Relevant bibliographies by topics / Walton, William

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Walton, William'

Author: Grafiati
Published: 4 June 2021
Last updated: 8 February 2022

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Journal articles on the topic "Walton, William"

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Adams, Byron. "The Selected Letters of William Walton, and: William Walton: The Romantic Loner (review)." Notes 59, no. 4 (2003): 896–97. http://dx.doi.org/10.1353/not.2003.0046.

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Clark, Walter Aaron, and Stewart Craggs. "William Walton: A Source Book." Notes 51, no. 1 (1994): 153. http://dx.doi.org/10.2307/899210.

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Born, G. "Kenneth Walter William Henry Walton." BMJ 338, feb03 1 (2009): b356. http://dx.doi.org/10.1136/bmj.b356.

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Mullens, Bradley A., Alec C. Gerry, and Major S. Dhillon. "William E. Walton 1956–2020." Journal of the American Mosquito Control Association 36, no. 4 (2020): 278–80. http://dx.doi.org/10.2987/8756-971x-36.4.278.

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Frogley, A. "Review: William Walton: Muse of Fire." Music and Letters 83, no. 3 (2002): 499–501. http://dx.doi.org/10.1093/ml/83.3.499.

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Everett, William A. "William Walton: Music and Literature (review)." Notes 57, no. 1 (2000): 150–51. http://dx.doi.org/10.1353/not.2000.0021.

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Frogley, A. "Review: The Selected Letters of William Walton." Music and Letters 84, no. 2 (2003): 327–29. http://dx.doi.org/10.1093/ml/84.2.327-a.

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Frogley, A. "Review: William Walton: The Romantic Loner--A Centenary Portrait Album." Music and Letters 84, no. 2 (2003): 327–29. http://dx.doi.org/10.1093/ml/84.2.327.

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Verburgt, Lukas M. "A letter of Robert Leslie Ellis to William Walton on probability." BSHM Bulletin: Journal of the British Society for the History of Mathematics 33, no. 2 (2018): 96–108. http://dx.doi.org/10.1080/17498430.2018.1437244.

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Frogley, A. "Review of book. William Walton: Music and Literature. SR Craggs [ed]." Music and Letters 82, no. 4 (2001): 676–77. http://dx.doi.org/10.1093/ml/82.4.676.

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Dissertations / Theses on the topic "Walton, William"

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Håkansson, David. "Tre bagateller av William Walton : Allegro, Lento och Alla Cubana ur ”Five Bagatelles for Guitar”." Thesis, Kungl. Musikhögskolan, Institutionen för klassisk musik, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-1837.

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I detta konstnärliga arbete förklarar jag min instuderingsprocess och går igenom olika tekniska aspekter i ”Five Bagatelles for guitar” av W. Walton. I inledningen försöker jag ge en övergripande bakgrundshistoria till min relation med musik och speciellt gitarr. Jag behandlar också erfarenheter med personer jag har mött som påverkat mig i min musikaliska inriktning. Efter det skriver jag om Sir William Walton och vilken typ av kompositör och människa han var, för att förstå musiken känns det naturligt att veta vem han var. Sedan följer en övergripande formanalys med text och notexempel, där jag med text förklarar de musikaliska motiven samt behandlar diverse tekniska svårigheter jag stött på under instuderingens gång.<br>In this artistic work I’ll explain my process of rehearsing and going through various technical aspects of the "Five Bagatelles for Guitar" by W. Walton. In the introduction I’ll try to give a comprehensive history of my relationship with music, especially guitar. I will also discuss experiences with people I have met who influenced me in my musical direction. After that I’ll write about Sir William Walton and what kind of composer and man he was, it feels natural to know who he was to understand the way he composed. Then follows an overall shape analysis with text and view sample, where I with the help of text explain the musical motifs and discuss various technical difficulties I encountered during the time of rehearsal.<br><p>Bilaga: 1 CD.</p><p>Repertoar:</p><p>Histoire du Tangoav Astor Piazolla-I Bordell 1900-II Cafe 1930</p><p>Five bagatalles for guitarav William Walton-I Allegro-II Lento-III Alla Cubana</p><p>Sonata, Omaggio a Boccheriniav Mario Castelnuovo-Tedesco</p><p>-I Allegro con spirito-II Andantino, quasi canzone-III Tempo di minuetto</p><p>Medverkande musiker: </p><p>David Håkansson Gitarr, Alexander Rydberg Violin</p>
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Silveira, Filho Fernando Gonçalves Dutra da. "Uma análise da digitação grafada nas Five Bagatelles de William Walton." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2004. http://hdl.handle.net/10183/3993.

