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Dissertations / Theses on the topic 'Walls paintings'

Author: Grafiati

Published: 2 June 2025

Last updated: 31 July 2025

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1

Guerry, Emily Davenport. "The wall paintings of the Sainte-Chapelle." Thesis, University of Cambridge, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.608270.

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Kristoff, Donna. "Wall works : painting as record and revelation /." Online version of thesis, 1992. http://hdl.handle.net/1850/11746.

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Kirkham, Andrea. "Sixteenth- and seventeenth-century secular wall paintings in Suffolk." Thesis, University of East Anglia, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.533732.

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Tamm, John A. "Argentum potorium in Romano-Campanian wall-painting /." *McMaster only, 2001.

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Bellingham, David Charles. "Sympotic scenes in Romano-Campanian wall-painting." Thesis, University of Manchester, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.525923.

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Howard, Helen Catherine. "The pigments of English medieval wall painting." Thesis, Courtauld Institute of Art (University of London), 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.369503.

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Balmuth, Sara. "Raman analysis of a Maya wall painting." Master's thesis, Universidade de Évora, 2020. http://hdl.handle.net/10174/29038.

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Ek’ Balam is a Maya archaeological site located in Yucatán, Mexico. Due to its considerable size, the quality of its monumental architecture, and its substantial epigraphic record, archaeologists believe that it was a powerful regional polity throughout the Late and Terminal Classic period. As part of restoration projects conducted in the early 2000s, Vandenabeele et al. (2005a) employed Raman spectroscopy using a traditional benchtop spectrometer as well as an early portable Raman spectrometer to analyze thirty-three samples of a wall painting from Room 23 of the Ek’ Balam Acropolis. In the p

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Grimaldi, Dulce Maria. "Painting techniques and deterioration due to air pollution of the wall paintings of the Aztecs at the Great Temple of Tenochtitlan, in Mexico City." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape2/PQDD_0015/MQ52991.pdf.

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9

Miller, Lucy. "Egyptian imagery on Roman walls: The Relationship between Roman and Egyptian Elements in the First-century CE Roman Wall Painting Isiac Ritual Worship from Herculaneum." Thesis, University of Oregon, 2018. http://hdl.handle.net/1794/23785.

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Incorporating Egyptian imagery in a Roman medium, Isiac Ritual Worship is a remarkable example of first-century CE Roman wall painting. Discovered in Herculaneum, it illustrates a ritual to the Egyptian goddess Isis. Discussions of Isiac Ritual Worship in modern scholarship position the wall painting as evidence of Isiac ritual practice in Roman Italy without conducting a close visual analysis and examining its combined use of Roman and Egyptian imagery. Therefore, in this thesis, I ask two pressing questions: How does Roman and Egyptian imagery coalesce in Isiac Ritual Worship? And why are th

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Baird, Kathryn. "Secular wall painting in the sixteenth and seventeenth centuries." Thesis, University of Oxford, 2003. http://ora.ox.ac.uk/objects/uuid:bcc25824-3997-43ce-91d1-a58331519d68.

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Wall paintings survive in many houses dating from the late sixteenth and early seventeenth centuries yet, apart from recording the phenomenon, there has been very little written about them. This research explores how common wall paintings were, what sort of houses had them, when they were painted and most importantly, what was their significance in terms of what they can reveal about the lives of the people who chose to decorate their homes in this manner. Research has concentrated on the Welsh Marches although examples from elsewhere have been referred to. The research hypotheses are: <ul><li

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Reiss, Athene. "The Sunday Christ : Sabbatarianism in English medieval wall painting /." Oxford : Archaeopress, 2000. http://catalogue.bnf.fr/ark:/12148/cb371977705.

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D'Angelo, Tiziana. "Painting Death with the Colors of Life: Funerary Wall Painting in South Italy (IV-II BCE)." Thesis, Harvard University, 2013. http://dissertations.umi.com/gsas.harvard:10920.

