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Relevant bibliographies by topics / War Poet

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Academic literature on the topic 'War Poet'

Author: Grafiati

Published: 4 June 2021

Last updated: 7 February 2022

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Journal articles on the topic "War Poet"

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Jeffrey Meyers. "Ted Hughes: War Poet." Antioch Review 71, no. 1 (2013): 30. http://dx.doi.org/10.7723/antiochreview.71.1.0030.

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Seiler, Claire. "Francis O’Hara, War Poet." Contemporary Literature 54, no. 4 (2013): 810–33. http://dx.doi.org/10.1353/cli.2013.0038.

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Tanter, Marcy L. "Martha Dickinson Bianchi: War Poet." New England Quarterly 80, no. 2 (2007): 317–21. http://dx.doi.org/10.1162/tneq.2007.80.2.317.

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The article recovers poet Martha Dickinson Bianchi, niece of Emily Dickinson, who served in the Amherst, Massachusetts, branch of the Red Cross and tended wounded soldiers in New York City at the end of World War I. Two previously unpublished poems reflect American despair in the aftermath of the war.

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Banerjee, A. "Isaac Rosenberg the War Poet." Sewanee Review 122, no. 2 (2014): 313–18. http://dx.doi.org/10.1353/sew.2014.0065.

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Shoham, Reuven. "Kovner vs. Kovner: “A Parting from the South” vs. “Combat Page”." AJS Review 22, no. 2 (1997): 223–42. http://dx.doi.org/10.1017/s0364009400009600.

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The poet Abba Kovner was a partisan and freedom fighter during World War II (1942–1945), made aliyah in 1945, and published his first long poem, ‘Ad lo ’or (“Until There Was No Light”), in 1947. At the outbreak of the Israeli War of Independence he fought on the Egyptian front (1947–48), serving as a cultural officer, or politruk in the Giv'ati Brigade. Preda me-ha-darom (“A Parting from the South”), his second long poem and one of the pivotal works by a modern Hebrew poet, was written against the background of the War of Independence. However, critics have not yet been able to find a fitting place for it in the canon of Hebrew poetry and culture, although several serious attempts have been made. The present study does not refer to every aspect of this complex poem but focuses on one particular point. I contend that “A Parting from the South” implies an attempt by the visionary speaker of the poem to compel the young country, soon after the war, to part from the world of death, from cultic memories of the dead and guilt feelings toward them (the dead in the 1948 war in Israel and the dead in the ghettos of Nazi Europe in World War II). Abba Kovner tries to detach himself, and his readers, from death, to liberate them from the old perspectives.

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Marecki, Mateusz. "A Debate on the Relationship between Poetry and Politics in W.H. Auden’s In Memory of W.B. Yeats and A. Ostriker’s Elegy before the War." Journal of Education Culture and Society 2, no. 1 (2020): 50–58. http://dx.doi.org/10.15503/jecs20111.50.58.

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W.H. Auden’s In Memoriam W.B. Yeats and A. Ostriker’s Elegy Before the War are two pre-war elegies, in which personal and political dimensions are juxtaposed. W.H. Auden’s poem portrays the death of a celebrity against the background of the perplexing 1930s when there was evident growing anxiety about Facism and its repercussions. In her long, 7-section work, A. Ostriker not only commemorates her dead mother, she also formulates a very powerfully articulated anti-war manifesto, in which she both denounces American imperialism during the 2nd Iraq war and questions the meaning of war and violence. W.H. Auden’s elegy serves as a starting point for a debate A. Ostriker sparks over the role of poetry and its relationship with politics. When analysed together with the author’s essays on poetry, their other famous poems and their post-war elegies (The Shield of Achilles and TheEight and Thirteenth), the two poems taken under examination display that the poets’ stance concerning the role of poetry is neither explicit nor consistent. It is interesting also how the debate can be perceived in the context of a dilemma signaled in A. Ostriker’s Poem Sixty Years After Auschwitz where the poet deliberates over what should be the appropriate shape and tone of poetry after the Holocaust.

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Cho, Kyutaek. "A Reading of the War Poet, Robert Graves’s War Poetry." British and American Language and Literature Association of Korea, no. 131 (December 31, 2018): 141–61. http://dx.doi.org/10.21297/ballak.2018.131.141.

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Colla, Elliott. "Badr Shākir al-Sayyāb, Cold War Poet." Middle Eastern Literatures 18, no. 3 (2015): 247–63. http://dx.doi.org/10.1080/1475262x.2016.1199093.

