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1

Rothmann, Kurt. Friedrich Schiller, Wallenstein. Stuttgart: P. Reclam, 2005.

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2

Müller, Udo. Lektürehilfen Friedrich Schiller "Wallenstein". Stuttgart: Klett, 1987.

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3

University of London. Institute of Germanic & Romance Studies, ed. Schillers Wallenstein-Trilogie auf der Bühne. London: Institute of Germanic & Romance Studies, University of London School of Advanced Study, 2009.

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4

Krobb, Florian. Die Wallenstein-Trilogie von Friedrich Schiller: Walter Buttler in Geschichte und Drama. Oldenburg: Igel, 2005.

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5

Die ästhetischen Kategorien Schillers als Weg zum Verständnis und zur Vermittlung des "Wallenstein". Frankfurt am Main: P. Lang, 1988.

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6

Tragische Nemesis und historischer Sinn in Schillers Wallenstein-Trilogie: Eine rekonstruktruierende Lektüre. Frankfurt am Main: P. Lang, 1997.

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7

Wallenstein in Weimar, Wien und Berlin: Das Urteil Albrecht von Wallenstein in der deutschen Historiographie von Friedrich von Schiller bis Leopold von Ranke. Husum: Matthiesen, 2003.

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8

Schiller's Wallenstein, Maria Stuart, and Die Jungfrau von Orleans: The critical legacy. Rochester, NY: Camden House, 2002.

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9

Friedrich Schiller, Wallenstein. Stuttgart: Philipp Reclam, 1989.

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10

Schiller, Friedrich. Dramatic Works of Friedrich Schiller: Wallenstein and Wilhelm Tell. Franklin Classics, 2018.

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11

Dramatic Works of Friedrich Schiller: Wallenstein and Wilhelm Tell. Franklin Classics, 2018.

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12

Schiller, Friedrich. Dramatic Works of Friedrich Schiller: Wallenstein and Wilhelm Tell. Franklin Classics Trade Press, 2018.

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13

Dramatic Works of Friedrich Schiller: Wallenstein and Wilhelm Tell. Creative Media Partners, LLC, 2022.

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14

Wallenstein Figure in German Literature and Historiography 1790-1920. Taylor & Francis Group, 2010.

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15

Saranpa, Kathy J. Schiller's "Wallenstein," "Maria Stuart," and "Die Jungfrau von Orleans": The Critical Legacy (Literary Criticism in Perspective). Camden House, 2001.

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16

Burwick, Frederick. Coleridge as Translator. Edited by Frederick Burwick. Oxford University Press, 2012. http://dx.doi.org/10.1093/oxfordhb/9780199644179.013.0023.

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This article examines the work of Samuel Taylor Coleridge as a translator. It explains that Coleridge was able to establish himself as a translator early in his career, with his English version of Friedrich Schiller's Wallenstein in 1800. Schiller's work was translated into English as The Piccolomini and The Death of Wallenstein, which both contain several thousand lines. After translating Schiller's work, Coleridge continued in his role, as interpreter and commentator on German literature and philosophy.
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