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Journal articles on the topic 'Wanamaker'

Author: Grafiati

Published: 4 June 2021

Last updated: 27 July 2025

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1

Trachtenberg, Alan. "Wanamaker Indians." Yale Review 86, no. 2 (1998): 1–24. http://dx.doi.org/10.1111/0044-0124.00208.

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2

Dustagheer, Sarah. "Anticipating the Sam Wanamaker Playhouse." Cahiers Élisabéthains: A Journal of English Renaissance Studies 88, no. 1 (2015): 139–53. http://dx.doi.org/10.7227/ce.88.1.10.

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3

Dustagheer, Sarah. ""Intimacy" at the Sam Wanamaker Playhouse." Shakespeare Bulletin 35, no. 2 (2017): 227–46. http://dx.doi.org/10.1353/shb.2017.0015.

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4

Smith, Peter J. "Othello presented at the Sam Wanamaker Playhouse." Shakespeare Bulletin 35, no. 3 (2017): 507–10. http://dx.doi.org/10.1353/shb.2017.0040.

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5

Büschken, Joachim. "How Data Envelopment Analysis Reveals Brand Advertising Efficiency." GfK Marketing Intelligence Review 1, no. 1 (2009): 36–45. http://dx.doi.org/10.2478/gfkmir-2014-0083.

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Abstract The efficiency of advertising is an age-old question in marketing. Do marketers spend too much on advertising, or too little? Is it really true, as John Wanamaker put it more than eighty years ago, that half of advertising spending is wasted, but we don’t know which half? How do we know without actually measuring the efficiency of advertising? Data envelopment analysis offers a new chance to answer these questions.

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6

Nuttall, Romola. "Review of Christopher Marlowe’s Doctor Faustus (directed by Paulette Randall for the Sam Wanamaker Playhouse Company) at the Sam Wanamaker Playhouse, London, 16 January 2019, and Edward II (directed by Nick Bagnall for the Sam Wanamaker Playhouse Company) at the Sam Wanamaker Playhouse, London, 25 February 2019." Shakespeare 15, no. 3 (2019): 289–92. http://dx.doi.org/10.1080/17450918.2019.1616810.

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7

Forsyth, Neil. "Comus Performed at the Wanamaker Theater in London: Two Views." Milton Quarterly 51, no. 1 (2017): 67–71. http://dx.doi.org/10.1111/milt.12200.

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8

Gurr, Andrew. "Static scenes at the Globe and the Rose Elizabethan theatres." Antiquity 68, no. 258 (1994): 146–47. http://dx.doi.org/10.1017/s0003598x00046305.

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In 1989, we reported the state of affairs at the Rose, and in 1992 at the Globe, the two Elizabethan theatres in London which survive archaeologically. They are the unique remnants of a unique and uniquely valued kind of building, Shakespeare's workplaces. On December 1993, Sam Wanamaker died, whose inspired scheme to re-make a Shakespearean Globe using evidence from these remnants is at last being built. We asked Andrew Gurr, co-author of our two reports, to tell us what is happening at both original theatre sites. His story is of scenes that are, by Shakespeare's standards, most static.

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9

Badger, Reid. "Pride Without Prejudice: The Day New York “Drew No Color Line”." Prospects 16 (October 1991): 405–20. http://dx.doi.org/10.1017/s0361233300004609.

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On an unusually bright, faintly springlike morning in mid–February of 1919 in New York City, a huge crowd of perhaps a million people gathered along Fifth Avenue all the way from Madison Square Park to 110th Street and from there along Lenox Avenue north to 145th Street. Along with Governor Al Smith, ex-Governor Charles Whitman, Acting-Mayor Robert Moran, Special Assistant to the Secretary of War Emmett J. Scott, William Randolph Hearst, Rodman Wanamaker, and other notables, they had come to welcome home the men of the Fifteenth Infantry Regiment of New York's National Guard, who had fought so

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10

Kirwan, Peter. "The Duchess of Malfi performed by the Shakespeare’s Globe (Sam Wanamaker Playhouse)." Shakespeare Bulletin 32, no. 2 (2014): 294–97. http://dx.doi.org/10.1353/shb.2014.0030.

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11

Pérez Díez, José A. "The Knight of the Burning Pestle performed by the Shakespeare’s Globe (Sam Wanamaker Playhouse)." Shakespeare Bulletin 32, no. 2 (2014): 289–94. http://dx.doi.org/10.1353/shb.2014.0026.

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12

Enloe, Sarah. "Playing Indoors. Staging Early Modern Drama in the Sam Wanamaker Playhouse by Will Tosh." Shakespeare Bulletin 37, no. 4 (2019): 603–5. http://dx.doi.org/10.1353/shb.2019.0071.