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Lynch, Éadaoín. "‘The Poet Slanders’: Stevie Smith’s War Poetry." Journal of War & Culture Studies 11, no. 2 (2017): 167–80. http://dx.doi.org/10.1080/17526272.2017.1355633.

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Ustinov, A. B., and I. E. Loshchilov. "The Great War and Siberian Memory: Georgy Vyatkin in an American Poetry Anthology of 1916." Studies in Theory of Literary Plot and Narratology 15, no. 2 (2020): 106–28. http://dx.doi.org/10.25205/2410-7883-2020-2-106-128.

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The essay is dedicated to a rather extraordinary episode in the literary biography of the Siberian poet Georgy Vyatkin (1885–1938), when one of his poems was translated by the American social worker Alice Stone Blackwell (1857–1950) and published in 1916 in the magazine “The Russian Review.” The authors carefully reconstruct political and ideological contexts of this publication, directly linked to the United States’ entry into the Great War. They pay special attention to the literary and social activities of Alice Stone Blackwell. They discuss what place Vyatkin’s poem “To the Descendants’ took in Vyatkin’s literary biography in the time of the Great War. In 1914 he became a front-line correspondent for the Kharkov newspaper “Utro.” By 1915 he was drafted as a “ratnik” (soldier) by the army, and further served as an assistant within the medical and nutritional detachment under the command of another poet, Sasha Chernyi (Alexander Glikberg; 1880‒1932). Throughout the Great War, Vyatkin created an œuvre of literary works in verse and prose, which also includes his poem “To Descendants,” that was published in the magazine “Europe’s Messenger” and translated into English. Vyatkin revised some of his war poems after the Revolution, and adapted them to the circum- stances of the Civil War, from the perspective of the “White” press. At the same time, he became the Secretary of the War Archives Commission, which was created in 1918 under the leadership of the folklorist Ivan Ulyanov (1876–1937), who collected evidence of the modern memory of the Great War.

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Dissertations / Theses on the topic "War Poet"

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Scoones, Ian Michael. "'I mistrust the poem' : the crisis of representation in contemporary British poetry." Thesis, University of Southampton, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.343014.

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Lancaster, Philip George. "The making of a poet : a scholarly edition of Ivor Gurney's poetry, 1907 to Armistice 1918." Thesis, University of Exeter, 2012. http://hdl.handle.net/10871/12162.

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Ivor Gurney (1890-1937) was equally gifted as a poet and a composer. While a very small number of pieces of juvenilia survive, arising from his passion for and immersion in literature, he began to write poetry following his enlistment as a soldier in the First World War. In this thesis I have prepared an edition of all of Gurney’s poetry from its beginnings until the Armistice on 11 November 1918. The edition of over two hundred poems incorporates 59 poems and fragments that have not previously been published. I have sought to present this body of poetry in chronological order, and with extensive textual notes and commentary, to chart the development of poems through all stages of draft to fnal poem. This has been made possible by an unprecedented detailed analysis of all Gurney’s manuscripts and a wholesale reorganisation of that extensive collection.

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Hagemann, Michael Eric. "Shadows, faces and echoes of an African war: The Rhodesian bush war through the eyes of Chas Lotter – soldier poet." University of the Western Cape, 2016. http://hdl.handle.net/11394/5474.

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Philosophiae Doctor - PhD<br>Poetry that is rooted in that most extreme of human experiences, war, continues to grip the public imagination. When the poetry under scrutiny comes from the "losing side" in a colonial war of liberation, important moral and ethical questions arise. In this thesis, I examine the published and unpublished works of Chas Lotter, a soldier who fought in the Rhodesian Army during the Zimbabwean liberation war (1965- 1980). In investigating Lotter's artistic record of this war, I propose that a powerful, socially embedded Rhodesian national mythology was a catalyst for acceptance of, and participation in, the Rhodesian regime's ideological and military aims. A variety of postcolonial theoretical approaches will be used to explore the range of thematic concerns that emerge and to unpack the dilemmas experienced by a soldier-poet who took part in that conflict. Trauma theory, too, will be drawn upon to critically respond to the personal impact that participation in organized violence has upon combatants and non-combatants alike. The production and marketing of this cultural record will also be examined and in the conclusion, I speculate on the changes modern technology and evolving social mores may have on future developments in war literature. Finally, I conclude my case for installing the challenging work of this often conflicted and contradictory soldier-poet as a necessary adjunct to the established canon of Zimbabwean Chimurenga writing.

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Lindeen, Karilyn. "Walt Whitman and the American Civil War: from Wound Dresser to Good Gray Poet." Thesis, Kansas State University, 2016. http://hdl.handle.net/2097/32590.

