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Journal articles on the topic 'Wang Shu'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Le, Yi-min, Yong Chen, Zong-bao Yang, and Jia Wei. "Acupuncture-moxibustion Theories of Wang Shu-he." Journal of Acupuncture and Tuina Science 11, no. 1 (2013): 64–66. http://dx.doi.org/10.1007/s11726-013-0658-5.

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2

Gottlieb, Sigal, Johnny Guzmán, Fengyan Li, and Jennifer K. Ryan. "Special Issue in Honor of Professor Chi-Wang Shu." Journal of Scientific Computing 73, no. 2-3 (2017): 459–60. http://dx.doi.org/10.1007/s10915-017-0566-9.

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3

Chau, Hing-Wah. "Wang Shu’s design practice and ecological phenomenology." Architectural Research Quarterly 22, no. 4 (2018): 361–70. http://dx.doi.org/10.1017/s1359135518000684.

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Wang Shu (b. 1963) is a locally trained Chinese architect who has received widespread media coverage in the last decade, especially after receiving the prestigious Pritzker Prize in 2012, often considered the Nobel Prize of architecture. Numerous articles and interviews have been published concerning Wang Shu and his design practice, however, there is a lack of analysis of his work from what might be called the perspective of his ecological phenomenology. Wang acknowledges his interest in phenomenological thinking and expresses an ongoing concern about human relationships with place and nature, the continuity of craftsmanship in the face of technological development, as well as the materiality and tactility of bodily perception. Before analysing Wang's work, relevant ideas of Martin Heidegger (1889–1976) and Maurice Merleau-Ponty (1908–1961) and their influence on architectural discourse are firstly examined. Both of them were seminal philosophers who offered inspiring insights to ecological discourse.

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4

Wang, Li‐Shu. "Very natural cancer chemoprevention: A research profile of Li‐Shu Wang." Food Frontiers 1, no. 3 (2020): 350–51. http://dx.doi.org/10.1002/fft2.35.

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5

Denison, Edward, and Guangyu Ren. "Transgression and Progress in China: Wang Shu and the Literati Mindset." Architectural Design 83, no. 6 (2013): 38–43. http://dx.doi.org/10.1002/ad.1672.

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6

Allan, Sarah. "On Shu 書 (Documents) and the origin of the Shang shu 尚書 (Ancient Documents) in light of recently discovered bamboo slip manuscripts". Bulletin of the School of Oriental and African Studies 75, № 3 (2012): 547–57. http://dx.doi.org/10.1017/s0041977x12000547.

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AbstractIn light of the recent discovery of Warring States period bamboo slips, now in the collection of Tsinghua University, inscribed with texts described as shu, “documents” or “similar to shu”, this article explores the question of “what were shu?” It suggests that shu can be understood as a literary form apart from the history of the Confucian classic, the Shang shu 尚書 (Ancient Documents) or Shu jing 書經 (Book of Documents) and the Yi Zhou shu 逸周書. Formal characteristics include: shu were – or pretended to be – contemporaneous records; and shu include formal speeches by model kings and ministers from ancient times. Many shu include the expression wang ruo yue 王若曰, which is also found in bronze inscriptions, where it indicates that a royal speech was read aloud by an official. Thus, the literary form originated with the practice of composing speeches in writing before they were read out in formal ceremonies, with a bamboo slip copy presented to the officials addressed. Later shu were fictional compositions, written in the style of these ancient documents.

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Denison, Edward, and Guang Yu Ren. "The Reluctant Architect: An Interview with Wang Shu of Amateur Architects Studio." Architectural Design 82, no. 6 (2012): 122–29. http://dx.doi.org/10.1002/ad.1506.

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8

Bigas Vidal, Montserrat, Luis Bravo Farré, Angélica Fernández-Morales, et al. "Toda la ciudad era un Paisaje. Naturaleza, arquitectura y pintura en la obra de Wang Shu." EGA. Revista de expresión gráfica arquitectónica 20, no. 25 (2015): 100. http://dx.doi.org/10.4995/ega.2015.3699.