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13

CORNELL, CRAIG. "Applied Pharmacology for the Veterinary Technician by Boyce P. Wanamaker and Christy L. Pettes." Veterinary Surgery 25, no. 5 (1996): 417. http://dx.doi.org/10.1111/j.1532-950x.1996.tb01438.x.

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14

Prescott, Paul. "“The eternal glory of Mr W., the United States, and the Method”: Sam Wanamaker, Stanislavskian." Shakespeare Bulletin 31, no. 4 (2013): 599–621. http://dx.doi.org/10.1353/shb.2013.0072.

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15

Gregory, Johann. "A Review of John Marston's The Malcontent, Globe Young Players, Sam Wanamaker Playhouse, 3–19 April, 2014." Ben Jonson Journal 21, no. 2 (2014): 310–14. http://dx.doi.org/10.3366/bjj.2014.0114.

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16

Tronicke, Marlena. "Terror by Candlelight: The Affective Politics of Fear in Tanika Gupta’s Lions and Tigers." Journal of Contemporary Drama in English 7, no. 1 (2019): 58–71. http://dx.doi.org/10.1515/jcde-2019-0005.

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Abstract In 2017, Tanika Gupta’s Lions and Tigers premiered at London’s candle-lit, neo-Jacobean Sam Wanamaker Playhouse, which, at first glance, seems ill suited to house a play which is set in pre-Partition Bengal and which depicts both rioting mobs and machine gun shootings. This essay looks at the ways in which, contrary to such initial associations, text and performance space supplement each other. In this case, supposedly cosy candlelight and close proximity to the audience engender feelings of fear and anxiety that can be framed with Sara Ahmed’s notion of the ‘affective politics of fea

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17

Amelang, David J. "The Playhouse Effect: John Webster, Deixis and Story-Telling in the Theatres of Jacobean London." Atlantis. Journal of the Spanish Association for Anglo-American Studies 46, no. 1 (2024): 1–16. http://dx.doi.org/10.28914/atlantis-2024-46.1.01.

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The recent (2014) inauguration of the Sam Wanamaker Playhouse, a reconstruction of an archetypal Jacobean indoor playhouse, on London’s Southbank, has led students and scholars of early modern theatre once again to focus attention on original playhouse performances, just as they did when its older sibling Shakespeare’s Globe opened its doors in 1996. The earlier assumption that the differences between open-air amphitheatres and indoor playhouses conditioned the way plays were written and acted is now enjoying a new lease on life, and yet there has been little research conducted in order to sub

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18

Lindstrom, R. ""Not from the Land Side, But From the Flag Side": Native American Responses to the Wanamaker Expedition of 1913." Journal of Social History 30, no. 1 (1996): 209–27. http://dx.doi.org/10.1353/jsh/30.1.209.

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19

Harrison, Tom. "Review of Ben Jonson’s Bartholomew Fair (Directed by Blanche McIntyre) at the Sam Wanamaker Theatre, London, 5 October 2019." Shakespeare 16, no. 1 (2020): 108–10. http://dx.doi.org/10.1080/17450918.2020.1712466.

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20

Laugesen, Amanda. "The early reader in children’s literature and culture: theorizing books for beginner readers, edited by Jennifer M. Miskec and Annette Wanamaker." History of Education 46, no. 5 (2017): 699–700. http://dx.doi.org/10.1080/0046760x.2017.1291858.

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21

Chernaik, Warren. "Review of John Webster'sThe Duchess of Malfi(directed by Dominic Dromgoole) at the Sam Wanamaker Playhouse, Shakespeare's Globe, London, 30 January 2014." Shakespeare 10, no. 3 (2014): 346–48. http://dx.doi.org/10.1080/17450918.2014.923034.

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22

Barnden, Sally. "Review of Francis Beaumont'sThe Knight of the Burning Pestle(directed by Adele Thomas) at the Sam Wanamaker Playhouse, London, 27 February 2014." Shakespeare 10, no. 3 (2014): 349–52. http://dx.doi.org/10.1080/17450918.2014.923927.

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23

Price, Eoin. "Review of Middleton and Rowley'sThe Changeling(directed by Dominic Dromgoole for Shakespeare's Globe) at the Sam Wanamaker Playhouse, London, 21 January 2015." Shakespeare 12, no. 1 (2015): 83–84. http://dx.doi.org/10.1080/17450918.2015.1074607.

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24

Stephenson, Joseph F. "Review of Shakespeare’s Macbeth (directed by Robert Hastie for Shakespeare’s Globe) at the Sam Wanamaker Playhouse, London, 10 January and 12 January (Matinée) 2019." Shakespeare 15, no. 4 (2019): 431–33. http://dx.doi.org/10.1080/17450918.2019.1620846.