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Master of Arts<br>Department of History<br>Charles W. Sanders, Jr.<br>Today, Walt Whitman is considered a famous nineteenth-century American poet. At the outbreak of the American Civil War however, he was underrated and underappreciated by American readers. Three editions of his book of poetry, Leaves of Grass, were not received well by American readers and his future in writing looked bleak. This was despite the fact that Whitman’s literary friend, Ralph Waldo Emerson, wrote an encouraging review of the first edition, which Whitman included in the second and third iterations. Ironically, Whitman’s career made a turn for the better when his brother, George Washington Whitman, was reported to be among the wounded or killed in the Battle of Fredericksburg on December 13, 1862. A dedicated family man, Whitman immediately boarded a train in New York and headed for Falmouth, Virginia, to check on his brother’s wellbeing. Whitman visited several makeshift hospitals before coming across Chatham Mansion, the temporary Union Hospital Headquarters. He saw at the base of a tree a pile of human limbs that had been tossed out of a first floor window following amputations. The scene was horrific and he paused to record what he saw in his diary. This experience forever changed Whitman the man and Whitman the poet and the transformation was evident in his subsequent writing, as Whitman first took on the persona of what I have designated as the Wound Dresser and years after the war the Good Gray Poet. This evolution changed the public perception of Whitman, and it occurred in phases. The initial phase was before the war, his work was considered obscene among American society due to his previous publications. The second transformation in Whitman was initiated by fear of personal loss when his brother was listed among the wounded and dead at Fredericksburg and the sight of the amputated limbs at Chatham Mansion. Had Whitman been exposed to the war slowly over time, the effect might not have been so profound, but Chatham was an earth shattering event in his life, as he admitted. The third phase was the result of daily exposure for years to the wounded and dying in the hospitals. He developed a personal connection with the men and was determined to stay with them, despite direct orders from hospital doctors that he should return home for his own physical and emotional recovery. His experience in the hospitals had transformed from a middle aged healthy man to a frail and brittle shell, evident in photographs of him during these years. The final phase was marked by the transformation in his writing. It was in this phase that Whitman created the most memorable and remarkable Civil War poetry that is still celebrated today. It was this poetry that caused American’s to revere him as the “Good Gray Poet.”

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MAGGIONI, ERICA. ""SNOW IS A STRANGE WHITE WORD". POESIA E PITTURA NELL'OPERA DI ISAAC ROSENBERG, WAR POET (1890-1918)." Doctoral thesis, Università Cattolica del Sacro Cuore, 2017. http://hdl.handle.net/10280/24612.

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La tesi studia l’opera del war poet inglese Isaac Rosenberg (1890-1918) con l’obiettivo principale di analizzare l’influenza della sua formazione pittorica sulla produzione poetica, un aspetto che, seppur generalmente riconosciuto, è stato poco approfondito dalla critica. I primi tre capitoli esaminano il contesto sociale, culturale e artistico in cui Rosenberg visse prima di arruolarsi nell’esercito; in particolare, viene presentata la comunità ebraica dell’East End di Londra, il suo coinvolgimento nella Prima Guerra Mondiale, la scena artistica di inizio ventesimo secolo. Lo studio considera anche la scuola d’arte da lui frequentata, la Slade, la sua limitata produzione pittorica e le sue riflessioni di estetica, contenute nelle lettere e nella prosa. Il quarto capitolo, fulcro della tesi, propone un’analisi dei testi poetici che mira a evidenziare come il poeta abbia sfruttato l’esperienza di pittore nella scrittura, specialmente nella war poetry. Tra le strategie identificate, vi sono l’utilizzo simbolico dei colori, l’imagery relativa a luce e buio, l’adozione di una particolare prospettiva, la commistione tra astratto e concreto. Tali tecniche vengono lette come tentativi di rispondere alla difficoltà di rappresentazione e comunicazione dell’esperienza bellica.<br>The thesis studies the works of English war poet Isaac Rosenberg (1890-1918) with the main aim of analysing the influence of his pictorial training on his poetic production, an aspect which has been generally acknowledged, but scarcely investigated by critics. The first three chapters examine the social, cultural and artistic context in which Rosenberg lived before enlisting in the army; in particular, the focus is on the Jewish community of London’s East End, the involvement in the First World War, and the art scene of the early Twentieth century. The study also considers the art school he attended, the Slade, his limited pictorial production, and his thoughts on aesthetics, as included in the letters and prose. The fourth chapter, core of the thesis, proposes an analysis of the poems which aims to show how Rosenberg exploited his experience as a painter in his writing, especially in the war poetry. Among the identified strategies are the symbolic use of colours, the imagery related to light and shadow, the adoption of a particular perspective, the fusion of abstract and concrete. These techniques are seen as attempts to respond to the difficulty of representing and communicating war experience.

