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Dissertations / Theses on the topic 'Wang, Jingwei, China China'

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Published: 4 June 2021

Last updated: 1 February 2022

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1

Chiu, Ming-wah. "Resistance, peace and war the Central China Daily News, the South China Daily News and the Wang Jingwei Clique during the Sino-Japanese War, 1937-1945 /." Click to view the E-thesis via HKUTO, 2005. http://sunzi.lib.hku.hk/hkuto/record/B3624689X.

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2

Chiu, Ming-wah, and 趙明華. "Resistance, peace and war: the Central China Daily News, the South China Daily News and the Wang Jingwei Cliqueduring the Sino-Japanese War, 1937-1945." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2005. http://hub.hku.hk/bib/B3624689X.

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3

Tsang, Chun-yu. "Hai-ling wang (1122-1161) and the politics of the Jin dynasty (1115-1234) Hailing wang yu Jin chao zheng zhi /." Click to view the E-thesis via HKUTO, 2007. http://sunzi.lib.hku.hk/hkuto/record/B40988181.

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4

Tsui, Man-hon, and 崔文翰. "Wang Yuan (1648-1710)." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2004. http://hub.hku.hk/bib/B3015246X.

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5

Serfass, David. "Le gouvernement collaborateur de Wang Jingwei : aspects de l’État d’occupation durant la guerre sino-japonaise, 1940-1945." Thesis, Paris, EHESS, 2017. http://www.theses.fr/2017EHES0133/document.

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Cette thèse se propose d’étudier le gouvernement collaborateur dirigé par Wang Jingwei (1940-1945) à la croisée de deux trajectoires : celle de l’État chinois moderne et celle de l’Empire japonais. Au-delà d’un approfondissement des connaissances sur l’occupation japonaise en Chine, mon travail ambitionne d’enrichir le champ des études sur l’État lui-même. Une telle approche ne va pas de soi, tant le caractère « fantoche » attribué à ce régime par l’historiographie chinoise l’a longtemps isolé du reste de la période et cantonné à une histoire des tenants idéologiques de la collaboration. Sans évacuer cet aspect, mon approche consiste à l’inscrire dans une étude politique et sociale du gouvernement et de l'administration, afin de saisir le fonctionnement réel de la machine étatique en zone occupée. Pour ce faire, je développe le concept d’État d’occupation, qui désigne l’ensemble formé par les organisations japonaises (institutions militaires et civiles) et chinoises (gouvernements collaborateurs locaux), établies afin d’administrer la Chine occupée. La construction de cet État, qui visa, à partir de 1940, à intégrer ces organisations derrière la façade du gouvernement de Wang Jingwei, fut détournée par des logiques de formation, nées des contradictions entre ses différents acteurs. Ce processus est examiné en adoptant des focales différentes. La première partie étudie la mise en place de l’État d’occupation du point de vue japonais, en montrant l’impact qu’eurent, l’un sur l’autre, centre et périphérie au sein de l’Empire nippon. Je reviens ensuite sur la genèse de cet État d’occupation, jusqu’à la formation du gouvernement de Wang Jingwei. La deuxième partie réduit la focale pour s’intéresser à l’organisation particulière de ce dernier, dont la spécificité, par rapport aux autres régimes collaborateurs, provenait de l’ambition qu’avait le groupe de Wang de restaurer le Gouvernement nationaliste légitime dans le cadre d’un « retour à la capitale ». La troisième partie, enfin, se penche sur le cas de la fonction publique en zone occupée, dont le cadre institutionnel et idéologique est mis en regard avec les conditions de vie des agents
This dissertation studies the collaboration government headed by Wang Jingwei (1940-1945) at the crossroads of two trajectories: those of China’s modern state and Japan’s Empire. More broadly, my work aims at enriching the field of state-building research. Such an approach may seem counter-intuitive, as this regime is still labelled a "puppet" by Chinese historiography, which has cast it aside from the rest of the period and confined it to an ideological history of collaboration. I consider it within the context of a political and social study of government and administration, which tries to grasp the real functioning of the state machine in the occupied zone. For this purpose, I develop the concept of occupation state, i.e. a larger apparatus than the sole collaboration regimes, which included Japanese military and civilian agencies as well as Chinese local governments. From 1940 on, the state-building process aimed at integrating these organizations behind the façade of the Wang Jingwei government. However, it was diverted by a formation process, which resulted from the contradictions between its different actors. I explore this process from three different angles. The first part studies the establishment of the occupation state from the Japanese point of view, showing the mutual impact of centre and periphery within the Japanese Empire. Then, it follows the genesis of the occupation state up to the establishment of the Wang Jingwei government. The second part focuses on the experience of the latter, whose specificity, compared to other pro-Japanese regimes, was the ambition of the Wang group to restore the legitimate nationalist government as part of a "return to the capital". Thirdly, I look at the administrative personnel’s institutional and ideological framework as well as their living conditions

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6

何一藝 and Yat-ngai Ho. "The life and scholarship of Wang Xichan (1628-1682)." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2001. http://hub.hku.hk/bib/B43896066.

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7

Lai, Ping-fai Tony, and 賴炳輝. "A study of Wang Zhixin (1881-1953?) and the Christian indigenization campaign." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1995. http://hub.hku.hk/bib/B31950917.

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8

蘇耀宗 and Yiu-chung Soo. "The historical commentaries of Wang Fuzhi (1619-1692)." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1992. http://hub.hku.hk/bib/B31211872.