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This dissertation examines the cultural, political, and artistic role of polychrome wall painting from funerary contexts in South Italy during the critical period that spans the crisis of Greek hegemony and the consolidation of Roman power. Numerous painted tombs were built between the late fifth and the early second centuries BCE for local as well as Greek elite groups across Southern Italy. I investigate the ways in which the wall paintings, with their colors, iconographies, and technical features were both the expression of indigenous cultures and local artistic trends, and a part of a wide

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Şerifaki, Kerem Böke Hasan. "Conservation problems of historic wall paintings of taxiarhis church in cunda, ayvalık/." [s.l.]: [s.n.], 2005. http://library.iyte.edu.tr/tezler/master/mimarirestorasyon/T000393.pdf.

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MARTINELLI, Cinzia. "Analysis of Roman wall paintings and pottery from Urbs Salvia (MC, Italy)." Doctoral thesis, Università degli Studi di Camerino, 2013. http://hdl.handle.net/11581/401687.

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This research project is focused on the characterization of ceramic materials and pigments from wall paintings coming from the archaeological site of the Roman city of Urbs Salvia (Macerata, Marche region, Italy). This is the first archaeometrical study obtained for the archaeological materials coming from Urbs Salvia. The archaeometrical analyses consist in the application of physical, chemical, petrographical and mineralogical methods (mainly Scanning Electron Microscopy-Energy Dispersive Spectroscopy, X-Ray Diffraction, Energy Dispersive Spectroscopy whit Mapping Analysis, optical microscop

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SASANI, Anahita. "Material and Technical Analysis of Armenian Wall Paintings in New Julfa, Isfahan." Doctoral thesis, Università degli studi di Ferrara, 2015. http://hdl.handle.net/11392/2389079.

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The 17th century is the time of new changes in Iranian relationship with the West and especially European countries. In that era, Armenian merchants, were one of the main channels for bringing European art styles, in particular, paintings to Iranian culture. Although many of such paintings and art works deteriorated during the last century due to the waves of modernization in Iran, some of them are preserved in Armenian churches and houses in New Julfa of Isfahan. Reliable historical sources refer to some Armenian buildings in New Julfa which decorated with both oriental and European art work

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Wheeler, Sandra. "Anchoring time : an ethnographic study of public responses to Elizabeth Margot Wall's paintings /." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape8/PQDD_0005/MQ42459.pdf.

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EGAN, EMILY CATHERINE. "The Stylistic Relationship Between Wall Painting and Vase Painting at the Palace at Knossos During the Neo- and Final Palatial Periods." University of Cincinnati / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1213729817.

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Pridgeon, Eleanor Elizabeth. "Saint Christopher wall paintings in English and Welsh churches, c.1250-c.1500." Thesis, University of Leicester, 2010. http://hdl.handle.net/2381/7964.

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This thesis is a comprehensive reassessment of the role of Saint Christopher wall paintings in English (and Welsh) churches. Although the study focuses primarily on parish churches (where the majority of mural paintings survive), it also considers cathedrals, abbeys and other medieval buildings where such imagery is extant or documented. Welsh churches are also examined where appropriate, though there are only a few surviving Saint Christopher images in this geographical area. The investigation spans the period from the emergence of Saint Christopher representations in illumination (c.1250), t

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Sawdy, Alison Mary. "The kinetics of salt weathering of porous materials : stone monuments and wall paintings." Thesis, University College London (University of London), 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.271674.

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The aim of this research is to improve ways of reducing the damage caused by salts to cultural property. A specific focus of attention is the use of environmental control as a passive measure. Environmental control attempts to specify optimum ranges of relative humidity (RH) and temperature (T), to control salt phase transitions. To undertake environmental control a range of suitable climatic conditions are selected on the basis of thermodynamic calculations. These calculations are used to determine a range of RH and T in which salt phase transitions are minimised, and require very accurate an

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Ribeiro, Elinor C. "Beyond ritual : the social context of the Theran frescoes." Thesis, University of Reading, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.269598.

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Gill, Miriam Clare. "Late medieval wall painting in England : content and context (c1330-c1530)." Thesis, Courtauld Institute of Art (University of London), 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.246809.

