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Journal articles on the topic 'Wallpaper'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 July 2024

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1

Kolich, Tomáš. "Haunting or Hallucination? Charlotte Perkins Gilman's ‘The Yellow Wallpaper’ and Contemporary Theories of Decorative Art and Psychiatry." Gothic Studies 22, no. 3 (November 2020): 266–84. http://dx.doi.org/10.3366/gothic.2020.0061.

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Even though Charlotte Perkins Gilman's story ‘The Yellow Wallpaper’ (1892) has received a lot of critical attention, there have been only a few attempts at the visual analysis of the wallpaper. This article approaches it as a case of the intricate pattern – an optically unpleasant and complicated ornament that can be depicted. This motif is present in gothic narratives (Poe's ‘Ligeia’, 1838), films (Robert Wise's The Haunting, 1963) as well as outside the genre. With a connection to wallpapers, it was discussed publicly during Gilman's time. This article reconstructs this discussion with examples from the contemporary interior decoration manuals, guidebooks for nursing and medical literature. The aim is to contextualize Gilman's story and to analyse the ways in which her descriptions of the wallpaper are similar to the rhetoric of the guidebooks. This context can enrich our knowledge about the period, reception of the story and possibly even about Gilman's sources of inspiration.

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2

Kohler, Peter J., Shivam Vedak, and Rick O. Gilmore. "Perceptual Similarities among Wallpaper Group Exemplars." Symmetry 14, no. 5 (April 21, 2022): 857. http://dx.doi.org/10.3390/sym14050857.

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Symmetries are abundant within the visual environment, and many animals species are sensitive to visual symmetries. Wallpaper groups constitute a class of 17 regular textures that each contain a distinct combination of the four fundamental symmetries, translation, reflection, rotation and glide reflection, and together represent the complete set of possible symmetries in two-dimensional images. Wallpapers are visually compelling and elicit responses in visual brain areas that precisely capture the symmetry content of each group in humans and other primates. Here we ask to what extent different exemplars from the same wallpaper group are perceptually similar. We used an algorithm to produce a set of well-matched exemplars from 5 of the 17 wallpaper groups and instructed participants to freely sort the exemplars from each group into as many subsets as they wished based on any criteria they saw appropriate. P1, the simplest of the 17 groups, was consistently rated more self-similar than any other group, while the other four groups, although varying in symmetry content, were comparable in self-similarity. Our results suggest that except for the most extreme case (P1), perceived self-similarity of wallpaper groups is not directly tied to categories of symmetry based on group theory.

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3

Lee, Seonhyo, Yejin Ha, and Joonho Jeon. "Experimental Study on Combustion and Fire Smoke Characteristics of Wallpapers using Smoke Density Chamber." Fire Science and Engineering 37, no. 4 (August 31, 2023): 20–28. http://dx.doi.org/10.7731/kifse.4956f04a.

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During a fire, flames can quickly spread throughout the room because the wallpaper covers the entire surface. Smoke generated from fire is a significant obstacle to evacuation. Therefore, it is essential to study the smoke characteristics of the wallpaper to ensure evacuation safety. This study used the ISO 5659-2 combustion chamber method to measure the smoke density over time with and without flame conditions using a 25 kW/m<sup>2</sup> radiation heat flux. The extinction coefficient represents the visibility in the smoke, and VOF4 shows the initial combustion smoke density characteristics. These two factors were derived from experiment results. Paper, cork, and cotton wallpapers were used as representative wallpapers. The results show that the maximum smoke density of all wallpapers was higher in the non-flame condition than in the flame condition. Under the flame condition, the maximum smoke density was measured in the order of cork, cotton, and paper. In the non-flame condition, the order was cotton, cork, and paper with the maximum smoke density. The extinction coefficient of wallpapers, except paper, exceeded 1.0 m<sup>-1</sup> in the flame condition, indicating that the smoke density provides visibility of 1-2 m under fire.

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4

Moor, Lorraine. "Wallpaper." Vernacular Architecture 50, no. 1 (January 1, 2019): 132. http://dx.doi.org/10.1080/03055477.2019.1675127.

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5

Nurhidayati, Nurhidayati, and Imam Marzuki. "Perhitungan Matematis Algoritma C4.5 Untuk Memprediksi Penjualan Wallpaper (Studi Kasus : Toko Ali Banyuanyar Probolinggo)." Jurnal Teknologi Informasi Indonesia (JTII) 5, no. 2 (November 23, 2020): 67–73. http://dx.doi.org/10.30869/jtii.v5i2.668.

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Mewarnai dinding rumah dengan wallpaper memang bisa menambah kesan indah pada suatu ruangan, sehingga ruangan terlihat lebih ekspresif. Bermacam motif, warna, dan corak wallpaper dapat dipilih. Untuk meningkatkan penjualan wallpaper, Penjual harus lebih cermat menyediakan wallpaper mana yang akan banyak peminatnya. Perlu perekomendasian jenis jenis wallpaper. Data yang diperlukan yaitu data merk wallpaper terbaik, warna, motif, kualitas bahan, ukuran, dan harga. Kemudian data tersebut diklasifikasikan. Metode yang digunakan untuk klasifikasi adalah data mining dengan algoritma C4.5. Dari proses perhitungan algoritma C4.5 akan didapatkan beberapa rule. Rule tersebut dijadikan dasar untuk memprediksi penjualan wallpaper.

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6

Morton, Timothy. "More Books about Buildings and Food." Victorian Literature and Culture 25, no. 2 (1997): 359–65. http://dx.doi.org/10.1017/s1060150300004848.