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9

Lam, Hing-yee. "Between tradition and westernization Wong Tao's world view and idea of reform = Wang Tao de shi jie guan yu gai ge si xiang /." Click to view the E-thesis via HKUTO, 2009. http://sunzi.lib.hku.hk/hkuto/record/B43209518.

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10

Bao, Shumei. "Qing mo Menggu wang gong yu Man Han da chen xin zheng chou Meng zou yi dui bi yan jiu." [Huhehaote shi] : Nei Menggu da xue, 2004. http://anulib.anu.edu.au/anuonly/ebooks/chinese_thesis_029.pdf.

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Thesis (Ma (Specialized History)) -- Nei Menggu da xue Menggu xue xue yuan, China, 2004.
Title from title page. Abstract also in English. Includes bibliography. Zhi dao jiao shi: Bailadugeqi. 880-02

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11

Wang, Hongjie. "Sharing the Mandate : the Former Shu regime of Wang Jian in the late Tang and early Five Dynasties, 891--925." View abstract/electronic edition; access limited to Brown University users, 2008. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3318368.

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12

Lam, King-sau, and 林勁秀. "Wang Shuo's fiction and popular culture." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2005. http://hub.hku.hk/bib/B35319161.

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13

Wu, Jingwei [Verfasser]. "Private and Public on Social Network Sites : Differences and Similarities between Germany and China in a Globalized World / Jingwei Wu." Frankfurt a.M. : Peter Lang GmbH, Internationaler Verlag der Wissenschaften, 2017. http://d-nb.info/1137447966/34.

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14

Wang, Xin [Verfasser], and Antje [Akademischer Betreuer] Stokman. "Edible landscapes within the urban area of Beijing, China / Xin Wang ; Betreuer: Antje Stokman." Stuttgart : Universitätsbibliothek der Universität Stuttgart, 2016. http://d-nb.info/1118369084/34.

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15

Wagner, Florian [Verfasser]. "Das Ringen um "China" in der chinesischen Gegenwartskunst : Der Kunstkritiker Wang Nanming / Florian Wagner." Baden-Baden : Nomos Verlagsgesellschaft mbH & Co. KG, 2017. http://d-nb.info/1160485917/34.

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16

Cheng, Lian. "The image of Chinese intellectuals in Wang Shuo's and Xu Kun's fiction /." View Abstract or Full-Text, 2002. http://library.ust.hk/cgi/db/thesis.pl?HUMA%202002%20CHENG.

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Thesis (M. Phil.)--Hong Kong University of Science and Technology, 2002.
Includes bibliographical references (leaves 74-77). Also available in electronic version. Access restricted to campus users.

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17

Wang, Dingnan [Verfasser]. "Resolving Goal Conflicts in the Middle East: the EU and China in Comparison / Dingnan Wang." Berlin : Freie Universität Berlin, 2018. http://d-nb.info/1153769875/34.

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18

Chang, Edmond Yi-teh. "The aesthetics of Wu : Wang Bi's ontological paradigm and the transformation of Chinese aesthetics /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2001. http://wwwlib.umi.com/cr/ucsd/fullcit?p3031938.

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19

Ding, Ruizhong [Verfasser]. "Life, Thought and Image of Wang Zheng, a Confucian-Christian in Late Ming China / Ruizhong Ding." Bonn : Universitäts- und Landesbibliothek Bonn, 2019. http://d-nb.info/1198862904/34.

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20

Wang, Xingkui [Verfasser], and Elmar [Akademischer Betreuer] Treptow. "Hegels Stellung zu China: Kunst, Religion und Philosophie : Kritik und Kommentar / Xingkui Wang ; Betreuer: Elmar Treptow." München : Universitätsbibliothek der Ludwig-Maximilians-Universität, 2018. http://d-nb.info/1156851947/34.

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21

Kwok, Suk-yee. "An analysis of the Sui Dynasty's downfall with special reference to internal conflicts in the government during Sui Yangdi's reign Cong Sui Yangdi shi qi tong zhi ji tuan nei bu fen lie kan Sui dai zhi su wang /." Click to view the E-thesis via HKUTO, 1991. http://sunzi.lib.hku.hk/hkuto/record/B31949940.

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22

蕭芬琪 and Fun-kee Siu. "The case of Wang Yiting (1867-1938): a uniquefigure in early twentieth century Chinese art history." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2000. http://hub.hku.hk/bib/B31223357.

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23

Wang, Fan. "Localities of global modernism : Fei Ming, Mu Dan and Wang Zengqi." HKBU Institutional Repository, 2020. https://repository.hkbu.edu.hk/etd_oa/760.

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This thesis seeks to map out the development of literary modernism in the 1930s and 1980s People's Republic of China (PRC). Despite the long temporal halt, these two periods are innately and historically related to each other. Much as Chinese literary modernism was a literary legacy of Western modernism, its decades-long development provided it with the conditions for a second life. When it reemerged in the 1980s, it bore unique national characteristics that, in turn, enriched the realm of global modernism. In short, the distinct historical and national context of the twentieth century China dictated that Chinese literary modernism could not be a mechanical reproduction of its Western counterpart. The importation and translation of Western modernist creative and critical works, together with the modernist practices of modern Chinese intellectuals, contributed to the formation and rise of modernist literature in the 1930s, as well as its revival in the 1980s PRC. Structurally, this thesis identifies three localities of global modernism in the works and literary theory of Fei Ming, Mu Dan, and Wang Zengqi. It argues that these writers' modernist practices and distinct writing styles not only represented the characteristics of Chinese literary modernism, but also added diversities to modernist literature in the global context. Methodologically, I pair the Chinese modernists with their Western counterparts, including Virginia Woolf and T.S. Eliot. This comparison helps to find similarities between modernist works across time and place, and to identify the unique features of Chinese literary modernism. In practice, when studying the three modernists' first encounters with literary modernism in Republican China, as well as their respective experience in the PRC, I seek to (i) present three modes of initiation of literary modernism at the beginning of the twentieth century; (ii) trace the development of literary modernism both in the republican era and its revival in the PRC; (iii) show the process of Chinese literary modernism growing its distinct characteristics and evidence its second life. In short, Chinese modernists' participation in the building of global modernism and their contributions to the enrichment of literary modernism in the global context are two foci of my thesis. In the final analysis, this thesis engages research on Chinese literary postmodernism. No matter the literary movement's status in the PRC, then and now, how and why it differs from the development of postmodernism in Western literature and culture are valuable research questions.