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Según Wang Shu, su arquitectura produce una experiencia análoga a la que ofrece la contemplación de la pintura tradicional china. Esta se diferencia del arte occidental en que no trata de expresar la sensibilidad visual de su autor a través de la descripción de la luz, el espacio y los objetos. No define los temas a través del color sino perfilándolos con líneas oscuras y unas pocas tonalidades. El pintor no trabaja del natural; normalmente es, también, filósofo y poeta, además de dominar muchas otras disciplinas técnicas y humanísticas; vive aislado en los parajes elegidos antes de pintarlos, para captar el funcionamiento estructural del mundo natural del que forma parte y compartir después, a través de su arte, ese conocimiento. Provocar ese mismo tipo de vivencias es también para Wang Shu el principal propósito de su arquitectura.

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9

Wang, Shu, Zhen Li, and Wenxiao Pan. "Correction: Implicit-solvent coarse-grained modeling for polymer solutions via Mori–Zwanzig formalism." Soft Matter 15, no. 38 (2019): 7733. http://dx.doi.org/10.1039/c9sm90180a.

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10

Hwang, Ji-you. "A Study on the Correlation between Translation and Creation of Dai Wang-shu." JOURNAL OF CHINESE HUMANITIES 68 (April 30, 2018): 341–66. http://dx.doi.org/10.35955/jch.2018.04.68.341.

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11

Shu, Yi D., Jing J. Liu, Yang Zhang, and Xue Z. Wang. "A multi-stage multi-component transfer rate morphological population balance model for crystallization processes." CrystEngComm 21, no. 28 (2019): 4212–20. http://dx.doi.org/10.1039/c9ce00438f.

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12

Dong, Tie Xin, and Zhen Yu Yan. "Architectural Experiment of the Chinese Traditional Painting." Applied Mechanics and Materials 209-211 (October 2012): 145–51. http://dx.doi.org/10.4028/www.scientific.net/amm.209-211.145.

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It introduces the basic information of the Chinese traditional painting, Chinese traditional architecture, and analyses three approaches of the Chinese traditional painting. Indeed, it illustrates the architectural experiment of Wang Shu, according to the Chinese traditional painting.

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13

Lee, Sang-Jun, Ha-Yub Song, and Young-Hoon Jeon. "From Aesthetics to Ethics; The Discourse of Picturesque Extended in The Architecture of Wang Shu." Journal of the architectural institute of Korea planning & design 31, no. 6 (2015): 143–50. http://dx.doi.org/10.5659/jaik_pd.2015.31.6.143.

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14

송경애. "The Translation and Annotation of Wang Shi-Zhen's Yu Yang Shi Hua(＜漁洋詩話＞) in Tan Ji Cong Shu(≪檀几叢書≫)". Journal of Chinese Language and Literature ll, № 56 (2013): 277–96. http://dx.doi.org/10.26586/chls.2013..56.011.

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15

Jing Nie. "Paradigms of flexible configurations: I-generation and Beijing-punks in Wang Meng, Xu Xing, and Chun Shu." China Information 24, no. 2 (2010): 191–211. http://dx.doi.org/10.1177/0920203x10363647.

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16

Zhang, Bin Quan, and Yong Sheng Chen. "The Inheriting and Development of Tradition - Analysis of Wang Shu’s Award Receipt and more Architectural Engineering Cases." Applied Mechanics and Materials 357-360 (August 2013): 129–34. http://dx.doi.org/10.4028/www.scientific.net/amm.357-360.129.

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City construction is beset with severe problems like homogenization, exotic style copy, barbaric development and short-lived buildings, jeopardizing the traditional culture as well as natural environment. Faced with the status quo, it is not feasible to protect the environment at the cost of social and economic development. City construction thus faces extruding problems. The solution of such problems calls for all-dimensional discussion. The practice of Mr. Wang Shu leads the way.

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17

송백선 and 이성재. "Research of Characteristics of Materials Applied with the viewpoint of Critical Regionalism Revealed in the Architecture of Wang Shu." Journal of Korea Intitute of Spatial Design 14, no. 6 (2019): 167–76. http://dx.doi.org/10.35216/kisd.2019.14.6.167.

