Relevant bibliographies by topics / Wallpaper

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Wallpaper'

Author: Grafiati
Published: 4 June 2021
Last updated: 29 July 2024

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Journal articles on the topic "Wallpaper"

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Kolich, Tomáš. "Haunting or Hallucination? Charlotte Perkins Gilman's ‘The Yellow Wallpaper’ and Contemporary Theories of Decorative Art and Psychiatry." Gothic Studies 22, no. 3 (November 2020): 266–84. http://dx.doi.org/10.3366/gothic.2020.0061.

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Even though Charlotte Perkins Gilman's story ‘The Yellow Wallpaper’ (1892) has received a lot of critical attention, there have been only a few attempts at the visual analysis of the wallpaper. This article approaches it as a case of the intricate pattern – an optically unpleasant and complicated ornament that can be depicted. This motif is present in gothic narratives (Poe's ‘Ligeia’, 1838), films (Robert Wise's The Haunting, 1963) as well as outside the genre. With a connection to wallpapers, it was discussed publicly during Gilman's time. This article reconstructs this discussion with examples from the contemporary interior decoration manuals, guidebooks for nursing and medical literature. The aim is to contextualize Gilman's story and to analyse the ways in which her descriptions of the wallpaper are similar to the rhetoric of the guidebooks. This context can enrich our knowledge about the period, reception of the story and possibly even about Gilman's sources of inspiration.
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Kohler, Peter J., Shivam Vedak, and Rick O. Gilmore. "Perceptual Similarities among Wallpaper Group Exemplars." Symmetry 14, no. 5 (April 21, 2022): 857. http://dx.doi.org/10.3390/sym14050857.

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Symmetries are abundant within the visual environment, and many animals species are sensitive to visual symmetries. Wallpaper groups constitute a class of 17 regular textures that each contain a distinct combination of the four fundamental symmetries, translation, reflection, rotation and glide reflection, and together represent the complete set of possible symmetries in two-dimensional images. Wallpapers are visually compelling and elicit responses in visual brain areas that precisely capture the symmetry content of each group in humans and other primates. Here we ask to what extent different exemplars from the same wallpaper group are perceptually similar. We used an algorithm to produce a set of well-matched exemplars from 5 of the 17 wallpaper groups and instructed participants to freely sort the exemplars from each group into as many subsets as they wished based on any criteria they saw appropriate. P1, the simplest of the 17 groups, was consistently rated more self-similar than any other group, while the other four groups, although varying in symmetry content, were comparable in self-similarity. Our results suggest that except for the most extreme case (P1), perceived self-similarity of wallpaper groups is not directly tied to categories of symmetry based on group theory.
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Lee, Seonhyo, Yejin Ha, and Joonho Jeon. "Experimental Study on Combustion and Fire Smoke Characteristics of Wallpapers using Smoke Density Chamber." Fire Science and Engineering 37, no. 4 (August 31, 2023): 20–28. http://dx.doi.org/10.7731/kifse.4956f04a.

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During a fire, flames can quickly spread throughout the room because the wallpaper covers the entire surface. Smoke generated from fire is a significant obstacle to evacuation. Therefore, it is essential to study the smoke characteristics of the wallpaper to ensure evacuation safety. This study used the ISO 5659-2 combustion chamber method to measure the smoke density over time with and without flame conditions using a 25 kW/m<sup>2</sup> radiation heat flux. The extinction coefficient represents the visibility in the smoke, and VOF4 shows the initial combustion smoke density characteristics. These two factors were derived from experiment results. Paper, cork, and cotton wallpapers were used as representative wallpapers. The results show that the maximum smoke density of all wallpapers was higher in the non-flame condition than in the flame condition. Under the flame condition, the maximum smoke density was measured in the order of cork, cotton, and paper. In the non-flame condition, the order was cotton, cork, and paper with the maximum smoke density. The extinction coefficient of wallpapers, except paper, exceeded 1.0 m<sup>-1</sup> in the flame condition, indicating that the smoke density provides visibility of 1-2 m under fire.
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Moor, Lorraine. "Wallpaper." Vernacular Architecture 50, no. 1 (January 1, 2019): 132. http://dx.doi.org/10.1080/03055477.2019.1675127.