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25

Aebischer, Pascale. "Broadcasting a Sinister 'Jacobean' Aesthetic from the Sam Wanamaker Playhouse: Sightlines, Camerawork and Websterian Dramaturgy in Ian Russell's The Duchess of Malfi (BBC Four, 2014)." Shakespeare Bulletin 37, no. 4 (2019): 511–35. http://dx.doi.org/10.1353/shb.2019.0059.

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26

Nuttall, Romola. "Review of Shakespeare’s Richard II (Directed by Adjoa Andoh and Lynette Linton) at Shakespeare’s Globe, Sam Wanamaker Playhouse, London, 2019, Broadcast by Swinging the Lens on YouTube April 2021." Shakespeare 17, no. 3 (2021): 365–69. http://dx.doi.org/10.1080/17450918.2021.1934526.

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27

Stephenson, Joseph F. "Review of Shakespeare’s Henry VI and Richard III (directed by Sean Holmes and Ilinca Radulian for Shakespeare’s Globe) at the Sam Wanamaker Playhouse, London, 22 January (Matinée) and 23 January 2020." Shakespeare 16, no. 2 (2020): 214–17. http://dx.doi.org/10.1080/17450918.2020.1754282.

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28

Ue, Tom. "Review of Shakespeare’s and George Wilkins’ Pericles (directed by Dominic Dromgoole) and Shakespeare’s The Winter’s Tale (directed by Michael Longhurst) at the Sam Wanamaker Playhouse, Shakespeare’s Globe, London, 17 and 19 April 2016." Shakespeare 13, no. 1 (2016): 84–87. http://dx.doi.org/10.1080/17450918.2016.1231710.

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29

Simari, Alessandro. "Playing Indoors: Staging Early Modern Drama in the Sam Wanamaker Playhouse. By Will Tosh. London and New York: Bloomsbury Arden Shakespeare, 2018; pp. xxx + 264, 10 illustrations. $102 cloth, $32.95 paper, $29.65 e-book." Theatre Survey 60, no. 03 (2019): 473–75. http://dx.doi.org/10.1017/s0040557419000309.

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30

May, David M. "Book Reviews: Charles A. Wanamaker, The Epistles to the Thessalonians: A Commentary on the Greek Text. Grand Rapids, MI and Exeter, UK: Eerdmans Publishing Co. & The Paternoster Press, 1990. Pp. xviii + 316. Cloth, $29.95." Biblical Theology Bulletin: Journal of Bible and Culture 23, no. 1 (1993): 41–42. http://dx.doi.org/10.1177/014610799302300108.

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31

Sullivan, Erin. "Performance review: All’s Well That Ends Well by Chelsea Walker All’s Well That Ends Well, directed by Chelsea Walker for the Sam Wanamaker Playhouse, Shakespeare’s Globe, London, UK, 17 December 2024, matinée, lower gallery, stage right." Cahiers Élisabéthains: A Journal of English Renaissance Studies 116, no. 1 (2025): 106–8. https://doi.org/10.1177/01847678251322369d.

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32

Wilson, Jean. "The Great Globe Itself: Sam Wanamaker's ‘Shakespeare's Globe’." Antiquity 71, no. 273 (1997): 738–44. http://dx.doi.org/10.1017/s0003598x00085483.

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33

Derbyshire, Emily. "Review of Shakespeare’s Othello (directed by Richard Twyman for Shakespeare at the Tobacco Factory and Tobacco Factory Theatres) at the Tobacco Factory, Raleigh Road, Bristol, 21 February 2017; and Othello (directed by Ellen McDougall for Shakespeare’s Globe) at the Sam Wanamaker Playhouse, New Globe Walk, London, 8 April 2017." Shakespeare 13, no. 4 (2017): 362–64. http://dx.doi.org/10.1080/17450918.2017.1372513.

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34

Armstrong, Gordon. "Rebuilding Shakespeare's Globe. By Andrew Gurr with John Orrell, foreword by Sam Wanamaker. New York: Routledge, 1989, Pp. 183 + illus. $26.75. - Globe Theatre, publication of The Museum of London, Department of Greater London Archeology, October, 1989. Pp. 4 + illus. [‘Site of Shakespeare's Globe Theatre Revealed’, Archeological Services, Museum of London, 1990. Pp. 2.]." Theatre Research International 16, no. 1 (1991): 57–59. http://dx.doi.org/10.1017/s0307883300010051.

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35

Morowitz, Laura. "A Passion for Business: Wanamaker's, Munkácsy, and the Depiction of Christ." Art Bulletin 91, no. 2 (2009): 184–206. http://dx.doi.org/10.1080/00043079.2009.10786164.

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36

Arceneaux, Noah. "Wanamaker's Department Store and the Origins of Electronic Media, 1910–1922." Technology and Culture 51, no. 4 (2010): 809–28. http://dx.doi.org/10.1353/tech.2010.0067.