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18

Xinleng, Gaojin, Jonathan Hale, and Qi Wang. "Novelistic essay: on the form of Wang Shu’s PhD thesis, ‘Fictionalising Cities’." Architectural Research Quarterly 23, no. 2 (2019): 157–66. http://dx.doi.org/10.1017/s1359135519000228.

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In 2012 the Chinese architect Wang Shu won the distinguished Pritzker Architecture Prize. Since then, his buildings and his architectural thinking have received increasing international attention. Among his many written works, Wang’s PhD thesis ‘Fictionalising Cities’ – completed in 2000 under the supervision of Professor Jiwei Lu at Tongji University in Shanghai – is widely considered the definitive statement of his architectural thought and methodology. It comprises a structuralist study of the city and its architecture, doing so through the development of two key themes. The first is Wang’s theoretical discussion of the application of structuralist-semiotic approaches to architecture, urban research, and other areas in the humanities, and the second is his reading of the Chinese city and China’s landscape architecture tradition in the light of this theoretical discussion. Wang believes that traditional Chinese cities have their own structure, components and rules of combination, and refers to them as instances of ‘texture city’ (), a term that proposes an analogy between Roland Barthes’s notion of text and the city, both of which are understood as a ‘fabric of signifiers’.

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19

조성천 та 이상훈. "The Translation and Annotation of Two Pieces of Shu Hou(書後) in Wang Fu-zhi's Jiang Zhāi Wen Ji". Journal of Chinese Language and Literature ll, № 65 (2014): 355–74. http://dx.doi.org/10.26586/chls.2014..65.013.

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20

Chau, Hing-wah. "Xianfeng? Houfeng? Youfeng?—An analysis of selected contemporary Chinese architects, Yung Ho Chang, Liu Jiakun, and Wang Shu (1990s-2000s)." Frontiers of Architectural Research 4, no. 2 (2015): 146–58. http://dx.doi.org/10.1016/j.foar.2015.03.005.

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21

Luo, Zhitian. "National Humiliation and National Assertion: The Chines Response to the Twenty-one Demands." Modern Asian Studies 27, no. 2 (1993): 297–319. http://dx.doi.org/10.1017/s0026749x00011501.

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The Japanese Twenty-one Demands toward the Chinese government headed by Yuan Shih-k'ai in 1915 marked a milestone in Sino-Japanese relations as well as in the Chinese response to imperialism. Yet studies on the event, particularly on its consequence and influence in China, are still insufficient. Studies by Chinese scholars have not gone far beyond Wang Yun-sheng's publication of collected materials more than fifty years ago. The only book-length study on the event is the first volume of Li Yu-shu's study, published in Taiwan. This last does not even cover the whole period of Sino-Japanese negotiations. His second volume has not yet appeared. Li's contribution is that he has made use of more Japanese documents than Wang. In mainland China, the most current study on the event is a chapter on the Demands in the first volume of the work by Li Hsin and Li Tsung-i. This chapter is based primarily on the works of Wang and Li Yu-shu. Compared with Japanese studies on other landmarks of Sino-Japanese relations, the coverage of this episode is rather thin. There is only one book-length study, published in 1958. As for works in English, Madeleine Chi's book has a chapter dealing with the Sino-Japanese negotiations. Two general works examine the event from a broader perspective.

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22

Savage, William E. "Archetypes, Model Emulation, and the Confucian Gentleman." Early China 17 (1992): 1–25. http://dx.doi.org/10.1017/s0362502800003667.

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The ideal of the gentleman occupies an important position in the Confucian Analects. Many elements of this ideal appear in pre-Confucian sources as fundamental images of aristocratic excellence. This article presents several of those images as they appear in Western Chou bronze inscriptions, the Shih-ching and Shu-ching. In particular, we will study the role of model behavior and model emulation as well as images of Wen Wang, noble ancestors and their virtue, te. We shall see the application of these expressions of human excellence gradually extended beyond royalty and nobility to become components of a new definition of human worth applicable to all men.