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Nurhidayati, Nurhidayati, and Imam Marzuki. "Perhitungan Matematis Algoritma C4.5 Untuk Memprediksi Penjualan Wallpaper (Studi Kasus : Toko Ali Banyuanyar Probolinggo)." Jurnal Teknologi Informasi Indonesia (JTII) 5, no. 2 (November 23, 2020): 67–73. http://dx.doi.org/10.30869/jtii.v5i2.668.

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Mewarnai dinding rumah dengan wallpaper memang bisa menambah kesan indah pada suatu ruangan, sehingga ruangan terlihat lebih ekspresif. Bermacam motif, warna, dan corak wallpaper dapat dipilih. Untuk meningkatkan penjualan wallpaper, Penjual harus lebih cermat menyediakan wallpaper mana yang akan banyak peminatnya. Perlu perekomendasian jenis jenis wallpaper. Data yang diperlukan yaitu data merk wallpaper terbaik, warna, motif, kualitas bahan, ukuran, dan harga. Kemudian data tersebut diklasifikasikan. Metode yang digunakan untuk klasifikasi adalah data mining dengan algoritma C4.5. Dari proses perhitungan algoritma C4.5 akan didapatkan beberapa rule. Rule tersebut dijadikan dasar untuk memprediksi penjualan wallpaper.
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Morton, Timothy. "More Books about Buildings and Food." Victorian Literature and Culture 25, no. 2 (1997): 359–65. http://dx.doi.org/10.1017/s1060150300004848.

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George Eliot lamented the decoration of her and George Henry Lewes's house, for which Owen Jones, the man behind the color scheme for the Crystal Palace, designed wallpaper and chose draperies. At the beginning of his chapter on Middlemarch in Novels Behind Glass, a detailed historicist study of Thackeray, Gaskell, Dickens, Eliot and the Great Exhibition, Andrew Miller quotes Eliot's lament: “Such fringing [sic] away of precious life in thinking of carpets and tables is an affliction to me and seems like a nightmare from which I shall find it bliss to awake into my old world of care for things quite apart from upholstery” (189). In the Afterword, Miller quotes the deathbed words of Oscar Wilde, whose earnestness about his own wallpapered predicament are quite in contrast with Eliot: “My wallpaper and I are fighting a duel to the death…. One or the other of us has to go” (221).
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Winters, Ben. "Musical Wallpaper?" Music, Sound, and the Moving Image 6, no. 1 (April 2012): 39–54. http://dx.doi.org/10.3828/msmi.2012.5.

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Farmer, Brett. "Electronic Wallpaper." Cultural Studies Review 11, no. 1 (August 12, 2013): 199–202. http://dx.doi.org/10.5130/csr.v11i1.3460.

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Sweeney-Turner, Steve, and David Bedford. "Wallpaper Music." Musical Times 137, no. 1835 (January 1996): 44. http://dx.doi.org/10.2307/1003393.

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Hahn, Torsten. "›WALLPAPER ART‹." POP 2, no. 2 (September 1, 2013): 156–76. http://dx.doi.org/10.14361/pop.2013-0221.

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Dissertations / Theses on the topic "Wallpaper"

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Johnson, Shannon Art College of Fine Arts UNSW. "Omen wallpaper." Awarded by:University of New South Wales. Art, 2007. http://handle.unsw.edu.au/1959.4/43296.

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This paper brings together past and contempary elements that play a role in the body of work, I prepared in the Master's project and which I call, 'Omen Wallpaper'. The title draws on the idea that 'omens' as signs and 'wallpaper', as a decoration somewhat on the periphery, surround us in the urban environment. The paper begins by describing the influences and historical movements from which I have drawn. These range, for example, from. Duchamp, Schwitters to Rauschenberg, Warhol and Basquiat. Many of these traditions share the idea of 'anti-art', particularly 'anti painting', manifested in the use of found materials, text and 'unpainterly' techniques like printing and collage. The paper then moves in to ideas more local to me and this body of work, as for example, graffiti. I explore styles of graffiti and some of the most significant artists of this movement. Artists such as 'Misstic' from Paris and 'Banksy' I also investigate some of the problematics associated with that territory, by describing the conflicts I encounter in my research. I also consider another type of' street aesthetic' that operates in a different way, exploiting the general decay and wear and tear of posters. I focus this part of my enquiry, on the French Nouveaux Realist, Jacques de la Villegle who has worked with this medium since the 1950's. Villegles work began central to my research in Paris as well as becoming a inspiration for adopting the technique of 'affiches laceries' or 'tom posters'. This technique allows one to capture a moment culturally, stylistically and randomly amoung many other things with minimal mediation which became a significant turning point in the development of my own style.
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Nay, Catherine Anne. "American wallpaper, 1870-1900." Virtual Press, 1989. http://liblink.bsu.edu/uhtbin/catkey/544000.