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22

Meyers, Julia Isabell. "Prehistoric Wall Decoration in the American Southwest: A Behavioral Approach." Diss., The University of Arizona, 2007. http://hdl.handle.net/10150/194060.

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Major social and demographic changes occurred during the Pueblo IV Period (AD 1300-1600) in the American Southwest. Small scattered communities aggregated into large settlement centers with more complex social organization during this period. Mural paintings created at this time are dramatically different stylistically from murals created before the social and demographic shift. At Homol'ovi in northeastern Arizona, these mural changes were accompanied by changes in plastering behaviors, including the development of distinct pigment use patterns.The hypothesis of the present study is that the

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Prokos, Petros. "Salt weathering in the coastal environment : the deterioration of wall paintings at Delos, Greece." Thesis, University College London (University of London), 2005. http://discovery.ucl.ac.uk/1445018/.

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Salt weathering, apart from being an important geomorphologic agent, comprises a major hazard for both modern and heritage structures. Although its action is witnessed globally, it is particularly aggressive in coastal environments. The coastline attracted in antiquity a considerable part of human activity that has left valuable built traces. Conservation research is frequently called upon to define sustainability in this aggressive context. Wall paintings comprise an integral part of the built heritage. The particular importance of wall paintings and finishing layers derives from their unique

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Estrella, Rachel Joy Tancioco. "Lessons from the wall muralism and the art of empowerment /." Diss., Restricted to subscribing institutions, 2007. http://proquest.umi.com/pqdweb?did=1324368911&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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Nichols, Marden Fitzpatrick. "Vitruvius and the rhetoric of display : wall painting, domestic architecture and Roman self-fashioning." Thesis, University of Cambridge, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.611534.

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Mason, Gale Joanna. "Aggregate: An exhibition -and- Event, Sensation and Figurative Painting: An exegesis." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2021. https://ro.ecu.edu.au/theses/2495.

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This practice-led doctoral research has emerged out of dedicated figurative painting practice and interweaves Gilles Deleuze’s Sensation and Slavoj Žižek’s Event concepts. The Event is understood as a philosophical system and not a particular occurrence. As with Sensation, it is framed as an unseen destabilising force or rupture that can only be experienced through its effects. Utilising the heuristic value of oil paint’s materiality and examining approaches of capturing the idea of Evental rupture, emphasis was given to colour theory, art history, facture and the construction of figurative pa

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西山, 要一, and Yoichi NISHIYAMA. "The conservation project of underground tomb with wall painting in Burj al Shamali, Tyre, Lebanon." 名古屋大学年代測定資料研究センター, 2012. http://hdl.handle.net/2237/18142.

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Pender, Robyn. "The behaviour of moisture in the porous support materials of wall paintings and investigation of some environmental parameters." Thesis, Courtauld Institute of Art (University of London), 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.251649.

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Kozub, Waldemar. "Mural – a contemporary architectural detail." Thesis, Київський національний університет технологій та дизайну, 2018. https://er.knutd.edu.ua/handle/123456789/10571.

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Modern cities architecture has become the basic street art medium, primarily regarding graffiti and mural. The themes and forms of murals, which are designed independently of architects, constitute visual interference in the architectural space of the city. Murals should be related both contextually and formally to the place in which they are created, so as to enrich the surrounding space in terms of esthetic and ideological values. The author is trying to illustrate the phenomenon painting of murals as contemporary architectural details on the example of selected architectural objects from Gd

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Hirschbichler, Monika. "Monuments of a syncretic society wall painting in the Latin lordship of Athens, Greece (1204-1311) /." College Park, Md. : University of Maryland, 2005. http://hdl.handle.net/1903/3134.

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Thesis (Ph. D.) -- University of Maryland, College Park, 2005.<br>Thesis research directed by: Art History and Archaeology. Title from t.p. of PDF. Includes bibliographical references. Published by UMI Dissertation Services, Ann Arbor, Mich. Also available in paper.

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Laurita, Cecilia. "Revitalising a historic knowledge resource: an archaeometric investigation of the Mora wall painting Sample Collection (ICCROM)." Master's thesis, Universidade de Évora, 2018. http://hdl.handle.net/10174/30159.