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George Eliot lamented the decoration of her and George Henry Lewes's house, for which Owen Jones, the man behind the color scheme for the Crystal Palace, designed wallpaper and chose draperies. At the beginning of his chapter on Middlemarch in Novels Behind Glass, a detailed historicist study of Thackeray, Gaskell, Dickens, Eliot and the Great Exhibition, Andrew Miller quotes Eliot's lament: “Such fringing [sic] away of precious life in thinking of carpets and tables is an affliction to me and seems like a nightmare from which I shall find it bliss to awake into my old world of care for things quite apart from upholstery” (189). In the Afterword, Miller quotes the deathbed words of Oscar Wilde, whose earnestness about his own wallpapered predicament are quite in contrast with Eliot: “My wallpaper and I are fighting a duel to the death…. One or the other of us has to go” (221).

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7

Winters, Ben. "Musical Wallpaper?" Music, Sound, and the Moving Image 6, no. 1 (April 2012): 39–54. http://dx.doi.org/10.3828/msmi.2012.5.

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8

Farmer, Brett. "Electronic Wallpaper." Cultural Studies Review 11, no. 1 (August 12, 2013): 199–202. http://dx.doi.org/10.5130/csr.v11i1.3460.

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9

Sweeney-Turner, Steve, and David Bedford. "Wallpaper Music." Musical Times 137, no. 1835 (January 1996): 44. http://dx.doi.org/10.2307/1003393.

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10

Hahn, Torsten. "›WALLPAPER ART‹." POP 2, no. 2 (September 1, 2013): 156–76. http://dx.doi.org/10.14361/pop.2013-0221.

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11

Hahn, Torsten. "›WALLPAPER ART‹." POP 3, no. 2 (September 1, 2013): 156–76. http://dx.doi.org/10.14361/pop.2013.0221.

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12

Farris, Frank A., and Rima Lanning. "Wallpaper functions." Expositiones Mathematicae 20, no. 3 (2002): 193–214. http://dx.doi.org/10.1016/s0723-0869(02)80019-6.

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13

Chaney, Beth, Sophia Cogswell, and Sarah Rutledge. "The [in]significance of New Zealand wallpaper in the 1940s." Architectural History Aotearoa 5 (October 31, 2008): 23–33. http://dx.doi.org/10.26686/aha.v5i0.6762.

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This paper draws on research into the use, imaging and recording of wallpaper in New Zealand from 1850 to 1950, conducted as part of the Martin Hill Wallpaper research project. It tests New Zealand wallpaper as an industry, a craft, and as a design activity, comparing it to other applied wall surface treatments significant to the contemporary 1940s context, aiming to contextualise the value placed on wallpaper in the modern interior. To explore the content and context of wallpaper as it was recorded in 1940s New Zealand, this paper specifically draws on the definitive contemporary exhibition; The New Zealand Centennial Exhibition, and a definitive contemporary text; DE Barry Martin's Modern Decoration & Furnishing: The Complete Guide to Planning and Buying for all interiors, as sources to provide a framework within which to locate wallpaper and its perceived significance.

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14

Liu, Shihuan, Ming Leng, and Peichang Ouyang. "The Visualization of Spherical Patterns with Symmetries of the Wallpaper Group." Complexity 2018 (2018): 1–8. http://dx.doi.org/10.1155/2018/7315695.

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By constructing invariant mappings associated with wallpaper groups, this paper presents a simple and efficient method to generate colorful wallpaper patterns. Although the constructed mappings have simple form and only two parameters, combined with the color scheme of orbit trap algorithm, such mappings can create a great variety of aesthetic wallpaper patterns. The resulting wallpaper patterns are further projected by central projection onto the sphere. This creates the interesting spherical patterns that possess infinite symmetries in a finite space.

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15

Xiao, Zuobing, Yu Zhang, Guangyong Zhu, Yunwei Niu, Ziqi Xu, and Jiancai Zhu. "Preparation of micro-encapsulated strawberry fragrance and its application in the aromatic wallpaper." Polish Journal of Chemical Technology 19, no. 1 (March 28, 2017): 89–94. http://dx.doi.org/10.1515/pjct-2017-0013.

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Abstract Micro-encapsulated strawberry fragrance was successfully prepared with wall materials including maltodextrin, sodium octenylsuccinate and gum Arabic. The micro-capsule was added to wallpaper and aromatic wallpaper with strawberry characteristics was obtained. The particle distribution, surface morphology, chemical structure, thermal property and controlled release performance of micro-encapsulated fragrance and aromatic wallpaper were investigated using laser particle size analyzer, scanning electron microscopy (SEM), Fourier transform infrared spectroscopy (FT-TR), thermal gravity analysis (TGA) and chromatography-mass spectrometer (GC-MS). The results showed that the average diameter of micro-capsule was 2 μm and the particles mainly distributed in the tissues of wallpaper. The result of TGA showed that the micro-capsule had a good stability. Meanwhile, the aromatic wallpaper had strawberry aroma more than 3 months and took on excellent controlled release performance.

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16

Muammar Rinaldi. "Pengaruh Kualitas Produk, Harga, Dan Word Of Mouth Terhadap Customer Satisfiction Pada Produk Wallpaper (UD. Elegance Interior)." Jurnal Manajemen Bisnis Eka Prasetya : Penelitian Ilmu Manajemen 6, no. 1 (March 17, 2020): 22–33. http://dx.doi.org/10.47663/jmbep.v6i1.39.

