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Relevant bibliographies by topics / War cartoons

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Academic literature on the topic 'War cartoons'

Author: Grafiati

Published: 4 June 2021

Last updated: 5 February 2022

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Journal articles on the topic "War cartoons"

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Rinehart, Robert E., and Jayne Caudwell. "Sport–war cartoon art." Media, War & Conflict 11, no. 2 (2017): 223–43. http://dx.doi.org/10.1177/1750635217696435.

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In this article, We explore the extent to which political cartoons and comic strips – as mediated public and political visual art, the ‘ninth art’ according to Groensteen’s The System of Comics (2007[1999] – subvert/confirm institutional values of so-called Western democracies during times of war. Our concern, as sociologists of sport, is with the ways dominant sporting sensibilities are (re)presented in cartoon art, and how sport itself is conflated with patriotic ideologies of war as a vehicle for propaganda. In particular, We interrogate how competitive-sporting ideals are aligned with war

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Paek, Jung Sook. "Cartoons in War, Cold War in Comics: Korean War Cartoon & Comics and Psychological Warfare." Critical Review of History 118 (February 28, 2017): 344–80. http://dx.doi.org/10.38080/crh.2017.02.118.344.

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Nesselroth, Peter W. "McLuhan’s war: Cartoons and decapitations." Semiotica 2016, no. 213 (2016): 457–72. http://dx.doi.org/10.1515/sem-2015-0132.

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AbstractThis essay analyzes certain recent news events like the “Charlie Hebdo” massacres and the recurring decapitations of prisoners and hostages by ISIS and other groups. It updates Jakobson’s standard model of communication to account for the different “factors” at play in our present reality and it calls for an “applied McLuhan” approach to processing the images that succeed each other on our various contemporary screen types. One of McLuhan’s prophecies was that the return of oral culture through new communications media would have catastrophic consequences for humanity. Judging by curre

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Edwards, Louise. "Drawing Sexual Violence in Wartime China: Anti-Japanese Propaganda Cartoons." Journal of Asian Studies 72, no. 3 (2013): 563–86. http://dx.doi.org/10.1017/s0021911813000521.

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During the War of Resistance against Japan (1937–45), China's leading cartoon artists formed patriotic associations aimed at repelling the Japanese military. Their stated propaganda goals were to boost morale among the troops and the civilian population by circulating artwork that would ignite the spirit of resistance among Chinese audiences. In keeping with the genre, racialized and sexualized imagery abounded. The artists created myriad disturbing visions of how militarized violence impacted men's and women's bodies differently. By analyzing the two major professional journals, National Salv

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Caswell, Lucy Shelton. "Drawing Swords: War in American Editorial Cartoons." American Journalism 21, no. 2 (2004): 13–45. http://dx.doi.org/10.1080/08821127.2004.10677580.

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MILLER, BONNIE M. "The Image-Makers' Arsenal in an Age of War and Empire, 1898–1899: A Cartoon Essay, Featuring the Work of Charles Bartholomew (of the Minneapolis Journal) and Albert Wilbur Steele (of the Denver Post)." Journal of American Studies 45, no. 1 (2010): 53–75. http://dx.doi.org/10.1017/s0021875810000046.

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Utilizing the work of two cartoonists who produced for newspapers outside the central establishment of the yellow press, this essay argues for the critical role of political cartoonists in shaping viewers' expectations of US involvement in the Spanish-American War of 1898. It features seventeen cartoons, arranged carefully to reflect the shifting political climate, in order to demonstrate the narrative frameworks, image selections, and paradigm shifts in their representations of war and empire. Their cartoons were emblematic of how artists nationwide harnessed typographies of gender, race, and

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Jabeen, Sarwat, Tazanfal Tehseem, and Samia Naz. "War against Terror Impacts on Pakistan’s Economy: A Critical Discourse Analysis of Pakistani Newspapers." Review of Economics and Development Studies 6, no. 2 (2020): 631–43. http://dx.doi.org/10.47067/reads.v6i2.229.

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The present research is an attempt to explore the discourses of political cartoons published in Pakistani Urdu and English newspapers representing the war against terror impacts on Pakistan’s economy. Newspapers’ linguistic and semiotic representations of war against terror impacts on Pakistan’s economy are ideologically loaded and employed in the construction and deconstruction of the realities of post 9/11 scenario in a desired way. The research uses multimodal critical discourse approach (Machin, 2007) along with Van Leeuwen’s framework for recontextualisation (2008) and Fairclough’s (2003)

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Zhang, Cun. "The Sino–US trade war in political cartoons: A synthesis of semiotic, cognitive, and cultural perspectives." Intercultural Pragmatics 18, no. 4 (2021): 469–97. http://dx.doi.org/10.1515/ip-2021-4003.