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Al-Athari, Lamees. ""This rhythm does not please me" : women protest war in Dunya Mikhail's poetry." Thesis, Manhattan, Kan. : Kansas State University, 2008. http://hdl.handle.net/2097/865.

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Kong, Xueying. "Change and Un-change: Bian Zhilin’s Struggles in the War Time, 1937-1958." The Ohio State University, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=osu148043197617731.

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Kaufman, Amanda Christine. "A System of Aesthetics: Emily Dickinson's Civil War Poetry." University of Toledo Honors Theses / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=uthonors1292535978.

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Yard, James Craig. "The "War between the Mind and Sky": The Poet, the Soldier, and the Centrality of the Epilogue to "Notes toward a Supreme Fiction"." W&M ScholarWorks, 1997. https://scholarworks.wm.edu/etd/1539626110.

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Olsson, Carl. "The Poet as Hero : A Study of the Clash Between the Hero and the First World War in British Trench Poetry, and Its Use in the Swedish School System Within the Subject of English." Thesis, Linnéuniversitetet, Institutionen för språk (SPR), 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-76592.

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This thesis studies the clash between the hero and the First World War in the works of Rupert Brooke, Siegfried Sassoon and Wilfred Owen. It explores the impact on their poetry and attitude towards the concept of the hero as it applied to them as people and poets. The study shows that over prolonged contact with the horrors of the First World War, it is evident in both literary sources and their poetry that both Sassoon and Owen changed their attitudes negatively towards both the idea of heroes and heroism, as well as the War as a just and glorious cause. However, the myth of the hero was still a core belief of their society, and in order to not be branded cowards and discarded along with their warnings, they had to become heroes in the eyes of their society, to openly attack the concept and the war it fueled. This thesis then studies how and why First World War poetry and literature should be utilized within the subject of English in the Swedish School System, as a means to provide a multicultural and critical education.

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Books on the topic "War Poet"

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War poet. Carcanet, 2014.

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Owen the poet. Macmillan, 1986.

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Hibberd, Dominic. Owen the poet. University of Georgia Press, 1986.

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Charles, Hobday. Edgell Rickword: A poet at war. Carcanet, 1989.

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Hobday, Charles. Edgell Rickword: A poet at war. Carcanet, 1989.

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Boden, Anthony. F.W. Harvey, soldier, poet. A. Sutton, 1988.

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Boden, Anthony. F. W. Harvey, soldier, poet. Sutton Pub., 1998.

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My war: Memoir of a young Jewish poet. Syracuse University Press, 2002.

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Edwards, Mark W. Homer: Poet of the Iliad. Johns Hopkins University Press, 1987.

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Thomas, Noel Kennedy. Henry Vaughan: Poet of revelation. Churchman Pub., 1986.

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Book chapters on the topic "War Poet"

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Hibberd, Dominic. "Preparing for War." In Owen the Poet. Palgrave Macmillan UK, 1986. http://dx.doi.org/10.1007/978-1-349-07698-7_4.

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Hibberd, Dominic. "The Pity of War." In Owen the Poet. Palgrave Macmillan UK, 1986. http://dx.doi.org/10.1007/978-1-349-07698-7_8.

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Cushman, Keith. "Bay: the Noncombatant as War Poet." In The Spirit of D. H. Lawrence. Palgrave Macmillan UK, 1988. http://dx.doi.org/10.1007/978-1-349-06510-3_12.

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Drace-Francis, Alex. "Post-War." In European Identity. Macmillan Education UK, 2013. http://dx.doi.org/10.1007/978-1-137-36819-5_7.

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Footman, David. "Post-War." In Antonin Besse of Aden. Palgrave Macmillan UK, 1986. http://dx.doi.org/10.1007/978-1-349-07731-1_25.

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Miles, Malcolm. "Post-war." In Cities and Literature. Routledge, 2018. http://dx.doi.org/10.4324/9781315414850-8.

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Walker, Marshall. "War and post-war." In The Literature of the United States of America. Macmillan Education UK, 1988. http://dx.doi.org/10.1007/978-1-349-19442-1_8.

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Wiescher, Michael. "War and Post-War." In Arthur E. Haas - The Hidden Pioneer of Quantum Mechanics. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-80606-4_8.

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Alexander, Michael. "From Post-War to Post-War: 1920–55." In A History of English Literature. Macmillan Education UK, 2013. http://dx.doi.org/10.1007/978-1-137-04894-3_14.