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This study aims to determine the effect of product quality, price and word of motuh to customer satisfaction on wallpaper products in UD. Elegance Interior In Medan, know the effect of product quality to customer satisfaction on wallpaper product in UD. Elegance Interior in Medan and know the influence of price and word pf mouth to customer satisfaction on wallpaper product in UD. Elegance Interior In Medan. The research methodology used is quantitative descriptive method, the unit of analysis in this research is UD wallpaper product. Sample technique used in this research is saturated sample technique obtained by 96 customer. Data analysis technique uses multiple linear regression analysis, while hypothesis testing is done by t test, F test, and determination coefficient test. The result of partial research shows that the variable of product quantity partially influence to customer satisfaction on wallpaper product in UD. Elegance Interior Medan proved from the value of tcount of 999 smaller than the value of table of 1.661. Price variables partially effect on customer satisfaction on wallpaper in UD. Elegance Interior In Medan as evidenced by the tcount of 5.668 is greater than the value of table of 1.661.

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17

Liu, Lucy, Gary P. T. Choi, and L. Mahadevan. "Wallpaper group kirigami." Proceedings of the Royal Society A: Mathematical, Physical and Engineering Sciences 477, no. 2252 (August 2021): 20210161. http://dx.doi.org/10.1098/rspa.2021.0161.

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Kirigami, the art of paper cutting, has become a paradigm for mechanical metamaterials in recent years. The basic building blocks of any kirigami structures are repetitive deployable patterns that derive inspiration from geometric art forms and simple planar tilings. Here, we complement these approaches by directly linking kirigami patterns to the symmetry associated with the set of 17 repeating patterns that fully characterize the space of periodic tilings of the plane. We start by showing how to construct deployable kirigami patterns using any of the wallpaper groups, and then design symmetry-preserving cut patterns to achieve arbitrary size changes via deployment. We further prove that different symmetry changes can be achieved by controlling the shape and connectivity of the tiles and connect these results to the underlying kirigami-based lattice structures. All together, our work provides a systematic approach for creating a broad range of kirigami-based deployable structures with any prescribed size and symmetry properties.

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18

Foerster, Jennifer. "Inheritance, and: Wallpaper." Colorado Review 43, no. 3 (2016): 124–25. http://dx.doi.org/10.1353/col.2016.0092.

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19

Campbell, Susan S. "The Wallpaper Metaphor." Journal of Family Psychotherapy 7, no. 1 (May 10, 1996): 59–61. http://dx.doi.org/10.1300/j085v07n01_07.

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20

Mukhtar, O. "The Yellow Wallpaper." BMJ 342, jan26 1 (January 26, 2011): d428. http://dx.doi.org/10.1136/bmj.d428.

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21

Lee, Sang-Sub, Chang-Hong Kim, Min-Chul Kim, and Jong-Sang Kim. "Development of a Fire-Extinguishing Wallpaper Containing Microcapsules." Fire Science and Engineering 34, no. 6 (December 31, 2020): 59–63. http://dx.doi.org/10.7731/kifse.3043adb9.

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In this study, a wallpaper with fire-extinguishing properties was developed. This wallpaper is expected to increase the evacuation time and suppress the spread of flames in case of fire. It was confirmed that the fire-extinguishing time of an ordinary wallpaper can be increased from 2 to 5 min by incorporating micro-extinguishing capsules in the general water pool. After attaching microfire-extinguishing capsules in the form of a film on the back of the wallpaper, a burning test using a torch and 45° flame retardant digestion was performed, and the thermal properties of the adhesive film were verified based on the reaction start temperature, peak point, reaction end temperature, and weight reduction rate through thermogravimetric analysis.

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22

Zainati, Dini Zainati, Helen Angelita, Lukita Ambarwati, and Eti Dwi Wiraningsih. "Pola Frieze dan Pola Kertas Dinding pada Masjid Istiqlal." JMT : Jurnal Matematika dan Terapan 6, no. 1 (February 28, 2024): 27–34. http://dx.doi.org/10.21009/jmt.6.1.4.

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The beauty of Istiqlal Mosque is reflected through its architectural design. The decorative arts that adorn this mosque are generally found in elements such as doors, windows, walls, gates, and vents, which show special patterns. Such patterns can be identified through the concept of geometric symmetry, specifically Frieze Patterns and Wallpaper Patterns. The Frieze pattern is a subgroup within a symmetry group formed through one-way translation, creating a linear pattern that repeats in one direction. There are seven types of frieze patterns, each formed through a combination of specific isometries. Along with that, there are also other geometric patterns known as wallpaper patterns. Wallpaper patterns analyze patterns based on transformations on a flat plane and have seventeen types. This study aims to explore and explain geometric patterns based on Frieze Patterns and Wallpaper Patterns contained in the decorative arts of Istiqlal Mosque. Data collection methods involve observation and documentation. The results showed that there are certain frieze patterns in the Istiqlal Mosque, such as the type . Meanwhile, the wallpaper patterns identified in the design of the Istiqlal Mosque are type pmm and pmg. It is important to note that not all designs in the decorative arts of Istiqlal Mosque can be categorized into seven frieze patterns as well as seventeen wallpaper patterns.

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23

Parjo, U. K., Norshuhaila Mohamed Sunar, Abdul Mutalib Leman, N. I. A. Ideris, Paran Gani, Q. Emparan, and Chin Ming Er. "Indoor Fungal Treatment by Using Potassium Sorbate as Bio-Resistance Coating for Different Plasterboard Wall Finishings." Applied Mechanics and Materials 773-774 (July 2015): 1116–20. http://dx.doi.org/10.4028/www.scientific.net/amm.773-774.1116.