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Wallpaper is a significant decorative finish of late nineteenth century interiors. Determining the appropriate approach for treatment in situ, execution of a custom reproduction, or the selection of an appropriate reproduction for a "period look" requires extensive research by an interior designer. The integrity of the historic interior can be lost or compromised during the restoration or rehabilitation process if it is based on misguided decisions. The conservation principles established in the Venice Charter and the criteria or guidelines established in the Secretary of the Interior's Standards for Rehabilitation must be considered before a plan is implemented.The emphasis of this thesis will be establishing a methodology which addresses the design issues confronting interior designers with regard to historic wallpaper in the context of restoration and rehabilitation or adaptive use projects. The period of 1870-1900 reflects a major change inexhibitions have examined aspects of this complex period and it style and the peak period for production and use of American wallpaper. This is the most misunderstood period with regard to wallpaper because the rejection of wallpaper by the modern movement lingers today. In the past decade, four major museum is now being viewed as a critical cultural and artistic watershed.Through research, an appreciation of the various patterns and colorways will be developed. The technological innovations which affected the quality and quantity of wallpaper will also be examined. Documentation of wallpaper for this period will also include reference collections, interior photographs taken during the period, and examination of original sources written during or preceding the period. A survey of what documented reproductions are available on the market today and which are appropriate for interiors of American buildings constructed in the decades 18701900 will be reviewed. Books have been written on the subject of wallpaper, but a single reference does not exist with the information and guidelines needed by designers working on restoration and rehabilitation projects.The selected case studies examine the restoration and rehabilitation approaches to wallpaper. Conclusions were drawn from the diverse projects to reveal the broad range of appropriate treatments or solutions in the context of projects and issues.
Department of Architecture
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Hedman, Ida. "Designing a Wallpaper Display System for an Effective Product Selection : A Collaboration with Midbec Wallpapers." Thesis, Luleå tekniska universitet, Institutionen för ekonomi, teknik och samhälle, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:ltu:diva-64324.