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This master's thesis focuses on the archaeometric investigation of the Mora wall painting Sample Collection, held at the International Centre for the Study of the Preservation and Restoration of Cultural Property (ICCROM), in Rome, Italy. The collection itself is considered as a unique resource for understanding ancient wall painting technologies. The overall aim of this study was to explore its potential value through the analytical investigation of samples and through the research of contextual information within the ICCROM's Archives. The selected multi-analytical methodology consisted main

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Cooper, Tarnya. "Memento mori portraiture : painting, Protestant culture and the patronage of middle elites in England and Wales 1540-1630." Thesis, University of Sussex, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.366099.

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Marchiori, Maria Laura. "San Vincenzo al Volturno and the use of ornamental borders in Romanesque wall painting in central Italy." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2001. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp05/MQ62557.pdf.

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Mai, Katia. "Paintings of the future : photography in the digital age with particular reference to Andreas Gursky, Jeff Wall and their contemporaries." Thesis, University of Sussex, 2013. http://sro.sussex.ac.uk/id/eprint/45259/.

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The thesis investigates the oeuvre of Andreas Gursky, Jeff Wall and their contemporaries. It aims to provide an art-historical assessment, including the conceptual and philosophical context, complemented by an investigation of the production process of their photographs. One central focus is how the use of digital techniques and advanced printing technologies has affected their photographs. The thesis provides a traditional descriptive investigation and comparison of the artworks discussed; in addition, it relates these photographs to other art genres and thereby offers broader connections to

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Loon, Gertrud J. M. van. "The gate of heaven wall paintings with Old Testament scenes in the altar room and the h̲ūrus of Coptic churches /." Istanbul : Leiden : Nederlands Historisch-Archaeologisch Instituut te Instanbul [sic] ; Nederlands Instituut voor het Nabije Oosten, distributor, 1999. http://catalog.hathitrust.org/api/volumes/oclc/43423978.html.

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Holzworth, Rebecca Joy. "The Apse Murals in San Agustin de Acolman: Augustinian Friars as the Foundation of the Roman Church in Sixteenth-Century New Spain." Thesis, The University of Arizona, 2007. http://hdl.handle.net/10150/193471.

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This thesis considers the apse murals in the sixteenth-century Augustinian mission church of San Agustin de Acolman. These murals feature three horizontal rows of enthroned popes, bishops, cardinals, and friars. I connect these murals to contemporary conflicts between the regular and secular clergy in the New Spanish church, arguing that the Augustinians at Acolman used their apse to hierarchically position themselves within the New Spanish church.The figures in these murals will be identified as an allegory of the Roman Church. Comparisons will be drawn between the murals and the Sistine

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Smith, Sandra A. "Uli metamorphosis of a tradition into contemporary aesthetics /." [Kent, Ohio] : Kent State University, 2010. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=kent1267478083.

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Thesis (M.A.)--Kent State University, 2010.<br>Title from PDF t.p. (viewed Apr. 28, 2010). Advisor: Fred Smith. Keywords: Uli; Igbo; Nigeria; body painting; wall painting; Nsukka; traditional women painters. Includes bibliographical references (p.101-105).

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NAKAMURA, Toshio, Ichiro SATO, Yoko TANIGUCHI та ін. "ベルリン・アジア美術館所蔵のキジル将来壁画の放射性炭素年代". 名古屋大学年代測定資料研究センター, 2012. http://hdl.handle.net/2237/18165.

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Kisiel, Marine. "La peinture impressionniste et la décoration dans les années 1870." Thesis, University of Edinburgh, 2017. http://hdl.handle.net/1842/22985.

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Throughout their careers the Impressionists demonstrated a strong, but rarely examined, interest for decoration. A careful examination of both archival material and well-known artworks produced between 1870 and 1895 shows that Pissarro, Degas, Cézanne, Monet, Renoir, Morisot and Caillebotte never ceased to explore the values of decoration and the decorative. Set in the context of the Third Republic’s passion for monumental decoration and deep interest in the decorative arts, the Impressionists’ experiments range from ceilings to ceramic tiles, and from never achieved projects to ambitious real

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Navickienė, Justina. ""SIENA"." Bachelor's thesis, Lithuanian Academic Libraries Network (LABT), 2010. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2010~D_20100902_233152-68192.

