Relevant bibliographies by topics / War photography – Case studies

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'War photography – Case studies'

Author: Grafiati
Published: 4 June 2021
Last updated: 15 February 2022

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Journal articles on the topic "War photography – Case studies"

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MORRIS-REICH, AMOS. "Anthropology, standardization and measurement: Rudolf Martin and anthropometric photography." British Journal for the History of Science 46, no. 3 (February 23, 2012): 487–516. http://dx.doi.org/10.1017/s000708741200012x.

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AbstractRecent scholarship on the history of German anthropology has tended to describe its trajectory between 1900 and the Nazi period as characterized by a paradigmatic shift from the liberal to the anti-humanistic. This article reconstructs key moments in the history of anthropometric photography between 1900 and 1925, paying particular attention to the role of the influential liberal anthropologist Rudolf Martin (1864–1925) in the standardization of anthropological method and technique. It is shown that Rudolf Martin's primary significance was social and institutional. The article reconstructs key stages in Martin's writing on and uses of photography and analyses the peculiar form of scientific debate surrounding the development of anthropometric photography, which centred on local and practical questions. Against the political backdrop of German colonialism in Africa and studies of prisoners of war during the First World War, two key tensions in this history surface: between anthropological method and its politicization, and between the international scientific ethos and nationalist impulses. By adopting a practical–epistemic perspective, the article also destabilizes the conventional differentiation between the German liberal and anti-humanist anthropological traditions. Finally, the article suggests that there is a certain historical irony in the fact that the liberal Martin was central in the process that endowed physical anthropology with prestige precisely in the period when major parts of German society increasingly came to view ‘race’ as offering powerful, scientific answers to social and political questions.
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Fowler, Martin J. F. "The application of declassified KH-7 GAMBIT satellite photographs to studies of Cold War material culture: a case study from the former Soviet Union." Antiquity 82, no. 317 (September 1, 2008): 714–31. http://dx.doi.org/10.1017/s0003598x00097337.

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Forty years after they were originally acquired for intelligence purposes, declassified US photographs from the KH-7 GAMBIT photo reconnaissance satellite programme, together with contemporary declassified intelligence reports, are being used to shed light on Cold War sites in the former Soviet Union. The method should have a great future for understanding the changes to the landscape in Europe over the last 60 years. The material impact of the Cold War was no less fundamental than other wars hotter in nature.
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Jackson, Amanda Crawley. "Retour/détour: Bruno Boudjelal's Jours intranquilles." Nottingham French Studies 53, no. 2 (July 2014): 201–15. http://dx.doi.org/10.3366/nfs.2014.0086.

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This paper explores the photographic series made by French-Algerian artist Bruno Boudjelal in Algeria during the ‘black decade’ of civil war in the 1990s. The paper opens with a study of the artist's return to Algeria following the disclosure of his hidden Algerian origins, but makes the case that this retour is better described as a détour, in which the linear temporalities of return and the teleology of origin give way to a provisional intersection of trajectories and an ongoing, negotiated sense of cultural identity. It then goes on to consider the ways in which Boudjelal's images, in their negotiation of the well documented regime of (in)visibility that prevailed in Algeria during that period, re-work the indexicality of the photographic medium by means of an indirect (or détourné) representational practice that facilitates a reappraisal of what constitutes the ‘real’ in a context where the real is manipulated for politico-ideological reasons through censorship and spectacle.
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Junger, Ernst, and Anthony Nassar. "War and Photography." New German Critique, no. 59 (1993): 24. http://dx.doi.org/10.2307/488220.

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Turda, Marius. "Between States: The Transylvania Question and the European Idea during World War II. By Holly Case. Stanford: Stanford University Press. 2009. xix, 349 pp. Notes. Index. Illustrations. Photographs. Tables. Maps. $60.00, hard bound." Slavic Review 69, no. 2 (2010): 448–50. http://dx.doi.org/10.1017/s0037677900015096.

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Chiozzi, Paolo. "Photography and anthropological research: Three case studies." Visual Sociology 4, no. 2 (March 1989): 43–50. http://dx.doi.org/10.1080/14725868908583636.

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Kennedy, Liam. "“A Compassionate Vision”: Larry Burrows's Vietnam War Photography." Photography and Culture 4, no. 2 (July 2011): 179–94. http://dx.doi.org/10.2752/175145211x12992393431250.

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Rafael, Vicente L. "Photography and the Biopolitics of Fear." positions: asia critique 28, no. 4 (November 1, 2020): 905–33. http://dx.doi.org/10.1215/10679847-8606621.

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President Rodrigo Duterte’s drug war in the Philippines has exacted an enormous toll in human lives and suffering. This essay looks into one of the earliest and most graphic responses to this war: the work of photojournalists and the plurality of responses to their images. How does photojournalism become a kind of witnessing linked to the work of mourning? How are trauma and grieving braided together in the experience of photographers covering war? What is the role of the camera, and what are the ambivalent effects of the technical and aesthetic imaging of the dead and their survivors? How has the drug war, by instilling a biopolitics of fear, transformed the latter’s ways of seeing and being? What becomes of justice amid images of injustice? For example, how do returning spirits of the dead that appear in dreams of their families stimulate phantasms of revenge? How is revenge imagined as a form of justice that reinforces rather than detracts from the brutal logic of the drug war?
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Smith, Douglas. "Funny Face Humanism in Post-War French Photography and Philosophy." French Cultural Studies 16, no. 1 (February 2005): 41–53. http://dx.doi.org/10.1177/0957155805049565.

