (1994): 146–49. http://dx.doi.org/10.1017/s1040820700001372.

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Take-Walter, Viktoria. ""Des Pöbels Herzen sind mein.": Schillers Abgrenzung und Funktionalisierung der Plebs als Programm." Jahrbuch der Deutschen Schillergesellschaft: Internationales Organ für Neuere Deutsche Literatur 2022, no. 66 (2023): 69–100. http://dx.doi.org/10.46500/83535275-003.

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Building on Friedrich Schiller’s canonisation as a poet of the entire nation that was united in the reception of his works, at least in the 19th century, I examine his utilisation and functionalisation of the term ›Pöbel‹ (rabble). According to concepts of history of ideas and cultural studies, I understand the usage, however pejorative and excluding, as a provocative means of addressing the audience. Analysing selected dramas (‘Die Räuber’, ‘Die Verschwörung des Fiesko zu Genua’, ‘Don Karlos’, ‘Wallensteins Tod’ and ‘Maria Stuart’) as well as some of Schiller’s theoretical texts (for example
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Krobb, Florian. "Wallensteins Tod in der Geschichtsschreibung." Daphnis 47, no. 1-2 (2019): 313–43. http://dx.doi.org/10.1163/18796583-04701003.

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This article investigates how contemporary news media, pamphlets and (slightly later) some more elaborate justificatory accounts of the events treated the death of Imperial Commander-in-Chief Wallenstein. The analysis of strategies of emplotment, structure and rhetorical devices of the relevant texts reveal how they all, regardless of the text’s position on either side of the religious and political divide, affirm the power of ‘history’ (fate, providence) to re-establish a balance that had previously been disturbed. A parallel analysis of Friedrich Schiller’s groundbreaking account of the Thir
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Nägele, Horst. "Warum wir uns mit N.F.S Grundtvigs idealismus-kritischen Abhandlungen beschäftigen." Grundtvig-Studier 46, no. 1 (1995): 205–16. http://dx.doi.org/10.7146/grs.v46i1.16189.

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Warum wir uns mit N.F.S. Grundtvigsidealismus-kritischen Abhandlungen beschäftigenBy Horst NägeleHorst Nägele begins his article with the statement that circumstantial evidence suggests that the democratic credibility of the Federal Republic of Germany may be questioned. Nägele argues for this view by comparing social conventions in Scandinavia and Germany.He adduces historical material to support his theory of a cultural difference on this point. The criticism levelled by the poet Jens Baggesen at the High German language for its remoteness from reality, is dealt with first. Then follows a di
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Dissertations / Theses on the topic "Wallenstein (Schiller, Friedrich)"

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Ranke, Wolfgang. "Dichtung unter Bedingungen der Reflexion : Interpretationen zu Schillers philosophischer Poetik und ihren Auswirkungen im "Wallenstein /." Würzburg : Königshausen & Neumann, 1990. http://catalogue.bnf.fr/ark:/12148/cb355053499.

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Vecchiato, Daniele <1984&gt. "Verhandlungen mit Schiller : Historische Reflexion und literarische Verarbeitung des Dreißigjährigen Kriegs im ausgehenden 18. Jahrhundert." Doctoral thesis, Università Ca' Foscari Venezia, 2014. http://hdl.handle.net/10579/4613.

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La tesi è incentrata sullo studio dell’opera di Friedrich Schiller, in particolare del trattato storiografico "Geschichte des Dreißigjährigen Krieges" (1790-1792) e della trilogia drammatica "Wallenstein" (1800). L’analisi dei testi è condotta in relazione non solo agli altri scritti dell’autore e alle sue modalità di rielaborazione del soggetto storico, ma anche a fonti letterarie coeve sulla Guerra dei Trent’anni che raramente sono state oggetto della ricerca germanistica. Si tratta di testi assai eterogenei per genere, tematica e qualità letteraria; tuttavia ciascuno di essi, oltre a testim
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Swedberg, Hans. "'Ich müsste die Tat vollziehen' - Wallensteins Untergang : Eine Untersuchung von Friedrich Schillers Wallenstein-Drama." Thesis, Stockholm University, Department of Baltic Languages, Finnish and German, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-7730.

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Books on the topic "Wallenstein (Schiller, Friedrich)"

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Rothmann, Kurt. Friedrich Schiller, Wallenstein. P. Reclam, 2005.

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Müller, Udo. Lektürehilfen Friedrich Schiller "Wallenstein". Klett, 1987.

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University of London. Institute of Germanic & Romance Studies, ed. Schillers Wallenstein-Trilogie auf der Bühne. Institute of Germanic & Romance Studies, University of London School of Advanced Study, 2009.

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Krobb, Florian. Die Wallenstein-Trilogie von Friedrich Schiller: Walter Buttler in Geschichte und Drama. Igel, 2005.

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Die ästhetischen Kategorien Schillers als Weg zum Verständnis und zur Vermittlung des "Wallenstein". P. Lang, 1988.