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We  are  heading  into  a  world  that  is  becoming  more  and  more  digital.  In  the  future  markets,  customers   will   demand   that   some   sort   of   technical  support  is  available  when  they  make  purchases.   This   put   a   big   responsibility   on   companies  that  have  to  satisfy  that  need.  The  wallpaper  industry  has  not  incorporated  many  efficient  support  tools  to  facilitate  the  product  selection at Swedish retailers. This results in that customers  experience  many  issues  when  they  search for new wallpapers. Through a needfinding process, where customers   were   observed   at   retailers,   eight   primary  customer  needs  could  be  established  in  the  project.  These  were  ranked  after  their  relative   importance.   The   results   showed   that   the  most  important  needs  to  satisfy  was  to  give  customer’s  inspiration  and  help  them  visualize  wallpapers  in  environments.  In  two  workshops,  around  100  ideas  on  how  a  system  that  could  satisfy  these  needs  was  generated  in  a  number  of brainstorming sessions. These ideas were then culled   with   various   evaluation   methods   such   as  rating  matrixes,  inventory  methods  and  by  clustering the ideas. At the end of the evaluation process,  four  concepts  remained  with  different  levels of technical demands and implementation requirements.  The  decision  of  which  concept  that was going to be further developed was then made by Midbec. The final system is a service that allows customer to   visualize   chosen   wallpapers   in   a   digital   environment.  The  system  contains  a  screen  with  a connected hand scanner that will be integrated in  Midbec’s  store  interior  and  QR-barcodes  that  is  applied  to  each  wallpaper.  When  a  barcode  is  decoded,  either  with  the  scanner  or  with  a  smartphone, the user connects to Midbec’s newly developed   online   wallpaper   tool   where   the   wallpaper can be seen in different environments. The   benchmarking   showed   that   no   studies   of    effective    wallpaper    displays    has    been    made.  Several  areas  where  new  systems  can  be   implemented   to   support   customers   and   promote  wallpapers  more  effectively  was  found  throughout  the  process.  This  means  that  there  are many possibilities to develop and implement new  designs  in  the  industry.  As  a  conclusion,  this  project  showed  that  a  needfinding  process  should  focus  on  incorporating  the  user  to  the  highest possible level to ensure that reliable data is collected. Another conclusion is that customers experience   many   different   issues   in   today’s   wallpaper  selection  process.  Again,  this  shows  that  there  is  potential  to  develop  systems  that  can improve today’s wallpaper industry.
Vi går mot en värld som blir allt mer digital. I den framtida marknaden kommer kunder kräva att något sorts tekniskt  hjälpmedel  finns  tillhands  när  de  gör  sina  inköp.  Detta  ställer  krav  på  företagen  som  måste  tillfredsställa  det  behovet.  Tapetindustrin har inte integrerat många     effektiva  verktyg  för  att  underlätta  produktvalet  hos  svenska  återförsäljare.  Detta  resulterar  i  att  kunderna  upplever  många  svårigheter  när  de  letar efter nya tapeter. Genom en behovsidentifieringsprocess,    där    kunder  observerades  hos  återförsäljare,  kunde  åtta  primära  kundbehov  fastställas  i  projektet.  Dessa  rankades  efter  deras  relativa  betydelse.  Resultatet  visade  att  de  viktigast  behoven  att  tillfredsställa  är  att  ge  kunderna  inspiration  och  hjälpa  de  att  visualisera  tapeter  i  miljöer.  I  två  workshops genererades cirka 100 idéer i ett antal brainstorming  sessioner  på  hur  ett  system  som  tillfredsställer dessa behov kan se ut. Dessa idéer sorterades sedan med olika utvärderingsmetoder som     betygsmatriser,     inventerings     metoder     och  genom  att  gruppera  idéerna.  I  slutet  av  utvärderingsprocessen   återstod   fyra   koncept   med olika grad av tekniska och implementerings krav.   Beslutet   om   viket   koncept   som   skulle   vidareutvecklas togs sedan av Midbec. Det  slutgiltiga  systemet  är  en  tjänst  som  tillåter  kunderna att visualisera valda tapeter i en digital miljö.   Systemet   inkluderar   en   skärm   med   en   tillhörande   handskanner   som   är   integrerad   i   Midbec’s   butiksmiljö   samt   QR-koder   som   är   applicerade  på  varje  tapet.  När  en  kod  avläses,  antigen med skannern eller med en smartphone, kopplas     användaren     till     Midbec’s     nyligen     framtagna onlinetjänst där tapeten kan ses i olika miljöer. Förstudien  visade  att  inga  tidigare  studier  på  effektiva  tapetskyltningar  har  genomförts.  Flera  områden   där   nya   system   kan   implementeras   för  att  stödja  kunderna  och  framhäva  tapeter  mer  effektivt  framkom  under  projektet.  Detta  betyder   att   det   finns   många   möjligheter   för   att  utveckla  och  implementera  nya  designer  i  branschen.  Som  en  slutsats  visade  detta  projekt  att      en      behovsidentifieringsprocess      borde      inkludera  användaren  så  mycket  som  möjligt  för  att  säkerställa  att  tillförlitliga  data  samlas  in.  Ännu  en  slutsats  är  att  kunder  upplever  många  olika   svårigheter   i   dagens   tapetvalsprocess.   Återigen visar detta på att det finns potential för att utveckla nya system som kan förbättra dagens tapetbransch.
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Mapes, Phillippa. "The English wallpaper trade, 1750-1830." Thesis, University of Leicester, 2016. http://hdl.handle.net/2381/39011.