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Danchev, Alex. "War Photography, the Face, and Small Acts of Senseless Kindness." Journal for Cultural Research 15, no. 2 (April 2011): 113–29. http://dx.doi.org/10.1080/14797585.2011.574051.

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Dissertations / Theses on the topic "War photography – Case studies"

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Gassner, Patricia. "Icons of war photography : how war photographs are reinforced in collective memory : a study of three historical reference images of war and conflict." Thesis, Stellenbosch : University of Stellenbosch, 2009. http://hdl.handle.net/10019.1/2461.

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Thesis (MPhil (Journalism))--University of Stellenbosch, 2009.
There are certain images of war that are horrific, frightening and at the same time, due to an outstanding compositional structure, they are fascinating and do not allow its observers to keep their distance. This thesis examines three images of war that have often been described as icons of war photography. The images “children fleeing a napalm strike” by Nick Ut, “the falling soldier” by Robert Capa and Sam Nzima’s photograph of Hector Pieterson are historical reference images that came to represent the wars and conflicts in which they were taken. It has been examined that a number of different factors have an impact on a war photograph’s awareness level and its potential to commit itself to what is referred to as collective consciousness. Such factors are the aesthetical composition and outstanding formal elements in connection with the exact moment the photograph was taken, ethical implications or the forcefulness of the event itself. As it has been examined in this thesis, the three photographs have achieved iconic status due to different circumstances and criteria and they can be described as historical reference images representing the specific wars or conflicts. In this thesis an empirical study was conducted, questioning 660 students from Spain, South Africa and Vietnam about their awareness level regarding the three selected photographs. While the awareness level of the Spanish and the South African image was rather high in the countries of origin, they did not achieve such a high international awareness level as the Vietnamese photograph by Nick Ut, which turned out to be exceptionally well-known by all students questioned. Overall, findings suggest that the three selected icons of war photography have been anchored in collective memory. Ut, Robert Capa, Sam Nzima, semiotics, Spanish Civil War, the falling soldier, Vietnam War
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Major, Mary Elizabeth. "War's Visual Discourse| A Content Analysis of Iraq War Imagery." Thesis, Portland State University, 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=1535957.

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This study reports the findings of a systematic visual content analysis of 356 randomly sampled images published about the Iraq War in Time, Newsweek, and U.S. News and World Report from 2003-2009. In comparison to a 1995 Gulf War study, published images in all three newsmagazines continued to be U.S.-centric, with the highest content frequencies reflected in the categories U.S. troops on combat patrol, Iraqi civilians, and U.S. political leaders respectively. These content categories do not resemble the results of the Gulf War study in which armaments garnered the largest share of the images with 23%.

This study concludes that embedding photojournalists, in addition to media economics, governance, and the media-organizational culture, restricted an accurate representation of the Iraq War and its consequences. Embedding allowed more access to both troops and civilians than the journalistic pool system of the Gulf War, which stationed the majority of journalists in Saudi Arabia and allowed only a few journalists into Iraq with the understanding they would share information. However, the perceived opportunity by journalists to more thoroughly cover the war through the policy of embedding was not realized to the extent they had hoped for. The embed protocols acted more as an indirect form of censorship.

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Kirkpatrick, Erika Marie. "Photography, the State, and War: Mapping the Contemporary War Photography Landscape." Thesis, Université d'Ottawa / University of Ottawa, 2017. http://hdl.handle.net/10393/35723.

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This dissertation explores the ways in which media, visuality, and politics intersect through an analysis of contemporary war photography. In so doing, it seeks to uncover how war photography as a social practice works to produce, perform and construct the State. Furthermore, it argues that this productive and performative power works to constrain the conditions of possibility for geopolitics. The central argument of this project is that contemporary war photography reifies a view of the international in which the liberal, democratic West is pitted against the barbaric Islamic world in a ‘civilizational’ struggle. This project’s key contribution to knowledge rests in its unique and rigorous research methodology (Visual Discourse Analysis) – mixing as it does inspiration from both quantitative and qualitative approaches to scholarship. Empirically, the dissertation rests on the detailed analysis of over 1900 war images collected from 30 different media sources published between the years 2000-2013.
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Smith, Gareth Ross. "The myth of the underdog in press photo images of the Syrian Civil War." Thesis, University of Iowa, 2015. https://ir.uiowa.edu/etd/1757.