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Abstract Economic globalization has resulted in more frequent trading frictions, some of which have escalated into trade wars such as the one between China and the US. Drawing on the same corpus built by Zhang and Forceville (Zhang, Cun & Charles Forceville. 2020. Metaphor and metonymy in Chinese and American political cartoons (2018–2019) about the Sino–US trade conflict. Pragmatics and Cognition 27(2). 476–501), and complementing insights of that paper, this paper investigates how the Sino–US trade war is metaphorically and metonymically constructed in 129 Chinese and American political

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Hung, Chang-Tai. "War and Peace in Feng Zikai's Wartime Cartoons." Modern China 16, no. 1 (1990): 39–83. http://dx.doi.org/10.1177/009770049001600102.

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Vukičević, Marko. "Depiction of the Enemy in Croatia During World War I." Eikon / Imago 9 (July 3, 2020): 341–61. http://dx.doi.org/10.5209/eiko.73327.

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The aim of this paper is to analyse and compare the visual representation and iconography in works depicting the enemy in Croatian visual arts during World War I. The article encompasses research on unpublished archival sources and contemporaneaous press. The works of renowned Croatian artists, who were enlisted or volunteered for frontline duty are analysed, as are the works of art presented to the Croatian general public through graphics, cartoons and caricatures in the then popular press. Comparison of war-themed images shows differences in the visualisation of the enemy. The generally acce

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Dissertations / Theses on the topic "War cartoons"

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Gregory, Philippa Michelle. "The funny side of war : British cartoons, visual humour and the Great War." Thesis, University of Kent, 2016. https://kar.kent.ac.uk/61149/.

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This thesis examines cartoons and the humour they express throughout the Great War of 1914-1918. Its aim is to highlight the relevance of visual material in an historical context, to draw upon humour as an insight to cultural moods and attitudes in wartime, and to bring an interdisciplinary approach to the cultural history of the Great War. To do this it will highlight the humour of different British cartoonists in selected newspapers and publications throughout the war and beyond. Primarily it will take a thematic and qualitative approach to visual topics expressed in cartoons analysing their

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Luce, Russell Ralph. "President George W. Bush a portrayal of the Iraq War through cartoons /." Connect to this document online, 2005. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=miami1134156853.

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Thesis (M.A.)--Miami University, Dept. of Speech Communication, 2005.<br>Title from first page of PDF document, author statement from p. [i]. Document formatted into pages; contains [1], iv, 40 p. : ill. Includes bibliographical references (p. 35-37).

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Loveridge, Steven. "'Soldiers and Shirkers': An Analysis of the Dominant Ideas of Service and Conscientious Objection in New Zealand During the Great War." The University of Waikato, 2009. http://hdl.handle.net/10289/2762.

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During the First World War, ideas of duty and sacrifice were a dominant characteristic of public discourse in New Zealand. Specifically, concern centred on a perceived inequality of sacrifice, which saw brave soldiers die on the front lines, whilst other men remained on the home front, apparently avoiding duty. This thesis charts the prevailing and powerful ideas that circulated during wartime New Zealand around these two stereotypes; on the one hand there was the soldier, the ideal of service and duty; on the other, the conscientious objector, a target for the derogatory label of 'shirker'. W

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Shank, Patrick. "Below The Depths With USS Becuna: Reinterpreting Cold War History Through Submarines and Cartoons." Master's thesis, Temple University Libraries, 2017. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/445085.

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History<br>M.A.<br>Connecting people to the past through thought-provoking interpretations is one of the chief aims of history museums. The submarine USS Becuna at the Independence Seaport Museum (ISM), however, has been without critical interpretation since its opening as a museum in 1976. In order to better fulfill its mission, the museum must interpret Becuna’s Cold War history. This project explores the Cold War though the history of the submarine’s service and the lives of the submariners. First by examining submarines during the early decades of the Cold War, this paper fills in the gaps

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Merhej, Lena Irmgard [Verfasser], Marion [Akademischer Betreuer] [Gutachter] Müller, Birgit [Gutachter] Mersmann, and John [Gutachter] Bateman. "Analysis of Graphic Narratives: War in Lebanese Comics / Lena Irmgard Merhej ; Gutachter: Marion Müller, Birgit Mersmann, John Bateman ; Betreuer: Marion Müller." Bremen : IRC-Library, Information Resource Center der Jacobs University Bremen, 2017. http://d-nb.info/1124680993/34.