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The history of consumption in the long eighteenth century has attracted much academic interest in recent decades. We now know much more about how an increasing number of consumer goods became available to growing numbers of the elite and middling classes. Yet there are still gaps in our knowledge about how these goods were produced, marketed, distributed and consumed. This case study of the luxury goods trade in English wallpaper provides a more detailed contribution to this debate and explores how issues of supply and demand intersected. Similarly, historiographies of wallpaper have also acknowledged that the market for this product came within the reach of the middle classes in this period, but we still need to know how, where, and in what way this was possible. Furthermore, although wallpaper manufacture at this time was essentially a London luxury goods trade, a significant regional industry did develop concurrently, which has previously been unexplored. Yet recognition of the impact of urbanisation in this period is essential to our understanding of the success of consumer goods at this time and the effect on people's cultural and material lives in the provinces as well as in London. This thesis draws on previously unused primary material from insurance and probate sources, government archives and newspaper advertisements to examine these issues in further detail. As a business history it also engages directly with the aesthetics of the material goods involved. The aim is to provide a more nuanced case study contribution to consumer, cultural and social histories and also to provide a contextual basis from which research into the material object - the historic wallpapers themselves - can be more fully undertaken.
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Jordan, Deborah. "Sanctuary: The Yellow Wallpaper and Beyond." The Ohio State University, 1989. http://rave.ohiolink.edu/etdc/view?acc_num=osu1392823722.

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Paulsen, Rebeca Ann. "Weak Cayley Table Groups of Wallpaper Groups." BYU ScholarsArchive, 2016. https://scholarsarchive.byu.edu/etd/6263.

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Let G be a group. A Weak Cayley Table mapping ϕ : G → G is a bijection such that ϕ(g1g2) is conjugate to ϕ(g1)ϕ(g2) for all g1, g2 in G. The set of all such mappings forms a group W(G) under composition. We study W(G) for the seventeen wallpaper groups G.
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Martins, Rafaella de Souza [UNESP]. "Grupos wallpaper e sua relação com cohomologia de grupos." Universidade Estadual Paulista (UNESP), 2014. http://hdl.handle.net/11449/115687.

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Made available in DSpace on 2015-03-03T11:52:27Z (GMT). No. of bitstreams: 0 Previous issue date: 2014-03-25Bitstream added on 2015-03-03T12:07:37Z : No. of bitstreams: 1 000803609.pdf: 784644 bytes, checksum: 21cd3aa175119679ab082ffb06ba43c1 (MD5)
Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
O objetivo principal deste trabalho e estudar a relação entre cohomologia de grupos e o problema de classificar grupos wallpaper, que são grupos de simetrias de certas figuras do plano chamadas padrões wallpaper. Há, a menos de equivalência, exatamente 17 grupos wallpaper, que classificamos usando teoria dos grupos e algebra linear. Dado um grupo wallpaper G, temos associado inicialmente a G um subgrupo abeliano normal T (subgrupo das translações) chamado reticulado, um grupo G0 = G=T chamado grupo ponto, uma ação de G0 sobre T (de modo que T e um ZG0-m odulo) e uma extensão do grupo G0 por T , 0 ! T ! G ! G0 ! 0. Usando o fato de que existe uma correspondência biunívoca entre o segundo grupo de cohomologia, H2(G0; T ), e o conjunto das classes de equivalência de G0 por T que dão origem a ação induzida de G0 sobre T e computando H2(G0; T ), para as várias possibilidades para G0, apresentamos um limitante superior para o número de grupos wallpaper. Para o cálculo de H2(G0; T ), para certos grupos pontos G0, utiliza-se a sequência espectral cohomológica e a sequência exata de cinco termos
The main goal of this work is to study the relation between the cohomology of groups and the problem of classifying wallpaper groups, which are symmetry groups of certain gures on the plane called wallpaper patterns. There are, up to isomorphism/equivalence, exactly 17 wallpaper groups, classi ed by using group theory and linear algebra. Given a wallpaper group G, we initially associate to G an abelian normal subgroup T (subgroup of the translations) called lattice, a group G0 = G T called point group, an action of G0 on T (in such a way that T is a ZG0-module) and an extension of the group G0 by T , 0 ?! T ?! G ?! G0 ?! 0. Using the fact that there is an one-to-one correspondence between the second cohomology of group, H2(G0; T ), and the set of equivalence classes of the extensions of G0 by T , that gives rise to the induced action of G0 on T , and computing H2(G0; T ), for the sereval possibilities for G0, we present an upper bound for the number of wallpaper groups. For the calculation of H2(G0; T ), of certain point groups G0, it is used the cohomological spectral sequence and the ve terms exact sequence
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Fahner, Christine. "Hyperreal culture, an office for Wallpaper magazine, New York." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ42324.pdf.