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23

Fleming, David H. "The architectural cinematicity of Wang Shu and the architectonic cinema of Jia Zhangke: Diagrammatically decomposing the ‘main melody’ in monu-mental assemblage art." Journal of Urban Cultural Studies 3, no. 1 (2016): 33–53. http://dx.doi.org/10.1386/jucs.3.1.33_1.

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24

Gottlieb, Sigal, Jae-Hun Jung, and Saeja Kim. "A Review of David Gottlieb’s Work on the Resolution of the Gibbs Phenomenon." Communications in Computational Physics 9, no. 3 (2011): 497–519. http://dx.doi.org/10.4208/cicp.301109.170510s.

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AbstractGiven a piecewise smooth function, it is possible to construct a global expansion in some complete orthogonal basis, such as the Fourier basis. However, the local discontinuities of the function will destroy the convergence of global approximations, even in regions for which the underlying function is analytic. The global expansions are contaminated by the presence of a local discontinuity, and the result is that the partial sums are oscillatory and feature non-uniform convergence. This characteristic behavior is called the Gibbs phenomenon. However, David Gottlieb and Chi-Wang Shu showed that these slowly and non-uniformly convergent global approximations retain within them high order information which can be recovered with suitable postprocessing. In this paper we review the history of the Gibbs phenomenon and the story of its resolution.

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25

Ding, Guanghui, Jonathan Hale, and Steve Parnell. "Constructing a place for critical practice in China: the history and outlook of the journal Time + Architecture." Architectural Research Quarterly 17, no. 3-4 (2013): 237–52. http://dx.doi.org/10.1017/s1359135514000062.

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This paper investigates the history and programme of the Chinese architectural journal Time + Architecture (Shidai Jianzhu). As one of the newly established architectural periodicals in post-Mao China, the journal was launched in 1984 by academics Luo Xiaowei, Wang Shaozhou and their colleagues at the Department of Architecture in Tongji University, Shanghai. The journal's close association with academic institutions and commercial design firms shaped its dual nature; that is, both scholarly and professional. At the turn of the millennium, the journal's substantial reform of editorial policy redefined its character from a ‘presenter’ of received materials to a ‘producer’ of selected collaborative work, and enabled it to maintain editorial distinctiveness in the Chinese architectural publishing scene.This paper argues that Time + Architecture constructed a significant place for critical practice in contemporary China through the presentation of critical architecture and architectural criticism. Over the past few decades, the journal, under the editorship of Zhi Wenjun, published a number of special issues on the work of emerging independent architects such as Yung Ho Chang, Wang Shu, Liu Jiakun and others. The thematic topics, projects and criticisms presented by the journal exemplified an editorial agenda to publish innovative and exploratory work and demonstrated the editors' and contributors' collective endeavours to develop a critical discourse that confronted the dominant ideology of architecture.

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26

Sun, Warren. "The Chinese Cultural Revolution Database CD-ROM. Song Yongyi , Shih Chih-yu , Ding Shu , Zhou Yuan , Shen Zhijia , Guo Jian , Zhou Zehao , Wang Youqin." China Journal 50 (July 2003): 195–98. http://dx.doi.org/10.2307/3182280.

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27

Lorge, Peter. "Power and Politics in Tenth-Century China: The Former Shu Regime. By Hongjie Wang. Amherst, NY: Cambria Press, 2011. xvii, 382 pp. $124.99 (cloth)." Journal of Asian Studies 71, no. 3 (2012): 789–90. http://dx.doi.org/10.1017/s0021911812000836.

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28

Chan, Shelly. "The Case for Diaspora: A Temporal Approach to the Chinese Experience." Journal of Asian Studies 74, no. 1 (2014): 107–28. http://dx.doi.org/10.1017/s0021911814001703.

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This article revisits the criticisms of “diaspora” by Wang Gungwu, Ien Ang, and Shu-mei Shih, and urges a return to the concept with an attention to temporality. Focusing on the story of Lim Boon Keng (1869–1957)—an Edinburgh-educatedbabaChinese who led a Confucian revival in Singapore in the 1890s, clashed with May Fourth writer Lu Xun in China in the 1920s, and has been celebrated since the 1990s—this article argues that diaspora is less a collection of communities than a series of moments in which reconnections with a putative homeland take place. By considering how “diaspora moments” emerge and create actors, scholars may ask why and for whom essential ties become useful, and how the history of mass emigration foregrounds a contingent Chinese identity. Temporally inflected, diaspora is a process to reckon with a world in flux, hence a useful paradigm for analysis.