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Merhej, Lena Irmgard Verfasser], Marion [Akademischer Betreuer] [Gutachter] Müller, Birgit [Gutachter] Mersmann, and John A. [Gutachter] [Bateman. "Analysis of Graphic Narratives: War in Lebanese Comics / Lena Irmgard Merhej ; Gutachter: Marion Müller, Birgit Mersmann, John Bateman ; Betreuer: Marion Müller." Bremen : IRC-Library, Information Resource Center der Jacobs University Bremen, 2017. http://nbn-resolving.de/urn:nbn:de:gbv:579-opus-1006002.

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Newman, Melissa. "The Pictorial Stylings of Louis Raemaekers and Sir David Low: A Comparison of Anti-German Cartoons from World War I to World War II." Wittenberg University Honors Theses / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=wuhonors1534161003102886.

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Lapeyre, Jason. "Mickey Mouse and the Nazis the use of animated cartoons as propaganda during World War II /." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape3/PQDD_0019/MQ59182.pdf.

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Ciaravolo, Beth A. "The Bear, the Bomb, and Uncle Sam: The Evolving American Perception of "Russians" Viewed Through Political Cartoons." University of Cincinnati / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1337885598.

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Allison, Kate. "A comparative study of the Boer War conveyed in the 1901 political cartoons of Edward Linley Sambourne in Punch and Jean Veber in L'Assiette au Beurre." Thesis, University of Lincoln, 2015. http://eprints.lincoln.ac.uk/19811/.

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Political cartoons as headline representation are in effect a combination of artistic licence and a critical version of the truth. Linley Sambourne and Jean Veber’s 1901 cartoons on the Boer War for Punch and L’Assiette au Beurre create tensions and dialectic not only on British and French feeling about foreign policy in South Africa and at home, but also indicate fine points on each publication’s editorial remit. This comparative study is a mirroring synthesis of these approaches that sets the Boer War forty five cartoons in context. Whereas Punch’s cartoons are set within a text layout and L

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Books on the topic "War cartoons"

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Darracott, Joseph. A cartoon war: World War Two in cartoons. Leo Cooper, 1989.

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Cartoons of World War II. Arcturus, 2013.

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Bryant, Mark. World War II in cartoons. W.H. Smith, 1989.

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The Napoleonic Wars in cartoons. Grub Street, 2009.

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Drawing the curtain: The Cold War in cartoons. Fontanka, 2012.

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Historicus. Lines and battlelines: Cartoons of World War II. s.n., 2000.

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J, Huff P., ed. Lines of contention: Political cartoons of the Civil War. HarperCollins Publishers, 2007.

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Minear, Richard H. Dr. Seuss goes to war: The World War II editorial cartoons of Theodor Seuss Geisel. New Press, 1999.

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Reid, Libby. Do you hate your hips more than nuclear war?: Cartoons. Penguin Books, 1988.

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Allen, Tony. The cartoons of Louis Raemakers, 1914-1918. Holgate, 2000.

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Book chapters on the topic "War cartoons"

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Barrett, Robert S., and Louis Hugo Francescutti. "Raising Children on War, Cartoons, and Social Media." In Hardwired: How Our Instincts to Be Healthy are Making Us Sick. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-51729-8_3.

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Cook, Malcolm. "The First World War: British Animated Cartoons and Their International Contexts." In Early British Animation. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-73429-3_5.

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Li, Danke. "The Visual as Memory: Gender, Memory, and Chinese Political Cartoons in the Second Sino-Japanese War." In Gender and the Second World War. Macmillan Education UK, 2017. http://dx.doi.org/10.1057/978-1-137-52460-7_14.

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Dickason, Renée. "The Nuanced Comic Perspectives of the Cartoons in Mr. Punch’s History of the Great War." In Humor, Entertainment, and Popular Culture during World War I. Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137436436_8.

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Kangas, Reeta E. "The State of the Art: Surveying Digital Russian Art History." In The Palgrave Handbook of Digital Russia Studies. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-42855-6_31.

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AbstractWith the growing interest in digital humanities, the methodology of digital art history is in some respects lagging behind the trend. Given the prospects of the new digital image analysis, computer vision, and visualization methods, a number of questions have arisen as to how exactly the new digital methods can and should be applied to art history. Furthermore, when trying to apply these digital methods to the analysis of Russian art, one encounters a whole new set of questions and challenges. In this chapter, I examine current and potential applications of digital methods to the analysis of Soviet political cartoons published in Pravda during the “Great Patriotic War,” 1941–1945, as well as the study of Russian art history more generally. I especially examine how the combination of quantitative and qualitative analyses of political cartoons enables a deeper understanding that illustrates cultural, historical, and political developments over time.