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Freeman, John. "Post-War Europe." In Security and the CSCE Process. Palgrave Macmillan UK, 1991. http://dx.doi.org/10.1007/978-1-349-10741-4_2.

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Conference papers on the topic "War Poet"

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Pilav, Armina. "Materiality of commons in the war and post-war city." In University for Business and Technology International Conference. University for Business and Technology, 2017. http://dx.doi.org/10.33107/ubt-ic.2017.28.

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McDonald, John F. "AIRLINE METAMORPHOSIS THE POST-WAR YEARS." In SAE Aerospace Technology Conference and Exposition. SAE International, 1986. http://dx.doi.org/10.4271/861838.

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Khubulova, S. A. "Social Reflections Of Former Civil War Red Partisans In The Post-War Period." In SCTCGM 2018 - Social and Cultural Transformations in the Context of Modern Globalism. Cognitive-Crcs, 2019. http://dx.doi.org/10.15405/epsbs.2019.03.02.289.

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Sarao, Benjamin. "Post Cold War Conversations with Paperclip Scientists." In 45th AIAA Aerospace Sciences Meeting and Exhibit. American Institute of Aeronautics and Astronautics, 2007. http://dx.doi.org/10.2514/6.2007-355.

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Chatterjee, Ranajoy, and Mukti Routray. "A MANET based post-war information retrieval system." In 2015 International Conference on Advanced Computing and Communication Systems (ICACCS). IEEE, 2015. http://dx.doi.org/10.1109/icaccs.2015.7324109.

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Milich, L. N. "Food and wine tourism in post-war Lebanon." In SUSTAINABLE TOURISM 2012. WIT Press, 2012. http://dx.doi.org/10.2495/st120191.

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Ross, Tyler A., and MD Sarder. "Transitioning to post-war supply chain system in Afghanistan." In 2015 Portland International Conference on Management of Engineering and Technology (PICMET). IEEE, 2015. http://dx.doi.org/10.1109/picmet.2015.7273234.

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Bykova Tatyana, Tatyana. "Propaganda Posters In The Soviet Political Post-War Discourse." In WUT 2018 - IX International Conference “Word, Utterance, Text: Cognitive, Pragmatic and Cultural Aspects”. Cognitive-Crcs, 2018. http://dx.doi.org/10.15405/epsbs.2018.04.02.71.

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Bejtullahu, Ferhat. "Architecture in Post War City – State (Republic of Kosova)." In University for Business and Technology International Conference. University for Business and Technology, 2018. http://dx.doi.org/10.33107/ubt-ic.2018.4.

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Freire Bezerra de Sant’Anna, Lara. "The paradigm of Post-War: the construction of a myth." In XXVI World Congress of Philosophy of Law and Social Philosophy. Initia Via, 2015. http://dx.doi.org/10.17931/ivr2013_wg166_04.

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Reports on the topic "War Poet"

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Mendenhall, Robert K. Pre-War Planning for a Post-War Iraq. Defense Technical Information Center, 2005. http://dx.doi.org/10.21236/ada432654.

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Oelrich, I. C. Sizing Post-Cold War Nuclear Forces. Defense Technical Information Center, 2001. http://dx.doi.org/10.21236/ada406668.

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Deverill, Dirk P. THe Post Cold War Maritime Strategy. Defense Technical Information Center, 1992. http://dx.doi.org/10.21236/ada251313.

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Fischer, Timothy P. Post Cold War Nuclear Weapons Policy. Defense Technical Information Center, 2012. http://dx.doi.org/10.21236/ada561483.

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Oelrich, I. C. Sizing Post-Cold War Nuclear Forces. Defense Technical Information Center, 2001. http://dx.doi.org/10.21236/ada408392.

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Arnold, Roy A. Diplomacy in a Post Cold-War World. Defense Technical Information Center, 1998. http://dx.doi.org/10.21236/ada443965.

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Cross, John W. Criteria for Post-War Infrastructure Reconstruction Efforts. Defense Technical Information Center, 2010. http://dx.doi.org/10.21236/ada517910.

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Dixon, Michael J. An Overdue Post-Cold War Army Structure. Defense Technical Information Center, 2004. http://dx.doi.org/10.21236/ada426004.

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Fortunato, Edward T., Claude D. Perkins, and Jr. Ensuring Effective Port Operations During Contingencies and War. Defense Technical Information Center, 1994. http://dx.doi.org/10.21236/ada297204.

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Conley, Dalton, and Jennifer Heerwig. The War at Home: Effects of Vietnam-Era Military Service on Post-War Household Stability. National Bureau of Economic Research, 2011. http://dx.doi.org/10.3386/w16671.

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