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Lasansky, Enrique Leon. "William Walton's "Facade: An Entertainment"." Diss., The University of Arizona, 1991. http://hdl.handle.net/10150/185446.

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Facade: An Entertainment is a composition for six instrumentalists and reciter based on Edith Sitwell's "Facade" poems. While much has been written regarding this composition in general terms, relatively little has been said concerning the relationship between the poetry and the music. The purpose of this study is to examine this relationship and to provide a more in-depth analysis of the music than has previously been published. Several works that may have influenced Walton in the composition of Facade: An Entertainment and Facade II will also be examined.
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Byde, Michael Geoffrey John. "The later orchestral works of William Walton : a critical and analytical re-evaluation." Thesis, University of Leeds, 2008. http://etheses.whiterose.ac.uk/1579/.

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Although the British twentieth-century composer William Walton enJoys a continuing presence in the international canon, the body of scholarship that seriously engages with his life and work is small. The post-war music, which includes the Cello Concerto (1956), Second Symphony (1961), Variations on a Theme of Hindemith (1963), Improvisations on an Impromptu of Benjamin Britten (1969), and the film score for Battle of Britain (1969), has been particularly underrepresented in critical and analytical writing. In this thesis, I give detailed analyses of these scores, alongside an investigation of the contemporary critical climate and reception history of these works. I argue that the series of significant lifestyle changes that Walton underwent in the years immediately following the Second World War - including exchanging the busy musical life of London and a series of affairs with high-profile figures for the 'dolce far niente' of an isolated Italian island and a stable marriage - are suggestive of a broad shift in the composer's social and cultural values with consequent changes in musical attitudes and compositional tendencies. Walton's later music is differentiated from the pre-war works by the presence of octatonic, twelve-note, hexatonic and other non-diatonic harmonic constructions in the foreground, and a change from teleological to network-based or rotational background structures. My analyses adopt a deliberately eclectic range of analytical strategies, combining aspects of set-class approaches alongside tools from the tonal tradition. This methodological pluralism reflects my argument that the vitality of these scores derives from a tension between modernist and traditional tendencies. I argue that Walton appropriates a wide range of influences, including to some extent that of the European avant garde, in contradistinction to the assertion prominent in contemporary reception literature that his music had stagnated into a single outmoded and rarefied style. I conclude that although Walton's post-war music was indeed conservative in comparison to that of several of his younger contemporaries, his music engages, through opposition and assimilation, with many of the most characteristic trends of twentieth-century concert music. Nevertheless, I argue that the temptation to label Walton as a 'modernist' should be avoided; his works should be judged on their own terms and not according to the regressive--progressive axis prominent in much of the contemporary reception literature. These scores may not have been progressive, but they have a distinctive sound-world and an invigorating vitality that makes them exceptionally engaging both as works of art and objects of study.
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Betancourt, Cindy Alyce. "William Walton's viola concerto : a methodology of study." Virtual Press, 1997. http://liblink.bsu.edu/uhtbin/catkey/1063302.