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While the origin of the Arab Spring is well documented in Tunisia, Egypt, Libya and Syria, the role of press photography in presenting these conflicts is not. Images taken during a conflict often follow a particular narrative that comes to define how we remember a conflict. Considering that Syria is composed of a heterogeneous, ethno-religious mix located at the center of intense regional and international rivalries, understanding the cause of the uprising and the trajectory of the conflict require a careful study of the socio-political history of Syria as well as her regional and international relations. The aim of this study is to demonstrate how photographs taken of the Syrian Civil War that earned critical acclaim from photographic institutions mythologize the war. Semiotics provides a template for the interpretation of images that may be related to the underlying cultural forces shaping the conflict. Myth provides the forms in the presentation of archetypes in the images that we are able to readily identify so rendering the images relevant and recognizable to the viewer. The mythologizing of images of war has been used since Frank Capa created an “aesthetic ideal” during the Spanish Civil War and been re-appropriated during subsequent conflicts of the 20th and 21st centuries especially the Gulf Wars of 1991 and 2003. This study uses a semiotic and mythological approach to analyze the winning photographs as selected by the National Press Photographers Association, World Press Photographers Association and Pulitzer Prize awarded during the course of the Syrian conflict. The myths of the “victim” and “underdog” were the two most commonly applied myths to the civilians and the Syrian rebels, who were portrayed as the “lovable losers” in the conflict. These narratives differ from previous depictions of the two previous Gulf Wars in their empathetic depiction of the civilian population and of the rebels. If maintaining the status quo is one of the enduring functions of myth then the underdog myth perpetuates voyeuristic participation in the conflict without requiring the discomfort of the removal of the Assad regime.
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Sterling, C. P. "Rethinking heritage and photography : comparative case studies from Cyprus and Cambodia." Thesis, University College London (University of London), 2015. http://discovery.ucl.ac.uk/1471057/.

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This thesis critically examines the complex interrelationship of heritage and photography, focusing in particular on the photographic life of two heritage sites: Angkor in Cambodia and the town of Famagusta, Cyprus. The core line of enquiry guiding this research concerns the various processes through which photography might be said to ‘shape’ heritage (and vice-versa). To this end I begin by outlining a theoretical framework that addresses the idea of ‘shaping’ from three often-contradictory perspectives: social constructionism, affect, and Massumi’s notion of topological transformation. From this analytical foundation a critical review of the historical intersections of heritage and photography is undertaken. Based on previous scholarship in the field and a critique of select publications, exhibitions and archival productions, this general background research is navigated via six core themes: trace, memory, universality, series, cliché and authenticity. Drawing together heritage and photography in thought provoking ways, these themes also resonate across the subsequent case studies, where the work of John Thomson - who documented both Angkor and Famagusta in the nineteenth century - acts as a point of departure. Following a broadly chronological approach, I go on to discuss the role of photography in colonial and postcolonial heritage constructions, disparate articulations of memory that emerge in the deployment of photography at both locations, and, finally, the affective experience of photography at the sites today. Crucially, throughout this multi-sited archival and ethnographic research photography is understood not simply as a representational form, but as an embodied practice (act), material presence (object), and discursive apparatus (medium). This conceptual and methodological approach allows for a more nuanced understanding of the interconnections between heritage and photography to emerge, taking us beyond issues of representation and towards a recognition of the central role photography has in (re)configuring the values, practices, affective qualities and ethics of heritage writ large.
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Hannah, Jennifer Reiss Stone Sara J. "A portrait of war case studies of the Operation Iraqi Freedom media embed program /." Waco, Tex. : Baylor University, 2007. http://hdl.handle.net/2104/5057.

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Buckel, Bart A. "Nationalism, mass politics, and sport cold war case studies at seven degrees." Thesis, Monterey, Calif. : Naval Postgraduate School, 2008. http://handle.dtic.mil/100.2/ADA483627.

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Thesis (M.A. in Security Studies (Europe, Eurasia))--Naval Postgraduate School, June 2008.
Thesis Advisor(s): Abenheim, Donald. "June 2008." Description based on title screen as viewed on August 25, 2008. Includes bibliographical references (p. 105-113). Also available in print.
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Edmundson, Joshua R. "THE ONE EXHIBITION THE ROOTS OF THE LGBT EQUALITY MOVEMENT ONE MAGAZINE & THE FIRST GAY SUPREME COURT CASE IN U.S. HISTORY 1943-1958." CSUSB ScholarWorks, 2016. https://scholarworks.lib.csusb.edu/etd/399.

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The ONE Exhibition explores an era in American history marked by intense government sponsored anti-gay persecution and the genesis of the LGBT equality movement. The study begins during World War II, continues through the McCarthy era and the founding of the nation’s first gay magazine, and ends in 1958 with the first gay Supreme Court case in U.S. history. Central to the story is ONE The Homosexual Magazine, and its founders, as they embarked on a quest for LGBT equality by establishing the first ongoing nationwide forum for gay people in the U.S., and challenged the government’s right to engage in and encourage hateful and discriminatory practices against the LGBT community. Then, when the magazine was banned by the Post Office, the editors and staff took the federal government to court. As such, ONE, Incorporated v. Olesen became the first Supreme Court case in U.S. history that featured the taboo subject of homosexuality, and secured the 1st Amendment right to freedom of speech for the gay press. Thus, ONE magazine and its founders were an integral part of a small group of activists who established the foundations of the modern LGBT equality movement.
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Handy, Kristina. "Tacit Cooperation Between Enemies: Two Case Studies." BYU ScholarsArchive, 1994. https://scholarsarchive.byu.edu/etd/4749.