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Zheng, Kang, and Je-Joong Kwon. "A Study on the Inheritance and Development of Traditional Folk House in the South of the Yangtze River in the Architectural Works of Wang Shu." Journal of the architectural institute of Korea planning & design 31, no. 11 (2015): 81–92. http://dx.doi.org/10.5659/jaik_pd.2015.31.11.81.

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30

Clark, Hugh R. "China's Southern Tang Dynasty, 937-976 by Johannes L. Kurz, and: Power and Politics in Tenth-Century China: The Former Shu Regime by Hongjie Wang." Journal of Song-Yuan Studies 42, no. 1 (2013): 449–63. http://dx.doi.org/10.1353/sys.2013.0012.

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31

Guan, Li-Zeng, Qian-Yun Xi, Yu-Ping Sun та ін. "Intestine-specific expression of the β-glucanase in mice". Canadian Journal of Animal Science 94, № 2 (2014): 287–93. http://dx.doi.org/10.4141/cjas2013-125.

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Guan, L.-Z., Xi, Q.-Y., Sun, Y.-P., Wang, J.-L., Zhou, J.-Y., Shu, G., Jiang, Q.-Y. and Zhang, Y.-L. 2014. Intestine-specific expression of the β-glucanase in mice. Can. J. Anim. Sci. 94: 287–293. The β-glucanase gene (GLU, from Paenibacillus polymyxa CP7) was cloned into a specific expression plasmid (MUC2-GLU-LV). Transgenic mice were prepared by microinjection. Polymerase chain reaction and Southern blot analysis of genomic DNA extracted from the tail tissue of transgenic mice showed that the mice carried the β-glucanase gene. Northern blot analysis indicated that β-glucanase was specifically expressed in the intestine of the transgenic mice. The β-glucanase activity in the intestinal contents was found to be 1.23±0.32 U mL−1. The crude protein, crude fat digestibility of transgenic mice were increased by 9.32 and 5.09% (P<0.05), respectively, compared with that of the non-transgenic mice, while moisture in feces was reduced by 12.16% (P<0.05). These results suggest that the expression of β-glucanase in the intestine of animals offers a promising biological approach to reduce the anti-nutritional effect of β-glucans in feed.

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32

YUAN, TIAN-JUN, OLIVIER RASPÉ, YONG-JUN LI, et al. "Tian-Jun Yuan, Olivier Raspé, Yong-Jun Li, Li Wang, Kai-Mei Su, Yun Wang, Hong-Yan Su, Hai-Kuan Xiong & Shu-Hong Li. (2021) Choiromyces cerebriformis (Tuberaceae), a new hypogeous species from Yunnan, China. Phytotaxa 482 (3): 251–260." Phytotaxa 496, no. 1 (2021): 104. http://dx.doi.org/10.11646/phytotaxa.496.1.9.

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33

Sun, Yu, and Longhai Zhang. "Shakespeare across the Taiwan Strait: A Developmental Perspective." Multicultural Shakespeare: Translation, Appropriation and Performance 20, no. 35 (2019): 115–31. http://dx.doi.org/10.18778/2083-8530.20.09.