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Tragische Nemesis und historischer Sinn in Schillers Wallenstein-Trilogie: Eine rekonstruktruierende Lektüre. P. Lang, 1997.

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Wallenstein in Weimar, Wien und Berlin: Das Urteil Albrecht von Wallenstein in der deutschen Historiographie von Friedrich von Schiller bis Leopold von Ranke. Matthiesen, 2003.

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Schiller's Wallenstein, Maria Stuart, and Die Jungfrau von Orleans: The critical legacy. Camden House, 2002.

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Friedrich Schiller, Wallenstein. Philipp Reclam, 1989.

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Schiller, Friedrich. Dramatic Works of Friedrich Schiller: Wallenstein and Wilhelm Tell. Franklin Classics, 2018.

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Book chapters on the topic "Wallenstein (Schiller, Friedrich)"

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Sautermeister, Gert. "Schiller, Friedrich von: Wallenstein." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_19158-1.

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Nover, Immanuel. "»Ich kann jetzt noch nicht sagen, was ich thun will.« Zum Politischen des Handlungsaufschubs – mit einem Fokus auf Friedrich Schillers Wallenstein." In Abhandlungen zur Literaturwissenschaft. J.B. Metzler, 2018. http://dx.doi.org/10.1007/978-3-476-04773-1_8.

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"Wallenstein." In Friedrich Schiller. Cambridge University Press, 1991. http://dx.doi.org/10.1017/cbo9780511597749.013.

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Ächtler, Norman. "Teaching Schiller." In Policies and Practice in Language Learning and Teaching. Amsterdam University Press, 2022. http://dx.doi.org/10.5117/9789463722049_ch03.

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The essay analyses how German Classics were taught in German secondary schools during the nineteenth century. Using the example of Friedrich Schiller’s drama Wallenstein, this will be discussed from a discourse analytical perspective. The first section explains the underlying concept of ‘dispositive’ as both a theoretical approach to a more grounded history of subject teaching and an analysis grid for evaluating school-specific media sources. The second section presents some results and conclusions of a three-step analysis of the underlying source corpus on Wallenstein. After all, the results of this article may contribute to valorizing a more practice-oriented history of the German class.
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Vigus, James. "Coleridge’s Shakespearean Transformation of Schiller’s Wallenstein Plays." In Textual Transformations. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198808817.003.0013.

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In 1800, Samuel Taylor Coleridge published translations of Friedrich Schiller’s historical dramas The Piccolomini and The Death of Wallenstein. Despite his dislike of the process of translating, Coleridge eventually recognized the importance of his own work. In particular, the translations assisted the intellectual development through which Coleridge came to present Shakespeare as the profoundest English moralist. This chapter shows how Coleridge’s English versions pivoted on the intensification of Shakespearean echoes, especially of Macbeth, in Schiller’s original. The chapter then analyses Coleridge’s marginalia in copies of his translations, in which the translator persistently drew comparisons and contrasts between Schiller and Shakespeare. It emerges that Wallenstein was a significant influence on Coleridge’s subsequent Shakespeare criticism and on his moral philosophy, briefly summed up in the phrase ‘Conscience is God ’.
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Clark, Sophia. "Friedrich Schiller. Fiesco’s Conspiracy at Genoa. Translated by Flora Kimmich (Cambridge: Open Book Publishers, 2015). xviii + 132 p. Friedrich Schiller. Wallenstein: A Dramatic Poem. Translated by Flora Kimmich (Cambridge: Open Book Publishers, 2017). 314 pp. Friedrich Schiller. Don Carlos: Infante of Spain. Translated by Flora Kimmich (Cambridge: Open Book Publishers, 2018). 204 pp. Friedrich Schiller. Love and Intrigue. Translated by Flora Kimmich (Cambridge: Open Book Publishers, 2019). 117 pp. Friedrich Schiller. Maria Stuart. Translated by Flora Kimmich (Cambridge: Open Book Publishers, 2020). 120 pp." In Goethe Yearbook 29. Boydell & Brewer Ltd, 2022. http://dx.doi.org/10.2307/j.ctv262qxgq.23.

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"2 Die Erschöpfung des Trabanten: Friedrich Schillers Wallenstein." In Theorie des Revolutionsdramas. De Gruyter, 2022. http://dx.doi.org/10.1515/9783110771756-003.

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"5. Spielerische Recherche nach Geschichte(n) – Rimini Protokoll verarbeitet Friedrich Schillers Wallenstein." In Theater und Fiktion. transcript-Verlag, 2010. http://dx.doi.org/10.14361/transcript.9783839413999.305.

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"5. Spielerische Recherche nach Geschichte(n) – Rimini Protokoll verarbeitet Friedrich Schillers Wallenstein." In Theater und Fiktion. transcript Verlag, 2010. http://dx.doi.org/10.1515/transcript.9783839413999.305.

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