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Mano diplominis darbas pavadinimu ,, Siena“. Kiekvieną dieną žmogus nor÷damas to ar ne, atsik÷lęs ryte pirmiausia išvysta kambario sienas. Taip pat ir mieste, gamtoje, neišvengiamai matome, tvoras, pertvaras, sienas. Vienos jų naujos, ką tik pastatytos, kitos nuo amžiaus pasenusios. Savo diplominį darbą sieju su aukštomis tarsi sienos tvoromis, kuriomis aptvertos statybų teritorijos, apleisti namai. Neretai tokios sienos ,,papuoštos“ grafiti raštais ar visaip aprašin÷tos. Diplominį darbą sudaro dvi dalys: praktinis darbas ir teorinis aprašas. Praktinį darbas sudaro vienas darbas. 1620mm x 2500

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Piña, Torres Carmen Esther <1994&gt. "The wall painting in Santa Maria Assunta Basilica crypt: new insight on non-invasive analytical techniques for the analyses of traditional pigments." Master's Degree Thesis, Università Ca' Foscari Venezia, 2022. http://hdl.handle.net/10579/20892.

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Within the archaeological works in the summer of 2020, a series of wall paintings were uncovered in the Santa Maria Assunta Basilica in Torcello, including the crypt, where a blue backgrounded mural with multicolored figures on the apse and removed from the wall fragments that remained behind the altar were exposed. The preserved decoration shows 3 overlayed painting layers. A systematic cataloguing of the recovered fragments along with the use of non-invasive analytical techniques, hyperspectral imaging, Fiber Optic Reflectance Spectroscopy (FORS), Raman spectroscopy and Fourier Transform In

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Svahn, Garreau Hélène. "I originalets tjänst : Om framställandet och bevarandet av kalkmåleri i svenska kyrkorum mellan 1850 och 1980." Doctoral thesis, KTH, Arkitekturens historia och teori, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-171078.

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There are approximately 1300 completely or partially preserved medieval churches in Sweden. Many of these have remains of kalkmåleri (mural paintings at least partially created in lime) from the 12th throughout the 17th century. This dissertation discusses the enactments that formed the revival of this kalkmåleri between 1850 and 1980, with a focus on restoration and conservation. The decorative and monumental paintings that were created at the same time are also discussed. The study is divided into two sections: one concentrates on the mural paintings and the networks that made their (re-)ena

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ORIOLO, FLAVIANA. "LA PITTURA ROMANA NELLA CISALPINA ORIENTALE : CONTESTI ARCHITETTONICI E SISTEMI DECORATIVI." Doctoral thesis, Università Cattolica del Sacro Cuore, 2012. http://hdl.handle.net/10280/1411.

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Il tema del progetto di ricerca è lo studio della pittura romana nell’area della Cisalpina orientale, con particolare riferimento alle problematiche connesse alla definizione dei processi formativi e delle peculiarità delle maestranze. L’ambito geografico considerato è compreso tra Altino e Trieste: all’interno di questo comparto territoriale Aquileia e Altino hanno costituito i due ambiti privilegiati della ricerca, anche per la possibilità di condurre un’indagine rigorosa su tutto il materiale pittorico conservato presso i Musei Archeologici. L’esame autoptico condotto con un approccio metod

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ORIOLO, FLAVIANA. "LA PITTURA ROMANA NELLA CISALPINA ORIENTALE : CONTESTI ARCHITETTONICI E SISTEMI DECORATIVI." Doctoral thesis, Università Cattolica del Sacro Cuore, 2012. http://hdl.handle.net/10280/1411.