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This research details a point of reference to understand two case studies of cooperation that developed among lower-level, or non policy-making bureaucrats during times of conflict or war. Using components of game theory, I propose that when an international conflictual relationship occurs that resembles an iterated Prisoners' Dilemma, and that meets certain conditions, tacit cooperation can emerge. Tacit cooperation consists of illicit or implied cooperation that is not sanctioned at the national policy level.In this research I develop a framework of tacit cooperation, relying heavily upon Robert Axelrod's theory of evolutionary cooperation. With the framework in place, I then explicate two international case studies, World War I trench warfare cooperation and the INF "walk in the woods" between Kvitsinsky and Nitze, to show how the theory can be used to describe ways that cooperation can occur in a hostile or conflictual environment.
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Malmgren, Victor. "The Reconceptualized War : A critical analysis of the new war theory through a case study of the Yemen War." Thesis, Linköpings universitet, Institutionen för ekonomisk och industriell utveckling, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-177680.

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The much-debated new war theory suggest that a new type of organized violence has developed during the last decades of the twentieth century. These new wars occur during an era of globalization and differ from old wars concerning four factors: the goals, the actors, the finance, and the methods. One of these new wars is the war in Yemen (2015-), a country divided and war torn, suffering the world's largest humanitarian crisis. The study aims to critically analyse the application of the new war theory through a qualitative singular case study of Yemen. The analysis shows that an understanding can be made about both Yemen and the theory. The Yemen War revolves around reinvented and/or rekindled particularistic identities, formerly kept under control, but now unleashed after years of exclusion, increasing economic gaps, the Arab Spring, and the dismantling of the central state during an era of globalization. The war took on decentralized characteristics, the Yemeni government lost its monopoly on violence leading to several state and non-state actors involved in the war. They are sometimes financed by external actors or through looting, racketeering, kidnapping, etc., all akin to the methods of new war warfare which sees civilians as the main victims. The study argues that an even greater understanding can be made by reformulating the theory as a process rather than as separate factors only showing the differences between new and old. The new war process shows the interconnectedness between the four factors, while simultaneously including other impactful new war terms and concepts such as globalization, the motives of war, and the reoccurring and persisting violence. Globalization then becomes part of the new war process rather than being a separate element.
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Books on the topic "War photography – Case studies"

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1958-, Westgeest Helen, ed. Photography theory in historical perspective: Case studies from contemporary art. Chichester, West Sussex: Wiley-Blackwell, 2011.

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Nocon, Gene. Nocon on photography: Gene Nocon on special assignment with eight top photographers. London: Thames Macdonald, 1988.

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Jonathan, Glancey, ed. Nocon on photography: Gene Nocon on assignment with eight top photographers. London: Thames Macdonald, 1988.

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Military ethics: An introduction with case studies. New York: Oxford University Press, 2012.

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Traditional neutrality revisited: Law, theory and case studies. The Hague: Kluwer Law International, 2002.

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Urban planning after war, disaster and disintegration: Case studies. Newcastle upon Tyne: Cambridge Scholars, 2010.

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The three images of ethnic war. Westport, Conn: Praeger Security International, 2009.

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Statebuilding: Consolidating peace after civil war. Cambridge: Polity, 2013.

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Schaffer, Matt. Winning the countertrade war: New export strategies for America. New York: Wiley, 1989.

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Cry for war: The story of Suzan and Michael Carson. San Francisco, Calif: Squibob Press, 1987.

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Book chapters on the topic "War photography – Case studies"

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García-Rubio, Almudena, Juanjo Marí Casanova, Glenda Graziani, Francisca Cardona, Pau Sureda, Sergi Moreno, and Nicholas Márquez-Grant. "Search for Spanish Civil War Victims in the Cemetery of Sant Ferran, Formentera (Spain): Oral Witness Testimonies, Secondary Deposition Site, and Perimortem Trauma." In Case Studies in Forensic Anthropology, 233–43. Boca Raton, FL : CRC Press, Taylor & Francis Group, [2020]: CRC Press, 2019. http://dx.doi.org/10.4324/9780429436987-22.

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Chen, Xin. "Interpreting in POW Camps in the Korean War: The Case of Zhang Zeshi." In Translation Studies in China, 229–41. Singapore: Springer Singapore, 2019. http://dx.doi.org/10.1007/978-981-13-7592-7_13.

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Jasinski, Marek E. "Reinforced Concrete, Steel and Slaves: Archaeological Studies of Prisoners of World War II in Norway—The Case of Romsdal Peninsula." In Prisoners of War, 145–65. New York, NY: Springer New York, 2012. http://dx.doi.org/10.1007/978-1-4614-4166-3_9.

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Oram, Gerard. "Discipline and Morale in the Three Armies: Case Studies of Three British Infantry Divisions." In Military Executions during World War I, 131–63. London: Palgrave Macmillan UK, 2003. http://dx.doi.org/10.1057/9780230287983_6.

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Zien, Katherine. "Theatre and Drama in the Hot Zones of the Cold War: Selected Case Studies." In The Palgrave Handbook of Cold War Literature, 387–406. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-38973-4_20.

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Mulumba, Deborah, and Victoria Flavia Namuggala. "War Experiences and Gendered Responses to Post Conflict Reintegration: The Case of Lira District in Northern Uganda." In Selected Themes in African Political Studies, 25–38. Cham: Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-06001-9_3.