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Martins, Rafaella de Souza. "Grupos wallpaper e sua relação com cohomologia de grupos /." São José do Rio Preto, 2014. http://hdl.handle.net/11449/115687.

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Orientador: Ermínia de Lourdes Campello Fanti
Coorientador: Flávia Souza Machado da Silva
Banca: Pedro Luiz Queiroz Pergher
Banca: Maria Gorete Carreira Andrade
Resumo: O objetivo principal deste trabalho e estudar a relação entre cohomologia de grupos e o problema de classificar grupos wallpaper, que são grupos de simetrias de certas figuras do plano chamadas padrões wallpaper. Há, a menos de equivalência, exatamente 17 grupos wallpaper, que classificamos usando teoria dos grupos e algebra linear. Dado um grupo wallpaper G, temos associado inicialmente a G um subgrupo abeliano normal T (subgrupo das translações) chamado reticulado, um grupo G0 = G=T chamado grupo ponto, uma ação de G0 sobre T (de modo que T e um ZG0-m odulo) e uma extensão do grupo G0 por T , 0 ! T ! G ! G0 ! 0. Usando o fato de que existe uma correspondência biunívoca entre o segundo grupo de cohomologia, H2(G0; T ), e o conjunto das classes de equivalência de G0 por T que dão origem a ação induzida de G0 sobre T e computando H2(G0; T ), para as várias possibilidades para G0, apresentamos um limitante superior para o número de grupos wallpaper. Para o cálculo de H2(G0; T ), para certos grupos pontos G0, utiliza-se a sequência espectral cohomológica e a sequência exata de cinco termos
Abstract: The main goal of this work is to study the relation between the cohomology of groups and the problem of classifying wallpaper groups, which are symmetry groups of certain gures on the plane called wallpaper patterns. There are, up to isomorphism/equivalence, exactly 17 wallpaper groups, classi ed by using group theory and linear algebra. Given a wallpaper group G, we initially associate to G an abelian normal subgroup T (subgroup of the translations) called lattice, a group G0 = G T called point group, an action of G0 on T (in such a way that T is a ZG0-module) and an extension of the group G0 by T , 0 ����! T ����! G ����! G0 ����! 0. Using the fact that there is an one-to-one correspondence between the second cohomology of group, H2(G0; T ), and the set of equivalence classes of the extensions of G0 by T , that gives rise to the induced action of G0 on T , and computing H2(G0; T ), for the sereval possibilities for G0, we present an upper bound for the number of wallpaper groups. For the calculation of H2(G0; T ), of certain point groups G0, it is used the cohomological spectral sequence and the ve terms exact sequence
Mestre
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Enqvist, Mia. "Understanding the Feminist Message in Gilman´s "The Yellow Wallpaper"." Thesis, Högskolan Dalarna, Engelska, 2006. http://urn.kb.se/resolve?urn=urn:nbn:se:du-2473.

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Books on the topic "Wallpaper"

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Historic Houses Trust of New South Wales, ed. Wallpaper. Sydney: Historic Houses Trust (HHT), 2010.

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Blackley, Lachlan. Wallpaper. London: Laurence King, 2006.

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Opie, Julian. Wallpaper. Wien: Österreichische Galerie Belvedere, 2002.

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Philipson, Morris. Wallpaper fox. London: CarcanetPress, 1992.

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Perkins, Gilman Charlotte. YELLOW WALLPAPER. [Place of publication not identified]: WISEHOUSE CLASSICS, 2016.

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Blackley, Lachlan. Wallpaper. Laurence King, 2007.

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Lee, Patient. Wallpaper. Excessica, 2018.

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Asensio, Alenjandro. Wallpaper. Parragon Inc, 2007.

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Wallpaper. Bloomsbury Publishing Plc, 2018.

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Wallpaper. Shire Publications, 1999.