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Chan, Edmund Sze Shing. "Cong "Di jian tu shuo" kan Zhang Juzheng xin mu zhong li xiang jun wang de xing xiang, jian lun ta de di shi jue se /." View abstract or full-text, 2008. http://library.ust.hk/cgi/db/thesis.pl?HUMA%202008%20CHAN.

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25

Lee, Sheng-kuang. "Commoner and sagehood: Wang Ken and the T'ai-chou School in late Ming society." Diss., The University of Arizona, 1990. http://hdl.handle.net/10150/185106.

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The intellectual world of the late Ming literati was without question one of great richness and complexity. The focus of the present study, however, is limited to an examination of Wang Ken, the man, his key philosophical beliefs, and his role in the founding of the T'ai-chou School of thought. In exploring the genesis of Wang Ken and his school of thought, certain aspects of the social milieu are examined in order to reach a better understanding of how the larger environment and this radical intellectual movement became intertwined. In other words, I have attempted to discern and define the interplay of the most important creative minds of the time, and particularly those of the elite class with this group. As a teacher and thinker Wang Ken exercised a considerable influence on his times, contributing in the process to the new permissiveness so characteristic of the latter half of the Ming dynasty. In this regard, the present study also represents an attempt to discover the basic patterns underlying Wang Ken's thought, as well as the T'ai-chou School's responsiveness to dramatic changes in society. In doing so, we perceive an implication of intellectual autonomy in the form of social and political protest against imperial autocracy. Also, the spread of his faith in an attainable and intelligible sagehood among the lower classes, gradually blurred the dividing line between elite and commoner. Finally, the assertions of Wang Ken and the T'ai-chou School indeed stimulated a new sense of self-awareness and self-worth. Nevertheless, it is because of its radical rejection of the established social, political, and intellectual order that the T'ai-chou School has been branded as heterodox. As a result, the frustration of its aspiration for a more genuine humanity was inevitable, as this intellectual movement fell victim to the forces of orthodoxy and conformity.

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Xin, Jin. "Treatise/architecture in Wang Shu's work : three readings on fictionalizing cities and the Xiangshan Campus of the China Academy of Art." Thesis, University of Nottingham, 2018. http://eprints.nottingham.ac.uk/48332/.

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This work intends to investigate the relation between the architectural treatise and architecture through three case studies. In Vitruvius’s tradition, the treatise is taken as the ‘reasoning’ on the ‘making’. Nevertheless, from the semiotic point of view, the treatise and architecture, or more fundamentally, writing and building are different symbol systems. Both the mediums possess the making aspects. And they are in a concept-substance process also of formal analogy. This duality is demonstrated in the case studies on the Chinese architect Wang Shu’s PhD thesis Fictionalizing Cities and his built work the Xiangshan Campus of the China Academy of Art. Adopting a kind of semiotic approach, this study shows that Fictionalizing Cities and the CAA Campus are isomorphic forms. More generally speaking, the treatise and architecture are associated with two dimensions: they are developmental in time as well as transformational in space. Moreover, this formalist study distinguishes the treatise’s writing form and its social use. The latter is confined to the internal law of the former. The signification law permits one to distinguish the critique of culture and that of form in architecture. And the metaphor/metonymy contrast can describe the rhetoric nature of architectural critique discourses.

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Wang, ShuHui. "Cultivation practices, maize and soybean productivity and soil properties on fragile slopes in Yunnan Province, China." Thesis, University of Wolverhampton, 2003. http://hdl.handle.net/2436/116735.

