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1

Andō, Natsumi. Let's dance a waltz. Kodansha America, Incorporated, 2015.

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2

Andō, Natsumi. Let's dance a waltz. Kodansha America, Incorporated, 2015.

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3

Andō, Natsumi. Let's dance a waltz. Kodansha America, Incorporated, 2015.

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4

Willis, Christopher R. Leading competition figures for the waltz and foxtrot. 2nd ed. Willis, 1992.

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5

Korhonen, Joonas. Social choreography of the Viennese waltz: The transfer and reception of the dance in Vienna and Europe, 1780-1825. Academia Scientiarum Fennica, 2014.

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6

Moore, Alex. Ballroom dancing: With 100 diagrams of the quickstep, waltz, foxtrot, tango, etc. A. & C. Black, 2002.

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7

Kathleen, Baldwin, and Copyright Paperback Collection (Library of Congress), eds. Waltz with a Rogue: The Highwayman Came Waltzing; The Rebel and the Rogue; Dance With Me. Kensington Pub. Corp., 2005.

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8

Bottomer, Paul. Let's dance: Learn to swing, jitterbug, rumba, tango, line dance, lambada, cha-cha, waltz, two-step, foxtrot and salsa with style, grace and ease. Black Dog & Leventhal, 1998.

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9

Pozo, Cal. Let's dance: The complete book and DVD of ballroom dance instruction for weddings, parties, fitness, and fun : dance like a star in minutes, including the basics for the foxtrot, waltz, swing, salsa, merengue, and line dances. Hatherleigh Press, 2007.

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10

Bottomer, Paul. Let's dance: Learn to swing, jitterbug, rumba, tango, line dance, lambada, cha-cha, waltz, two-step, foxtrot and salsa with style, grace and ease. Black Dog & Leventhal, 1998.

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11

Maas, Georg. Walzerfilme und Filmwalzer: Geschichte und Rezeption des Walzers und des Walzertanzens im Film. Schüren, 2021.

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12

1948-, Holland Linda, ed. The curious waltz of the working woman: Finding your personal rhythm in the dance between family, work, and friends. Regal Books, 1990.

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13

1936-, Weber Ernst, and Österreichisches Volksliedwerk, eds. Weana Tanz: (Wiener Tänze). Böhlau, 2010.

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14

ill, Cardona José, ed. Walt Disney's Snow White and the seven dwarfs dance and sing. Western Pub. Co., 1994.

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15

Anderson, Christopher Alan. Waltz - the Dance of Life. First Edition Design Publishing, 2012.

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16

Ambrose, Bierce. Dance of Death. Independently Published, 2019.

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17

Rollin, Catherine. Eiffel Tower Waltz: Sheet. Alfred Publishing Company, Incorporated, 2020.

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18

Stansfield, Anita. Timeless Waltz. Covenant, 2005.

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19

Betty White Practice Dance Music: Waltz. Conversa-Phone Inst, 1998.

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20

Betty White Practice Dance Music: Waltz. Conversa-Phone Inst, 1998.

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21

Lucas, Alanna. When We Dance: A Waltz with Destiny. Sebastiani Press, 2022.

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22

Betty White Learn to Dance Set: Waltz. Conversa-Phone Inst, 1998.

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23

Michal Chelbin: How to Dance the Waltz. Damiani, 2021.

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24

Zbikowski, Lawrence M. Music and Dance. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190653637.003.0005.

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This chapter provides an introduction to and analyses of relationships between music and dance in two dance practices from Western Europe: the first from early eighteenth-century France, the second from early nineteenth-century Vienna. The chapter introduces French dance notation and shows how it facilitates an analysis of the steps and music for a bourrée. The analysis offers insights into the musical grammar of the bourrée and the contribution that dance practice made to the construction of social relations in the court of Louis XIV. The second dance practice is that of the waltz, which had
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25

Sasha Waltz: Installations, Objects, Performances. Hatje Cantz Verlag GmbH & Co KG, 2014.

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26

Hood, Danielle, ed. Viennese Waltz. The Rowman & Littlefield Publishing Group, 2022. https://doi.org/10.5040/9781978732315.

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Satiricized by Strauss II to highlight the deceptive aristocratic class, under Schoenberg, Mahler, and Webern’s pens the waltz became the pivot between the conscious and unconscious, forcing a paralytic “second state” analogous with the stagnation of the Habsburg Empire. The Viennese Waltz shows how, between 1864 – 1928, the waltz altered from signifier of upper-class artificeto the link between man and nature and between Viennese and “Other.” Hood wields the Freudian concepts of the uncanny and the doppelgänger to explain this revolution from the simple signification of a dance to the psychol
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27

The Dance of Death (The/Principle Works of Ambrose Gwinett Bierce). Reprint Services Corporation, 1989.

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28

Corpo, danza, creazione: Sasha Waltz & Guests. Mimesis, 2018.

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29

Bottomer, Paul. Waltz: Complete step-by-step instruction to the most romantic of social dances (Dance Club Series). Southwater Publishing, 2003.