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Good indoor environmental quality (IEQ) is desired for a healthy indoor environment. The microbial growth in indoor environments contribute into poor indoor environmental quality can cause various of health problems. Antimicrobial coatings are designed to generate a surface that is easy to clean and can also incorporate active agents, commonly called biocides, which prevent microbial colonization, the subsequent growth and bio-deterioration of the substrate. The aim for this study is to treat indoor environmental quality in buildings by reviewing the possible application of potassium sorbate used in food industry preservatives to be use as indoor antimicrobial. Plasterboard wall was used as a substrate to see the influence of different common wall finishing used such as paints and wallpapers on fungal growth. Potassium sorbate was tested against fungal isolated from affected room M146, FKAAS building. The total fungal counts in affected room was 806 cfu/m3. The ASTM D5590-00 standard was used to evalute fungal growth and potassium sorbate was effective to inhibit the amount of fungal growth on four common types of wall finishing used on plasterboard wall. As a result, the percentage reduction in growth between control and treatment sample were 10% on thin wallpaper, 15% on acrylic paint, 25% on glycerol-based paint and 60% on thick wallpaper.

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24

Jeon, Yongtae, Jungwoo Park, Jongyoung Park, and Chankyu Kang. "Fire Risk of Polyethylene (PE)-Based Foam Blocks Used as Interior Building Materials and Fire Suppression through a Simple Surface Coating: Analysis of Vulnerability, Propagation, and Flame Retardancy." Fire 6, no. 9 (September 8, 2023): 350. http://dx.doi.org/10.3390/fire6090350.

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Building fires can spread through surface combustion of both combustible and interior finishing materials. Recently, the use of foam blocks as interior materials for high-rise residential buildings has increased. However, as foam blocks are primarily composed of polyethylene, they are not flame-retardant and can readily burn and the fire can spread, leading to large-scale damage. Herein, the fire hazard and diffusion characteristics of foam blocks were compared with those of flame-retardant and general wallpapers to confirm the risk of fire. The fire risk of the foam blocks was confirmed using flammability, cone calorimetry, and spread-of-flame analyses. Based on a comparative analysis of the fire risk of foam blocks, the average total heat release was 11.2 MJ/m. This is approximately three times higher than the average heat release rate of the flame-retardant wallpaper and approximately two times higher than that of the general wallpaper. The foam blocks ignited rapidly owing to fire and generated large amounts of combustion gas and heat. To prevent such a fire, 5 wt% montmorillonite (MMT) was simply coated after surface modification to suppress the occurrence of fire. Various flame-retardant materials, surface modifications, and fire safety systems must be developed to prevent fire hazards.

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25

Козлова, Е. В. "Restoration of Leather Wallpapers from the Collection of the State Hermitage Museum." Terra artis. Art and Design, no. 1 (April 26, 2024): 40–47. http://dx.doi.org/10.53273/27128768_2024_1_40.

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В Государственном Эрмитаже хранится большая коллекция образцов кожаных обоев. Различные виды последних с серебрением, тиснением, декорированные цветными лаками и красками, были распространены в XVI–XIX вв. в Западной Европе. Сложная технология изготовления таких обоев позволяла создавать многочисленные разнообразные долговечные рельефные орнаментальные полотна с имитацией позолоты. Две полосы обоев необходимо было привести к экспозиционному состоянию перед временной выставкой. Опыт реставрации этих предметов интересен примененными способами, обнаруженными следами предыдущих реставраций и интересными фактами отхождения от традиционной технологии изготовления. The State Hermitage Museum houses a large collection of leather wallpapers. Various types of these wallpapers with silvering, embossing, decorated with coloured varnishes and paints were widespread in Western Europe from the 16th century to the 19th century. The complex technology of manufacturing of such wallpapers allowed for the creation of numerous diverse durable relief ornamental fabrics with imitation gilding. Two strips of wallpaper had to be brought to display condition before a temporary exhibition. The experience of restoring these items is interesting due to the methods used, traces of previous restorations discovered and interesting occurrences of deviation from traditional manufacturing techniques.

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26

Owens, Gwendolyn. "The Iconography of Kitchen Wallpaper in Canada." Cuizine 2, no. 1 (March 30, 2010): 0. http://dx.doi.org/10.7202/039511ar.

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Abstract Kitchen wallpaper is a relatively modern development. The types of images that we associate with kitchen wallpaper—what we now think of as “normal” or “usual” designs—tell us a lot about when it was developed in the early part of the 20th century, particularly the 1920s. Its iconography provides a key to understanding how kitchen design has evolved and how the user of the kitchen has been regarded over time. This article pays particular attention to the development and distribution of kitchen wallpaper in Canada.

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27

Logvinenko, Alexander D., and Viktor I. Belopolskii. "Convergence as a Cue for Distance." Perception 23, no. 2 (February 1994): 207–17. http://dx.doi.org/10.1068/p230207.

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Binocular eye movements were measured in subjects experiencing the wallpaper illusion. It was found that a physical displacement of the fixation point by more than 1 m out of the plane of apparent localisation of the strips had no influence on the illusory location of these strips. Hence, illusory localisation in the wallpaper illusion is independent of the actual magnitude of the subject's convergence angle, once the illusion has come into existence. This result suggests that convergence does not serve as a source of information about apparent distance, at least in the wallpaper illusion.

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28

Ramadhani, Ivo. "TACTILE DIKAITKAN DENGAN PEMBELIAN PRODUK (STUDI KASUS WALLPAPER DINDING)." PROPORSI : Jurnal Desain, Multimedia dan Industri Kreatif 2, no. 2 (May 10, 2017): 118–30. http://dx.doi.org/10.22303/proporsi.2.2.2017.118-130.