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Fisher, Jaimey. "Film and Affect, Theories Entwined: The Case of the War Genre in Saving Private Ryan (Steven Speilberg, 1998)." In The Palgrave Handbook of Affect Studies and Textual Criticism, 513–41. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-63303-9_19.

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Hérubel, Jean-Pierre V. M. "Prismatic Realities: Multidisciplinary and Interdisciplinary Cultures and Implications for Information Literacy in Visual Studies: The Case of History of Photography." In Communications in Computer and Information Science, 600–610. Cham: Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-28197-1_60.

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Mazliak, Laurent, and Thomas Perfettini. "Under the Protection of Alien Wings. Russian Emigrant Mathematiciancs in Interwar France: A General Picture and Two Case Studies of Ervand Kogbetliantz and Vladimir Kosticyn." In Mathematical Communities in the Reconstruction After the Great War 1918–1928, 307–55. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-61683-0_11.

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FREER, D. "Case Studies." In Microstock Photography, 165–74. Elsevier, 2007. http://dx.doi.org/10.1016/b978-0-240-80896-3.50014-5.

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Conference papers on the topic "War photography – Case studies"

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Lasaosa, Virginia Espa, María José Gutiérrez Lera, María Cañas Aparicio, and María Adelaida Gutiérrez Martín. "Veinte años de docencia de la fotografía. Estudio de caso: Escuela de Arte de Huesca (España), Twenty years teaching photography. Case study: The Art School of Huesca (Spain)." In I Congreso Internacional sobre Fotografia: Nuevas propuestas en Investigacion y Docencia de la Fotografia. Valencia: Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/cifo17.2017.6741.

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ResumenEl Ciclo Formativo de Grado Superior en Fotografía pertenece a la familia profesional artística de Comunicación Gráfica y Audiovisual y forma parte del sistema educativo español público.Esta comunicación presenta un panorama de la evolución de los estudios sobre fotografía en las Escuelas de Artes Plásticas y Diseño, exponiendo, a través del ejemplo de la Escuela de Arte de Huesca, el caso de la Comunidad Autónoma de Aragón.La implantación del grado superior de fotografía en Huesca se incardinó en la estructura propicia que aportaba una ciudad acostumbrada a valorar este modo de expresión icónica: el Festival Huesca Imagen en su día, una Fototeca pionera en medios y procedimientos, o actualmente el programa Visiona demuestran un interés particular por la imagen fotográfica.Nuestra sólida trayectoria ha pasado necesariamente por cambios tecnológicos y legislativos que han marcado la adaptación de la docencia a continuos retos. Aspectos como la aplicación de metodologías activas; el aprendizaje basado en proyectos; las constantes referencias a cuestiones teóricas e históricas, así como a los debates contemporáneos en torno a la fotografía; la innovación en los procesos de evaluación y el seguimiento individualizado basado en tutorías se incorporan a nuestra didáctica cotidiana y facilitan la adquisición de competencias de acuerdo a las nuevas exigencias curriculares, profesionales y artísticas.La formación que impartimos insiste en la reflexión sobre el proceso fotográfico como un hecho consustancial a la sociedad actual. A través de la acreditación en el Programa Erasmus+, nuestros estudiantes tienen además la posibilidad de relacionarse con el espacio formativo europeo y ven favorecida su futura inserción en el mercado laboral.A lo largo de estos años hemos logrado contar con la presencia de figuras de reconocido prestigio en diversos campos de la fotografía, personalidades que han aportado su visión y su saber a la Escuela. Desde nuestra perspectiva, la fotografía no sólo es una disciplina artística o una ocupación profesional, sino que constituye globalmente un modo de vida. Eso es lo que intentamos transmitir año tras año en nuestras aulas.AbstractThe Professional studies of Higher Degree in Photography belongs to the artistic professional family of Graphic and Audiovisual Communication and it is part of the Spanish state educational system. This paper presents an overview of the evolution of these studies on photography in the Arts and Design Schools and explains the example of Aragón, through the case of the School of Art of Huesca.The implementation of the higher degree in Photography in Huesca took place in a suitable background provided by a city used to value this iconic mode of expression: The former Festival “Huesca Imagen”, an innovative Fototeca in procedures and resources; or nowadays, the program “Visiona”, all of them show a particular interest on the photographic image.Our well stablished professional career has necessarily come across technological and legislative changes that have marked the adaptation of teaching to continuous challenges. Aspects such as the application of active methodologies; Project-based learning; Constant references to theoretical and historical issues as well as to contemporary debates on photography; Innovation in evaluation processes and individualized monitoring based on personal tutoring are incorporated into our everyday teaching and facilitate the acquisition of competences according to upcoming curricular, professional and artistic requirements.The training we provide stresses thinking about photography as a process consubstantial to our current society. Through the accreditation in the Erasmus + Program, our students have also the possibility to take part of the European training space and facilitate their future insertion in the labor market.Throughout these years we have had the opportunity to count on the presence of personalities of recognized prestige in various fields of photography, who have cast their vision and their knowledge to the School. From our own perspective, photography is not only an artistic discipline or a professional occupation, but conforms a whole way of life. That is what we try pass on in our classrooms year after year. Palabras clave: metodologías, evaluación, evolución, proyectos, experiencia docente, competencias, pública, Erasmus+, arte, tecnología.Keywords: methodology, assessment, progress, projects, teaching experience, skills, state school, Erasmus+, arts, technology.
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Grigoriev, Gleb, Vladimir Gulin, Alexei Nikitin, Nikita Sivoy, Eugene Bondarev, Marat Islamuratov, Oksana Zakharova, Igor Karpov, Evgenii Liubimov, and Vladislav Votsalevskiy. "Integrated Droneborne Geophysics Application as a Tool for Exploration Optimization. Case Studies." In SPE Annual Technical Conference and Exhibition. SPE, 2021. http://dx.doi.org/10.2118/206250-ms.