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Sustainable agriculture in China is highly threatened by rapid urbanization, land degradation and high population pressure. Yunnan Province, south-west China, is 94% mountainous and lacks flat land. Food shortages and inappropriate cultivation have led to intensive cultivation of steep, marginal and fragile land and have increased soil erosion. To curb this situation and assist with poverty alleviation, it is crucial to develop more productive and sustainable cropping systems. An experiment was conducted on sloping areas from 1999 to 2001 in Wang Jia Catchment, Yunnan Province. The project aim was to evaluate the effects of five selected cultivation practices on maize productivity and soil properties. The treatments were: (1) downslope cultivation without mulch, (2) contour cultivation without mulch, (3) contour cultivation with polythene mulch, (4) contour cultivation with polythene and wheat straw mulch (Integrated Contour with Plastic and Straw Mulch Treatment, INCOPLAST) and (5) contour cultivation with polythene mulch and intercropping, wide and narrow row spacing, with soybean in wide row spacing. Crop growth parameters and soil physical properties were measured throughout the cropping seasons. Considering three years data, contour cultivation with polythene mulch generally increased soil temperature by a mean of 1-2°C. The polythene retained considerably more soil moisture during dry weather. However, during wet weather, polythene prevented rainfall directly falling on the soil, which led to less soil moisture content. The soil temperature and moisture regimes under polythene mulch made plants grow faster and canopies develop well, leading to higher final yields. The benefit of polythene was 33-54% more yield than downslope cultivation without mulch treatment, over three seasons. Contour cultivation plus polythene and straw mulch retained significantly higher soil moisture levels. The yield of this treatment in 1999 was ranked second, but in 2000 it had the highest yield and in 2001 it was also more effective than contour cultivation with polythene mulch treatment. Contour cultivation with polythene mulch and intercropping improved maize yield. The soybean harvest also contributed to net income, the crop had a similar function to straw mulch and increased N availability. Contour cultivation increased yields over the range 7.2-11.2% over three seasons compared with downslope cultivation, equivalent to ~500-1000 kg per hectare more grain produced. There were few clear trends in soil properties over the 1999-2001 period. However, N concentrations increased in the contour cultivation with polythene mulch and intercropping treatment. Both contour cultivation with polythene and straw mulch and contour cultivation with polythene mulch and intercropping gave apparent increases in total K, probably resulting from both decayed straw and decomposed soybean leaves. In terms of simple cost-benefit evaluation, downslope cultivation had the lowest input and output, while contour cultivation had a similar input, but a higher output. Contour cultivation with polythene had the highest net return. Contour cultivation with polythene and straw had a high output but did not give a higher net return than contour cultivation with polythene. Contour cultivation with polythene mulch and intercropping generally had the highest input and output and could give a higher net return than contour cultivation with polythene when the soybean harvest was successful, but over three years this treatment had the greatest risk from crop failure. It is recommended that replacing downslope cultivation with contour cultivation can increase crop yields and this simple action could contribute to the development of more sustainable cropping systems in Yunnan. Polythene mulch achieved higher maize yields but its environmental impact requires further study. It is considered that contour cultivation with polythene and straw mulch or soybean intercropping could contribute towards more productive and sustainable cropping systems where soil conservation is high priority. The technique could assist with long-term soil, water and nutrient conservation and improved crop productivity.

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Wang, Chengjie [Verfasser]. "Development and application of a method to estimate feed digestibility in sheep grazing differently managed grasslands in Inner Mongolia, China / Chengjie Wang." Kiel : Universitätsbibliothek Kiel, 2008. http://d-nb.info/1019622121/34.

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Sanclemente, Vicenç. "Beating the drums! journalism, forum or platform: blogs in China and Cuba (2010) through the cases of Wang Keqin and Yoani Sánchez." Doctoral thesis, Universitat Pompeu Fabra, 2016. http://hdl.handle.net/10803/401857.

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Es diu que és impossible que els països autoritaris tinguin una opinió pública plenament desenvolupada. Jürgen Habermas criticava Internet per la dispersió dels continguts i la manca de mediadors. No obstant això, a països com la Xina, en alguns períodes recents, els blocs i els Micro blocs van permetre introduir alguns espais de deliberació, així conduir casos fins els mitjans de comunicació tradicionals. Hem estudiat dos estats, Xina i Cuba amb un enfoc completament diferent cap a les noves tecnologies. Xina va decidir empènyer Internet com un mitjà de desenvolupament, a la vegada que el tractava de controlar, i els ciutadans cubans han viscut en un període d'extrema dificultat en l'accés. El bloc del periodista xinès Wang Keqin a la Xina i el de Generación Y de Yoani Sánchez a Cuba, van estar especialment actius l’any 2010. Per aquest treball, hem utilitzat una triangulació de mètodes: anàlisi quantitativa i qualitativa sobre el contingut dels posts i dels comentaris, combinat amb l'anàlisi etnològica, entrevistes directes als bloggers i als corresponsals. El bloc de Wang Keqin, un dels pioners del periodisme d'investigació a la Xina, va suposar crear una finestra per a casos d'injustícia a les províncies fins ampliar la controvèrsia a tot el país. El periodista esdevé la primera part essencial d'una cadena contra la impunitat. Ciutadans que sol·licitaven moralitat i justícia van col·laborar amb ell, amb sentit de compromís i de comunitat, per resoldre cada cas, que significava, que acabessin als tribunals la justícia. El treball de Yoani Sánchez es va veure influenciat pel contrast entre la manca d'accés a Internet en el seu propi país i la seva extraordinària influència a l'exterior. Ella elaborava, més que reportatges, articles d’opinió, editorials, sobre notícies o vida quotidiana. Va acabar convertint-se en un altaveu dels punts de vista dels dissidents mentre defensava el diàleg nacional. L'enorme quantitat de comentaris al seu bloc va servir per crear un grup de debat entre diferents tipus d'expatriats, que reconeixien Yoani Sánchez com una portaveu no oficial des de dins de l’illa.
Is is said that is impossible to have a fully developed public opinion in authoritarian countries. Jürgen Habermas criticized Internet because of the dispersion of content and the lack of mediators. However, in countries like China, in some recent periods, blogs and micro blogs permitted the introduction of some deliberation spaces, as well as targeting issues for mainstream media. We are studying two states, China and Cuba whose approach to new technologies has been completely different. China decided to push Internet as a tool for development, while trying to control it, and Cuban citizens have lived in a period of extreme difficulty in accessing. The blog of the Chinese journalist Wang Keqin in China and Generación Y from Yoani Sánchez, in Cuba, both bounded in a year of intense production in 2010. We used a triangulation of methods: quantitative and qualitative analysis on the content of posts and commentaries combined with ethnological analysis, adding direct interviews to the players and correspondents. The blog of Wang Keqin, one of the pioneers of investigative journalism in China, supposed to create a window for cases of injustice in the provinces and to move it to nationwide controversy. The journalist became the essential first part of a chain against impunity. Citizens asking for morality and justice collaborate with him, with a sense of engagement and community to resolve cases, which mean that finished went to justice. Yoani Sánchez work was heavily influenced by the contrast of the lack of Internet access in her country and her extraordinary influence abroad. More than reports, she elaborated opinion articles, editorials, based in her reflection about news or quotidian life. She becomes a speaker of dissent views while defending national dialogue. The enormous number of comments in her blog served to create a forum group, between different types of expatriates. They recognized Sánchez as an unofficial speaker from within.