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Karya dari suatau desain interior menjadikan ragam karya agar dapat diterapkan dirumah yaitu desain yang memberikan fasilitas untuk kegiatan hidup hari-hari manusia. Dalam perancangan desian interior manusia menjadi peran penting dalam hal pemikiran desain dan dalam pembuatannya. Membuat desain interior memerlukan tahapan dan prinsip yang berorientasi pada wujud dan ukuran manusia seperti, keadaan jasmani, cara bergerak, bersikap dan tuntutan selera manusia. Dalam hal penelitian ini permasalahan yang akan diangkat adalah tentang studi kasus wallpaper dinding. Metode penelitian yang digunakan adalah deskriptif kuantitatif. Wallpaper dinding dalam pangsa pasar penjualan, merupakan salah satu produk yang banyak diminati untuk mengisi kebutuhan ruang perkantoran dan rumah disampimg memfungsikan karya seni yang dituangkan dalam sebuah dinding agar terlihat artistik. Berbagai macam desain wallpaper disuguhkan oleh penjual untuk menarik minat konsumen dan merebut pangsa pasar. Adapun jenis-jenis bahan yang digunakan wallpaper dinding adalah kain, heavy duty paper, vinyl, kertas, serat alami foil dan beludru bahan-bahan tersebut memilik tekstur yang berbeda dimasing-masing lapisan. Tekstur yang ditimbulkan dari berbagai macam bahan tersebut, akan menghubungkan indra peraba manusia dengan produk. Tactile atau segala sesuatu yang berkaitan dengan indra peraba atau sentuh, dapat dirasakan oleh semua permukaan tubuh manusia. Interaksi yang ditimbulkan antara manusia dengan produk bahan akan memunculkan pendapat terhadap produk tersebut. Pendapat yang muncul seketika akan memberikan penilaian khusus ketika konsumen memilih bahan material (studi kasus wallpaper dinding) sesuai dengan kebutuhan mereka. Pendapat tersebut akan menciptakan sebuah standar sebuah kenyamanan yang muncul dari indra peraba/sentuh. Pada akhirnya penelitian akan memperlihatkan pengaruh karakter material terhadap pilihan konsumen terhadap produk wallpaper.

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29

Edison, Master, Muhamad Filman Ghaida Firdaus, and Wahyu Tisno Atmojo. "Pembuatan Aplikasi Wallpaper Anime Dengan Menggunakan Metode Waterfall Pada Pt. N3konime." Jurnal Inovasi Informatika 5, no. 1 (March 25, 2020): 83–90. http://dx.doi.org/10.51170/jii.v5i1.37.

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Pada saat ini pengguna android sudah banyak tersebar luas khususnya di negara indonesia kita yg tercinta ini, dalam hal ini banyak developer atau programer membuat macam ragam aplikasi yang ditujukan agar mempermudah segala sesuatu dengan menggunakan aplikasi tersebut, bahkan sudah banyak ratusan ribu bahkan jutaan aplikasi yg sudah ada di playstore yang merupakan salah satu platform penyedia aplikasi di android, salah satu diantara jutaan aplikasi ada aplikasi khusus untuk mempercantik atau memperindah tampilan android. PT. N3konime merupakan perusahaan yang bergerak di bidang pendidikan dan hiburan dalam bentuk konten gambar dan video, Perusahaan ini bergerak di sosial media seperti youtube, instagram dan facebook sebagai penyedia konten tersebut, namun permasalahan muncul ketika ada seorang subscriber yang menyarankan agar PT. N3konime tidak hanya eksis di sosial media saja, maka tujuan dari penelitian ini adalah agar penulis membuat suatu aplikasi yang terhubung di platform android sebagai aplikasi penyedia wallpaper “anime” dengan menggunakan metode Waterfall, dengan aplikasi ini pengguna bisa memasang wallpaper anime sesuai yang diinginkan, selain pasang wallpaper aplikasi ini bisa upload, bagikan, bahkan menyimpan wallpaper tersebut di dalam galeri smartphone, untuk aplikasinya sendiri terhubung dengan database yang diambil dari Firebase. Dengan begitu secara langsung aplikasi terhubung dengan file wallpaper dari Firebase dan dapat dengan mudah gunakan.

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30

Mahajan, Bhushan, Deven waykar, Aditya Kadam, Vaishnavi Bhagde, and Prof S. R. Nalamwar. "Enhancing the Concept of Generative Art." International Journal for Research in Applied Science and Engineering Technology 11, no. 1 (January 31, 2023): 1586–92. http://dx.doi.org/10.22214/ijraset.2023.48877.

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Abstract: Art that was entirely or partially produced by an autonomous system is referred to as generative art. An autonomous system is typically a non-human entity that is capable of making judgments on its own about aspects of a piece of art that would otherwise require direct input from the artist. We have created a GUI which lists the applications which are based on the concept of generative art. Our GUI contains applications like random password generation, abstract artworks, map generation, wallpaper generation. Password generator will provide randomly generated passwords which would be derived from the images created using image generation algorithms/scripts such as EPWT and python’s in-built random function which uses algorithms like mersenne twister, a pseudo-random number generator. This application aims to provide usefulness for old hashing algorithms which are getting obsolete day by day. Abstract artwork generator will generate random images for stimulating creativity of artists, designers, architectural and marketing firms for getting started on a new project. This generator uses general complex functions which contain scripts for different shapes and combinations. This approach is able to generate some innovative solutions and demonstrates the power of computational approach. A layout of the area with the requested coordinates and different constraints will be provided through map generating model. Wallpaper generation model will generate aesthetically pleasing wallpapers with adjustable features.