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Rohrer, Tim. "Race-baiting, Cartooning and Ideology: A conceptual blending analysis of contemporary and WW II war cartoons." In Ideologien zwischen Lüge und Wahrheitsanspruch. Deutscher Universitätsverlag, 2004. http://dx.doi.org/10.1007/978-3-322-81345-9_12.

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Hiley, Nicholas. "‘A New and Vital Moral Factor’: Cartoon Book Publishing in Britain During the First World War." In Publishing in the First World War. Palgrave Macmillan UK, 2007. http://dx.doi.org/10.1057/9780230210837_10.

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Darowski, Joseph J. "Several Decades Ago in Your Living Room: Ewoks, Droids, and Star Wars Saturday Morning Cartoons." In The Transmedia Franchise of Star Wars TV. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-52958-1_7.

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"3. Cartoons." In War and Popular Culture. University of California Press, 1994. http://dx.doi.org/10.1525/9780520354869-007.

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Chapman, Jane, Kate Allison, Andrew Kerr, and John Cafferkey. "Cartoons." In The Edinburgh History of the British and Irish Press, Volume 3. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474424929.003.0021.

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Throughout the 20<sup>th</sup> century, cartoons relentlessly appeared in all sorts of newspapers, evidence of the immense cultural impact of illustrative satire long before the era of television. Many events were recorded in print, such as the Great War, the 1916 Easter Rising, women’s suffrage, the Second World War, and the Cold War. This chapter uses Gombrich’s ‘6 point filter’ for cartoon analysis to present both case studies and longer- term trends. Case studies include pioneering Irish satire in The Lepracaun, and British football cartoons used to present the perspectives of the working - class British soldier from 1914 to 1918. The authors analyse several trends over time, including increased ‘creative acerbity’, for instance during ‘The Troubles’ in Northern Ireland, through to a greater personalisation of issues and use of a celebrity approach, often as propaganda during the Cold War and Vietnam. Findings from the analysis of over a thousand images point to an increase in derivative amateur cartoons, which is construed as a democratic tool for expression.

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Conference papers on the topic "War cartoons"

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Yao, Wei, and Jian S. Dai. "Path Planning for Origami Carton Folding With a Multi-Fingered Robotic System." In ASME 2007 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. ASMEDC, 2007. http://dx.doi.org/10.1115/detc2007-35542.

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This paper investigates the algorithm of origami carton folding with a multi-fingered robotic carton-packaging system. The equivalent mechanism structure of origami cartons is developed by modeling carton boards as links and creases as revolution joints. The trajectories of carton folding are analyzed by the mechanism model. Particularly the vertex of the carton is identified as a spherical linkage. A path planning algorithm is then generated based on the trajectory that is passed on to the tip of a five-bar robotic finger and the finger configuration space is identified. A test rig with two r

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Mullineux, Glen, Jason Matthews, and Tony Medland. "Constraint-Based Design Support for the Improved Erection of Packaging." In ASME 2009 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. ASMEDC, 2009. http://dx.doi.org/10.1115/detc2009-87196.

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Within the consumer goods industry, cartons are a common way to package a variety of products. Although the primary function of the packaging is to protect the product, it is also used as an advertising tool to promote the product. This, in conjunction with environmental pressures to reduce the amount of packaging, often leads to redesigns of the shape and size of the packaging. When such new designs are required, it becomes necessary to simulate their erection to ensure that this functions correctly. In this paper a constraint-based technique is employed to model the carton and to provide suc

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Klančar, Kaja, and Urška Vrabič Brodnjak. "Promotional packaging from carton of invasive alient plant." In 10th International Symposium on Graphic Engineering and Design. University of Novi Sad, Faculty of technical sciences, Department of graphic engineering and design,, 2020. http://dx.doi.org/10.24867/grid-2020-p36.

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In this research, the design of innovative promotional packaging made of carton, which was made from the invasive, non-native acacia is presented. The entire planning process was based on the principle of ecological design. One of the main objectives was to create an innovative and versatile ecological product, a calendar that does not require any adhesive in its composition. The basic, mechanical, surface and structural properties of the ecological carton with a high grammage made of acacia compared them with the most commonly used one-side coated white cardboard made of wood fibres has been

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Ozcan, Arif, Emine Arman Kandirmaz, and Omer Bunyamin Zelzele. "The effect of deinking and binder type on inkjet print quality." In 10th International Symposium on Graphic Engineering and Design. University of Novi Sad, Faculty of technical sciences, Department of graphic engineering and design,, 2020. http://dx.doi.org/10.24867/grid-2020-p43.