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Lin, Yu-Fang. "The Cultural Construction of Taiwan in the Literatures of Taiwan, China, and the United States." Kent State University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=kent149178259135258.

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Wang, Xiaolan Verfasser], Reinhard [Akademischer Betreuer] [Mosandl, and Anton [Akademischer Betreuer] Fischer. "Assessment and Management of Oak Coppice Stands in Shangnan County, Southern Shaanxi Province, China / Xiaolan Wang. Gutachter: Reinhard Mosandl ; Anton Fischer. Betreuer: Reinhard Mosandl." München : Universitätsbibliothek der TU München, 2013. http://d-nb.info/1042577846/34.

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Wang, Anyi [Verfasser], Wolfgang [Akademischer Betreuer] König, and Baichun [Akademischer Betreuer] Zhang. "Development and integration : the history of engineers in the People's Republic of China (1949-1989) / Anyi Wang. Gutachter: Wolfgang König ; Baichun Zhang. Betreuer: Wolfgang König." Berlin : Technische Universität Berlin, 2015. http://d-nb.info/1075807409/34.

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Tse, Dorothy Hiu Hung. "Xun mu : 90 nian dai da lu jia shi xiao shuo yan jiu /." View abstract or full-text, 2004. http://library.ust.hk/cgi/db/thesis.pl?HUMA%202004%20TSE.

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Thesis (M.Phil.)--Hong Kong University of Science and Technology, 2004.
Includes bibliographical references (leaves 153-166). Also available in electronic version. Access restricted to campus users.

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Wang, Anjia [Verfasser], and Roman [Akademischer Betreuer] Koch. "Combined Microfacies-Log-Analysis of Cambrian and Ordovician carbonate rocks (Upper Cambrian, Western Hills, Bejing; TZ-162 well, Tarim Basin, Western China) / Anjia Wang. Gutachter: Roman Koch." Erlangen : Friedrich-Alexander-Universität Erlangen-Nürnberg (FAU), 2014. http://d-nb.info/1064996752/34.

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Jin, Jianbin. "Zhongguo da lu cheng shi ju min cai na hu lian wang yan jiu : yi Hangzhou wei li = Internet adoption in urban China : the case of Hangzhou /." click here to view the abstract and table of contents, 2002. http://net3.hkbu.edu.hk/~libres/cgi-bin/thesisab.pl?pdf=b17087429a.pdf.

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Wang, Xia [Verfasser], Maria [Akademischer Betreuer] Mutti, Maria [Gutachter] Mutti, Jitao [Gutachter] Chen, and Jens [Gutachter] Kallmeyer. "Reef ecosystem recovery following the Middle Permian (Capitanian) mass extinction : a multi-scale analysis from South China / Xia Wang ; Gutachter: Maria Mutti, Jitao Chen, Jens Kallmeyer ; Betreuer: Maria Mutti." Potsdam : Universität Potsdam, 2020. http://d-nb.info/1225396816/34.

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Wang, Xia [Verfasser], Maria [Akademischer Betreuer] Mutti, Maria Gutachter] Mutti, Jitao [Gutachter] Chen, and Jens [Gutachter] [Kallmeyer. "Reef ecosystem recovery following the Middle Permian (Capitanian) mass extinction : a multi-scale analysis from South China / Xia Wang ; Gutachter: Maria Mutti, Jitao Chen, Jens Kallmeyer ; Betreuer: Maria Mutti." Potsdam : Universität Potsdam, 2020. http://d-nb.info/1225396816/34.

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CAPISANI, LORENZO MARCO. "La Cina da impero a Stato nazionale: la definizione di uno spazio politico negli anni Venti." Doctoral thesis, Università Cattolica del Sacro Cuore, 2017. http://hdl.handle.net/10280/20588.