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Irmayani, Sabaruddin, and Rahma Melati Amir. "IDEOLOGY IN CHARLOTTE PERKINS GILMAN’S SHORT STORY “THE YELLOW WALLPAPER” BY USING GENETIC STRUCTURALISM APPROACH." JLE: Journal of Literate of English Education Study Program 2, no. 01 (July 28, 2021): 34–44. http://dx.doi.org/10.47435/jle.v2i01.631.

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Abstract The purpose of this paper is to analyse the Ideology in Charlotte Perkins Gilman’s Short story “The Yellow Wallpaper “by using genetic structuralism approach. This research used descriptive method. The primary data is Charlotte Perkin Gilman’s work or short story “The Yellow Wallpaper” published and printed in 1995 by Penguin books. The secondary data is reference, which has relation to do the topic of the research. Then, the data is collected and analyzed by using genetic structuralism approach which is focus of the analysis of intrinsic and extrinsic aspect. Extrinsic aspect involves Gilman’s biography as well as social contexts as reference to constitute certain ideology adopted by Gilman and Intrinsic aspect focused on plot, character and setting of “the yellow wallpaper.” The result shows that the homologous of Gilman’s ideology and “The Yellow wallpaper” is related to feminist ideology. Her social and personality background revealed that she is a feminist activist. Gilman propose how the women tries to free from patriarchy system is by using rational imagination. The main character of “The Yellow Wallpaper” is a woman; a new mother who suffer from post-partum depression. She is able to see that most of women are hide behind the domestic pattern. The result shows that a woman who got an oppression and subordination by patriarchy system tends to have mental disorder and depression.

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de la Garza, Sarah Amira. "Amatl: behind the wallpaper." Communication and Critical/Cultural Studies 18, no. 3 (July 3, 2021): 287–92. http://dx.doi.org/10.1080/14791420.2021.1953701.

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Ware, Syrus Marcus. "Activist Wallpaper Series 7." Art Journal 80, no. 4 (October 2, 2021): 91–99. http://dx.doi.org/10.1080/00043249.2021.1947709.

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Delashmit, Margaret, and Charles Long. "Gilman's the Yellow Wallpaper." Explicator 50, no. 1 (October 1991): 32–33. http://dx.doi.org/10.1080/00144940.1991.9938702.

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McKee, S. P., P. Verghese, A. Ma-Wyatt, and Y. Petrov. "The wallpaper illusion revisited." Journal of Vision 4, no. 8 (August 1, 2004): 592. http://dx.doi.org/10.1167/4.8.592.

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McKee, Suzanne P., Preeti Verghese, Anna Ma-Wyatt, and Yury Petrov. "The wallpaper illusion explained." Journal of Vision 7, no. 14 (December 11, 2007): 10. http://dx.doi.org/10.1167/7.14.10.

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Oakley, Ann. "Beyond the yellow wallpaper." Reproductive Health Matters 5, no. 10 (January 1997): 29–39. http://dx.doi.org/10.1016/s0968-8080(97)90083-5.

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Salah Shaalan, Ban. "The Sick Heroine in Charlotte Perkins Gilman’s The yellow Wallpaper." ALUSTATH JOURNAL FOR HUMAN AND SOCIAL SCIENCES 59, no. 2 (June 15, 2020): 1–10. http://dx.doi.org/10.36473/ujhss.v59i2.1089.

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This study attempts to put Charlotte Perkins Gilman‘s The yellow wallpaper in the context of contemporary theory of Sandra M. Gilbert and Susan Gubar’s psycho-feminist scholarship The Madwoman in the Attic: The Women Writers and the Nineteenth-Century Literary Imagination (2000). The two critics focus on the image of the imprisoned mad women in the attic like Bertha Mason, the mentally ill wife of Mr. Edward Rochester, in Charlotte Bronte’s Jane Eyre (1847). The image of the sick woman forced into domestic confinement of colors, shapes and wallpapers in an entire seclusion continued right into the twentieth century into the literary product of some of the women writers. According to Gilbert and Gubar, some of those women Victorian writers tried to give voice to those women descending into sickness and mental diseases throughout their endeavor to oppress their awareness of the inner creative power which comes as a part of their desire to accept the limited social role they are trapped in.

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Vigodchikova, I. Y., and L. S. Vereschagina. "Analysis and Range Planning of the Wallpaper Industry." Izvestiya of Saratov University. Economics. Management. Law 11, no. 1 (2011): 54–59. http://dx.doi.org/10.18500/1994-2540-2011-11-1-54-59.

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In this article the author studies the analysis and range planning methodology for the wallpaper industry. There are worked out the methodological recommendations on analysis and range planning of the wallpaper enterprise, based on the positions of ABC‑ and XYZ‑analysis methods, linear programming, the theory of «the optimal investment portfolio» by G. Markovitz, etc.

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Voronych, Oleksandra, Sergiy Kurta, Volodymyr Starchevskyy, and Sofiya Fedorchenko. "Technology of Recycling, Properties and Use of Polyvinylchloride-Coated Paper Waste." Chemistry & Chemical Technology 10, no. 2 (June 15, 2016): 219–26. http://dx.doi.org/10.23939/chcht10.02.219.