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Il tema del progetto di ricerca è lo studio della pittura romana nell’area della Cisalpina orientale, con particolare riferimento alle problematiche connesse alla definizione dei processi formativi e delle peculiarità delle maestranze. L’ambito geografico considerato è compreso tra Altino e Trieste: all’interno di questo comparto territoriale Aquileia e Altino hanno costituito i due ambiti privilegiati della ricerca, anche per la possibilità di condurre un’indagine rigorosa su tutto il materiale pittorico conservato presso i Musei Archeologici. L’esame autoptico condotto con un approccio metod

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Mulliez-Tramond, Maud. "Matière et couleur dans la peinture pariétale romaine de la fin de la République." Thesis, Paris 10, 2011. http://www.theses.fr/2011PA100018.

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L’art décoratif qui émerge à la fin de la République romaine sous la forme du trompe-l’œil architectural est fascinant par la technicité nouvellement éprouvée pour représenter un espace tridimensionnel. La perspective y est une composante majeure mais elle est assistée par d’autres innovations tout aussi essentielles. La connaissance de l’impact lumineux sur la matière et la capacité à suggérer les volumes contribuent efficacement aux exigences de la mimesis. D’autres usages picturaux restent mystérieux et leur fin se dérobe à nos regards trop jeunes de deux millénaires.La diversité et la rich

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Vauxion, Ophélie. "La peinture murale romaine en Narbonnaise et sa place dans l'architecture publique et privée : essai d'analyse des systèmes décoratifs." Thesis, Montpellier 3, 2012. http://www.theses.fr/2012MON30081.

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L’étude entreprise dans le cadre de cette thèse tente d’établir une synthèse sur l’évolution de la peinture murale romaine en Narbonnaise, sur une période chronologique allant du Ier s. av. J-C. au IIIème s. ap. J.-C. Elle s’appuie sur un catalogue recensant tous les décors connus jusqu’en 2011, soit 394 décors de parois et 29 décors de plafonds. Chaque décor fait l’objet d’une fiche synthétique qui replace chaque élément dans son contexte archéologique, avant de le décrire le plus précisément possible, en l’accompagnant des illustrations disponibles les plus pertinentes. L’analyse des décors

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He, Weiling. "Flatness transformed and otherness embodied: a study of John Hejduk's Diamond Museum and Wall House 2 across the media of painting, poetry. architectural drawing and architectural space." Diss., Georgia Institute of Technology, 2005. http://hdl.handle.net/1853/36608.

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To study architectural space in relation to other works of art, the author aims at understanding how meaning depends upon the medium within which it is formulated. More importantly, the process of re-stating a work from one medium to another requires analytically rigorous study at the level of design thinking. In this thesis, Piet Mondrian’s sixteen Diamond Compositions, George Braque’s Studio Series, and Jean Auguste Dominique Ingres’s Comptesse d'Haussonville will be studied as points of departure of John Hejduk¡’s two sets of architectural projects: the Diamond Series and the Wall House Ser

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Tsikritea, Vasiliki. "Beyond Decoration: A Social Approach to Inclusion and Exclusion of Textile Motifs from LM IA LM IIIA1 Pottery." University of Cincinnati / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1539080491763967.

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Dilaria, Simone. "Malte, calcestruzzi e intonaci dipinti in Aquileia romana. Un approccio archeometrico nello studio di miscele leganti impiegate nell'edilizia antica." Doctoral thesis, Università degli studi di Padova, 2019. http://hdl.handle.net/11577/3423189.

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Abstract:

In the present PhD thesis are reported the results of an extensive research focused on the investigation of characteristics and properties of mortar-based materials employed in Aquileia (Friuli Venezia Giulia, Northern Italy) from Roman to Early Medieval Age (II century BC VI century AD). More than 270 samples have been collected from structures and buildings spread all over of the town. The sampling activities were particularly intensive in sites currently involved in annual excavation activities, leaded by the Universities of Padova, Venice Ca' Foscari, Verona and Udine. This dataset was imp

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Bispo, Maria Teresa Freire. "O silêncio das paredes-a descoberta de Benvindo Ceia (1870-1941)." Master's thesis, Instituições portuguesas -- UL-Universidade de Lisboa -- -Faculdade de Letras, 2002. http://dited.bn.pt:80/29554.

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