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Shakespeare studies in Mainland China and Taiwan evolved from the same origin during the two centuries after Shakespeare being introduced into China in the early nineteenth century. Although Shakespeare was first seen on the Taiwan stage in the Japanese language during the colonial period, it was after Kuomintang moved to Taiwan in 1949 that Shakespeare studies began to flourish when scholars and theatrical experts from mainland China, such as Liang Shih-Chiu, Yu Er-Chang, Wang Sheng-shan and others brought Chinese Shakespeare to Taiwan. Since the 1980s, mainland Shakespeareans began to communicate actively with their colleagues in Taiwan. With the continuous efforts of Cao Yu, Fang Ping, Meng Xianqiang, Gu Zhengkun, Yang Lingui and many other scholars in mainland China and Chu Li-Min, Yen Yuan-shu, Perng Ching-Hsi and other scholars in Taiwan, communications and conversations on Shakespeare studies across the Taiwan Strait were gradually enhanced in recent years. Meanwhile, innovations in Chinese adaptations of Shakespeare have resulted in a new performing medium, Shake-xiqu, through which theatrical practitioners on both sides explore possibilities of a union of Shakespeare and traditional Chinese theatre. This paper studies some intricate relationship in the history of Shakespeare studies in mainland China and Taiwan from a developmental perspective and suggests opportunities for positive and effective co-operations and interactions in the future.

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34

Schmalzer, Sigrid. "Weimin Xiong;, Kedi Wang. He cheng yi ge dan bai zhi: Jie jing niu yi dao su de ren gong quan he cheng [Synthesize a protein: The story of total synthesis of crystalline insulin project in China]. (Zhongguo jin xian dai ke xue ji shu shi yan jiu cong shu.). 194 pp., figs., bibl., app., index. Jinan: Shandong jiao yu chu ban she [Shandong Education Press], 2005. $25 (paper)." Isis 99, no. 1 (2008): 231–32. http://dx.doi.org/10.1086/589404.

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35

Patschan, Susann, Jun Chen, Alla Polotskaia, et al. "Lipid mediators of autophagy in stress-induced premature senescence of endothelial cells." American Journal of Physiology-Heart and Circulatory Physiology 294, no. 3 (2008): H1119—H1129. http://dx.doi.org/10.1152/ajpheart.00713.2007.

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Our group (Patschan S, Chen J, Gealekman O, Krupincza K, Wang M, Shu L, Shayman JA, Goligorsky MS; Am J Physiol Renal Physiol 294: F100–F109, 2008) previously observed an accumulation of gangliosides coincident with development of cell senescence and demonstrated lysosomal permeabilization in human umbilical vein endothelial cells exposed to glycated collagen I (GC). Therefore, we investigated whether the lysosome-dependent, caspase-independent or type 2-programmed cell death (autophagy) is involved in development of premature senescence of endothelial cells. The cleaved microtubule-associated protein 1 light-chain 3 (LC3), a marker of autophagosome formation, was overexpressed within 24 h of GC treatment; however, by 4–5 days, it was nearly undetectable. Early induction of autophagosomes was associated with their fusion with lysosomes, a phenomenon that later became subverted. Autophagic cell death can be triggered by the products of damaged plasma membrane, sphingolipids, and ceramide. We observed a clustering of membrane rafts shortly after exposure to GC; later, after 24 h, we observed an internalization, accompanied by an increased acid sphingomyelinase activity and accumulation of ceramide. Pharmacological inhibition of autophagy prevented development of premature senescence but did lead to the enhanced rate of apoptosis in human umbilical vein endothelial cells exposed to GC. Pharmacological induction of autophagy resulted in reciprocal changes. These observations appear to represent a mechanistic molecular cascade whereby advanced glycation end products like GC induce sphingomyelinase activity, accumulation of ceramide, clustering, and later internalization of lipid rafts.

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Sivin, N. "Hsueh Ch’ing-lu et al., editors. Ch’üan-kuo Chung-i t’u-shu lien-ho mu-lu (National union catalogue of primary sources for Chinese medicine). Beijing: Chung-i) Ku-chi Ch’u-pan-she, 1991. 2 + 2 + 8 + 1104 pp. Simplified characters.\Ma Chi-hsing Chung-i wen-hsien-hsueh (The study of Chinese medical literature). Shanghai: Shang-hai K’ohsueh Chi-shu Ch’u-pan-she, 1990. 2 + 14 + 560 pp., 2 tables bound in Simplified characters.\— et al., editors. Tun-huang ku i chi k’ao-shih (Ancient medical books from Dunhuang, with critical annotations). Nanchang: Chiang-hsi K’o-hsueh Chi-shu Ch’u-pan-she, 1988. 4 + 508 pp. Simplified characters.\Chou I-mou and Hsiao Tso-t’ao Ma-wang-tui ishu k’ao-chu (The Ma-wang-tui medical texts with critical annotations). Tianjin: Tien-chin K’o-hsueh Chi-shu Ch’upan-she, 1988. 11 + 3 + 1 + 444 pp." East Asian Science, Technology, and Medicine 10, no. 1 (1991): 53–56. http://dx.doi.org/10.1163/26669323-01001005.

