Relevant bibliographies by topics / Walsh, María Elena

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Walsh, María Elena'

Author: Grafiati
Published: 25 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Walsh, María Elena"

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Bonatto, Virginia. "Fernando Copello, Marina Letourneur y Lucie Valverde (comps.), 3 poetas 3. Ensayos sobre la infancia en la obra de Juan Gelman, Alejandra Pizarnik y María Elena Walsh. Buenos Aires, Dedalus, 2020, 122 páginas." Orbis Tertius 26, no. 34 (2021): e221. http://dx.doi.org/10.24215/18517811e221.

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Dunbar, Alina. "María Elena Walsh and the Art of Subversive Children’s Literature." Bookbird: A Journal of International Children's Literature 52, no. 3 (2014): 22–30. http://dx.doi.org/10.1353/bkb.2014.0105.

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Pittau, Verónica P. "Cosmopolitismo y nación: Juguemos en el mundo de María Elena Walsh." Revista del ISM, no. 19 (December 16, 2021): 84–104. http://dx.doi.org/10.14409/rism.v0i19.11031.

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Juguemos en el mundo de María Elena Walsh fue espectáculo, dos discos, un libro, un film y un producto artístico que marcó el comienzo de su producción para adultos y fue representativo de la cultura popular cosmopolita de la argentina de finales de los sesenta. El disco consta de 12 canciones en las que convergen géneros nacionales e internacio­nales, interpretados por Walsh y un grupo que contó con arreglos de Oscar Cardozo Ocampo. Nos enfocaremos en dos canciones: Manubrio azul y El 45, que se caracterizan por su alto grado de intertextualidad. Con apoyo en los estudios sobre cultura popula
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González Barroso, M. Marcela. "Identidad e Interculturalidad en el cancionero infantil propuesto por la poetisa argentina María Elena Walsh (1930-2011)." DEDiCA Revista de Educação e Humanidades (dreh), no. 4 (March 1, 2013): 199–219. http://dx.doi.org/10.30827/dreh.v0i4.7056.

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La aportación de la poetisa e intérprete argentina María Elena Walsh (1930-2011), supone un hito en el repertorio de canciones infantiles al que se tiene acceso en Argentina y Latinoamérica. Ella se atreve a plantear, bien entrada la década de los setenta, la realidad social en metáforas sencillas y melodías originales, incorporando la idea de identidad intercultural a partir del conocimiento de la entorno y ofreciéndola a un sector de población especialmente sensible como es el de los estudiantes. Hasta entonces el cancionero infantil o estudiantil, tema que preocupó permanentemente a los mús
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Romera-Figueroa, Elia. "Las tretas de las cantautoras: la canción infantil y la musicalización de poesía escrita por mujeres." Revista Letral, no. 36 (July 16, 2025): 56–83. https://doi.org/10.30827/rl.v0i36.32448.

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La reapropiación de la canción infantil fue una de las estrategias de resistencia de las cantautoras frente a los roles de género impuestos por el franquismo. Rosa León reivindicó el género como canción protesta en los 70, tras interpretar en RTVE temas de María Elena Walsh. La poeta argentina diluía la dicotomía entre lo infantil y lo adulto, un empeño compartido por Julia León y Elisa Serna, quien convirtió una “canción de cuna” en un homenaje a la activista Lola González Ruiz. Otras cantautoras, como María Manuela, movilizaron en discos infantiles a poetas como Rosalía de Castro para reivin
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FOSTER, DAVID WILLIAM. "Ilse Adriana Luraschi and Kay Sibbald, "María Elena Walsh o 'el desafío de la limitación'" (Book Review)." Bulletin of Hispanic Studies 72, no. 1 (1995): 144. http://dx.doi.org/10.3828/bhs.72.1.144.

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Giammatteo, Mabel. "Te acordás, herman@: épocas, miradas y contextos." Cuadernos de Literatura, no. 19 (November 29, 2022): 104. http://dx.doi.org/10.30972/clt.0196212.