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La tesi si concentra sul Partito Nazionalista Cinese negli anni Venti come punto privilegiato di osservazione del cambiamento politico della Cina dopo la Prima guerra mondiale. Questo decennio rappresentò un momento di definizione identitaria sia per i comunisti sia per i nazionalisti. La storiografia ne ha sottolineato numerosi aspetti, ma si è finora occupata del periodo 1919-1928 come una preistoria degli anni Trenta piuttosto che come un autonomo segmento di storia cinese. Studi recenti hanno superato implicitamente questo approccio criticando due date periodizzanti fondamentali per il Novecento cinese: la nascita della Repubblica nazionalista (1911) e la nascita della Repubblica Popolare (1949). A metà tra queste due date, gli anni Venti sono emersi come snodo decisivo nel passaggio da impero a Stato nazionale, durante cui si definì un nuovo spazio di discussione politica. Questo processo, pur interno, subì l’influsso delle strategie internazionali di sovietici e statunitensi dando vita a una nuova visione non soltanto della rivoluzione ma anche dello Stato post-rivoluzionario. Le classi dirigenti nazionalista e comunista, durante la collaborazione, si rivelarono dinamiche e tale “competizione” si trasferì anche all’interno di ciascun movimento diventando un fattore determinante per il successo o il fallimento del partito inteso come moderna formazione politica.
The thesis focuses on the Chinese Nationalist Party in the 1920s as a special standpoint to analyze the political changes in China after the World War I. That decade was crucial for shaping the identity of nationalists and communists. Many works have already examined some aspects, but they mostly considered the years 1919-1928 as a pre-history of the Thirties rather than an autonomous part of Chinese history. Recent studies have overcome this approach by criticizing two of the main periodization in the Chinese twentieth century: the birth of the nationalist Republic (1911) and the birth of the People’s Republic (1949). Halfway, the 1920s stood out as a critical juncture in the transition from empire to nation-state. A new space of political discussion was defined. The process, albeit internal, was under the influence of the USSR and US international strategies and gave birth not only to a new vision of the revolution, but also to a vision of the post-revolutionary state. Also, the nationalist and communist leaderships turned out to be dynamic. That "competition" may be seen also within the two political movements and became a shaping factor for the success or failure of the party as a modern political formation.

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Zhao, Sisi. "Cultural Exchange and Media Evaluations Behind Transnational Business Acquisition Between China and the United States: A Qualitative Study of Dalian Wanda-AMC." Ohio University / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1525273039528152.

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Tien, Joanne. "Colonizing Heart and Mind: The Sociopolitical Implications of the Growth of China's Underground Church." Scholarship @ Claremont, 2009. http://scholarship.claremont.edu/pomona_theses/34.

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Introduction, the history of Christianity in China. Chapter 1, like rain falling and grass growing: the growth of China’s underground church. Chapter 2, a comparison of the theologies of K.H. Ting and Wang Mingdao. Chapter 3, marching back towards Jerusalem. Conclusion, the spread of the American kingdom.

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Lazarus, Anny. "La critique d'art contemporaine chinoise : Modèles théoriques et visions de l'Histoire : les outils conceptuels des critiques d'art chinois." Thesis, Aix-Marseille, 2015. http://www.theses.fr/2015AIXM3014/document.

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Depuis 1979, les critiques d'art en Chine ont accompagné le développement de l’art contemporain, participant à la renaissance de la vie intellectuelle durement éprouvée sous le règne de Mao. Les revues d'art reflètent l’évolution de leur réflexion. Dans ma thèse je présente d’une part ce paysage intellectuel dans lequel s’est construite la critique d’art chinoise, et d’autre part, après avoir analysé comment certains concepts passent d’une langue à l’autre, j’aborde les textes théoriques et leur réception dans le milieu académique. Attirés au départ par la pensée occidentale, un champ référentiel qui s’étend de Platon à Danto, les critiques chinois se sont tournés ensuite vers le corpus classique, voire le Livre des mutations, pour forger des outils “propres à la Chine” afin de ré-écrire une histoire de l’art contemporain chinois délivrée du carcan post-colonial, mais au risque de se prendre au piège d’un nationalisme insidieux encouragé par le Parti. Les larges extraits que je propose traitent de la méta-critique, du sort et de l’essor de la modernité et du postmodernisme, de l’art abstrait émanant des gestes et des outils de la calligraphie... Récusant les concepts occidentaux jugés inaptes pour interpréter l’art chinois, recourant aux concepts classiques pour fonder l’École du yi, Gao Minglu propose une théorie critique qu’il tente d’appliquer aux œuvres contemporaines. À l’inverse Wang Nanming défend une démarche qui se veut universelle et dénonce les artistes et les critiques qui brandissent leur identité chinoise... Ainsi les démarches étudiées sont variées et parfois antagonistes, mais attestent de la vitalité de la critique d’art contemporaine chinoise
Since 1979, China Art critics have accompanied the development of contemporary art, participating in the revival of intellectual life which have been hit hard during the reign of Mao. The journals in art reflect changes in their thinking. In my thesis I will present both the intellectual scene in which is constructed criticism of Chinese art, and secondly, after analyzing how concepts move from one language to another, I approach theoretical texts and their reception in academic. Attracted initially by Western thought, a reference field that extends from Plato to Danto, Chinese critics then turned to the classical corpus, or the Book of Changes, to forge tools specific "to China" to rewrite history of Chinese contemporary art delivered from the post-colonial yoke, but at the risk of getting trapped in an insidious nationalism encouraged by the Party. The extensive excerpts I propose deal with the meta-criticism, and the fate of the rise of modernity and postmodernism, abstract art from gestures and tools of calligraphy. Rejecting Western concepts which are unfit to interpret Chinese art, according to the traditional concepts to establish the School of yi, Gao Minglu offers a critical theory he tries to apply to contemporary works. Conversely Wang Nanming defends an approach to be universal and denounces the artists and critics who brandich their Chinese identity ... So the approaches discussed are varied and sometimes conflicting, but attest to the vitality of contemporary Chinese art criticism. Art critics propose theoretical models that are more interpretive tools of interpretation than appreciation

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Gibbs, Levi Samuel. "Song King: Tradition, Social Change, and the Contemporary Art of a Northern Shaanxi Folksinger." The Ohio State University, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=osu1371429829.

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Tung, Jui-Chu. "Ecriture chinoise, écriture occidentale : variantes de l'appréhension du monde." Thesis, Besançon, 2012. http://www.theses.fr/2012BESA1029/document.