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This study provides a resource for performers preparing Walton's Viola Concerto. It is intended to provide information regarding history, technical and musical obstacles, and common alterations to the viola part. The study begins with a historical overview of the work, including information about the composer and the composition. A review of the existing literature examines sources for parallel information and similar studies.The development of a methodology of study is based on the examination of nine excerpts from the Concerto. These excerpts represent technical and musical challenges found in the Concerto. Each example is accompanied by an excerpt from a study or etude that closely reflects the same technical musical challenges. These excerpts are provided as possible technical enhancement studies that, when practiced prior to or in conjunction with the study of the Concerto, provide the methodology of study with the means to actually address the technical demands of the Concerto.Included in the study are the opinions of professional violists, solicited for this study by means of a survey. The survey group is identified, and their opinions on the previously identified technical passages are presented. Compilations of survey responses, along with additional comments and suggestions, are provided in conjunction with the corresponding excerpts.The final portion of this study examines the alterations most frequently made to the viola part. These so-called "William Primrose alterations" are presented with the suggestions and recommendations of the survey respondents. Various aspects of performance practice are examined, and the study offers several conclusions on this subject.Survey participants agreed that performance of the Concerto is a task of considerable difficulty. Regardless of the performer or the performance venue, great technical, musical, and intellectual skill and energy is required. This study provides historical information that all performers should acquire, as well as a methodology of study. It includes performance and practice suggestions from several prominent violists. This methodology of study serves as a resource for violists who undertake to perform what is one of the most significant works in the viola repertoire.<br>School of Music
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Elliott, Clare Frances. "William Blake's American legacy : transcendentalism and visionary poetics in Ralph Waldo Emerson and Walt Whitman." Thesis, University of Glasgow, 2009. http://theses.gla.ac.uk/753/.

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This thesis examines William Blake's American legacy by identifying a precise American interest in Blake that can be dated from Ralph Waldo Emerson's early reading of Songs of Innocence and Experience in 1842. Chapter one will show that the New England Transcendentalists - primarily Emerson, but also Elizabeth Peabody and readers of the transcendentalis publication The Harbinger - were reading Blake's Poetical Sketchse in the 1840's. This American interest in Blake's poetry will be presented against a background of British neglect of the English poet until after 1863 and the publication of Alexander Gilchrist's Life of William Blake. Chapter one provides details of Emerson's reading of Blake. According to Walter Harding, Emerson owned a copy of Blake's Songs of Innocence and Experience. This was given to him by Elizabeth Peabody in 1842, is inscribed 'R.W. Emerson from his friend E.P.P.', and has notes throughout in Emerson's hand. Indeed, a diary entry of Henry Crabb Robinson (1848) refers to discussions between himself, Emerson and James John Garth Wilkinson about Blake. Drawing on the Transcendentalists' reading of Blake's poetry, chapter two will read Emerson's essay in light of his interest in the English poet. Some critical attention has been given elsewhere to Blakean passages in Emerson's essays, but it has been fleeting. Richard Gravil is the critic who makes the most effort to record Emerson's interest in Blake, but does so sporadically and mainly as a footnote to a larger point about transatlantic Romanticism more generally. Richard O'Keefe's 1995 study, Mythic Archetypes in Ralph Waldo Emerson claims that Emerson was not reading Blake until after 1863; this thesis will challenge that assumption. Chapter two also examines Emerson's later essays and offers a new reading of Society and Solitude (1870) and Letters and Social Aims (1875) by placing these collections alongside a consideration of Blake's prophetic poems, Poetical sketches (1783) and Songs of Innocence and Experience (1794). Chapter three will then show that, in 1868, a transatlantic discussion about the affinities between Whitman's and Blake's poetry emerged simultaneously. Algernon Charles Swinburne opened the discussion in Britain with the publication of his study William Blake, which ended with a long proclamation on the merits of the American poet, Walt Whitman, whose Blakean affinities Swinburne identified as being worthy of critical attention. That same year, in the United States, John Swinton, editor of the New York Times, was reading Blake's poetry aloud at social gatherings and passing off Blake's poems as Whitman's work to audiences familiar with Leaves of Grass. These discussion concerning the similarities between Blake's and Whitman's poetry dwindled into a critical silence in the twentieth and twenty-first centuries, but are reopened here in the form of a transatlantic discussion of Whitman's Leaves of Grass. This thesis queries why a readership of Blake's poetry should have featured so ealry in New England when the British appetite for it was not whetted until after the Gilchrist revival in 1863. My argument suggests that by reading Blake, Emerson and Whitman together, new readings of each of them can profitably be made. By exploring the Blakean affinities in Emerson and Whitman, their visionary qualities - like those found in Blake's prophetic works - become freshly apparent. It will also be argued that something distinctly American can be discerned in Blake's poetry. This original approach to Emerson and Whitman challenges their critically ingrained reputation as writers of America individualism by reinstating them as the heirs to Blake's American legacy.
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Grün, Simone. "The religious, social and political thought of William Walwyn 1600-1681." Thesis, University of Warwick, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.484487.