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<p><span>En este artículo me propongo contrastar Tiempos Viejos, el tango que Manuel Romero escrib</span><span style="color: #000000;"><span>e en</span><span> 1926 y al que </span><span>Francisco Canaro le pone música,</span><span> con </span><span>El 45, un tan</span></span><span>go de vanguardia que, en la década del 60, María Elena Walsh compone para su espectáculo Juguemos en el mundo. Ambos comparten parcialmente el famoso verso “Te acordás, hermano...”, con la diferencia de que en El 45, Walsh
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8

Romero, Mariela. "Translating and Creating New Discourses for Children in Argentina: Explorations around the Enunciator’s Communicative Image in the Writings of María Elena Walsh and Elsa Bornemann." International Research in Children's Literature 17, no. 1 (2024): 52–65. http://dx.doi.org/10.3366/ircl.2024.0545.

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This article aims to explore the construction of a common enunciative identity in a set of paratexts belonging to a corpus of works that contain texts translated by María Elena Walsh and Elsa Bornemann, namely La nube traicionera (published by Sudamericana in 1989) and Antología del cuento infantil (published by Editorial Latina in 1977). From a methodological framework that considers situations of enunciation and communication, as proposed by Maingueneau, I will attempt to demonstrate that the discursive manifestations found in this corpus reinforce author-translators’ positioning as part of
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9

Schwartz, Marcy. "The Right to Imagine: Reading in Community with People and Stories / Gente y Cuentos." PMLA/Publications of the Modern Language Association of America 126, no. 3 (2011): 746–52. http://dx.doi.org/10.1632/pmla.2011.126.3.746.

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In Córdoba, Argentina, a library of books once banned by the military junta's censors (1976–83) now resides at a center called the Espacio para la Memoria (“Space for Memory”). The site, where prisoners were once held and tortured, houses workshops inviting schoolchildren to think about this terrifying period in their history. Under the junta, even children's books were banned, and after reading a few of these titles with the children who visit the center, the workshop leaders ask them why they think the books were prohibited. One of the reasons the censors gave for prohibition was that these
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Cintrão, Heloísa Pezza. "Sobre a capacidade de análise lingüística e literária como componentes da competência do tradutor." Tradterm 11 (April 18, 2005): 71. http://dx.doi.org/10.11606/issn.2317-9511.tradterm.2005.49678.

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A discussão de dois problemas de tradução do espanhol ao português servirão de base para refletir sobre como e por que uma formação que favoreça a capacidade de análise lingüística e literária pareceria ter contribuições importantes a dar para compor a competência leitora de um tradutor profissional e, portanto, pareceria ser parte desejável da formação profissional do tradutor. Os passos e os critérios que auxiliariam na resolução dos problemas analisados parecem indicar que a formação específica do letrado pode ser decisiva para a resolução de problemas e a tomada de decisões na tradução, po
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Dissertations / Theses on the topic "Walsh, María Elena"

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Abbondanza, Giulia. "Traduzione di quattro brani musicali di María Elena Walsh e doppiaggio dei corrispettivi video animati." Bachelor's thesis, Alma Mater Studiorum - Università di Bologna, 2017. http://amslaurea.unibo.it/14185/.

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ABSTRACT L’elaborato presenta la traduzione di quattro brani musicali per l’infanzia, di María Elena Walsh, e il doppiaggio dei corrispettivi video animati creati dal canale YouTube, PakaPaka. È diviso in cinque parti dove solo le prime due sono un’introduzione teorica sulla traduzione di canzoni e video animati per bambini. La terza parte presenta la figura della cantautrice argentina, un personaggio importante per il proprio paese sia per la letteratura infantile che per la politica mentre invece la quarta, si focalizza sull’analisi dei suoi quattro brani musicali. La quinta e sesta parte
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Gaultier, Maud. "La littérature enfantine en Argentine des années soixante à nos jours : une analyse littéraire des "cuentos"." Aix-Marseille 1, 2002. http://www.theses.fr/2002AIX10040.