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Confronter la pensée occidentale à la pensée chinoise est une démarche enrichissante à un moment où les cultures se croisent et peuvent même se sentir menacées. J'ai tenté, en partant de l'étude des écritures et de leurs origines de mieux cerner l'avènement de la pensée et son développement dans les deux cas. Il s'agissait de fixer un champ d'étude, j'ai donc songé à présenter le 'réel', le' monde', selon les deux approches et applications, d'un côté le 'logos\ la Raison et de l'autre les conceptions taoïstes, parfois mêlées de bouddhisme. Le 'procès' du monde dont la Chine était très tôt consciente ne lui permettait pas d'interpréter le réel tel que la Grèce et par voie de conséquence l'Occident le concevait, la seule chose qui ne change pas dans le monde étant précisément pour la Chine l'état 'd'impermanence'. Partant notamment du "yi jing" ou "Livre des Mutations", de la construction idéographique, la Chine a voulu représenter le monde tout entier, elle avait une vision différente de celle de I'Occident...Mais une question demeure posée: quelle est au fond l'origine de cette vision ? Est-ce celle de certains penseurs ? Est-ce la nature elle-même ? Est-ce l'écriture comme manifestation humaine? Ma recherche propose quelques jalons pour chaque civilisation, mais la question reste très ouverte
Comparing Western thought and Chinese thought can be quite enriching, at a time when cultures in general can gain contact, as weil as fee!thrcatencd somctimes. l have tried, starting from modes of writings, at their origins, to figure out the advcnt and development ofthought on both sides. The point was also to choose a field ofexpcriment... 1 have thought that 1 could present 'reality', the 'world', from Western and Chinese approaches, with the efiècts of 'logos' and 'Reason' on one side and Taoist and sometimes Buddhist influences on the other. The 'process' of the world that China was conscious of cou id not allow her to apprchend reality such as Greece, very carly, and later Western thought could conceive it. Indeed, the only thing that would not change in this world is the state of 'impermanence' for China. From the yi jing, the Book of Changes, and ideographie patterns and methods, China wanted to show the world, the whole world. That was a vision definitely different from that of the West... Still, one question remains : where does this vision come from ? From thinkers. from Nature itself ? From modes of writings as human responses ? The exposition that I developed offers a few landmarks on both sidcs, but the question is still an open one

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Wang, Chuanchao [Verfasser]. "Pension reform in China : challenges and answers / vorgelegt von Chuanchao Wang." 2008. http://d-nb.info/1004113749/34.

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Yu-yinChang and 張玉音. "The Research of Wang Guangyi’s Great Criticism series and China Political Pop." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/68921677843349915875.

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碩士
國立成功大學
藝術研究所
98
The popularity of Chinese contemporary art in the international art market has brought up a concern on Chinese contemporary art itself. Are Chinese Political Pop and the Great Criticism series simply productions for Art market or just too narrow a perspective on Art? This thesis focused on Wang Guangyi’s Great Criticism series and Political Pop, tried to observe the symbolic-context artistic milieu and the iconology of the propaganda posters symbols of this work, along with their effects on the development of Chinese contemporary art. Although the images of propaganda posters from Mao Zedong Era (1949-1976) had gradually disappeared from Chinese contemporary art ever since Mao died, but the elements of these propaganda posters were still repeatedly interpreted in Chinese Post Culture Revolution era. Wang Guangyi’s Great Criticism series combined the distinguishable Mao Era’s visual elements and planar consuming icons, thus captured the cultural context and the differences of social milieu in different generations accurately. By analyzing Wang Guangyi’s inner life experiences and his early works along with an iconographical deconstructing, the transgression of Great Criticism series was manifested while it disintegrated historical icons. Then, the author of this thesis compared this piece with other political pop art trends such as Pop, May Forth Movement, '85 Artistic Movement, Post-martial law Era and Post '89 Era to draw a conclusion. Political Pop/the Great Criticism series came to be an advocate of national art in this chaotic contemporary artistic milieu by using historical icons. By means of the transgression of iconography and political symbols, the autonomy of art also unleashed. In a totalitarian society, Great Criticism series focused on politics while clung to a commercial popularity at the same time, and along comes its modernity. Undoubtedly, Great Criticism series is the most prominent historical document of art.

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謝勝棠. "The research of the managing and growing strategies for Taiwan furniture industries in china.── Using the example of “Tong-Wang” in China." Thesis, 2002. http://ndltd.ncl.edu.tw/handle/77257879794410040063.

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碩士
國立臺灣大學
森林學研究所
90
The purpose of this research is to process the practical problems using the questionnaire, survey, and the data analysis through both the methods of regression and multi-variables. Also, I would like to get to know what is the decisive reasons behind to support the Taiwan furniture’s industries to make the investments in China. On the other hand, I want to focus on analyzing the relationship between the strategies of managing, growing and performing in China with the method of individual case. This research is to concentrate on the three elements such as environment, market, and manufacturing of the countries invested. Also, using the interior and exterior elements of the controlling countries combined with the resource advantage which the business owned to do the paractical evaluation and the growing strategies and the policies of investing in China. The results of the analysis are as below: 1. The outcome of this research shows that the summation of the maturity and slipping periods occupies over sixty percentage. This also indicates that the Taiwan industries are surrounded within a very competitive environment. Therefore, the demand for transferring to an more advanced level is very high. 2. The reasons affecting Taiwan industries in China are the higher performances of know-how, the capability of the sale and management and the intensity of the labor, then the better rate of the gross margin is. On the other hand, the creativity, the cost benefit and the obstacle of both importing and exporting make the gross margin rate lower. 3. When the percentages of the management and sale, the intensive labor and the self-owned brand which all affect Taiwan industries investing return are higher, the return of the investing rate will be better. On the hand, the better creating capability and the more obstacle of importing and exporting will make the return rate of assets lower.