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Book chapters on the topic "Wallpaper"

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Rosoman, Treve. "Wallpaper." In Interior Finishes & Fittings for Historic Building Conservation, 93–103. Oxford, UK: Wiley-Blackwell, 2011. http://dx.doi.org/10.1002/9781444344837.ch8.

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Gooch, Jan W. "Wallpaper." In Encyclopedic Dictionary of Polymers, 803. New York, NY: Springer New York, 2011. http://dx.doi.org/10.1007/978-1-4419-6247-8_12663.

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Maisel, Eric. "Wallpaper." In 60 Innovative Cognitive Strategies for the Bright, the Sensitive, and the Creative, 121–23. New York, NY : Routledge, 2018.: Routledge, 2018. http://dx.doi.org/10.4324/9781351203753-39.

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McIlroy, M. Douglas. "Wallpaper Maps." In Dependable and Historic Computing, 358–75. Berlin, Heidelberg: Springer Berlin Heidelberg, 2011. http://dx.doi.org/10.1007/978-3-642-24541-1_27.

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Armstrong, M. A. "Wallpaper Patterns." In Undergraduate Texts in Mathematics, 155–65. New York, NY: Springer New York, 1988. http://dx.doi.org/10.1007/978-1-4757-4034-9_26.

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Kontou, Tatiana, Victoria Mills, Deborah Wynne, and Louisa Yates. "Image: Wallpaper." In Victorian Material Culture, 213–14. London: Routledge, 2022. http://dx.doi.org/10.4324/9781315400105-44.

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Gooch, Jan W. "Ink-Embossed Wallpaper." In Encyclopedic Dictionary of Polymers, 390. New York, NY: Springer New York, 2011. http://dx.doi.org/10.1007/978-1-4419-6247-8_6332.

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Davvaz, Bijan. "Frieze and Wallpaper Symmetry Groups." In Groups and Symmetry, 179–212. Singapore: Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-16-6108-2_9.

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Shin, Hyunyong, Shilla Sheen, Hyeyoun Kwon, and Taeseon Mun. "Korean Traditional Patterns: Frieze and Wallpaper." In Handbook of the Mathematics of the Arts and Sciences, 1–16. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-70658-0_17-1.

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Rzadtki, Beate. "Gilman, Charlotte Perkins: The Yellow Wallpaper." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_5369-1.

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Conference papers on the topic "Wallpaper"

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Mohammadi, Azadeh, and Taraneh Meshkani. "Interactive Wallpaper." In Electronic Visualisation and the Arts (EVA 2011). BCS Learning & Development, 2011. http://dx.doi.org/10.14236/ewic/eva2011.40.

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Huang, Jeffrey, and Muriel Waldvogel. "Interactive wallpaper." In the ACM SIGGRAPH 05 electronic art and animation catalog. New York, New York, USA: ACM Press, 2005. http://dx.doi.org/10.1145/1086057.1086142.

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Skog, Tobias. "Activity wallpaper." In the 2004 conference. New York, New York, USA: ACM Press, 2004. http://dx.doi.org/10.1145/1013115.1013171.

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SAFFIN, P. M. "WESS-ZUMINO WALLPAPER." In Proceedings of the Third International Workshop on Particle Physics and the Early Universe. WORLD SCIENTIFIC, 2000. http://dx.doi.org/10.1142/9789812792129_0042.

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Toyonaga, Haruto, and Masahiro Okuda. "Wallpaper Dataset for Image Classification." In 2022 IEEE 11th Global Conference on Consumer Electronics (GCCE). IEEE, 2022. http://dx.doi.org/10.1109/gcce56475.2022.10014404.

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Ebert, Matthew, Sai Ganesh Subramanian, Ergun Akleman, and Vinayak R. Krishnamurthy. "Generative Infills for Additive Manufacturing Using Space-Filling Polygonal Tiles." In ASME 2020 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. American Society of Mechanical Engineers, 2020. http://dx.doi.org/10.1115/detc2020-22708.