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Nous établissons un panorama représentatif de la littérature pour enfants en Argentine, à partir d'un "corpus" de base constitué par les oeuvres de Maria Elena Walsh, Laura Devetach, Garciela Montes et Elsa Bornemann, Gustavo Roldán, Ema Wolf, Silvia Schujer, Ricardo Mariño, et Horacio Clemente. Nous privilégions l'étude du "cuento", la forme la plus représentée au sein de la littérature enfantine argentine. Après avoir retracé l'évolution des livres pour enfants en Argentine, nous faisons une analyse synchronique des oeuvres intégrant notre "corpus" : il s'agit de mener une étude strictement
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Martignano, Maria Chiara. "Sovversione, censura e “disparate” nell’opera di María Elena Walsh: analisi e traduzione di Desventuras en el País-Jardín-de-Infantes e Twist del Mono Liso." Master's thesis, Alma Mater Studiorum - Università di Bologna, 2021.

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Il presente elaborato ha lo scopo di proporre un’analisi storica, politica e sociale della letteratura dell’autrice per bambini, giornalista e poetessa argentina María Elena Walsh, soffermandosi sulla componente nonsensica e sovversiva della sua opera tramite l’analisi e la traduzione dell’articolo di giornale Desventuras en el País-Jardín-de-Infantes e del testo poetico per bambini Twist del Mono Liso. L’elaborato è composto da cinque capitoli: il primo di essi presenta la traiettoria artistico-letteraria di Walsh, narrandone brevemente le vicende personali e come queste si siano intrecciate
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Books on the topic "Walsh, María Elena"

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Copello, Fernando, Marina Letouneur, and Lucie Valverde. 3 poetas 3: Ensayos sobre la infancia en la obra de Juan Gelman, Alejandra Pizarnik y María Elena Walsh. Le Mans Université, 2020.

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2

Favaro, Alice. Después de la caída del ‘ángel’. Edizioni Ca' Foscari, 2020. http://dx.doi.org/10.30687/978-88-6969-416-5.

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Ángel Bonomini was born in Buenos Aires in 1929 where he lived until his death at the age of sixty-four in 1994. He worked for various newspapers and magazines as an art critic and translator, but always maintaining his literary activity. He inherited the tradition of the Argentine fantastic and was a prolific writer: his production includes essays, poems and fantastic tales.Although he lived in a period of great cultural splendor and his literary talent was recognised by authors such as Borges and Bioy Casares, he fell into an unexplained oblivion, disappearing quite early from the contempora
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María Elena Walsh, una voz inolvidable. Luvina, 2021.

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4

Como la cigarra: Biografía de María Elena Walsh. Emecé, 2011.

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5

a la Madre - Poemas Elegidos Por Maria Elena Walsh. Ediciones Colihue, 2000.

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6

Textura del Disparate: Estudio Critico de la Obra Infantil de Maria Elena Walsh. Lugar Editorial, 2004.

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7

Maria Elena Walsh Albúm para órgano Electrónico: Partituras Originales para Teclado de Esta Gran Autora de Música para Niños. Independently Published, 2020.

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Book chapters on the topic "Walsh, María Elena"

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Herrscher, Roberto. "Two Roads Against CensorshipThe Diverging J'accuse Letters of Rodolfo Walsh and María Elena Walsh and Their Influence on Current Argentine Cronistas." In The Routledge Companion to World Literary Journalism. Routledge, 2022. http://dx.doi.org/10.4324/9780429331923-34.

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Barroso, Mirta Marcela González. "María Elena Walsh en Madrid (1974):." In En, desde y hacia las américas . Músicas y migraciones transoceánicas. Dykinson, 2021. http://dx.doi.org/10.2307/j.ctv282jfwp.33.

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You might also be interested in the extended bibliographies on the topic 'Walsh, María Elena' for particular source types:
Journal articles
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