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37

Cheang, Shu Lea, and Kimberly SaRee Tomes. "Shu Lea Cheang: Hi-Tech Aborigine." Wide Angle 18, no. 1 (1996): 3–15. http://dx.doi.org/10.1353/wan.1996.0005.

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38

Yen, Wei-Ting. "Michael Hsin-Huang Hsiao, Yu-Yuan Kuan and Shu-Yung Wang (eds.), Taiwan’s Social Welfare Movements and Policy Impact, 2000–2018 [台灣的社會福利運動與政策效應: 2000–2018]". International Journal of Taiwan Studies 4, № 1 (2021): 197–200. http://dx.doi.org/10.1163/24688800-20201180.

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39

Airen, Huang. "Hu Shi and Wang Yunwu." Chinese Studies in History 37, no. 3 (2004): 34–65. http://dx.doi.org/10.2753/csh0009-4633370334.

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40

WEILONG, JI. "Hu Shi and Wang Chongmin." Chinese Studies in History 39, no. 2 (2006): 45–68. http://dx.doi.org/10.2753/csh0009-4633390202.

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Ji, Shen. "Hu Shi and Wang Mengzou." Chinese Studies in History 39, no. 4 (2006): 56–87. http://dx.doi.org/10.2753/csh0009-4633390403.

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42

Esiashvili, Natia, and Lang Robertson Liebman. "In Reply to Wang and Shi." International Journal of Radiation Oncology*Biology*Physics 82, no. 1 (2012): 494. http://dx.doi.org/10.1016/j.ijrobp.2011.08.038.

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43

홍서연. "The Relativity of Wang Guo-Wei's Jingjieshuo to Wang Shi-Jhen's Senyunshuo." Journal of Chinese Language and Literature ll, no. 39 (2008): 421–51. http://dx.doi.org/10.26586/chls.2008..39.017.

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Oh, Mok, Ali McBride, Seongseok Yun, et al. "Response to Yang, Shi, Wang et al." JNCI: Journal of the National Cancer Institute 112, no. 4 (2019): 428. http://dx.doi.org/10.1093/jnci/djz163.

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Baumeister, Sebastian E., Michael F. Leitzmann, Jakob Linseisen, and Sabrina Schlesinger. "Response to Yang, Shi, Wang, et al." JNCI: Journal of the National Cancer Institute 112, no. 6 (2019): 653. http://dx.doi.org/10.1093/jnci/djz188.

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Lee, Geun-Myung. "The Description of Song shi Wang An-shi chuan and Shen zong shi lu." Korean Society of the History of Historiography 37 (June 10, 2018): 79–99. http://dx.doi.org/10.29186/kjhh.2018.37.79.

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Webb, Richard. "I want what she wants." New Scientist 200, no. 2687 (2008): 52–55. http://dx.doi.org/10.1016/s0262-4079(08)63237-6.

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Weidtmann, Axel, Jochen Vollmann, Michael Wank, and Frank Michael Reinhardt. "What did she ?really? want?" Intensive Care Medicine 30, no. 4 (2004): 733. http://dx.doi.org/10.1007/s00134-004-2162-3.

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Hartman, Charles, and Wang An-shih. "Wang Ching-wen kung shih li pi chu (Wang Jingwen gong shi li bi zhu)." Chinese Literature: Essays, Articles, Reviews (CLEAR) 17 (December 1995): 183. http://dx.doi.org/10.2307/495570.

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Chung, Heon-Chul, and Dae-Jin Chun. "The Image of Wang An-Shi in ‘San Yan." Chinese Studies 50 (March 31, 2015): 131–55. http://dx.doi.org/10.14378/kacs.2015.50.50.131.

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