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Abstract Unmanned aerial vehicles (UAV) have a great potential for geological exploration optimization at all stages. This study considers UAV implementation at different exploration stage. Integrated approach using unmanned aerial systems shows great effectiveness based on the completed surveys. Low-depth electrical exploration using the shallow electrical exploration method is one of the possible UAVs technologies with great potential. In this study there are several cases describing main field data acquisition, models and cross-sections processing. Unmanned aerial systems are applicable at all stages of the oil and gas value chain and are already an integral part of oil&gas production process. Now there are more than 70 unmanned aerial systems application scenarios. The main advantages of drones are that the use of this operational data collection tool allows: – to reduce the duration of collecting geospatial data by 70%, and the cost by 3 times; – make the best decisions quickly; – to realize additional potential for increasing efficiency (application at all stages of the production chain) – increase the production processes safety level The most promising and actively developing areas of technology application are: Geophysical surveys at different stages of geological exploration. Drones have great potential for application in non-seismic exploration methods in the early stages of geological exploration. In addition, UAV surveys are suitable for planning geological exploration and working out the conceptual arrangement of the terrain. The presence of an accurate digital elevation model at the start of work of the project team makes it possible to remove a number of uncertainties and questions about conducting field work on seismic exploration, the placement of infrastructure and corridor communications. Objective control of the capital construction progress. Another important area of drones application is aerial photography at all stages of capital construction. With the help of UAVs, it is possible to control such parameters as the status and quality of construction and installation works, equipment of contractors, compliance with safety and environmental standards, and others. To do this, the unmanned vehicle flies around the object with a given regularity, filming it from different angles. After aerial photography, special software stitches the results into photogrammetric products (digital terrain model, orthophotomaps, 3D models) with an accuracy of 4–6 centimeters. On the constructed models, you can calculate the dynamics by one or another parameter. Operational fieldwork and intrastructure monitoring. At the same time, one of the key goals of technology application is the creation of a network of autonomous stations with drones at all assets for remote control of the company's production processes. The first step in this direction was the joint pilot testing of an automated take-off and landing station with an unmanned aerial vehicle of a multi-rotor type. The use of the station will reduce the time and cost of collecting data on capital construction and infrastructure. Project teams will be able to react faster to changes. An automated take-off and landing station allows the use of unmanned aerial vehicles without human intervention. The drone can independently take off, perform the necessary operations, land and recharge. Thus, flight operations and data collection can be performed remotely without the constant presence of a specialist on site.
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Hippensteel, Scott P. "CARBONATE ROCKS AND CIVIL WAR INFANTRY TACTICS: CASE STUDIES FROM CIVIL WAR BATTLEFIELDS PRESERVED BY THE NATIONAL PARK SERVICE." In GSA Annual Meeting in Denver, Colorado, USA - 2016. Geological Society of America, 2016. http://dx.doi.org/10.1130/abs/2016am-283024.

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RUIZ P., JUAN G. "EARLY EXPOSURE TO ENDOCRINE DISRUPTORS. CASE STUDIES OF SELECTED HEALTH EFFECTS LATER IN LIFE: IMPLICATIONS FOR RESEARCH AND FOR POLICY." In International Seminar on Nuclear War and Planetary Emergencies — 49th Session. WORLD SCIENTIFIC, 2019. http://dx.doi.org/10.1142/9789811205217_0031.

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Builes, Ana Elena, Leonardo Correa, and Diana Carolina Gutierrez. "Visual Analysis as a tool for Urban Intervention Comparative Studies." In 24th ISUF 2017 - City and Territory in the Globalization Age. Valencia: Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/isuf2017.2017.5866.

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In the past few years’ urban design development has been a topic that in some of Latin America cities such as Medellin, Mexico City and Córdoba, has been evolving under the shadow no longer far from concepts as social innovation and social urbanism, a situation that generates new perspectives and concerns about the impacts that this transformations bring to the cities and its communities. The aim of the collaborative research project was to acknowledge the impacts of urban transformations on five different cities and comparing them to find similarities and differences. A comparative analysis of multiple cases was proposed, along with a methodological triangulation that contained observation, photography analysis and the production of graphics accompanied by interviews in order to arouse an approach to the perceptions of the community residing the space and their affective bonds with it. Inquiring about this process and impacts, and the inhabitants’ relation with their newly transformed space, researchers used graphic research methods that allowed collecting, evaluating and establishing comparative criteria and identifying reiterating impacts caused by urban interventions. Different graphic and visual tools such as drawings, photography and graphic reconstruction were used as a tools to identify the urban and architectural strategies through which a connection between urban space and its inhabitants in each city in order to compare with the other four cities. These tools where used in order to define a recurrent method creating an effect of distance, which increases the effect of designation and shows urban dynamics to articulate submerged realities in opposition with the images created through the visual tools, so a closer relationship between research and representation is made.
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Roberge, Laurent, Gerald Ferris, and Hamish Weatherly. "Past Bank Erosion as a Guide for Bank Erosion Prediction at Pipeline Crossings." In 2016 11th International Pipeline Conference. American Society of Mechanical Engineers, 2016. http://dx.doi.org/10.1115/ipc2016-64199.