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Abstract We study a new class of infill patterns, that we call wallpaper-infills for additive manufacturing based on space-filling shapes. To this end, we present a simple yet powerful geometric modeling framework that combines the idea of Voronoi decomposition space with wallpaper symmetries defined in 2-space. We first provide a geometric algorithm to generate wallpaper-infills and design four special cases based on selective spatial arrangement of seed points on the plane. Second, we provide a relationship between the infill percentage to the spatial resolution of the seed points for our cases thus allowing for a systematic way to generate infills at the desired volumetric infill percentages. Finally, we conduct a detailed experimental evaluation of the of these four cases to study their mechanical behavior under tensile loading.
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Yap, Kim-Hui, and Zhenwei Miao. "Hybrid feature-based wallpaper visual search." In 2015 IEEE International Symposium on Circuits and Systems (ISCAS). IEEE, 2015. http://dx.doi.org/10.1109/iscas.2015.7168737.

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Xu, Yan, Wanqing Huang, Xinhong Xiong, and Lihao Wang. "Adjustable semi-automatic wallpaper sticking machine." In 2020 5th International Conference on Mechanical, Control and Computer Engineering (ICMCCE). IEEE, 2020. http://dx.doi.org/10.1109/icmcce51767.2020.00202.

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Keranen, Kimmo, Tuomas Happonen, Noora Heinilehto, and Veli Heikkinen. "Digital Wallpaper Using Surface-Mounted LEDs." In 2020 IEEE 8th Electronics System-Integration Technology Conference (ESTC). IEEE, 2020. http://dx.doi.org/10.1109/estc48849.2020.9229663.

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Marmier, Alain, Michael A. Fu¨tterer, Kamil Tucˇek, Han de Haas, Jim C. Kuijper, and Jan Leen Kloosterman. "Revisiting the Concept of HTR Wallpaper Fuel." In Fourth International Topical Meeting on High Temperature Reactor Technology. ASMEDC, 2008. http://dx.doi.org/10.1115/htr2008-58114.

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Good safety characteristics are an outstanding feature of High Temperature Reactors (HTR): • The high graphite inventory in the core provides significant thermal inertia. Graphite also has a high thermal conductivity, which facilitates the transfer of heat to the reflector, and it can withstand high temperatures; • The strongly negative Doppler coefficient gives a negative feedback, such that the reactor shuts down by itself in overpower accidental conditions; • The high quality of fuel elements — tri-isotropic (TRISO) coated particles — minimizes operational and accidental fission gas release. The materials selected have resistance to high temperatures; • The low power density enables stabilization of core temperature significantly below the maximum allowable, even in case of severe accidents (such as loss-of-coolant accident). Together, these aspects significantly reduce the risk of massive fission product release, which is one of the attractive features of HTRs. The fuel that is currently used in pebble bed reactors such as AVR, HTR-10 and soon PBMR is based on a homogeneous distribution of coated particles within a fuel pebble. This homogenizes power density in the pebble, but creates a radial temperature gradient across the fuel sphere. Fuel particles placed at its centre has the highest temperature. Reducing the average temperature of particles would help preserve their integrity and maintain the resistance of the first barrier against fission product release. As early as the 1970s, attempts were made to reduce the peak fuel temperature by means of so-called “wallpaper fuel”, in which the fuel is arranged in a spherical shell within a pebble. At that time, the production process was not sufficiently mature and had caused unacceptable damage to the (less performing) BISO particles, which is why this fundamentally promising concept was abandoned. In this paper, proposals will be put forward to improve the production process. This paper further exploits the wallpaper concept, not only from the point of view of temperature reduction, but also for enhanced neutronic performance through improved neutron economy, resulting in reduced fissile material and/or enrichment needs or providing the potential to achieve higher burn-up. Parameters modified were the density of the central fuel-free graphite zone and the packing fraction of the fuel zone. It is demonstrated that this fuel type impacts positively on the fuel cycle, reduces production of minor actinides (MA) and improves the safety-relevant parameters of the reactor. A comparison of these characteristics with PBMR-type fuel is presented. The calculations were performed using Monte Carlo neutron transport and depletion codes MCNP/MCB and the deterministic code WIMS. By comparison with PBMR fuel, the “wallpaper design” of the fuel pebble results in an effective neutron multiplication coefficient increase (by about 2%), which is combined with a decrease of between 3 and 15% in MA production. An improved neutron economy of the heterogeneous design enables enrichment of the “wallpaper type” of fuel to be reduced by more than 6%.
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