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Poborsa, James D. "The Political Pop Art of Wang Guangyi: Metonymic for an Alternative Modernity." Thesis, 2009. http://hdl.handle.net/1807/18979.

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This thesis examines the political pop art of contemporary Chinese artist Wang Guangyi in light contemporaneous shifts within the political, economic, and artistic space of China from 1978 until the present. Through an analysis of the work of art as an historically determined antagonistic aesthetic praxis, this thesis attempts to reveal the sedimented traces of the alternative modernity which the Chinese government is actively attempting to construct. With its evocative juxtaposition of contrasting ideological forms, the artwork of Wang Guangyi seeks to deconstruct the normative and teleological narratives encountered within the dialectic interplay between state sponsored transnational capitalism and Marxist-Leninist communism. An understanding of the discursive structure upon which these dual modernising narratives has been based, and of the fragmented artistic space they have engendered, should serve to enliven the debate concerning the role of cultural production in questioning and revealing narratives of the nation, of the Self, and of modernity.

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Phung, Vo Thi Minh, and 武氏明鳳. "A Study of Dhyana Poetry by Wang Wei (China) and Xuan Guang (Viet Nam)." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/31350211154659459201.

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碩士
元智大學
中國語文學系
99
Although Wang Wei (701~761 ) and Xuan Guang(1254~1334) were not born at the same dynasty, they were both born on the heyday of their own dynasty. Both of the dynasties valued Confucianism and Taoism, especially promoted Buddhism. At the age of 20, Wang Wei went to Chang An for the National examination. Apart from his talent, he was supported and highly recommended by the authorities and won the first honorable prize. At the age of 21, he became a mandarin, serving the dynasty. Despite his undisputable talent as a young man, his occupational path was not smooth. He, then, followed Buddhist theories, seeking for a Taoyuan ( a beautiful, fairly-land and isolated world). Xuan Guang passed the doctoral examnination with the first position. He mastered literature. Under his dynasty, he was always appointed to be the ambassador to welcome the Chinese ambassadors. After his 30 years of mandarin status, he became a Buddhist monk. The fact that Wang Wei and Xuan Guang both experienced similar events of lives, their writing styles were also affected by those changing events. Due to the fact that poetic language is the means for the internal feelings to be expressed, the poems of Wang Wei and Xuan Guang consist of their implications for a Western heavens of Amitabha. The purposes of this study are (1) to introduce the contents and the intertwined connection between the poet’s underlying meanings and the objective images in meditation poetry by Wang We and Xuan Guang, (2) to study the similarities and differences in Dhyana poetry by Wang Wei and Xuan Guang and (3) to prove that the meditation poetry by Wang Wei and Xuan Guang is basically similar. This thesis consists of 6 chapters. The first chapter is the introduction, introducing the contents and methodology of the study. Besides, it also highlights the value and meaningfulness of the thesis. Chapter 2 provides an overall description of the two dynasties – Tang Dynasty (China) and Chen Dynasty (Vietnam) - which had great influence on the writing style of the two poets. Chapter 2 also clarifies the motivations for this study. The contents and the intertwined connection between the poet’s underlying meanings and the objective images in meditation poetry by Wang Wei and Xuan Guang are clearly discussed in chapter 3 and chapter 4 respectively. Based on the previous chapters, chapter 5 presents the similarities and differences in meditation poetry by Wang Wei and Xuan Guang. Chapter 6 is as the conclusion of the study. The implicit contents of their poetry are to resist human desires, live away from material world and follow the Buddhist’s bright way.

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Chuang, Chien-hui, and 莊千慧. "The Research of Wang Xizhi's Calligraphy Adopted by the Latter Calligraphers in the Medival China." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/48169294668862719454.

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博士
國立成功大學
中國文學系碩博士班
97
Based on the theory of reception-response, this thesis focuses on the Medieval Chinese calligraphers’ adoption of Wang Xizhi’s works. To open a dialogue between the interpretations and the imitations of Wang’s style by the latter calligraphers within a historical context, this thesis also shed light on a new aspect of the studies of Wang, which is totally different from the traditional authentication of Wang’s works. The first chapter, introduction, contains motivation and terminology of this study, and the application of aesthetic reception in the study of Wang’s calligraphy. The second chapter is an analysis of the dissemination of Wang’s calligraphic imitations in terms of “viewers,” “imitative technologies” and “imitations.” The third chapter re-examines Wang’s Lan Ting Xu in terms of Six Dynasties’ discourse and how Wang’s calligraphy was canonized by the calligraphy critics, such as Yang Xin, Wang Sengqian and Ye He. The fourth chapter deals with how the Tang Dyansty’s calligraphers developed their own styles by imitating Wang’s. The fifth chapter analyzes the significance of Wang’s Chunhua Ge Tie in the theory of reception-response, and takes examples from the works of Ouyang Xiu, Su Shi, Huang Tingjian, Mi Fu and Zhao Gou. The sixth chapter, conclusion, summarizes research experiences and extended related issues.

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潘德慶. "A critical review of the studies of poems by Wang Wei during recenr sixty years in mainland China." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/56b86t.

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