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1

Gertrud, Bing, Saxl Fritz 1890-1948, Michels Karen, and Schoell-Glass Charlotte 1951-, eds. Tagebuch der kulturwissenschaftlichen Bibliothek Warburg. Akademie Verlag, 2000.

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2

Cassirer, Panofsky, and Warburg: Symbol, art, and history. Yale University Press, 1989.

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3

Galleries, Courtauld Institute, and Belkin Kristin Lohse, eds. Antiquity unleashed: Aby Warburg, Dürer and Mantegna. The Courtauld Gallery, 2013.

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4

Aby Warburg and anti-semitism: Political perspectives on images and culture. Wayne State University Press, 2008.

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5

Snake dance: Journeys beneath a nuclear sky. Chatto & Windus, 2013.

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6

The remembrance of things past: On Aby M. Warburg and Walter Benjamin. Harrassowitz, 2000.

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7

Memory, metaphor, and Aby Warburg's Atlas of images. Cornell University Press, 2012.

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8

Aby Warburg und Fritz Saxl enträtseln Velázquez: Ein spanisches Intermezzo zum Nachleben der Antike. De Gruyter, 2015.

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9

Ursprungszauber: Zur Rezeption von Hermann Useners Lehre von der religiösen Begriffsbildung. W. de Gruyter, 2003.

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10

Richard, Woodfield, ed. Art history as cultural history: Warburg's projects. G+B Arts International, 2000.

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11

Efal-Lautenschläger, Adi. Aby Warburg. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474423632.003.0023.

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One preliminary point which must be stated regarding Agamben’s relation to the art historian Abraham (‘Aby’) Moritz Warburg (1866–1929) is that this line of questioning is not reducible to problems regarding imagery or ‘visual’ art. Agamben says explicitly that ‘only the myopia of a psychologizing history of Art could have defined [Warburg’s art history] as a “science of the image”’ (ME 53). Although most scholarship on Warburg has indeed viewed the latter’s work as laying the foundations for image and visual studies, in Agamben’s account Warburg ushers the humanities towards another kind of i
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12

(Translator), S. G. Lofts, ed. Essays on Language, Myth, and Art: The Warburg Years. Yale University Press, 2008.

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13

Didi-Huberman, Georges. The Surviving Image : Phantoms of Time and Time of Phantoms: Aby Warburg's History of Art. Penn State University Press, 2018.

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14

Wessels, Antje. Ursprungszauber: Zur Rezeption Von Hermann Useners Lehre Von der Religiösen Begriffsbildung. de Gruyter GmbH, Walter, 2013.

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15

Levine, Emily J. Dreamland of Humanists: Warburg, Cassirer, Panofsky, and the Hamburg School. University of Chicago Press, 2015.

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16

Warburg, Aby, Charlotte Schoell-Glass, and Karen Michels. Gesammelte Schriften, Bd.7, Tagebuch der Kulturwissenschaftlichen Bibliothek Warburg. Akademie-Verlag, 2001.

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17

The Surviving Image : Phantoms of Time and Time of Phantoms: Aby Warburg's History of Art. Penn State University Press, 2016.

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18

Marnham, Patrick. Snake Dance: Journeys Beneath a Nuclear Sky. Penguin Random House, 2013.

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19

Snake Dance: Journeys Beneath a Nuclear Sky. Penguin Random House, 2014.

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20

Levine, Emily J. Dreamland of Humanists: Warburg, Cassirer, Panofsky, and the Hamburg School. University of Chicago Press, 2013.

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21

Dreamland of Humanists: Warburg, Cassirer, Panofsky, and the Hamburg School. University of Chicago Press, 2013.

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22

Levine, Emily J. Dreamland of Humanists: Warburg, Cassirer, Panofsky, and the Hamburg School. University of Chicago Press, 2013.

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23

Hellwig, Karin. Aby Warburg und Fritz Saxl Enträtseln Velázquez: Ein Spanisches Intermezzo Zum Nachleben der Antike. de Gruyter GmbH, Walter, 2015.

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24

Hellwig, Karin. Aby Warburg und Fritz Saxl Enträtseln Velázquez: Ein Spanisches Intermezzo Zum Nachleben der Antike. de Gruyter GmbH, Walter, 2015.

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25

Atlas, or the Anxious Gay Science: How to Carry the World on One's Back? University of Chicago Press, 2018.

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26

Beyond Tradition and Modernity: Aby Warburg and the Public Purposes of Art in Humburg, 1896-1918 (Monographs in German History). Berghahn Books, 2008.

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27

Woodfield, Richard. Art History As Cultural History: Warburg's Projects. Taylor & Francis Group, 2014.

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28

Woodfield, Richard. Art History As Cultural History: Warburg's Projects. Taylor & Francis Group, 2014.

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29

Woodfield, Richard. Art History As Cultural History: Warburg's Projects. Taylor & Francis Group, 2014.

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30

Woodfield, Richard. Art History As Cultural History: Warburg's Projects. Taylor & Francis Group, 2014.

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