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The technology of recycling of polymer-coated paper waste is described. Physical and chemical properties of fibers obtained from wallpaper wastes and from their derivative compositions were investigated. A special crusher with primary and secondary grinding stages and with a section for separating paper fibers from polymer coating was designed. Industrial trials of cellulose obtained from wallpaper wastes for the asbestos cement sheets manufacturing were held. Its impact on the quality and physical and mechanical properties of sheets was shown. Methods of thermogravimetry, microscopy, and differential thermal, infrared spectral and chemical analysis were applied to investigate cellulose fibers derived from recycled wallpaper. Their properties were compared to the ordinary cellulose and polyvinylacetate fibers, which are used in the production of asbestos cement sheets.

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Wieder, Benjamin J., Barry Bradlyn, Zhijun Wang, Jennifer Cano, Youngkuk Kim, Hyeong-Seok D. Kim, Andrew M. Rappe, C. L. Kane, and B. Andrei Bernevig. "Wallpaper fermions and the nonsymmorphic Dirac insulator." Science 361, no. 6399 (July 19, 2018): 246–51. http://dx.doi.org/10.1126/science.aan2802.

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Materials whose gapless surface states are protected by crystal symmetries include mirror topological crystalline insulators and nonsymmorphic hourglass insulators. There exists only a very limited set of possible surface crystal symmetries, captured by the 17 “wallpaper groups.” Here we show that a consideration of symmetry-allowed band degeneracies in the wallpaper groups can be used to understand previously described topological crystalline insulators and to predict phenomenologically distinct examples. In particular, the two wallpaper groups with multiple glide lines, pgg and p4g, allow for a topological insulating phase whose surface spectrum consists of only a single, fourfold-degenerate, true Dirac fermion, representing an exception to a symmetry-enhanced fermion-doubling theorem. We theoretically predict the presence of this phase in Sr2Pb3 in space group 127 (P4/mbm).

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Vakhromeeva, O. B. "BREAKTHROUGH IN WALLPAPER: PAVLUKHINSKY PRODUCTION OF PAPER AND OTHER WALLPAPERS IN PRE-REVOLUTIONARY RUSSIA." Вестник Санкт-Петербургского государственного университета технологии и дизайна. Серия 2: Искусствоведение. Филологические науки, no. 2 (2021): 104–12. http://dx.doi.org/10.46418/2079-8202_2021_2_17.

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Kim, Taehyeong, Heeseok Jeong, Suji Park, and Gyungmin Kim. "Anti-mold Activity of Vanillin and o-Vanillin for the Production of Anti-mold Wallpaper." Korean Science Education Society for the Gifted 15, no. 1 (April 30, 2023): 122–35. http://dx.doi.org/10.29306/jseg.2023.15.1.122.

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Molds are toxic and harmful to the human body. In this study, we intended to produce anti-mold wallpaper using easily obtained substances. First, four strains were separated and identified from actual moldy wallpaper. Next, Vanillin and o-Vanillin were both selected as anti-mold substances due to the fact that they were confirmed to have growth-inhibitory effects on the four identified strains. For all the strains, the growth inhibitory effect of o-Vanillin was higher than Vanillin. It was verified that the higher the treatment concentration of Vanillin and o-Vanillin, the higher the ROS production in all fungi, which means the anti-mold activity of Vanillin and o-Vanillin is related to the increase in ROS production. Vanillin and o-Vanillin were smeared on the wallpaper to confirm this anti-mold effect. Mold growth was suppressed in the wallpaper treated with Vanillin of 0.05M or more and o-Vanillin of 0.01M or more, but at concentrations below that, the growth of the mold did not differ significantly from the control group. The cytotoxicity of Vanillin and o-Vanillin was directly proportional to the concentration of the treated candidate substances, and the cytotoxicity of o-Vanillin was higher than that of Vanillin. Therefore, it would be appropriate to apply Vanillin of 0.05M or less for the use of anti-mold wallpaper. Based on its stronger anti-mold activity when compared to anti-mold drugs on the market, Vanillin can be used in a wide variety of places, including anti-mold sprays and paints.

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Aprianto, Teguh. "Desain Meja Dan Kursi Kerja Pengeleman Wallpaper Untuk Mengurangi Keluhan Kelelahan Muskuluskeletal." Sistemik : Jurnal Ilmiah Nasional Bidang Ilmu Teknik 7, no. 1 (July 9, 2019): 5–9. http://dx.doi.org/10.53580/sistemik.v7i1.5.