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Arabi, Durkawi Ayah. "Nature and place in the poems of William Wordsworth and Walter Scott." Thesis, University of Newcastle upon Tyne, 2014. http://hdl.handle.net/10443/2578.

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This thesis originates in the lack of studies comparing poetry by William Wordsworth (1770–1850) and Walter Scott (1771–1832). Living in the north of Britain, the two writers not only knew each other’s works, but also enjoyed a friendship spanning three decades. My study places together texts by the two writers which invite comparison and showcase their attitudes toward issues pertinent to their lives and society. A driving principle behind my thesis is the role nature and the poets’ native regions–the Lake District and the Scottish Borders–play in their poetry. With the exception of ‘Yarrow Revisited’ my project covers poems composed up to 1814. The Introduction compares the education and early writing of the two poets, outlines the thematic and theoretical concerns of the thesis, and gives brief accounts of relevant historical contexts. Four chapters explore Wordsworth’s and Scott’s approaches to the self, its representation and examination, and to society, its problems and inevitable evolution. The first considers Wordsworth’s The Prelude (1805) and ‘Tintern Abbey,’ and Scott’s Memoir and the epistles to Marmion. It traces the influence the two writers attribute to nature in their own development as revealed in their autobiographical writings. The second chapter tackles Scott’s Lay of the Last Minstrel, reading it as an invitation to society to look on the past for warnings and examples of how to best withstand today’s challenges. The third studies the social themes in Wordsworth’s The Excursion and ‘Michael,’ placing a particular emphasis on the portrayal of Grasmere as an ideal community. The fourth and final chapter brings the two men-of-letters together in a reading of Scott’s role, and that of the ballad tradition, in Wordsworth’s Yarrow poems. It is followed by a short Conclusion.
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Slaymaker-Jones, Lois. "Dylanwad gwaith Waldo Williams a'r ymateb iddo er 1971." Thesis, Swansea University, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.678532.

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Moores, Donald J. "Mystical discourse as ideological resistance in Wordsworth and Whitman : a transatlantic bridge /." View online ; access limited to URI, 2003. http://0-wwwlib.umi.com.helin.uri.edu/dissertations/dlnow/3103714.

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Books on the topic "Walton, William"

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William Walton: A catalogue. Oxford University Press, 1990.

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Walton, Susana. William Walton: Behind the façade. Oxford University Press, 1989.

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Walton, Susana. William Walton: Behind the façade. Oxford University Press, 1988.

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William Walton: Behind the façade. Oxford University Press, 1988.

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Craggs, Stewart R. William Walton: A source book. Scolar Press, 1993.

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Smith, Carolyn J. William Walton: A bio-bibliography. Greenwood Press, 1988.

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Walton, Susana. William Walton: Behind the façade. Oxford University Press, 1988.

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William Walton: Behind the façade. Oxford University Press, 1989.

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Michael, Kennedy. Portrait of Walton. Clarendon Press, 1998.

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Michael, Kennedy. Portrait of Walton. Oxford University Press, 1989.

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Book chapters on the topic "Walton, William"

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Barrett, Louise. "William Grey Walter." In The Palgrave Encyclopedia of the Possible. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-319-98390-5_4-1.

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Orel, Harold. "Walter Savage Landor (1775–1864)." In William Wordsworth. Palgrave Macmillan UK, 2005. http://dx.doi.org/10.1057/9780230501904_12.

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Orel, Harold. "Sir Walter Scott (1771–1832)." In William Wordsworth. Palgrave Macmillan UK, 2005. http://dx.doi.org/10.1057/9780230501904_8.

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Orel, Harold. "Ralph Waldo Emerson (1803–82)." In William Wordsworth. Palgrave Macmillan UK, 2005. http://dx.doi.org/10.1057/9780230501904_18.

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Chríost, Diarmait Mac Giolla. "Waldo Williams Dail Pren (1956)." In Welsh Writing, Political Action and Incarceration. Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137372277_5.