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This paper presents a methodology which uses past bank erosion behaviour as a predictor of future performance. The methodology employed in the bank erosion study consists of the following main steps: identifying a reach to examine, classifying the watercourse, estimating key hydrotechnical properties, obtaining historical air photographs of the reach, georeferencing or orthorectifying the airphotos, mapping the position of the channel edge, obtaining the historical records of nearby gauges to estimate the return period of floods that have occurred between successive pairs of historical air photographs, and finally combining the results to provide correlations between the rates of bank erosion and the rarity of the floods that have occurred. More than 70 bank erosion studies have been completed in the past two years at a variety of watercourses. This paper provides three case histories that illustrate the methodology and then proceeds to provide some tentative relationships that could be used to focus future bank erosion studies on those sites most active, and used to provide a preliminary estimate of the amount of bank erosion that could be expected in both design settings and existing pipeline integrity evaluations. In this study wandering rivers are more laterally active than other channel pattern types. Although the smallest floods do not cause large-scale changes to the banks, significant bank erosion can be caused by either moderate (20-year) or extreme (100-year) events with a rough trend to larger bank erosion in larger floods. No significant correlation between the time elapsed between successive air photos and the magnitude of erosion was found, suggesting that bank erosion is an event-driven process rather than time dependent.
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Kelley, Dennis. "Proven Technologies for the Solidification of Complex Liquid Radioactive Waste (LRW): Global Case Studies of Applications and Disposal Options." In 2017 25th International Conference on Nuclear Engineering. American Society of Mechanical Engineers, 2017. http://dx.doi.org/10.1115/icone25-66081.

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Legacy radioactive waste streams from the Cold War still exist and newly generated waste streams from nuclear power plants and research institutes go untreated and expose environmental hazards at many nuclear sites. The nature of the waste is extremely diverse, depending upon the source or the process from which it originated. The most problematic waste streams include complex liquids such as organic (tri-butyl-phosphate TBP) solutions contaminated with Pu and U isotopes, mixed sludge types, high acid radioactive waste, H-3 tritium contaminated organic and aqueous streams, etc. Environmental and economic challenges exist for the treatment and disposal of such waste streams. A proven technology that has been applied to LRW on a global basis provides a low-cost solution to legacy streams and small volume, highly complex LRW frequently generated from routine NPP operations, in nuclear laboratories and during decommissioning. The engineered polymer technology from Nochar, USA, is capable of solidifying standard and highly complex LLW and ILW waste streams for interim or final storage, or for incineration.
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Hanzl, Malgorzata. "Self-organisation and meaning of urban structures: case study of Jewish communities in central Poland in pre-war times." In 24th ISUF 2017 - City and Territory in the Globalization Age. Valencia: Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/isuf2017.2017.5098.

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In spatial, social and cultural pluralism, the questions of human intentionality and socio-spatial emergence remain central to social theory (Portugali 2000, p.142). The correlation between individual preferences, values and intentions, and actual behaviour and actions, is subject to Portugali’s theory of self-organisation (2000). Compared to Gidden’s structuralism, which focuses on society and groups, the point of departure for Portugali (2000) are individuals and their personal choices. The key feature in how complex systems `self-organise', is that they `interpret', the information that comes from the environment (Portugali 2006). The current study explores the urban environment formerly inhabited, and largely constructed, by Jews in two central Polish districts: Mazovia and Lodz, before the tragedy of the Holocaust. While the Jewish presence lasted from the 11th century until the outbreak of World War II, the most intensive development took place in the 19th century, together with the civilisation changes introduced by industrialisation. Embracing the everyday habits of Jewish citizens endows the neighbourhood structures they once inhabited with long gone meanings, the information layer which once helped organise everyday life. The main thesis reveals that Jewish communities in pre-war Poland represented an example of a self-organising society, one which could be considered a prototype of contemporary postmodern cultural complexity. The mapping of this complexity at the scale of a neighbourhood is a challenge, a method for which is addressed in the current paper. The above considerations are in line with the empirical studies of the relations between Jews and Poles, especially in large cities, where more complex socio-cultural processes could have occurred. References: Eco, U. (1997) ‘Function and Sign: The Semiotics of Architecture’, in Leich, N. (ed.) Rethinking Architecture: A reader in cultural theory (Routledge Taylor & Francis Group, London) 182–202. Hillier, B. and Hanson, J. (2003) The Social Logic of Space (Cambridge University Press, Cambridge). Marshall, S. (2009) Cities, Design and Evolution (Routledge, Abingdon, New York). Portugali, J. (2000) Self-Organization and the City, (Springer-Verlag, Berlin Heidelberg). Portugali, J. (2006) ‘Complexity theory as a link between space and place’, Environment and Planning A 38(4) 647–664.
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Kalyanam, S., D. J. Shim, P. Krishnaswamy, and Y. Hioe. "Slow Crack Growth Resistance of Parent and Joint Materials From PE4710 Piping for Safety-Related Nuclear Power Plant Piping." In ASME 2011 Pressure Vessels and Piping Conference. ASMEDC, 2011. http://dx.doi.org/10.1115/pvp2011-57874.