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37

Tadajewski, Mark. "Relationship Marketing at Wanamaker's in the Nineteenth and Early Twentieth Centuries." Journal of Macromarketing 28, no. 2 (2008): 169–82. http://dx.doi.org/10.1177/0276146708314792.

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38

Bradley, Patricia. "John Wanamaker’s ‘Temple of Patriotism’ Defines Early 20th Century Advertising and Brochures." American Journalism 15, no. 2 (1998): 15–35. http://dx.doi.org/10.1080/08821127.1998.10731969.

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39

Beckley, Rachel. "Playing with Noah in Wanamaker's Temple: (Re)Thinking U.S. Christianity in American Studies." American Studies 58, no. 2 (2019): 7–17. http://dx.doi.org/10.1353/ams.2019.0035.

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40

Compaine, Benjamin, and Brendan Cunningham. "Scholars Help Answer John Wanamaker's Query: Which Half of My Advertising Is Wasted?" Journal of Media Economics 23, no. 1 (2010): 1–4. http://dx.doi.org/10.1080/08997761003590374.

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41

Curts, Kati. "Wanamaker’s Temple: The Business of Religion in an Iconic Department Store. By Nicole C. Kirk." Journal of the American Academy of Religion 88, no. 2 (2020): 625–28. http://dx.doi.org/10.1093/jaarel/lfaa016.

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42

Barger, Theresa Sullivan. "Turning robots into teacher's aides: Christian Wanamaker's robotics software helps students on the autism Spectrum - Careers." IEEE Spectrum 57, no. 3 (2020): 19. http://dx.doi.org/10.1109/mspec.2020.9014452.

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43

Verhoef, Eduard. "The relation between 1 Thessalonians and 2 Thessalonians and the inauthenticity of 2 Thessalonians." HTS Teologiese Studies / Theological Studies 53, no. 1/2 (1997). http://dx.doi.org/10.4102/hts.v53i1/2.1610.

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The relation between 1 Thessalonians and 2 Thessalonians is a disputed question. Many scholars argue that 2 Thessalonians is pseudepigraphic, written one or more decades after 1 Thessalonians. Others defend the authenticity of 2 Thessalonians. Wanamaker argues in his recent commentary that 2 Thessalonians was written before 1 Thessalonians. In this way the problems raised by the complicated relation between the two letters would be solved. Wanamaker argues that Timothy on his visit to Thessalonica (1 Thes 3:1-5) brought the letter we call 2 Thessalonians. Lecompte argues that Silas wrote 1 The

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44

"John L. Wanamaker, MD 1970-1996." Guthrie Journal 65, no. 2 (1996): 71. http://dx.doi.org/10.3138/guthrie.65.2.071.

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45

Kirwan, Peter. "Artist Development and Collective Therapy in the Repertory." Early Theatre 25, no. 2 (2022). http://dx.doi.org/10.12745/et.25.2.4733.

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This article discusses the exploration of the repertory model in Tom Stuart’s 2019 play After Edward, produced at Shakespeare’s Globe. Performed in repertory with a production of Edward II, After Edward dramatizes Diana Taylor’s sense of repertoire; the embodied skills of the actor and the heterochronic site of the Sam Wanamaker Playhouse allow Stuart as actor and writer to reconcile his lived experience as a gay man with his work as an actor. Based on this case study, this article argues that After Edward enacts a praxis of ensemble as artist development.

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46

Wanamaker, Dr Alan, and Maaz Gardezi. "Climate Science, Social Justice, and Science Communication: An Interview with Dr. Alan Wanamaker." Journal of Critical Thought and Praxis 5, no. 2 (2016). http://dx.doi.org/10.31274/jctp-180810-64.

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47

Karim-Cooper, Farah. "Spectacle and Female Power: The Duchess of Malfi in the Sam Wanamaker Playhouse." Arrêt sur scène, no. 7 (December 1, 2018). http://dx.doi.org/10.4000/asf.3468.

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48

Stevenson, John. "Shot Selection Tactics in the Basketball Game HORSE and a Match between Mitchel Robinson and Brad Wanamaker." SSRN Electronic Journal, 2020. http://dx.doi.org/10.2139/ssrn.3740706.

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49

Barnden, Sally. "Review of Shakespeare’s Hamlet (Directed by Sean Holmes) at the Sam Wanamaker Playhouse, 3 March 2022." Shakespeare, May 19, 2022, 1–4. http://dx.doi.org/10.1080/17450918.2022.2076151.

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50

Smith, Peter J. "Review of Titus Andronicus (Directed by Jude Christian for Shakespeare’s Globe) at the Sam Wanamaker Playhouse, London, 18 February 2023." Shakespeare, March 30, 2023, 1–3. http://dx.doi.org/10.1080/17450918.2023.2192699.

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