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30

Betty White Presents How to Waltz: The Newest-Fastest-Easiest Way to Learn to Dance the Waltz. Conversa-Phone Inst, 1998.

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31

Waltzing: A Manual for Dancing and Living. Nick Enge, 2013.

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32

Waltzing: A Manual for Dancing and Living. Redowa Press, 2013.

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33

Publishing, Notebook. Eat Sleep Waltz Dance Repeat: Or Personal Use for Men, Women and Kids Cute Gift for Waltz Dance Lovers. 6 X 9 - 120 Pages. Independently Published, 2020.

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34

Pozo, Cal. Let's Dance! Weddings and Parties: Master Any Dance in Minutes--Including the Basics for the Foxtrot, Waltz, Swing, Salsa, Merengue, and Line Dances (Let's Dance). Hatherleigh Press, 2007.

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35

Bottomer, Paul. Dance Class: How to Waltz, Quick Step, Foxtrot, Tango, Samba, Salsa, Merengue, Lambada, and Line Dance, Step-By-Step. Southwater Publishing, 2000.

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36

Bottomer, Paul. Dance Class: How to Waltz, Quick Step, Foxtrot, Tango, Samba, Salsa, Merengue, Lambada, and Line Dance, Step-by-step. Hermes House, 2006.

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37

Waltzing: A Manual for Dancing and Living. Redowa Press, 2013.

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38

Driver, Ian. A Century of Dance: A Hundred Years of Musical Movement, from Waltz to Hip Hop. Cooper Square Press, 2001.

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39

Bosse, Joanna. Interlude. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039010.003.0010.

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In this interlude, the author reflects on her experience of dancing the last waltz of the evening with Leo, a retired physician who also happens to be her neighbor. She describes Leo as one of her favorite partners in ballroom dance. He has a somewhat unique, syncretic salsa dance style. As he and the author were dancing the last waltz of the night, David played a vocal number. She sang along, and Leo didn't seem to mind. The author claims that while dancing with Leo, she experienced a pleasurable moment of just disappearing, as is often the case when she smooth dances with him. She was awaken
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40

Bottomer, Paul. Let's Dance: Learn to Swing, Foxtrot, Rumba, Tango, Line Dance, Lambada, Cha-Cha, Waltz, Two-Step, Jitterbug and Salsa With Style, Elegance and Ease. Black Dog & Leventhal Publishers, 1998.

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41

Driver, Ian. Un Siglo De Baile / A Century of Dance: Cien Anos De Movimiento Al Son De La Musica / A Hundred Years of Musical Movement, from Waltz to Hip-Hop. Milagrosa, 2002.

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42

Decorum of the minuet, delirium of the waltz: A study of dance-music relations in 3/4 time. Indiana University Press, 2012.

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43

McKee, Eric J. Decorum of the Minuet, Delirium of the Waltz: A Study of Dance-Music Relations in 3/4 Time. Indiana University Press, 2011.

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44

Gilchrist Hadyk, Sabrina. The Waltzing Body in Victorian Literature. Oxford University PressOxford, 2025. https://doi.org/10.1093/9780198932550.001.0001.

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Abstract The Waltzing Body in Victorian Literature: Narratives of Sexuality and Power traces the evolution of the waltz from a taboo dance in the early nineteenth century to a gracefully nostalgic practice that must be preserved by century’s end (and even into the twenty-first century). While it references eighteenth-century authors to frame the waltz’s initial reception in England, the book focuses primarily on Victorian authors who shape how and why this dance was paradoxically viewed as elegant, effeminate, and sterile. The book’s chapters explore female sexuality and the concept of choice
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45

Hines, James R. Skating with a Partner. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039065.003.0007.

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This chapter discusses the development of pair skating. Skating with a partner of the opposite sex in which there is physical contact had its real beginning in England, bastion of combined skating. However, it was in the 1890s that hand-in-hand skating became fashionable and moved from the static confines of basic figures to continuous movement around a rink. The rigid English style still ruled supreme, but in that same decade the introduction of the first true skating waltz, which capitalized on speed and flow across the ice with partners in a true dance position, not just holding hands, deal
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46

Waltzing Through Europe: Attitudes Towards Couple Dances in the Long Nineteenth Century. Open Book Publishers, 2020.

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47

(Illustrator), Melissa Desica, ed. Wordsworth Dances the Waltz. Watermark Publishing, 2007.

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48

Giersdorf, Jens Richard. Moving against Disappearance. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036767.003.0011.

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Nearly a year after the fall of the Berlin Wall, East Germany was subsumed into the West German national structure. As a result, the distinct political systems, institutions, and cultures that characterized East Germany have nearly completely vanished. In some instances, this history was actively—and physically—eradicated by the unified Germany. This chapter works against the disappearance of East German culture by reconstructing the physicality of the walk across the border on the day of the opening of the Berlin Wall and two choreographic works depicting East German identities on stage. The
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49

Press, Disney. Walt Disney's Cinderella Shall We Dance? (Disney's Princess). Tandem Library, 2001.

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50

Norwegian Dances, Waltz-Caprices and Other Works for Piano Four-Hands. Dover Publications, 1997.

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