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HDPE pipes are considered by the nuclear industry as a potential replacement option to currently employed metallic piping for service-water applications. The pipes operate under high temperatures and pressures. Hence HDPE pipes are being evaluated from perspective of design, operation, and service life requirements before routine installation in nuclear power plants. Various articles of the ASME Code Case N-755 consider the different aspects related to material performance, design, fabrication, and examination of HDPE materials. Amongst them, the material resistance (part of Article 2000) to the slow crack growth (SCG) from flaws/cracks present in HDPE pipe materials is an important concern. Experimental investigations have revealed that there is a marked difference (almost three orders less) in the time to failure when the notch/flaw is in the butt-fusion joint, as opposed to when the notch/flaw is located in the parent HDPE material. As part of ongoing studies, the material resistance to SCG was investigated earlier for unimodal materials. The current study investigated the SCG in parent and butt-fusion joint materials of bimodal HDPE (PE4710) pipe materials acquired from two different manufacturers. The various stages of the specimen deformation and failure during the creep test are characterized. Detailed photographs of the specimen side-surface were used to monitor the specimen damage accumulation and SCG. The SCG was tested using a large specimen (large creep frame) as well as using a smaller size specimen (PENT frame) and the results were compared. Further, the effect of polymer orientation or microstructure in the bimodal HDPE pipe on the SCG was studied using specimens with axial and circumferential notch orientations in the parent pipe material.
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Costa, Cesar Augusto, Walter Schultz Neto, and Thiago Wichrestink Zozula. "Retroerosion in a TBG Gas Pipeline Crossing and its Rehabilitation." In ASME-ARPEL 2019 International Pipeline Geotechnical Conference. American Society of Mechanical Engineers, 2019. http://dx.doi.org/10.1115/ipg2019-5301.

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Abstract This Paper presents a case study of the Jardim Novo Maracanã stream situated in Campinas, São Paulo, in which recent streambed modifications were characterized, aiming to define the rates and the potential erosions along the channel alignment of which have Bolivia-Brazil Gas Pipeline crossing. Its presents the erosion process analysis and mitigation concepts aimed at the pipeline and fiber optic cables facilities integrity, as well as to indicate the design issues, considering the streambed deepening in this watershed. For this, satellite images and aerial photographs were collected in different periods, soil and subsoil surveys were performed, information on rainfall and watershed characteristics was analyzed, as well as hydrological and hydrotechnical studies were developed. These studies included geotechnical channel and banks analyzes, the spatial and temporal trends of the fluvial geomorphology evolution and the infrastructures safety conditions analysis. It was concluded that a new channel erosion process occurred after the streambed was filled by recent sediments. This process is associated with an increase floods magnitude, the slopes occupation intensification with the county urbanization and the streambed conditions changes, from an alignment sinuous to rectilinear and from a shallow to deeper channel. Once initiated, the channel erosion process maintained its retroerosion, i.e. its “headcutting” trend, deepening its equilibrium profile to its stratigraphic base level, located about 5.0 m below the 2014 stream bottom, in the pipeline cross section. Alternative concepts for the infrastructure integrity rehabilitation in these new morphological-fluvial conditions were also developed and dimensioned. Among these, the rectangular culverts alternative was adopted. They support a landfill at the crossing with the buried pipe and have to 100-year return period peak flows capacity.
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Reports on the topic "War photography – Case studies"

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Doebbeling, Bradley N. Illness Among Persian Gulf War Veterans: Case Validation Studies. Fort Belvoir, VA: Defense Technical Information Center, October 2001. http://dx.doi.org/10.21236/ada415996.

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Robertson, William G. In Contact! Case Studies from the Long War. Volume I. Fort Belvoir, VA: Defense Technical Information Center, January 2006. http://dx.doi.org/10.21236/ada462790.

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Connell, Michael. Iranian Operational Decision Making: Case Studies from the Iran-Iraq War. Fort Belvoir, VA: Defense Technical Information Center, July 2013. http://dx.doi.org/10.21236/ada585872.

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Gilster, Herman L. The Air War in Southeast Asia: Case Studies and Selected Campaigns. Fort Belvoir, VA: Defense Technical Information Center, October 1993. http://dx.doi.org/10.21236/ada421686.

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Millett, Allan, and Williamson Murray. On the Effectiveness of Military Institutions: Historical Case Studies from World War I, The Interwar Period and World War II. Volume 1. World War I. Fort Belvoir, VA: Defense Technical Information Center, April 1986. http://dx.doi.org/10.21236/ada229437.

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Millett, Allan, and Williamson Murray. On the Effectiveness of Military Institutions: Historical Case Studies from World War I, The Interwar Period and World War II. Volume 2. The Interwar Period. Fort Belvoir, VA: Defense Technical Information Center, April 1986. http://dx.doi.org/10.21236/ada229438.

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