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Abstrak Pekerjaan pengeleman wallpaper dilakukan selama 8 jam per hari. Pekerja bekerja dengan kondisi kerja membungkuk dikarenakan tidak tersedianya sarana dan prasarana yang baik. Salah satu faktor keberhasilan pekerjaan adalah tersedianya sarana dan prasana yang baik. Apabila sarana dan prasarana kerja tidak memenuhi standar kerja yang baik maka akan menimbulkan keluhan muskuluskeletal, meningkatkan beban kerja dan menurunkan produktivitas kerja. Hasil wawancara dengan pekerja pengeleman wallpaper, diperoleh informasi bahwa pekerja sering mengalami keluhan kesakitan setelah bekerja. Keluhan rasa sakit disebabkan oleh sarana dan prasana kerja yang belum ergonomis. Berdasarkan hasil wawancara dengan pekerja yang berjumlah 2 orang atau 100% merasa sakit pada bahu kanan, punggung, pinggang, pergelangan tangan kiri, pergelangan tangan kanan, pergelangan kaki kirim pergelangan kaki kanan, kaki kiri dan kaki kanan., 1 orang atau 50% merasa sakit pada tangan kiri, tangan kanan, paha kiri dan kanan, betis kiri dan kanan. Maka itu perlu dilakukan perbaikan kerja yaitu dengan mendesain meja dan kursi kerja pengeleman wallpaper untuk mengurangi keluhan kelelahan muskuluskeletal. Dimensi desain meja mempunyai panjang 160,82 cm, lebar 58,33 cm, dan tinggi meja 57,76 cm. Dimensi desain kursi mempunyai tinggi sandaran 51,79 cm, lebar sandaran 51,6 cm, panjang tempat duduk 37,15 cm dan tinggi dudukan kursi 38,8 cm. Kata kunci : Ergonomi, Desain, Muskuluskeletal, Wallpaper Abstract The work of the wallpaper is done for 8 hours per day. Workers work with the working conditions of bending due to the unavailability of good facilities and infrastructures. One of the success factors of the job is the availability of good tools and infrastructure. If the facilities and infrastructures do not meet the good working standards it will pose muskuluskeletal complaints, increase the workload and reduce the productivity of the work. The results of interviews with wallpaper-glueing workers, obtained information that workers often experience pain complaints after work. Pain complaints are caused by an unergonomic means and work infrastructure. Based on the results of interviews with employees of 2 people or 100% feel pain on the right shoulder, back, waist, left wrist, right wrist, ankle send right ankle, left leg and right foot., 1 person Or 50% feel pain in left hand, right hand, left and right thighs, calf left and right. Then it is necessary to repair the work by designing the table and working chair of the wallpaper glueing to reduce the complaint of muskuluskeletal fatigue. The table design dimensions have a length of 160.82 cm, width of 58.33 cm, and a table height of 57.76 cm. The dimensions of the seat design have a backup height of 51.79 cm, width of rest 51.6 cm, seating length 37.15 cm and height seats 38.8 cm.. Keywords : Ergonomic, Design, Musculoskeletal, Wallpaper.

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吴, 涵. "After Breaking through the Wallpaper —Dual Narrative Progression in Gilman’s “The Yellow Wallpaper”." World Literature Studies 11, no. 04 (2023): 243–50. http://dx.doi.org/10.12677/wls.2023.114043.

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Rodríguez, José-Víctor, Mats Gustafsson, José-María Molina-García-Pardo, Leandro Juan-Llácer, and Ignacio Rodríguez-Rodríguez. "Frequency-Selective Wallpaper for Indoor Interference Reduction and MIMO Capacity Improvement." Symmetry 12, no. 5 (May 1, 2020): 695. http://dx.doi.org/10.3390/sym12050695.

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This paper presents the design and features of frequency-selective wallpaper—based on periodic and symmetric metallic hexagons—intended to be attached to standard walls for filtering out 5 GHz signals (e.g., IEEE 802.11a systems) without blocking other selected radio communication services (e.g., cellular mobile communication signals). It analyzes the characteristics of the radio channel—as found within standard indoor environments—with both regular walls and walls with the proposed frequency-selective wallpaper, examined using a ray-launching program for single-input single-output (SISO) and multiple-input multiple-output (MIMO) systems. This allows the harvesting of parameters, including channel capacity, power delay profile, and signal-to-interference ratio, for proper comparison between the two environments under study: with and without the presented wallpaper. The achieved results clearly show that the use of the proposed frequency-selective wallpaper in an indoor scenario reduces interference levels by an additional attenuation of up to 20 dB in comparison to an unpapered wall. Additionally, with MIMO systems, radio channel characteristics, such as capacity, are improved due to the increase in the magnitude of all singular values of the channel transfer matrix compared to the unpapered wall case, thereby leading to the existence of more relevant subchannels.

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Smith, Angela. "The Parrot Wallpaper in ‘Prelude’." Katherine Mansfield Studies 4, no. 1 (September 2012): 126–27. http://dx.doi.org/10.3366/kms.2012.0037.

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Van Suylen, Maud, Idelette Van Leeuwen, Dafne Diamante, and Femke Coevert. "From Wallpaper to Moving Panorama." Rijksmuseum Bulletin 70, no. 2 (June 7, 2022): 100–125. http://dx.doi.org/10.52476/trb.12234.

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During the preparations for the Rijksmuseum depot’s move to its new location, Collectie Centrum Nederland (CCNL) in 2018, a hand-painted scenic landscape on paper that is 2,309 centimetres long and 180 centimetres high came to light. Together with five broadly similar, but shorter pieces, the group of objects was briefly described on a museum inventory card in 1962 as six rolls of wallpaper. After extensive research and conservation, it now appears that four of these are in fact fragments of a moving panorama. More specifically, they have been identified as surviving parts of what was known as the Reuzen-Cyclorama (Giant Cyclorama) or Cyclorama Reichardt, named after its German owner, Ferdinand Reichardt (b. 1813). This particular moving panorama, originally measuring an astounding one and a half kilometres, was an extraordinary phenomenon that is documented as having travelled through the Netherlands, Belgium and Great Britain between 1853 and 1855. It was shown to the public, rolled between two wooden poles and accompanied by music or storytelling, in order to give people an experience of travelling the regions of Tyrol, Switzerland and Italy. The article will follow the interdisciplinary quest undertaken by curators and conservators that led to the compelling new understanding of the purpose of these long-forgotten lengthy paper landscapes in the Rijksmuseum’s collection.

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McCann, Colum. "A Basket Full of Wallpaper." Grand Street, no. 53 (1995): 125. http://dx.doi.org/10.2307/25007892.

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LABOURIAU, ISABEL S., and ELIANA M. PINHO. "Symmetries of projected wallpaper patterns." Mathematical Proceedings of the Cambridge Philosophical Society 141, no. 03 (November 2006): 421. http://dx.doi.org/10.1017/s0305004106009534.

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