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Kingstone, Helen. "History as a Temporal Continuum: From Walter Scott to William Stubbs." In Victorian Narratives of the Recent Past. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-49550-7_2.

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"William Walton." In Masterworks of 20th-Century Music. Routledge, 2013. http://dx.doi.org/10.4324/9780203616949-29.

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"WILLIAM WALTON." In The Classical Music Lover's Companion to Orchestral Music. Yale University Press, 2018. http://dx.doi.org/10.2307/j.ctv9b2wqr.68.

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"WALTON, SIR WILLIAM." In Music in the 20th Century (3 Vol Set). Routledge, 2016. http://dx.doi.org/10.4324/9781315702254-492.

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"EDA LOU WALTON, review, 'Nation', March 1938." In William Carlos Williams. Routledge, 2013. http://dx.doi.org/10.4324/9781315005966-49.

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Conference papers on the topic "Walton, William"

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"William G. Dunbar award [awarded to Lawrence Walko]." In Conference Record of the Twenty-Fifth International Power Modulator Symposium and 2002 High-Voltage Workshop. International Power Modulator Conference. IEEE, 2002. http://dx.doi.org/10.1109/modsym.2002.1189418.

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Chen, Chih-Hung, and Chih-Yu Chen. "From City-like Settlement to Industrial City: A Case of Urban Transformation in Huwei Township." In 24th ISUF 2017 - City and Territory in the Globalization Age. Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/isuf2017.2017.5923.

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From City-like Settlement to Industrial City: A Case of Urban Transformation in Huwei Township. Chih-Hung Chen¹, Chih-Yu Chen¹ ¹ Department of Urban Planning, National Cheng Kung University No.1, University Rd., East Dist., Tainan City 70101, Taiwan ROC E-mail: chihhungchen@mail.ncku.edu.tw Keywords (3-5): Industrial City, City-like Settlement, Morphological Process, Town-Plan Analysis, Sugar Refinery Conference topics and scale: City transformations City-like Settlement (German: Teilweise Stadtähnliche Siedlungen) (Schwarz, 1989; Sorre, 1952) plays an important role in the course of civilization, especially the development of industrial cities. Accordingly, this study utilizes Town-Plan Analysis (Conzen, 1960) to deconstruct the relationships between industrialization and settlement formation in order to illustrate the common origin of cities in Taiwan as a result of the emerging economy at the turn of the 20th century. The industrial city of Huwei, known as the “sugar city” with largest yields of cane sugar in Taiwan, had the largest-scale sugar refinery in pre-war East Asia (Williams, 1980). The city has grown and transformed with the factory during the four phases of morphological periods, which began at the establishment of the sugar refinery and worker housing in the middle of the fertile flooding plain in western Taiwan. The spatial arrangement was directed to operational and management efficiency, characterized by the simple grids and hierarchy of layout along the riverside. As the industry enlarged, the new urban core was planned to support the original settlement with shophouses accumulated in the small grids. Followed by postwar modernism (Schinz, 1989), the urban planning again extended the city boundary with larger and polygonal blocks. In the fourth phase, however, the sugar refinery downsized, leading to the conversion of the worker housing and the merging of the factory and the city that slowly brought to its present shape. The morphological process results in the concentric structure from the sugar refinery, providing valuable references for the preservation of the sugar industry townscape, and unveils the influence of industrialization as well as the special urban development pattern in Taiwan. References (100 words) Conzen, M. R. G. (1960) Alnwick, Northumberland: A Study in Town-Plan Analysis, 2nd edition (1969), (Institute of British Geographers, London). Schinz, A. (1989) Cities in China (Gebrüder Borntraeger, Berlin and Stuugart). Schwarz, G. (1959) Allgemeine Siedlungsgeographie (Walter de Gruyter, Berlin). Sorre, M. (1952) Les Fondements de la géographie humaine (Reliure inconnue, Paris). Williams, J. F. (1980) Sugar: the sweetener in Taiwan’s development. In Ronald, G. K. (ed.), China’s island frontier. Studies in the historical geography of Taiwan, pp. 219-251. (University of Hawaii Press and the Research Corporation of the University of Hawaii, Honolulu)
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