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In the printing industry, as in all other industries, efficient use of resources, sustainable production and economics are among the most important issues. The increasing use and purpose of printed products, the increasing consumer demands and the development of technology also increase the demand for paper products. Paper and cardboard materials in line with the increasing consumer demand to give better printing characteristics are implemented in a number of operations. These processes are sizing, coating, and calendering. The recycling and re-use of paper and cartons that have been treated o

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Šumiga, Barbara, Igor Karlovits, and Boštjan Šumiga. "Adhesion strength of temperature varied nanocellulose enhanced water based paper and cardboard adhesives." In 10th International Symposium on Graphic Engineering and Design. University of Novi Sad, Faculty of technical sciences, Department of graphic engineering and design,, 2020. http://dx.doi.org/10.24867/grid-2020-p19.

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Water-based dispersion adhesives consist of a solid adhesive dispersed in an aqueous phase. These adhesives contain water-soluble additives such as surfactants, emulsifiers, and protective colloids, which act as links between the solid adhesive particles and the aqueous phase. They prevent the adhesive particles from sticking together and separating during storage. During drying, these additives evaporate or are absorbed into the adhesive. Polyvinyl acetate (PVAc) and polyvinyl alcohol (PVOH) are further examples of ethylene copolymers. PVAc is used as an emulsion adhesive for production of ba

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Pagels, Kelvin Østergaard, Mikkel Bayard Rasmussen, and Devarajan Ramanujan. "Addressing Information Gaps in Household Waste Sorting Using a Mobile Application." In ASME 2019 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. American Society of Mechanical Engineers, 2019. http://dx.doi.org/10.1115/detc2019-97385.

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Abstract The Danish government has outlined a target of recycling 50% of total household waste by the year 2022. Improving household waste sorting is an important consideration towards achieving this goal. This paper focuses on understanding existing waste sorting practices among Danish residents and exploring whether a mobile application can help address any existing information gaps. We conducted a preliminary survey (N = 180) that assessed preference for sorting strategies and the types of waste sorted. Following this a more detailed survey was conducted (N = 357) that assessed residents’ m

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Langerman, Michael A. "Heat Transfer Considerations for Designing FSW Cryogenic Thermal Structures for Aerospace Applications." In ASME 2008 International Mechanical Engineering Congress and Exposition. ASMEDC, 2008. http://dx.doi.org/10.1115/imece2008-68260.

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Research was conducted to investigate potential structural design configurations for aerospace cryogenic tank wall applications. The primary design considerations included the vibration damping characteristics under various flight loading conditions and the panel wall thermal resistance under different heat loads. The discussion herein is with regards to the thermal issue, specifically the heat transfer rates across two different panel wall designs that have attractive vibration damping characteristics. The heat transfer rates were evaluated analytically and verified with experimental data. On

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Thomas, Theda, and Alesha Allen. "Gender Differences in Students’ Perceptions of Information Technology as a Career." In InSITE 2006: Informing Science + IT Education Conference. Informing Science Institute, 2006. http://dx.doi.org/10.28945/3035.

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This paper reports on an investigation into first year students’ perceptions of IT as a career. There are many stereotypes of the typical IT professional. These stereotypes are often depicted in the media and affect students’ perceptions of the career and whether they should study IT or not. An exploratory study into male and female first year students’ perceptions of the IT professional is presented. The participants included students studying the Bachelor of Business and Bachelor of Information Systems degrees at ACU National in Melbourne, Australia. The study investigated the differences an

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Bowen, Landen, Mary Frecker, Timothy W. Simpson, and Rebecca Strzelec. "A Framework for the Design and Optimization of Self-Folding Structures." In ASME 2017 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. American Society of Mechanical Engineers, 2017. http://dx.doi.org/10.1115/detc2017-68203.

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Due to the multidisciplinary nature and complexity of self folding structures, it can be difficult to know where to start when designing for a new application. Decisions about the active and passive materials to be used and the functionality of the design are very interrelated and can create problems if not considered holistically. There is a need to formalize the steps necessary to move from an origami-inspired shape to a full self-folding concept. In this paper, an optimization framework is proposed to help designers create self-folding, origami-inspired structures that can accommodate any t

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Reports on the topic "War cartoons"

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Bonds & Stock - Loan Raising WWI - Advertising 2 - Posters & Other Printed Material - War Savings - Cartoon, 1917. Reserve Bank of Australia, 2021. http://dx.doi.org/10.47688/rba_archives_pn-007945.

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